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This is an improved version of this video of mine: www.flickr.com/photos/josh-rokman/14689376506/in/set-7215...

 

For the original video, I had to move fast to capture the dragonfly before it flew off and I did not have my tripod handy, so I shot the video handheld. This created a great deal of shakiness in the video. For this version, I used Muvee 'Turbo Video Stabilizer' software to stabilize the video, and then I put it back in Photoshop to put a box around the video to make up for the reduction in resolution as a result of the stabilization process and added some crossfading scene transitions as well.

 

The song here is an original creation of mine called "Glass Rainforest". You can check it out here: soundcloud.com/josh-rokman/glass-rainforest

 

- Josh

 

Istanbul IST.

 

Hardly a reason to comment, as your viewing is pleasure enough

 

"Words are sometimes superfluous"

 

In the rare occasion that you, the viewer, wishes to have some information, do not hesitate to send a F'ingMail... Which U No Who, will endeavor to respond 2 - time allowing...

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You may wish to click to the following:

 

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.

Muse: Sofie Hoflack.

Music: Keane, untitled 1.

washed a bottle and kept it aside. Thought it would dry up in a day or two but the droplets of water did not vanish even after couple of days. Got this capture then!

BOX DATE: 2010

MANUFACTURER: Mattel

DOLLS IN LINE: Abbey; Spectra; Holt; Ghoulia

MISSING ITEMS: Headphones, bag, Crossfade

 

PERSONAL FUN FACT: I have to say that Holt has one of the weirdest outfits in my Monster High collection. It's a mishmash of many different patterns and colors. Plus, when Holt wears this combo, it stands out even more since he has vibrant blue skin and orange, flame hair. His shirt derives inspiration from the yin yang being half black and half white. It compliments the tattoo between his shoulder blades quite nicely for this reason. His pants scream court jester to me because they are striped, but then the bottom portion has a flame design, which reminds me of my Heath doll. And to complete the look, Holt wears this very gaudy red, faux leather type jacket. This is reminiscent of Michael Jackson's red "Thriller" jacket...but an updated version. I can't see this ensemble looking good on pretty much any other Monster High boy doll. The colors all clash, as do the variety of prints. But I will say that Holt pulls this bizarre getup off quite well, and I think it makes quite the statement! I'd love to find some of his tiny plastic accessories in the future--he came with some cool things like headphones, which I can see being very handy/fun.

McCaul Street Looking South, Toronto

 

"'Wish You Were Here' is the title track on Pink Floyd's 1975 album Wish You Were Here. The song's lyrics encompass writer Roger Waters' feelings of alienation from other people. Like most of the album, it refers to former Pink Floyd member Syd Barrett and his breakdown. The main riff came to David Gilmour at home while playing on an acoustic guitar, the riff became something which he continued to play in-between takes at Abbey Road Studios where it caught the attention of Roger Waters. They collaborated to complete the song, as Waters had already written some lyrics. In 2004, the song was ranked #316 on Rolling Stone's list of the 500 Greatest Songs of All Time.

 

In the original album version, the song segues from 'Have a Cigar' as if a radio had been tuned away from one station, through several others (including a radio play and one playing Tchaikovsky's Fourth Symphony), and finally to a new station where 'Wish You Were Here' is beginning. The radio was recorded from Gilmour's car radio. Gilmour performed the intro on a twelve-string guitar, processed to sound like it was playing through an old transistor radio, and then overdubbed a fuller-sounding acoustic guitar solo. This passage was mixed to sound as though the guitarist was sitting in a room, playing along with the radio; it also contains a whine that slowly changes pitch—emulating the heterodyne between two drifting AM radio signals.

 

The intro riff is repeated several times and reprised when Gilmour plays further solos with scat singing accompaniment. At the end of the recorded song, the final solo crossfades with wind sound effects (reminiscent of 'One of These Days' from the 1971 album Meddle), and finally segues into the second section of the multi-part suite 'Shine On You Crazy Diamond'". en.wikipedia.org/wiki/Wish_You_Were_Here_(Pink_Floyd_song)

 

So, so you think you can tell

Heaven from Hell,

Blue skies from pain.

