View allAll Photos Tagged cs5
My attempts to photograph the moon to celebrate the Mid Autumn Festival were not very successful but the one where a tree got in the way was more interesting, so I just cropped it and added colour to the moon.
Sony Nex-7 + Carl Zeiss Contax G Sonnar T* 90mm f/2.8 + CS5 Extended
Psalm 119:105 - Your word is a lamp to my feet and a light for my path.
詩篇 119:105 - 你的話是我腳前的燈,是我路上的光.
*No more ridiculously bright borders...for now! XD
Only managed to collect 60 minutes in both the oxygen & sulphur channels and 120 mins in hydrogen so far, still needs a good amount more exposure time. Watch this space for further updates!
Orion ED80T CF & Atik 314l+
Processed in Pixinsight & CS5
Again a shot of my Grans two young Labradors from her garden with Murphy at the front and Bailey at the back, i again used Lightroom to edit the photo to give it a different look, please express your opinions and tell me what you think! Thanks.
Also thanks for 1,000 Photostream views!
Collage w/ some added drawing. Yes, I know, I suck at drawing. But, the amount of suckage in this piece actually makes me giddy.
A shot i captured in the countryside in Warwickshire, i then gave it the monochrome effect and added a warming filter in Photoshop, please express your opinion!
second star trails photo, they are addicting, iso 640, f4, 43 two minute exposures layerd in cs5, was suppose to be 90 exposures but the shutter release cable came out half way through
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Explored!- thank you all so much:)
Details- if you wanna see anything, check it out :)
So obviously another one from the warrior shoot :) truth is in the camera i didnt like any of these and the 2 i actually did like i ended up hating once i saw them on the computer. This is the first time i have liked more thna one from photo from a shoot :) sorry about the spam! There is one more i think i may like if not it will be in comments somewhere... but who knows:)
Q&A Are these my eyes? haha yes, they are. I do not know how to do awesome editing like that i tried to in my Ghost Of Our Past photo... didnt turn out anywhere near how i wanted it. So yeah (: lol.
Cimetiere Saint-Charles Québec 2015/12 / Saint-Charles cemetery Quebec city 2015/12
Nkon F100
Nikkor 50mm f:1/4
Kodak tri-X@800
Kodak D76 (stock)
NIkon coolscan LS5000
Silverfast
CS5 : Contrast and unsharp mask
Cristal Buildings
259th Day
Trying to catch one cristal of snow
Canon EOS 7D & Canon EF 100mm f/2.8 L Macro IS USM
Post Production with Lightroom 3.3 & Photoshop CS5
©2012, Stefano Minella Photo
Stefano Minella | Photographer WebSite
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Stefano_Minella on Twitter
então o ruben pediu essa do mac pra mim no comentario da outra blend a da demi, prometi que ia fazer pra ele, e fiquei um bom tempo pra fazer a tipografia que ficou cagada ja de cara, mostrei no emi e ele gostou.
então é isso, espero que tu goste urso, apesar de ja ter visto <3.
e a proposito usei metade do trat do psd do andré da blend da agrião, e uma par de coisa que tinha no psd tbm, e pra quem não entendeu aquilo nos creditos é um skate q.
© 2013 Thousand Word Images by Dustin Abbott
Here's the bad news: tomorrow, April 12th, has a massive snowstorm forecast. Ugghh! I guess this is a valid excuse to post a few more of my winter shots. I have a whole catalog of hundreds of images that have not yet seen the light of day. So, here is a reluctant celebration of snow. If you can't beat 'em...
Technical info: Canon EOS 6D, Canon EF 17-40L, Hoya Circular Polarizer, Processed in Adobe Lightroom 4 and Adobe Photoshop CS5
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As with the previous mushroom shot, this image was snapped by my wife somewhere in the Dresden Heide. Note that the map coordinates are approximate ;^)
If you like this shot, check out the other pictures in this small series:
This was my first baby photoshoot. I was so nervous editing them, cause I didn't know exactly what the parents were expecting. For my surprise, they actually love the photos I took, and the way I edited them. I'm so happy for it :D
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Esta fue mi primera sesión de fotos con bebés. Estaba muy nervioso editándolas, porque no sabía exactamente qué estaban esperando los padres. Para mi sorpresa, les encantaron las fotos que saqué, y la forma en que las edité. Estoy muy feliz por ello :D
Thank you so much for watching. Have a nice day/evening/night♥.
