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These are some digital sketches of draft logos for the youth group of our church. The guidelines were as follows:
Brand: OSC (One Step Closer)
Mission statement: Students would grow one step closer to Christ and one another
Tag line: Go Deep, Connect, Serve
Youth pastor suggested:
1) Incorporate a picture of a mountain or 3 mountains as steps
2) Have a cross as the "t".
3) Possibly show 2 people helping each other up the mountain
Any feedback is welcome. I've included the original design which they've asked me to redesign for reference. Thanks in advance!
Been meaning to post this for a while...
This one never made it live, but it was something I spent a lot of time on and was pretty proud of. My guess is that @nickf and @ktamura are working on something that captures the current direction of Blue Flavor and I can't wait to see it.
2011-09-18
models: Kara
hair by: Kyle Brit
make up by: Terra James
wardrobe on sale at: Design Archives
location: downtown Greensboro, NC
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Fujichrome Provia 400X 120 film
Acest aranjament cu Spathiphyllum si muschi intr-un bol din sticla face parte din colectia Leaves.
Spathiphyllumul este denumit in engleza si Peace Lily, adica crinul pacii, si este originara din America de Sud. La sfarsitul anilor 80, NASA si ALCA (Associated Landscape Contractors of America) au publicat rezulatele unui studiu comun intitulat NASA Clean Air Study, in care au analizat o serie de plante de interior in vederea folosirii la purificarea aerului din statiile spatiale. Au descoperit astfel ca unele plante pot filtra si curata aerul de diversi compusi organici volatili care sunt toxici. Spre norocul nostru, aceste plante pot filtra si aerul interior din cladirile de pe Pamant. Pe langa absorbtia de bioxid de carbon si eliberarea de oxygen, aceste plante elimina si cantitati semnificative de benzen, formaldehida, tricoletrilena, toluen si xilina. Crinul pacii nu numai ca se afla printre aceste plante, ci si-a dovedit eficienta impotriva majoritatii compusilor volatili analizati.
Toate aranjamentele noastre sunt lucrate manual și individual.
Din 29 martie il gasiti la magazinul Combic din Bucuresti (www.combic.ro)
Political poster designed by A.J.F. Küpper 1927.
The Netherlands has a long history of free speech and graphics played an important role in promoting the various political parties that existed in the Netherlands at the turn of the century.
By the 1920's and 30's. the art moderne style, which had developed out of art nouveau, became an international trend and was the most predominate form used in the Netherlands during this time period.
2011-10-09
model: Kara
hair: MaCray Huff
make up: Lex Ewing
stylist: Liz
wardrobe on sale at: Design Archives
downtown Greensboro, NC
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* Lens
Kodak Portra 400 120 film
teen's bedroom set for waterfall walk house
www.flickr.com/photos/buildingsblockd/albums/721577138721...
the set
IMGP7562f
From the moment it was unveiled, the Jaguar F-TYPE gained global recognition as a great contemporary British design
Bus Livery Design
Any bus company would love to use it please email me...
Take a glimpse on my ACTUAL WORK
Packaging is one of the most important part of product branding . beautiful Packaging Attract more customer it’s means more sales of your product and stands out One step Ahead from your competitors. here we presents some cool packaging designs to inspire yourself . dreamcss.blogspot.com/2009/03/25-best-packaging-design-in...
PSI Forum
Plakatserie - Poster series designed by Annette Kröger 1997.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Published by Hatje Cantz Verlag (I think).
Actually it's the external wall of a rather dingy public toilet block in Portobello, but it's got this very charming mosaic to brighten the place up a bit.
Prominent line design, even for a mirror, shows the artistic freedom available to the designers of a concept car prior to production.
I must have taken 16 images just of this door mirror as an example of the beautiful lines that will, in time, replace our box shaped cars produced today.
Image taken at the Pebble Beach Concours d'Elegance, 2012.
Thanks for viewing. 500px.com/stevecorey
As interior design consultants we created a beautifully designed office space in Portman Square, London, coming in on time and on budget.
