View allAll Photos Tagged depth
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
This one was pulled out - almost literary - from my 2007 archive. Not because I don't have any new stuff to post, but because I was looking for a good candidate that I could use for a new digital landscape painting and I found this.
Back in 2007 I very good remember that this particular image has caused me a serious dilemma, which resulted in a permanent place in my ever growing archive and probably won't ever see the light. But ... for another reason this image left a permanent impression on me which I probably can't explain in words.
The post-processing on this one was minimal! The early morning atmosphere seems to reveal enough depth and details from the foreground to the far back, yet characterized by a soft and peaceful mood.
Still I'm utterly impressed by the impressively extensive Depth of Field these simple point-and-shoots - such as my 5mp Canon S50 - reveal by their tiny lenses and sensors. It also makes me realize more often than I dare to admit why in the hell I need a bigger, heavier and far more expensive camera and ditto lenses, just trying to mimic the extraordinary DoF each point-and-shoot potentially can capture. This particular strenght of a point-and-shoot - which is very important in landscape photography - is also the very reason why I never bothered a dSLR in the first place. I can't stress enough that all my images - partly until 2008 - were just shot with a rather simple Canon S50. Simplicity works, at least for me!
Post-processing notes
The fence was 10% dodged in lightroom, together with the foremost stump of the tree in the middle and some wheat helping the eye lead to the lighted horizon between the dike and tree.
Camera & exposure
Camera: Canon S50
Lens: -
f/6.3 - 1/250 sec - 8.6mm - ISO-50
Explore #189, Oct 7, 2009
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
So I was helping Linda in the garden and was clearing out some debris from under the thujas when I noticed I had some nice visitors there. This Chlorochroa juniperina shiled bug and a couple of buddies were hanging out there and blending in quite well with their yellow and green camo.
Since this species can't be found in the UK, it doesn't have an English vernacular name. The Swedish name however, translates into "green juniper shieldbug" which along with the scientific name for the species, "juniperiana" makes me think they really like juniper trees. Perhaps the Thuja in our garden was close enough that they liked it.
This one stayed still enough for me to do a three exposure focus stack for some extra depth of field and compile them using Zerene Stacker.
I suppose I could've been more helpful with the garden though...
The Grand Canyon is 277 miles (446 km) long, up to 18 miles (29 km) wide and attains a depth of over a mile!!!!!
Several layers of clover makes up the depth of the photo. Photographed in black and white gives a more prominent appeal to the eye.
Leica M Monochrom (Typ 246)
Summicron-M 50mm Æ’/2.0 (mk IV)
Leica Yellow 1 filter
Street Photography
London, UK
This is Buddy, a female red squirrel at the base of a large tree. I like the depth in this image and how her beautiful colors shine in the sun (Squirrels-2020-1338.jpg)
I see a depth in this flower that called out to me while the others in the pond had their own draw about them. This to me is dramatic and sometimes I need a little drama, lol
Made EXPLORE Oct. 5, 2011
View in Black
Collab photography with João Bacalhau. Inspired by the music: Ben Howard - Depth Over Distance
www.youtube.com/watch?v=phktiVZqUbQ
See his interpretation here: www.flickr.com/photos/openyrmind/15414083402/
:)