Day 139/365.
Edit in photoshop CS5.
Lighting info:
Natural Light.
Jour de repos aujourd'hui donc photos !! Petite balade le long de l'Isère ce matin pour faire quelques poses longues et surtout tester une technique que je n'est jamais utilisée : le DRI ! Les résultats sont vraiment cool, beaucoup plus réaliste que du HDR par exemple,c'est mes deux premiers essais alors un peut d'indulgance mdr :) J'en profite pour faire un coup de pub à mon pote David qui m'a beaucoup appris sur cette technique, allez voir sa galerie ca vaut vraiment le coup d'oeil !! :)
Day off today so pictures !! Stroll along the Isere this morning to do some long exposures and especially test a technique that I never used : DRI ! The results are really cool, much more realistic than the HDR for example, that my first two tests, so one can indulge in lol :) I want to do a publicity stunt to my friend David that I really learned about this technique, check out his gallery really worth a look ! :)
My shot :
Location : Grenoble
Time & Date : Friday 25 of March
Camera : Nikon D300s
Lens : Sigma 10-20mm f/4-5,6 DC EX HSM
Exif : ƒ/11 | ISO 100 | @ 16mm
Flash/Strobist info : —
Tripod : Manfrotto 190XPRO + head 804RC2
Filter(s) : Hoya ND400 + Cokin gradued ND8 : P121S
Postraitement : aperture / color EFex pro / photoshop CS5 :
DRI of 2 raw braketed at |-2|0| Tonal contrast and saturation of green tones
Toutes vos critiques, commentaires et fav sont les bienvenus !
All criticisms, comments, and fav are welcome !
Si vous souhaitez utiliser une de mes photos merci de me contacter.
If you plan to use one of my picture, thanks to contact me before.
Merci / Thanks
My facebook : Thibault Bevilacqua Photography
Stephenson Quarter, Newcastle upon Tyne, England, UK.
Stephenson Quarter is a 4 hectare building development to the south of Central Station, on the site of the original George Stephenson engineering works where he built The Rocket and other early locomotives. Newcastle City Council purchased the site then has been selling it off in parcels to Silverlink Developments as and when it was ready to erect the various buildings. The date for completion is 2019.
The largest section is the 4-star Crowne Plaza hotel, followed by a 3252 square metre office complex. Other parts include a multi-storey car park, retail units, residential dwellings, and public spaces. Silverlink intends to restore Stephenson's old works in South Street.
• Queen Elizabeth II Metro Bridge was completed in 1978. The queen drove one of the first trains and opened the bridge on 6th November, 1981, nine days before proper services began.
Photographic Information
Taken on 20th April, 2016 at 1053hrs with a Canon EOS 650D digital still camera, through a Canon EF-S 18-55mm (29-88mm in 35mm terms) ƒ/3.5-5.6 zoom lens, and a circular polariser filter, post processed with Adobe Photoshop CS5.
©2016 Tim Pickford-Jones.
Please view Large on Black. Portion of J. Paul Getty Museum, Brentwood, Los Angeles, California. Dec. 26, 2012. Captured with Canon EOS5DIII, Canon EF24-105mm f4L IS USM at 80mm, f 11 @ 1/13 sec., ISO 50. Handheld. Post Processing with CS5. NikSofware Viveza 2, ColorEfex4 and OnOne PhotoTools.
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THANK YOU for looking at my image and making comments. I appreciate your support and feedback.
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© Copyright notice:
© James A. Crawford, All Rights Reserved
All photographs within my flickr account are protected under copyright laws. No photograph shall be copied, reproduced, republished, downloaded, displayed, modified, transmitted, licensed, transferred, sold or distributed or used in any way by any means, without prior written permission from me. This pertains to all my images.
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The Getty Center, in Brentwood, Los Angeles, California, is a campus for the J. Paul Getty Trust founded by oilman J. Paul Getty. The $1.3 billion center, which opened on December 16, 1997, is also well known for its architecture, gardens, and views overlooking Los Angeles. The center sits atop a hill connected to a visitors' parking garage at the bottom of the hill by a three-car, cable-pulled tram. The center draws 1.3 million visitors annually.