Can you tell a green field

From a cold steel rail?

A smile from a veil?

Do you think you can tell?

 

Did they get you to trade

Your heroes for ghosts?

Hot ashes for trees?

Hot air for a cool breeze?

Cold comfort for change?

Did you exchange

A walk on part in the war,

For a lead role in a cage?

 

How I wish, how I wish you were here.

We're just two lost souls

Swimming in a fish bowl,

Year after year,

Running over the same old ground.

What have we found

The same old fears.

Wish you were here.

 

Miami est. 1896, pop. 2.6MM

 

• Miami population more than doubled 1920-1925 • new businesses attracted to region • Meyer-Kiser Bank of Indiana financed 17-story Classical Revival/Chicago School building on NE 1st St & became principal tenant • bank attracted business of working women w/streetcar ads featuring female bank employee & copy, “I am a woman banker. It is my business to help you women who are wage-earners.”

 

• building faced with white marble, Roman columns, 4 "ugly" eagles along 2nd story ledge that, opined Miami News reporter Agnes Ash, threatened all who entered • figure of justice above door intended to attract law firms for upper floors • one of Miami's first steel frame bldgs w/elevator

 

• opened March 3, 1926 • Miami News: "The entire motif of the architecture of the bank faithfully follows out the Spanish atmosphere and design, even the grating of the tellers’ windows and the wrought iron fence dividing the main banking room from the safe deposit vaults, being done in a dull copper finish, giving them an old, corroded appearance. Henry Behrens of Indianapolis, who executed the mural decorations, and Martin Hampton of Martin L. Hampton associates, who originated the architectural motif, have carried their work through to the last detail, giving to Miami one of the most beautiful and finished banking quarters in the south, in the belief of the bank’s officials."

 

• 6 mos. after opening, Miami struck by Great Miami Hurricane • Meyer-Kiser building among most damaged downtown buildings • “it was in shambles – the most visible victim of a killer hurricane that shattered boom time Miami.” -The Miami News • insurer paid $675,000, largest damage payment in Florida history at the time • though structurally sound, owners decided not to repair top ten floors, anticipating a scarcity of tenants • removed the upper ten stories, topped seventh floor w/cupola •

 

• Meyer-Kiser Bank failed in 1929 stock market crash • building still carries name of now defunct tenant Dade Commonwealth Title & Abstract Co. • after $1MM renovation, 2011, houses The Bank Lounge & Gallery • four different event spaces, Gallery 139, The Vault Room (w/original Meyer-Kiser vault & its 32 ton door), Lotus Garden, & The Capone Room (because gangster/Miami resident Al Capone supposedly banked here) • FacebookThe Bank Takes Over Dade Commonwealth Building -Miami New Times

 

• National Register # 88002991, 1989 • Downtown Miami Historic District, National Register 05001356, 2005

Set list from the show on 8-23 in Little Rock, AR

 

Signed by Ed Sloan, Mitch James, Les Hall and Mark Castillo.

 

"Prove You Wrong"

 

"Starless"

 

"Colors"

 

"Lay Me Down"

 

"Dead Memories"

 

"Already Gone"

 

"Killing Me Inside"

 

"Dear Cocaine"

 

"So Far Away"

 

"Make Me A Believer"

 

"Cold"

digital art by mooyo neimar

  

Tracing an illusion

  

I saw the movie ‘bout the hell made of colors,

The overall painting chapped and divided by shadows

To hide love…

 

Above

The sins of fathers crossfading on their sons,

The multiplied burden that makes us who we are,

Hiding love…

 

Above

The framed sense of freedom, the illusion of possession

The dreams about mirrors, the reflection of dreams…

Hiding love…

 

Above

 

You, the brave and sober

And you, drown in sorrow…

  

I dreamt about the paradise of a primitive sun

All the colors united by just a ray of light…

By love…

 

Above

The bodies intertwined in each others, like roots of an old oak,

The craving for life, the longing for death,

For love…

 

