View allAll Photos Tagged designed
Russian Constructivist film poster utilizing photomontage, designed by Georgi and Vladimar Stenberg 1929.
Charazad Design; Aria's Latex" Fatpack
Outfit top, skirt and sleeves in full-colored, transparent and latex-lace version, belt,harness and heels in full-colored version) wearable with
MaitreyaX, MaitreyaX Petite,
Maitreya, Maitreya Petite,
Legacy, Legacy Perky, Legacy Bombshell,
eBody Reborn, eBody Reborn Waifu,
Inithium Kupra, Inithium Kupra Natural Breasts,
Kalhene Erika,
Belleza GenX Classic, Belleza GenX Curvy
Outfit with 144 different colors and 30 trendcolors 2024, separate changeable
LM of this store:
maps.secondlife.com/.../Cyldane.../35/56/21...
MarketPlace:
The Advance-Design is a light and medium duty truck series by Chevrolet, their first major redesign after WWII. Its GMC counterpart was the GMC New Design. It was billed as a larger, stronger, and sleeker design in comparison to the earlier AK Series. First available on June 28, 1947, these trucks were sold with various minor changes over the years until March 25, 1955, when the Task Force Series trucks replaced the Advance-Design model.
The same basic design family was used for all of its trucks including the Suburban, panel trucks, canopy express, and cab overs. The cab overs used the same basic cab configuration and similar grille but used a shorter and taller hood and different fenders. The unique cab over fenders and hood required a custom cowl area which makes the cab over engine cabs and normal truck cabs incompatible with one another while all truck cabs of all weights interchange.
From 1947 until 1955, Chevrolet trucks were number one in sales in the United States, with rebranded versions sold at GMC locations.
While General Motors used this front end sheet metal, and to a slightly lesser extent the cab, on all of its trucks except for the cab overs, there are three main sizes of this truck: the half-, three-quarter-, and full-ton capacities in short and long wheelbase.
Designed for Transport Festival
2016.07.03.
Regent Street
London, UK
Please visit and like my Facebook page:
Sign designed by Loxton Knight. A Dutch commercial art layout way back in 1925. Our advertising design roots run deeper than we sometimes know.
I would say that this was modernistic, in keeping with Europe's dominant commercial graphic movement at that time.
Part of the 'Greater Design'.
Our Daily Challenge:
BIRDS and (or) SPRINGTIME is the topic for Sunday ~ April 4th, 2021
Designed by Shinnoske, Inc., for the Japan Graphic Design Association National Cultural Assets in Oita 1998.
Taking advantage of some of the improved framing capabilities of Pattern Artist version 3.2. The frame is created from a modified version of the "Between The Holes" pattern, posted a while back.
Poster designed by Christian Küsters, CHK Design, London for the Museum für Gegenwartkunst, Zurich 1998.
From Graphic Design for the 21st Century by Charlotte and Peter Fiell.
"The goal of life is living in agreement with nature" - Zeno
Name: Lemboglossum bictoniense (orchid)
A sad proportion of “art/science” illustrations are more show than tool, evoking but not helping to explain the phenomena that are supposed to be their subjects. This map and variations on it are a distinct counterpoint: they are used daily as a tool by Dick Klavans to determine such things as which areas of science are most closely connected to one another, are most and least intellectually vital, or which scientific areas produce the most patents. Here’s an image on which he and I collaborated (again, with Kevin Boyack’s help & ISI’s data) that discusses the variations in how different nations pursue science.
Interior Design, Home Office Design, Home Studio Design, modern home office
Source - Home Designing Blog
@ Gateshead
It is often controversial when period and contemporary styles of building inhabit the same space. Can it be done successfully and harmoniously? And what of the occasions when elements of modern architecture are incorporated into the renovation of old buildings? For many, these questions can evoke an emotional response; yet it is not usually realistic to stem the tide of progress, nor is it acceptable or desirable to demolish the finest buildings of yesteryear.
One example is the former Baltic Flour Mill on the Gateshead quayside, which forms the brick shell of the building pictured (Centre For Contemporary Arts). Next to it are high rise apartments and it can be seen that efforts have been made to achieve some commonality in design.
100% Design Portfolio
Project: Portfolio of projects
Client: 100% Design
Design office: 100% Design
Developed in partnership with Patrícia Oliveira, Lilian Chiofolo and Tatiana Valiengo
>>
100% Design Portifólio
Projeto: Portifólio de projetos
Cliente: 100% Design
100% Design
Desenvolvido em parceria com Patrícia Oliveira, Lilian Chiofolo e Tatiana Valiengo
>>
vinivieira@uol.com.br