It is one of two locations of the J. Paul Getty Museum. This branch of the museum specializes in "pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, and decorative arts; and 19th- and 20th-century American and European photographs". Among the works on display is the painting Irises by Vincent van Gogh. Besides the museum, the center's buildings house the Getty Research Institute(GRI), the Getty Conservation Institute, the Getty Foundation, and the administrative offices of the J. Paul Getty Trust, which owns and operates the center. The center also has outdoor sculptures displayed on terraces and in gardens. Designed by architect Richard Meier, the campus includes a central garden designed by artist Robert Irwin. GRI's separate building contains a research library with over 900,000 volumes and two million photographs of art and architecture. The center's design included special provisions to address concerns regarding earthquakes and fires.
Location and history
Originally, the Getty Museum started in J. Paul Getty's house located in Pacific Palisades in 1954. He expanded the house with a museum wing. In the 1970s, Getty built a replica of an Italian villa on his home's property to better house his collection, which opened in 1974. After Getty's death in 1976, the entire property was turned over to the Getty Trust for museum purposes. However, the collection outgrew the site, which has since been renamed the Getty Villa, and management sought a location more accessible to Los Angeles. The purchase of the land upon which the center is located, a campus of 24 acres (9.7 ha) on a 110-acre (45 ha) site in the Santa Monica Mountains above Interstate 405, surrounded by 600 acres (240 ha) kept in a natural state, was announced in 1983. The site cost $25 million. The top of the hill is 900 feet (270 m) above I-405, high enough that on a clear day it is possible to see not only the Los Angeles skyline but also the San Bernardino Mountains and San Gabriel Mountains to the east as well as the Pacific Ocean to the west.
In 1984, Richard Meier was chosen to be the architect of the center. After an extensive conditional-use permit process, construction by the Hathaway Dinwiddie Construction Company began in August 1989. The construction was significantly delayed, with the planned completion date moved from 1988 to 1995 (as of 1990). By 1995, however, the campus was described as only "more than halfway complete".
The center finally opened to the public on December 16, 1997. Although the total project cost was estimated to be $350 million as of 1990, it was later estimated to be $1.3 billion. After the center opened, the villa closed for extensive renovations and reopened on January 28, 2006, to focus on the arts and cultures of ancient Greece, Rome, and Etruria. Currently, the museum displays collections at both the Getty Center and the Getty Villa in Pacific Palisades.
In 2005, after a series of articles in the Los Angeles Times about the spending practices of the Getty Trust and its then-president Dr. Barry Munitz, the California Attorney General conducted an investigation of the Getty Trust and found that no laws had been broken. The trust agreed to appoint an outside monitor to review future expenditures. The Getty Trust experienced financial difficulties in 2008 and 2009 and cut 205 of 1,487 budgeted staff positions to reduce expenses. Although the Getty Trust endowment reached $6.4 billion in 2007, it dropped to $4.5 billion in 2009.
Architecture
Meier has exploited the two naturally-occurring ridges (which diverge at a 22.5 degree angle) by overlaying two grids along these axes. These grids serve to define the space of the campus while dividing the import of the buildings on it. Along one axis lie the galleries and along the other axis lie the administrative buildings. Meier emphasized the two competing grids by constructing strong view lines through the campus. The main north-south axis starts with the helipad, then includes a narrow walkway between the auditorium and north buildings, continues past the elevator kiosk to the tram station, through the rotunda, past the walls and support columns of the exhibitions pavilion, and finally the ramp besides the west pavilion and the central garden. Its corresponding east-west visual axis starts with the edge of the scholar's wing of the Getty Research Institute (GRI), the walkway between the central garden and the GRI, the overlook to the azalea pool in the central garden, the walkway between the central garden and the west pavilion, and finally the north wall of the west pavilion and the courtyard between the south and east pavilions.
The main axes of the museum grid that is offset by 22.5 degrees begins with the arrival plaza, carries through the edge of the stairs up to the main entrance, aligns with the columns supporting the rotunda as well as the center point of the rotunda, aligns with travertine benches in the courtyard between the pavilions, includes a narrow walkway between the west and south pavilions, a staircase down to the cactus garden and ends in the garden. The corresponding cross axis starts with the center point of the circle forming the GRI library garden, then passing to the center of the entrance rotunda, and aligning with the south wall of the rotunda building. Although all of the museum is aligned on these alternative axes, portions of the exhibitions pavilion and the east pavilion are aligned on the true north-south axis as a reminder that both grids are present in the campus.