Above

The need of explanations, the Gods booked, just in case

The ego of neutrino, the heartache for the moment of grace,

For love…

 

Above

 

You, the brave and sober

And you, drown in sorrow…

 

mooyo neimar

Monster High Basic Holt Hyde Doll (Wave 1)(Pet Chameleon Crossfade)

With a little 'Vintage'

Edited with free sunshine memory and cross fade actions from www.catchingsand.com

With a little 'Vintage'

With a little 'Vintage'

The large and bright "star" in the center of this image is actually the planet Neptune with its moon Triton appearing very close to the planet at about the eleven o'clock position. At the time this picture was taken Triton was about 14 arc seconds distant from Neptune and had a magnitude of 13.6 (Neptune's magnitude was 7.8, which would make it just over two hundred times brighter than Triton). The next brightest moon of Neptune is called Nereid which at magnitude 19 is probably just beyond the faintest objects recorded in this image.

 

You can use the link to the "World Wide Telescope" that appears in the comment provided by astrometry.net to view this photo against a background provided by the Digitized Sky Survey (use the "Image Crossfade" control to switch between the two images). You can then note that the images of Neptune and Triton are not in the survey (as planetary bodies they are "wandering stars"). The sky survey also shows the true extent of the galaxy PGC 68401 (which appears only as a stellar-like core in my photo, refer to the Flickr image notes).

 

Photographed on the morning of August 27, 2012 with a 5 inch aperture, f/10 telescope and a Sony NEX-5N camera (ISO 3200, a stack of nineteen images each exposed for 10 seconds, producing a total exposure integration time of approximately 3.2 minutes).

 

All rights reserved.

Google Street View is a technology featured in Google Maps and Google Earth that provides panoramic views from positions along many streets in the world. It was launched on May 25, 2007, in several cities in the United States, and has since expanded to include cities and rural areas worldwide.

 

On each of these vehicles there are nine directional cameras for 360° views at a height of about 2.5 metres, GPS units for positioning and three laser range scanners from SICK AG for the measuring of up to 50 meters 180° in the front of the vehicle (the scanners fitted to his car appear not to be SICK scanners). These are used for recording a rough 3D model of the surroundings, enabling faux-3D transitions between distinct panoramas where the environment images are momentarily mapped onto this 3D model while being crossfaded to create an animated perspective change as the user travels from one panorama to another.

 

Privacy advocates have objected to this Google feature, pointing to views found to show men leaving strip clubs, protesters at an abortion clinic, sunbathers in bikinis, and people engaging in activities visible from public property in which they do not wish to be seen publicly. The concerns have led to several temporary bans of Street View in countries around the world. Google maintains that the photos were taken from public property; however, an individual taking pictures of private property using a ladder to gain a view not normally available to a pedestrian would be prosecuted for invasion of privacy or harassment in many jurisdictions worldwide. Google has yet to address this concern. The service also allows users themselves to flag inappropriate or sensitive imagery for Google to review and remove.

 

en.wikipedia.org/wiki/Google_Street_View

THE BEATLES: ED SULLIVAN SHOWS - Mirror Spock

Includes all 1964 thru 1965 appearances - in mono and stereo - chapters for each song!

Here is a review..................

"When I first heard of Mirror Spock remastering the Beatles performances on the Ed Sullivan shows, I thought to myself why? I know some other collectors did too. What else needed to be done that the legit DVD collection didn’t already offer in terms of sound and visual presentation? I already had a clue as to the visual upgrade I could expect by noticing on the back cover of the DVD keepcase, that the screen captures taken from each show, looked extrodinarily clearer than I’ve ever seen. This intrigued me. The disc does not have a paste job on it, rather it appears to be silk screened. Another clue for me as to the work and quality involved. The disc opens up with a beautiful menu that you can access any show, play all, or go to chapters. Works better than most legit pressed DVDs! We are given two choices for the audio: A remastered mono and a stereo presentation.