Day 254, Saturday, September 11th, 2021
Design Remix
Mom has gotten into watching home interior design shows and clips on YouTube. One of the items on her wishlist was this book, Design Remix. Anna really wanted to give this to her and mom was thrilled to receive it. She and Jenny spent most of the afternoon looking through it (poor mom, one eye at a time… only another week until she gets her second eye surgery). With Jenny getting ready to build her first home, she and mom got lots of design ideas. I think mom has even started a Pinterest board for Jenny, lol! They called me over several times to share the beautiful rooms. This designer definitely has an eye for layering beautiful fabrics, colors, and shapes into a cohesive look.
Nikon D750 | 20mm | f/2.8 | 1/250 | ISO 800 | handheld
Some background:
The Mitsubishi J2M Raiden (雷電, "Thunderbolt") was a single-engined land-based fighter aircraft used by the Imperial Japanese Navy Air Service in World War II. The Allied reporting name was "Jack".
The J2M was designed by Jiro Horikoshi, creator of the A6M Zero, to meet the 14-Shi (14th year of the Showa reign, or 1939) official specification. It was to be a strictly local-defense interceptor, intended to counter the threat of high-altitude bomber raids, and thus relied on speed, climb performance, and armament at the expense of manoeuvrability. The J2M was a sleek, but stubby craft with its oversized Mitsubishi Kasei engine buried behind a long cowling, cooled by an intake fan and connected to the propeller with an extension shaft.
Teething development problems stemming from the Kasei engine cooling system, and the main undercarriage members led to a slowdown in production. The first few produced J2M2s were delivered to the development units in December 1942 but severe problems were encountered with the engines. Trials and improvements took almost a year and the first batch of the serial built J2M2 Model 11 was delivered to 381st Kōkūtai in December 1943. Parallel with the J2M2, production of the J2M3 Raiden Model 21 started. The first J2M3s appeared in October 1943 but deliveries to combat units started at the beginning of February 1944.
Primarily designed to defend against the Boeing B-29 Superfortress, the type was handicapped at high altitude by the lack of a turbocharger. However, its four-cannon armament supplied effective firepower and the use of dive and zoom tactics allowed it to score occasionally. The Raiden made its combat debut in June 1944 during the Battle of the Philippine Sea. Several J2Ms operated from Guam and Saipan and a small number of aircraft were deployed to the Philippines. Later, some J2Ms were based in Chosen airfields, Genzan (Wonsan), Ranan (Nanam), Funei (Nuren), Rashin (Najin) and Konan under Genzan Ku, for defence of these areas and fighting against Soviet Naval Aviation units. Insufficient numbers and the American switch to night bombing in March 1945 limited its effectiveness.
A continual set of modifications resulted in new variants being introduced with the ultimate high-altitude variant, the J2M4 Model 34 flying for the first time in August 1944. It had a 1,420 hp Kasei 23c engine equipped with a turbo supercharger (mounted in the side of the fuselage just behind the engine) that allowed the rated power to be maintained up to 9,100 m (29,900 ft). Two upward-aimed, oblique-firing (aimed at seventy degrees) 20 mm cannons, mounted in the German Schräge Musik style, were fitted behind the cockpit with the four wing cannons retained. Unresolved difficulties with the turbo supercharger caused the project to be terminated after only two experimental J2M4s were built.
A few J2Ms survived the war. Two Raiden of the 381 Kōkūtai were captured in flightworthy condition at Johore in British Malaya and tested by the Allied Technical Air Intelligence Unit - Southeast Asia (ATAIU-SEA for short), a joint RAF-USAAF intelligence unit in charge of investigating Japanese aircraft capabilities. Tests were conducted in Singapore at RAF Seletar air base in late 1945, right after the end of hostilities in the Pacific theatre. The machines were evaluated by Japanese naval aviators under close supervision of RAF officers, and for the trials they received RAF roundels and new tactical codes, “BI-01” and “BI-02”, respectively.