The primary grid structure is a 30-inch (760 mm) square; most wall and floor elements are 30-inch (760 mm) squares or some derivative thereof. The buildings at the Getty Center are made from concrete and steel with either travertine or aluminium cladding. Around 1,200,000 square feet (110,000 m2) of travertine was used to build the center.
Throughout the campus, numerous fountains provide white noise as a background. The initial design has remained intact; however benches and fences have been installed around the plaza fountains to discourage visitors from wading into the pools. Some additional revisions have been made in deference to the Americans with Disabilities Act.
The north promontory is anchored by a circular grass area, which serves as a heliport in case of emergencies, and the south promontory is anchored by a succulent plant and cactus garden. The complex is also encircled by access roads that lead to loading docks and staff parking garages on both the west and east sides of the buildings. The hillside around the complex has been planted with California Live Oak (Quercus agrifolia) trees.
The museum has a seven-story deep underground parking garage with over 1,200 parking spaces. Its roof has an outdoor sculpture garden. An automated three-car, cable-pulled tram takes passengers between the parking garage at the bottom of the hill and the museum at the top of the hill.
Excerpts sourced from Wikipedia.
The balance in the original version of this image was not pleasing, so I did some stretching and warping for better effect.
What's in my bag? (After 132 Days)
132nd Day
And here it is "What's in my bag" after 132 days of project :) My gears still growing!! :D eheheh
Canon EOS 500D & Canon EF 24-105mm f/4 L IS USM
Post Production with Lightroom 3.3 & Photoshop CS5
©2011, Stefano Minella Photo
Stefano Minella | Photographer WebSite
Stefano Minella | Photographer on Facebook
Stefano_Minella on Twitter
My mother turn 88 this year. These are the hands that held me, comforted me, and supported me these many years.
This was for an assignment where we tried to make photos in the "pictorialist" tradition.
Search Google pictures for "pictorialist photography" to see examples of what we were trying for.
For this photo, I used the "lens blur" feature of Photoshop CS5, plus a texture layer, and a graded color layer.
PICT9011b
Please view Large on Black. Oceano Dunes State Park, California. Color Film Capture (Circa early 1990's) Canon Ftb. Scanned with Nikon Super CoolScan 9000ED. Post Processing with CS5, ColorEfexPro 3.0 (Tonal Contrast), ColorEfexPro4.0 ( Big Sky) and SilverEfexPro ( Blue Filter,
Kodak100TMaxPro), OnOne PhotoTools (Green Velvet), Viveza2, Dfine2.0.
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THANK YOU for looking at my image and making any comments. I really appreciate all your support and feedback.
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© Copyright notice:
© James A. Crawford, All Rights Reserved
All photographs within my flickr account are protected under copyright laws. No photograph shall be copied, reproduced, republished, downloaded, displayed, modified, transmitted, licensed, transferred, sold or distributed or used in any way by any means, without prior written permission from me. This pertains to all my images.
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Some of the images i shot as second shooter for a wedding during the summer which was a lot of fun! i was in a sepia mood when going through these :)
Uma pintura que demorei , 7 horas para fazer , todo detalhe bem trabalhado , para ter o mínimo de erros possíveis .
2 dias , por volta , para finalização completa .
Segue a imagem original no comentário a seguir , obg guys , quem puder avalie ou comente ou fave , faça oque assim desejar .
Créditos aos cabelos usados para : vikkigothangel.deviantart.com/
// DONT REMOVE CREDITS .
Copyright © LSAMM /
All rights reserved.
Please view Large on Black. Old dead oak tree on Bitterwater Road, California Valley, California. Oct. 19, 2012. Captured with Canon EOS5DIII, Canon EF16-35mm f2.8L IS USM at 23mm, f 11 @ 1/100., ISO 50. On a Photo excursion with Bob Canepa. Post Processing with CS5. OnOne PhotoTools 2.6 (Green Velvet), NikSofware ColorEfexPro 3.0 (Tonal Contrast), ColorEfexPro 4.0 (Graduated Filters), (Dfine 2.0 and SilverEfexPro2.
****************************************************************************************************
THANK YOU for looking at my image and making comments. I appreciate your support and feedback.