 

First I choose the mono option and compared it to the legit DVDs. First off, the Mirror Spock plays louder and has more punch to it and is preferable to the legit DVDs mono. The stereo image he created works well enough to sense instrument and vocal seperation. Yes, it works. It’s like quasi stereo probablly, but it does bring out the performances to a different level hearing it sonically this way. It improves your enjoyment ten-fold.

 

Now in regards to the visual quality, I did always think the legit DVD’s looked fuzzy and not clear for something that was supposed to come from the master video tapes. It always disappointed me. As soon as you start viewing Mirror Spock’s—-the jump in clarity stunned me! To me it looks as if he had access to the actual video masters and the legit DVDs now look as if they are old bootleg VHS quality. Sections where there was smear and ghostliness are basically cleaned up. The contrast from camera shot to camera shot is now consistant and scratches and distortions are fixed so that stretched aspect ratios are adjusted. In those cases you have what seems to be a smaller image on the screen with slight black lines on edges. But that’s ok as those shots are now normal ratio. Mirror Spock did cut out the supporting acts and commercials and only Beatles content is left intact; some crossfades are needed to help with the transitions. I can live without the supporting acts and commercials as I have those on the legit DVDs. What’s great about this is that it’s just the Beatles performances. They look clearer and cleaner than anything I’ve ever viewed before from these shows, and the sound is improved and just as good remastered in mono as well as in Mirror Spock stereo.

Engine :

1.499 cc

3 Cylinder

320 Nm @ 3.700 rpm

Electric :

96 kW

250 Nm

Combined :

362 PS @ 5.800 rpm

Vmax : 250 km/h

0-100 km/h : 4,4 sec

1.560 kg

 

Class XIII : Special Display Classes

 

Zoute Concours d'Elegance

The Royal Zoute Golf Club

 

Zoute Grand Prix 2017

Knokke - Zoute

België - Belgium

October 2017

THE BEATLES: SGT PEPPER'S STUDIO SESSIONS 1967 VOL.4 2 CD

Volume 4 of a 5 set collection, these follow the recordings as they happened starting with "When I'm 64" in chrono recording order!

Taken from countless CDS, rockband mogg files and more...it's all here, and never presented this way before - this will leave you

breathless and appreciate the fabs so much more! Includes sessions for Within You Without You, Run Out Groove, Sgt. Pepoper

Reprise, Only a Northern Song and alternate mixes of side one of the LP! April 3 thru April 21, 1967 with 55 songs!

 

DISC SEVEN:

WITHIN YOU AND WITHOUT YOU

April 3

01 SI onto Take 2 - Orchestra - Track 3

02 Instrumental Backing - Anthology 2

03 SI onto Take 1 - Vocals, Sitar) Track 4

April 4

04 Monitor Mix - Purple Chick

05 RM from Take 2 and 3

 

April 7

06 Sgt Pepper With a Little Help From My Friends Crossfade - Mono LP

April 19

07 Sgt Pepper (Reprise) (Take 9 - SFX)

 

ONLY A NORTHERN SONG

April 20

08 S1 onto Take 3 Trumpets, Glockenspiel, Effects

09 S1 onto Take 3 and 11 Vocals, Trumpet, Bass Guitar

April 21

10 RM6

 

RUN OUT GROOVE

April 21

11 RM Take 1

12 RS Rake 1 - Rarities 1980 LP

 

ALTERNATE MIXES - all in stereo unless noted

SGT. PEPPER'S LONELY HEARTS CLUB BAND

WITHA LITTLE HELP FROM MY FRIENDS

13 1967 Monitor Mix - Purple Chick

14 1987 YS LD Stereo Mix

15 1999 YS DVD Mono Mix

16 1999 YS DVD Stereo Mix

17 1999 Front Speakers

18 1999 Center Speaker

19 1999 Back Speakers

20 2012 YS DVD Stereo Mix

21 1996 Anthology LD Mix

22 2003 Anthology DVD Mix

23 2003 Front Speakers

24 2003 Center Speaker

25 Back Speaker

26 1993 Blue Album CD mix

27 1999 YS Songtrack mix

28 2009 Rockband mix

 

DISC EIGHT:

LUCY IN THE SKY WITH DIAMONDS

01 Take 6 Monitor Mix - Purple Chick

02 Take 6 7 8 - Anthology 2 Mix

03 1987 YS LD Stereo Mix

04 1988 Imagine Mix

05 1993 Blue CD Mix

06 1999 YS Songtrack Mix

07 1999 YS DVD Mono Mix

08 1999 YS DVD Stereo Mix

09 1999 YS DVD Front Speakers

10 1999 YS DVD Center Speaker

11 1999 YS DVD Back Speakers

12 2006 Love CD Remix

13 2009 Rockband Mix

14 2012 YS DVD Stereo Mix

 

GETTING BETTER

15 2009 Rockband Mix

 

FIXING A HOLE

16 2009 Rockband Mix

 

SHE'S LEAVING HOME

17 2009 Rockband Mix

 

BEING FOR THE BENEFIT OF MR. KITE!

18 Monitor Mix - Purple Chick

19 1993 Rehearsal Anth Dir Cut

20 Take 7-9 - Anthology 2

21 1996 Anthology LD

22 2003 Anthology DVD

23 2003 DVD Front Speakers

24 2003 DVD Center Speaker

25 2003 DVD Back Speakers

26 2006 Love Remix

27 2009 Rockband Mix

.

 

A Time For Celebration...

 

Christmas (Old English: Crīstesmæsse, meaning "Christ's Mass") is an annual commemoration of the birth of Jesus Christ and a widely observed holiday, celebrated generally on December 25 by millions of people around the world.

 

A feast central to the Christian liturgical year, it closes the Advent season and initiates the twelve days of Christmastide. Christmas is celebrated by an increasing number of non-Christians.

 

Derived from Greek Khrīstos (Χριστός), a translation of Hebrew Māšîaḥ (מָשִׁיחַ), "Messiah"; and mæsse is from Latin missa, the celebration of the Eucharist.

 

- The earliest Hymn and music is: Corde natus ex Parentis -

media.musicasacra.com/pdf/cordenatus.pdf -

 

- With a translation at:

en.wikipedia.org/wiki/Of_the_Father%27s_Heart_Begotten -

 

- For your listening pleasure:

www.youtube.com/watch?v=qirjBJwcjSc

www.hallelujah-chorus.com/audio/hallelujah-chorus-9MB.mp3

 

It is also a time, to consider those less fortunate in our Global Village.

  

“When you meet a man who is broken, pick him up and carry him. When you meet a woman who’s broken, put her all into your arms. 'Cause we don’t know where we come from … we don’t know where we are. ”

― Laurie Anderson

.

 

Hardly a reason to comment, as your viewing is pleasure enough

 

"Words are sometimes superfluous"

 

In the rare occasion that you, the viewer, wishes to have some information, do not hesitate to send a F'ingMail... Which U No Who, will endeavor to respond 2 - time allowing...

.

Try This... U May Like it... just click below:

 

onkala.com/photostream/?photoid=8291472401&photostrea...

.

Jon is having a relaxing morning, which involved booze from the moment we woke up. It was fun being in the cottage.

John scratches it up using his crossfading, tempo-adjusting dj setup.

THE BEATLES ABBEY ROAD 1969 SESSIONS VOL.5 2 CD

Onto Abbey Road - one of the greatest albums the Beatles ever created! This series will cover all the sessions,

with every outtake, studio talk and collect the mixes at the sessions from MOGG files! Along with some new

finds, every track will be pitch corrected, sound levelled and fixed suing no compression! This will delight

everyone's ears - everything is included as of early 2014 finds and research!

August 2 thru August 18 at Abbey Road! Come and Get It with Badfinger, Sun King-Mean Mr Mustard, Because,

The End, Here Comes The Sun, Maxwells Silver Hammer, I Want You, Oh! Darling, You Never Give Me Your Money,

Golden Slumbers-Carry That Weight, Something, John interview with Kenny Everett at Abbey Road, Que Sera Sera

& The Fields Of St Etienne with Paul and Ringo with Mary Hopkin!