Two other captured J2Ms were examined by the U.S. Technical Air Intelligence Command (TAIC), using 92 octane fuel plus methanol. One machine, an early J2M2 (“Jack11”) achieved a speed of 655 km/h (407 mph) at 5,520 m (17,400 ft), and the other one, a J2M3 (“Jack21”) even reached a top speed of 671 km/h (417 mph) at 4,980 m (16,600 ft).
General characteristics:
Crew: one, pilot
Length: 9.70 m (32 ft 8 in)
Wingspan: 10.80 m (35 ft 5 in)
Height: 3.81 m (13 ft 0 in)
Wing area: 20 m² (216 ft²)
Empty weight: 2,839 kg (6,259 lb)
Loaded weight: 3,211 kg (7,080 lb)
Powerplant:
1× Mitsubishi MK4R-A Kasei 23a 14-cylinder two-row radial engine, 1,379 kW (1,850 hp)
Performance:
Maximum speed: 596km/h (370 mph, 322kt)at 5.450m
Range: 1467 km (912 nmi, 795 mi)
Service ceiling: 11,430 m (37,500 ft)
Rate of climb: 1402 m/min (4,600 ft/min)
Wing loading: 174 kg/m² (35 lb/ft²)
Power/mass: 0.42 kW/kg (0.26 hp/lb)
Armament:
2x Type 99-2 inboard wing-mounted 20x101mmRB cannon with 190 rpg
2x Type 99-1 outboard wing-mounted 20x72mmRB cannon with 210 rpg
2× 60 kg (132 lb) bombs or 2 × 200 L (53 US gal) drop tanks under the outer wings,
or a single, larger drop tank under the fuselage
The kit and its assembly:
This is a real-world build, depicting one of the two J2Ms tested by the RAF in late 1945 at Seletar air base, and an entry to the “Opposites attract” contest of the Arawasi Wild Eagles blog in early 2018, covering warbirds from Japanese and Allied side carrying opposing markings.
The kit is the Hasegawa kit of the J2M3 from 1977, with some cosmetic updates, based on the more detailed Hasegawa 1:48 kit of the J2M3 and taken from that kit's English language instructions for additional information, primarily concerning painting details (see below).
The old, 1:72 Hasegawa Raiden is primitive: the cockpit has only little detail (e. g. blank side walls, moulded side consoles without any surface detail, a single-piece canopy) and the landing gear is pretty basic, too (the wells are bleak, some struts are completely missing an part numbers were moulded into the inside of the covers!). But all these are just minor weaknesses, which were mended with improvisations through white glue, styrene bits and some thin wire - after all, much of this additional work cannot be seen inside of the finished kit.
Nevertheless, the overall fit of this old kit is surprisingly good and it features fine, recessed panel lines. Only little PSR work was necessary, it’s IMHO a very good model basis and basically a pleasant build.
Painting and markings:
The plan to build an ATAIU-SEA Raiden was settled from the start. The original plan was to re-create “BI-01”, but in the course of the build I eventually settled upon the less known “BI-02”, because the more information concerning its sister ships’ outer details I dug up from different sources, the more contradictive things became. Too much input is certainly not helpful!
“BI-01” is better known because it’s the machine you see in the foreground of the aircrafts’ most popular picture, showing both in flight in echelon formation (in B/W). Material for this machine in 1:72 scale is available to modelers through aftermarket decal sheets (PrintScale, MaxModels), and there’s even an OOB option in the form of a Hasegawa “Prisoners of War” kit (even though 1:48 scale), which lets you build “BI-01” or “BI-02” and also comes with the alternative decals for one of the American J2Ms in bare metal livery with “stars & bars”.
My build was based on the relatively new PrintScale decal sheet for the J2M which only allows to create “BI-01” – and a pair of wing roundels is completely missing! But, on the other side, the sheet is not pricey, and model kit building is much about DIY and creative solutions.
From this starting point, things went pretty straightforward, Since the captured aircraft retained its former IJN livery, things were relatively simple. But I wanted to create a worn and makeshift look, inspired by pictures of the ATAIU-SEA aircraft – they looked pretty shaggy!
