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A surreal bioluminescent alien entity standing in a shadowy, otherworldly environment. The creature has a soft, organic body with octopus-like limbs and layered, coral-textured skin in teal, violet, and deep sea green hues. Embedded throughout its form are glowing, lens-like orbs radiating magenta and amber light. Its head is a translucent dome containing a cracked, molten core glowing like liquid fire. Ultra-high detail, cinematic lighting, shallow depth of field, dark sci-fi atmosphere, hyper-realistic textures, and an eerie yet majestic presence.
"Its coursing through my veins now, I give myself to the flame.
I'm beyond the helping hand now, you are the one I now blame.
Violence and anger merge together, crowning my head with shame.
I ignore the voice that soothes and your destruction I do proclaim." -Anna Valeriya
Long coloured poles are used to test the depth of the River Irrawaddy in Lower Myanmar in order to plot channels through the sandbanks.
The photo gives a basic understanding of the regular chores of the fishing community of Hogganekkal.
In an age where everything is very instant. I love the wait to find out how a shot has come out. Taken on my Nikon FM2.
"Depth Perception:" Aldous Huxley has stated, "There are things known and there are things unknown, and in between are the doors of perception." Looking into this scene, it became difficult for me to tell the depth of the water; some of the submerged rocks were visible below the surface, but the reflections from the trees and rocks above began to play tricks on my eyes. I did end up crossing the creek and found the deepness varied with the undulating terrain below.
“Depth of friendship does not depend on length of acquaintance.”
(Rabindranath Tagore - Indian Poet, Won the Nobel Prize for Literature in 1913, 1861-1941)
Last morning I my friend Abhishek picked me up early and we went to see the sunset on the Ganges.
There was an amazing light, sometimes the holy waterswere taking silver shades, sometimes golden ones.
Those days people come early to the ghats in order to bath or to feel a kind of freshness before the unbearable heat of the day.
Those two friends seemed to enjoy swiming together, it was the begining of a nice day with happiness...
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Exposure 0.001 sec (1/1000)
Aperture f/1.8
Focal Length 135 mm
ISO Speed 200
It seems to be two steps forward and one step back. I am holding onto hope and faith.
I sure do appreciate all your thoughts, prayers and kind words. You are such an encouraging community.
D is for depth of field FILM26
Canon
85 mm
Kodak 400ISO film
A blossom of returning light,
An April flower of sun and dew;
The earth and sky, the day and night
Are melted in her depth of blue!
- Dora Read Goodale
Playing around with depth of field and trying to get the sharpest focus that I can with the 50 mm lens.
Some of the huge Comice pears that are grown in the Rogue Valley in southern Oregon. Not completely perfect on the outside, but so tasty and juicy on the inside.
I did not take the best angle because I did not want to move around those girls in an uncomfortable position for them.
They were waitresses at a Chengdu restaurant owned by a friend of mine. I took some shots for them. The waitresses were not part of the deal. :)
The Virgin River in Utah cut into the Colorado plateau to a depth of 1000 m. The anabranches of this river additionally cut the Zion area into three regions by forming deep and narrow canyons. Here, the walls form a slot canyon in that daylight gets only by indirect reflected light. The red sandstone is of Jurassic age and contains trace fossils of dinosaurs. This is not only the most beautiful anabranch of the Virgin River but also the most difficult part to reach in Zion Canyon. This barely reachable log is deeply hidden within the twists of the Subway Canyon. The indirect reflected light touches the scenery with a mystical almost unreal light.
June 2005
Canon 20D, EF-S 10-22mm, f/22, 1/4sec, ISO 100, tripod
More information:
Where Geoscience Meets Art
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Der Virgin River in Utah hat sich bis zu 1000 m tief in das Colorado-Plateau eingeschnitten. Die Seitenarme dieses Flusses haben die Gegend in drei Teile zerschnitten und teilweise zu extrem engen und tiefen Canyons ausgeformt. Hier stehen die Wände so eng zusammen, dass das Tageslicht nur noch durch Reflektion indirekt die Wände erreicht. Der rote Sandstein stammt aus dem Jura und birgt Spuren von Dinosauriern. Dieser Seitenarm des Virgin ist der schönste und am schwierigsten erreichbare Teil des Zion Canyons. Tief in den Windungen der Subway verborgen, steht dieser fast unerreichbare Baumstamm. Das indirekte, reflektierte Licht taucht die Szenerie in ein mystisches, fast unwirkliches Licht.
Juni 2005
Canon 20D, EF-S 10-22mm, f/22, 1/4 Sek, 100 ASA, Stativ
Mehr Information:
Where Geoscience Meets Art