155 minutes with 65 songs!

 

DISC NINE:

August 2

Come and Get It - Badfinger Session - Get Your Knickers Off

01 Come and Get It (Take 5 - Paul Vocals)

02 Come and Get It (Take 6 - Paul Vocals)

03-19 Come and Get it Rehearsal Takes 7-23 (No Vocals)

20 Come and Get It (Take 24 Ron Vocals)

21 Come and Get It (Takes 24-27)

22 Come and Get It (Take 28)

23 Come And Get It (Badfinger)

 

August 5

You Never Give Me Your Money Into Sun King

The effects included birds twittering, crickets chirping and bells ringing - mixed later

24 Sun King-Mean Mr Mustard (SI onto Take 35 - SFX Loops Stereo)

25 Because (SI onto Take 16 - Moog Solos TK7-8 Stereo)

26 Because (SI onto Take 16 Backing)

27 Because (Barrett Mix S1 onto Take 16)

28 Because (Take 16 Complete)

29 The End (SI onto Take 7 Vocals 1)

 

Aug 6

30 Here Comes The Sun (S1 onto Take 15 Unused Guitar Solo)

31 Maxwells Silver Hammer (SI onto Take 27 - Moog 1-2-3 Stereo)

32 Maxwells Silver Hammer (Take 21 with S1 Backing)

 

August 7

33 Come Together (S1 onto Take 9 Mixed)

34 The End (Take 7 Backing)

35 The End (Take 7 S1 All Vocals)

36 The End (Take 7 Complete No Lead)

37 The End (Take 7 S1 Lead Guitars)

38 The End (Take 7 Complete Lead Guitars with Unused)

39 The End (Take 7 Vocals Lead Guitars with Unused)

40 The End (Alternate Mix) Anthology CD

 

DISC TEN:

August 8

01 I Want You (Takes 9,20,32 Drum - Moog Overdub)

02 I Want You (Takes 9,20,32 Full Backing)

 

August 11

03 I Want You (SI onto Edit of Takes 9,20,32 - Backing Vocals)

04 I Want You (Lead and Backing Vocals)

05 I Want You (S1Takes 9,20,32 Mixed No Moog)

06 Oh! Darling (SI onto Take 26 - Backing Vocals added to Vocals TK6+7+8 Stereo)

 

August 12

07 Oh! Darling (Take 26 Mixed)

08 Because (Take 16 Mixed)

 

August 13

09 You Never Give Me Your Money (Take 30 Mixed)

 

August 14

10 Maxwells Silver Hammer (SI onto Take 21 - All Vocals Stereo)

11 Maxwells Silver Hammer (RS34 Mixed with Intro)

12 John interview with Kenny Everett - Everett Is Here BBC 1

During Mixing Session for Mean Mr Mustard Crossfades (unused)

 

August 15

13 Golden Slumbers-Carry That Weight (Take 17 - Orchestral Overdubs TK8)

14 The End (SI onto Take 7 - Orchestra TK3)

15 Something (SI onto Take 39 - Orchestra TKS3-4 Organ TK8 Stereo)

16 Here Comes The Sun (SI onto Take 15 - Strings+Harmonium+Claps 1 TK5 and 7)

17 Something Take 39 Monitor Mix

 

August 17

18 Que Sera Sera - Mary Hopkin

19 The Fields Of St Etienne - Mary Hopkin

Paul on acoustic guitar, bass and lead and Ringo Starr on drums.

 

August 18

20 Golden Slumbers-Carry That Weight (RS Take 17 Backing)

21 Golden Slumbers-Carry That Weight (RS Take 17 Complete)

22 The End (SI onto Take 7 - Added Piano at the end)

23 The End (Take 7 Mono Reduction) As It Happened, Baby

24 The End (Take 7 Ending Backing with Orchestra)

25 The End (Take 7 Ending with Orchestra Mixed)

 

THE BEATLES ABBEY ROAD 1969 SESSIONS VOL.6 2 CD

Onto Abbey Road - one of the greatest albums the Beatles ever created! This series will cover all the sessions,

with every outtake, studio talk and collect the mixes at the sessions from MOGG files! Along with some new

finds, every track will be pitch corrected, sound levelled and fixed suing no compression! This will delight

everyone's ears - everything is included as of early 2014 finds and research!