The cockpit interior was painted in a guesstimate of Mitsubishi’s cockpit green, a mix of Humbrol 159 and 94. The landing gear wells became light grey – I did not use the ModelMaster IJN Grey used on the undersides (see below), but rather a very similar tone in order to create a subtle contrast.
The model’s painting process started with a primer coat of aluminum on the wings’ leading edges and on the fuselage. Next the uniform dark green was applied on the uppers surfaces. In order to come close to the IJN Green used by Mitsubishi, I used Modelmaster’s 2116 (IJN Green from the company’s Authentic line, a relatively dark tone), mixed a little FS 34092 (~3:1 ratio), for a brighter and less bluish hue. A
All paint was applied with a brush, and - on purpose - not 100% evenly, so that some of the aluminum below would still shine through. This effect was further enhanced and fine-tuned with thinner and careful “scrubbing” with a hard, flat brush in the fresh paint, trying to simulate chipped and worn areas. The anti glare panel was painted with a mix of Humbrol 33 and 77, for a dark blue-grey. On the lower surfaces, pure Modelmaster 2115 (IJN GREY) was used, but with less tuning effects.
Once the basic painting was done, I added overpainted hinomaru and other markings, done with RAF Dark Green on the upper and Sky on the lower surfaces – I am not certain whether the real aircraft were painted this way (again, information is corny), but I consider this practice to be plausible, since the ATAIU-SEA machines appear to have otherwise remained in their original colors?
At this stage the yellow ID bands on the wings’ leading edges were added – in a mix of paint (Revell 310, RAL 1028 a.k.a. Lufthansa Yellow, which comes IMHO close to the reddish original tone) and decal sheet.
In the next step, the surfaces received a thin black ink wash and a post-shading treatment through dry-brushing with lighter and uneven variations of the basic tones.
After some corrections and more fine-tuning the decals followed. Most of them came from the PrintScale sheet (beware, they have a VERY thin and have a wobbly carrier film that makes any handling hazardous!), and the missing RAF roundels under the wings came from the scrap box (they actually belong to a post-war Spitfire).
The tactical code was changed into “02 yellow” with more decal parts from the scrap box. This change of color is a courageous interpretation of the real aircrafts’ BW pics, which suggest that the individual aircraft numbers were painted in a slightly darker tone than the white “BI-“ in front of them. The PrintScale sheet suggests the same – and offers modelers the option to alternative use white or yellow numbers.
Once the decals were dry, some more dry-brushing with light grey and aluminum was done, and some panel lines across the markings added with a soft pencil.
Some details of the aircraft are speculative, though. This includes, for instance, the color of the spinner and the front of the propeller blades. The funny thing is that, after I finished the kit, I found photo footage of “BI-02” at Seletar, and it confirms my assumptions and guesses, e .g. the bare metal propeller blade front sides. The green spinner remains uncertain, though. ;-)
Towards the finish line some soot stains around the gun ports and the exhaust stubs were created with grinded graphite, and finally the kit was sealed with acrylic varnish (Italeri). I used a mix of matt and semi-gloss varnish in a roundabout 3:1 ratio, for a sheen finish. Some worn areas were treated with 100% matt varnish, though, adding to the worn look of the aircraft.
This POW J2M3 looks simple, but the painting process was a complex feat. But I am quite happy with the result and the impression the model leaves.
www.cfh.ufsc.br/~oriente/logo_oriente.gif
I've always been a amateur designer (or as you might find more accurate: a wanna-be designer) and when I get to see this kind of "designer" work I immediately become aware of the risk I'm taking by doing things in this amateur way.
This is the result of a amateur designer. (Check the link in the image description: it is supposed to be the website of a Oriental Studies Institute)
omg! Did anyone else have this toy? I just found this today during my game closet cleanout. I got it for Xmas when I was about 6. I loved it! You pick different heads, tops and bottoms put into the left side and rub a rubbing crayon over it, then color them in, etc.
Updated design for my site, www.hellomuller.com — Expanded the grid from 3 columns to 4, to cater for larger images and offer more flexibility with the layout, which I've also given a slight nip & tuck — most notably on the Information and Work index pages.