*************************************************************************************************
© Copyright notice:
© James A. Crawford, All Rights Reserved
All photographs within my flickr account are protected under copyright laws. No photograph shall be copied, reproduced, republished, downloaded, displayed, modified, transmitted, licensed, transferred, sold or distributed or used in any way by any means, without prior written permission from me. This pertains to all my images.
****************************************************************************************************
Canon EOS 550D with Tamron 17-50mm f:/2,8. Panorama merged in Photoshop CS5 from 9 frames (45 handheld shots at f:/8 1/60s, 1/125s, 1/250s, 1/500s and 1/1000s @17mm). Processed to HDR in Photomatix Pro.
Vuelta a Pisa tras cinco años. En aquella ocasión, Aritz apenas tenía un par de meses y Asier se quedó con las ganas de subir a la Torre Inclinada, pues no tenía la edad mínima. Esta vez dio la casualidad de que el viaje del Departamento de Italiano de la EOI Terrassa nos daba la oportunidad de celebrar el 10º aniversario de Asier por todo lo alto (nunca mejor dicho). A pesar de que teníamos los billetes desde hacía cuatro meses, supimos mantener el secreto hasta prácticamente la puerta de embarque y Asier se llevó una sorpresa mayúscula. Después, Pisa hizo el resto para hacer que el fin de semana fuera inolvidable...
Come back to Pisa after five years. Last time, Aritz was just two months old and Asier was absolutely disappointed as he wasn't allowed to climb the Leaning Tower, as he was too young. We were lucky that this year the Italian Dept. of the EOI Terrassa organized a trip to Pisa, so we cpuld celebrate Asier's 10th birthday there. Although we had the airtickets since Xmas, we succeeded to keep the secret until almost the boarding gate and the surprise for Asier was absolutely thrilling. Afterwards Pisa did the rest for an unforgettable family weekend...
Large dusty vista in Taurus containing Vdb 27, LBN 777, etc.. Taken at the Okie Tex star party 2010
FSQ 106EDX f/3.6
STL11000M -20C
LRGB 150,30,30,30
CCDStack, PixInsight, CS5
MAN I LOVE PHOTOSHOOP
hi,
im nick and im at day 19 please tell me this is good so im not the only one.
deuces.
First time imaging this target, it has plenty of signal in the bubble with some wispy nebulosity around it to tease out. Imaged under a bright moon, with some pretty strong winds and damp sky conditions, 3.5 hours exposure time using the 3nm Astrodon Ha filter.
Imaging equipment Altair Astro 6" RC and Atik 314l+, processed in Pixinsight and CS5.
based off this [www.flickr.com/photos/76504096@N07/8702769433/in/photostr...]
Credit to Beck for rail shading
Window shop in Riga, Latvia
Nikon D90, Tamron 18-200
HDR, 3 shots +/-2ev
Photomatix, Neat Image, Topaz, Photoshop CS5
Québec / Quebec City 2015/08/01
Loved the vintage look.
Nikon D700
Micro nikkor 105mm
CS5 : Contrast and unsharp mask
1/160sec-F/9.0-ISO100-RAW-14mm
5 exp (+4 +2 0 -2 -4)
edit in Photomatix-lightroom & Photoshop CS5
Madrid's Royal Palace was built in the 18th century, by order of Philip V, on the site of the old Alcázar fortress, a former Moorish castle. Sachetti began the works in 1738, and the building was completed in 1764. Sabatini designed the southeast wing and the great staircase, or staircase of honour. It has a square floor plan with a large central courtyard. The Puerta del Príncipe doorway on the east side gives access to the central courtyard. The Sabatini and Campo del Moro Gardens are among the Palace’s other attractions, as well as its several different façades. There some debate as to its artistic style; it is thought by some experts to belong more to the Baroque, and by others to the Neo-classical style. Of particular note among its numerous rooms are the Royal Guards' Room, the Columns Room, the Hall of Mirrors and King Charles III’s room, amongst others. It also contains paintings by Velázquez, Goya, Rubens, El Greco and Caravaggio.
Hope you like it, please fave if you do :)
Best viewed large on black, to do so press L on your keyboard or click the photo with your mouse.
-THANKS-
info from: www.spain.info/en/conoce/monumentos/madrid/palacio_real.html