August 19 thru August 25 at Abbey Road! Here Comes The Sun, Something, I Want You, Sun King-Mean Mr Mustard,

Maxwells Silver Hammer, Rock Of All Ages Apple Acetate and single mix with Paul's piano on right, Cold Turkey acetate,

Across The Universe, Whats The New Mary Jane RS5 and 6, You Know My Name (Acetate) and Octopus's Garden

(Dec 1969)...plus 70 minutes of interviews with John and Tony Macarthuer (from Abbey Road Talks but better quality!),

Paul and David Wigg, George and Ritchie Yorke all discussing Abbey Road - with every song in a chapter!

150 minutes with 75 songs!

 

DISC ELEVEN:

Aug 19

01 Here Comes The Sun (SI onto Take 15 - Moog with Woodwinds+Claps 2)

02 Here Comes The Sun (Take 15 Backing Mixed with Moog)

03 Here Comes The Sun (Take 15 Mixed with Moog)

04 Here Comes The Sun (Take 15 Backing with Orchestra)

05 Here Comes The Sun (Take 15 Completed Mix)

06 Something (Take 39 Backing with Orchestra)

07 Something (Take 39 Complete Mix)

 

August 20

08 I Want You (Shes So Heavy) (Edit of Takes 9,20,32 Mixed)

 

August 21

09 Sun King-Mean Mr Mustard (SI onto Take 35 Mixed with effects crossfade)

10 Crossfade Into Sun King

 

August 25

11 Maxwells Silver Hammer (RS34 Mixed)

 

September 18 IBC Studios, London

12 Rock Of All Ages Apple Acetate - Badfinger (Mono)

13 Rock Of All Ages (Single Mix Paul's Piano on Right)

 

September 25

14 Come And Get It Film Mix with Orchestra

 

September 28 Trident Studios

15 Cold Turkey Acetate with complete ending

Ringo on Drums

 

October 2

16 Across The Universe RS2 with effects correct speed

 

November 26

17 Whats The New Mary Jane RS5 (7:04)

18 Whats The New Mary Jane RS6 (2:28)

19 You Know My Name (Acetate)

 

December 8

20 Octopus's Garden Take 10 New Backing

21 Octopus's Garden Take 10 New Ringo Vocal

22 Octopus's Garden Take 10 Complete

  

DISC TWELVE: INTERVIEWS

George with Ritchie Yorke

Apple Corps, Mid September, 1969

George discusses most of the songs on Abbey Road,

plus future solo and band projects

Tracks 01-24

 

Paul with David Wigg

Scene and Heard, BBC Radio One

September 19, 1969

Paul discusses the album, The Beatles and

His Family

Tracks 25-36

 

John with Tony Macarthur

Radio Luxembourg

September 27, 1969

(Was on Abbey Road Talks - better quality here!)

John discusses the album in detail

Tracks 37-53

 

Miami est. 1896, pop. 2.6MM

 

• Miami population more than doubled 1920-1925 • new businesses attracted to region • Meyer-Kiser Bank of Indiana financed 17-story Classical Revival/Chicago School building on NE 1st St & became principal tenant • bank attracted business of working women w/streetcar ads featuring female bank employee & copy, “I am a woman banker. It is my business to help you women who are wage-earners.”

 

• building faced with white marble, Roman columns, 4 "ugly" eagles along 2nd story ledge that, opined Miami News reporter Agnes Ash, threatened all who entered • figure of justice above door intended to attract law firms for upper floors • one of Miami's first steel frame bldgs w/elevator

 

• opened March 3, 1926 • Miami News: "The entire motif of the architecture of the bank faithfully follows out the Spanish atmosphere and design, even the grating of the tellers’ windows and the wrought iron fence dividing the main banking room from the safe deposit vaults, being done in a dull copper finish, giving them an old, corroded appearance. Henry Behrens of Indianapolis, who executed the mural decorations, and Martin Hampton of Martin L. Hampton associates, who originated the architectural motif, have carried their work through to the last detail, giving to Miami one of the most beautiful and finished banking quarters in the south, in the belief of the bank’s officials."

 

• 6 mos. after opening, Miami struck by Great Miami Hurricane • Meyer-Kiser building among most damaged downtown buildings • “it was in shambles – the most visible victim of a killer hurricane that shattered boom time Miami.” -The Miami News • insurer paid $675,000, largest damage payment in Florida history at the time • though structurally sound, owners decided not to repair top ten floors, anticipating a scarcity of tenants • removed the upper ten stories, topped seventh floor w/cupola •

 

• Meyer-Kiser Bank failed in 1929 stock market crash • building still carries name of now defunct tenant Dade Commonwealth Title & Abstract Co. • after $1MM renovation, 2011, houses The Bank Lounge & Gallery • four different event spaces, Gallery 139, The Vault Room (w/original Meyer-Kiser vault & its 32 ton door), Lotus Garden, & The Capone Room (because gangster/Miami resident Al Capone supposedly banked here) • FacebookThe Bank Takes Over Dade Commonwealth Building -Miami New Times

 

• National Register # 88002991, 1989 • Downtown Miami Historic District, National Register 05001356, 2005

Here they come - her royal hotness (Elizabeth Hurley, in case you can't tell) and his divine right armness (the insanely talented Shane Warne), come to charm the crowds and be celebtastic at the 2011 Ampney Crucis Summer Fete.

 

Shane drove the Range Rover by the way.

 

For those who do not live in a cricketing country, this man is genuinely - and I can't stress this enough - a legend - watch this for evidence

 

UPDATE - we made the Daily Mail (again)

 

And once again, for those who prefer their photos to come ladled with Francesco Geminiani and crossfades, a lovely YouTube slideshow is on the village channel - www.youtube.com/user/AmpneyCrucisVillage

All photos by Scott Dudelson. Copyright 2011. Photos may not be used without permission. To hire Scott to shoot for your publication / website please contact: scott@prodege.com. Serious inquiries only.

 

For more photos, please check out my concert photography blog at www.bestmusicphotography.com

 

Prints of my photos are available for sale exclusively at Rock Paper Photo

One of the pieces Maine Squeeze did was w/ Barb Truex (who has a show on Wednsdays called "Crossfade" on WMPG)

on this beautiful old little banjo ukulele. Barb is found in the loopin' set besides being an active composer, sound designer, & teacher (let's not forget radio host) here in the southern Maine area.

For more info on Maine Squeeze

Barb Truex has several releases of her own out as well for info on her latest disc ; Scene & Heard, you can go Here OR Here

Here is the temporary Control Room while our new recording studio is under construction.

 

We still offer these recording studio services while we are in this temporary location:

 

* Mobile recording. Location and remote recording whether a full band, a piano recital performance, an orchestra or a choral group.

* Editing. Tuning (vocals, guitars, anything with a monophonic sound). Pocketing (tightening up drum performances). Preparing songs prior to a mix (crossfades, cleanup, noise reduction, region consolidation).

* Programming. Creation and manipulation of sounds using virtual instruments.

* Karaoke service. Creation of karaoke backing music for personal use.

* Pre-production. Preparing a song prior to recording, from arrangement to instrumentation and other logistics.

* Direct Injection recording. Recording of bass guitar parts; guitar parts that use emulation software/box like POD, Ampfarm; and keyboard parts.

* Training and Tutorial. Trying to find your way around Pro Tools LE, your hardware interface and your computer? Let us show you the way. Watch over our shoulders and get to see the concepts applied in action. Watch and learn.

 

for the name that film pool

Miami est. 1896, pop. 2.6MM

 

• considered Miami's oldest bar because it operates under 1912 cabaret license, 1st ever issued in city • when Dade County went dry, 1913, 2nd floor became a speakeasy known as "The Bakery" because it was located above an operating bakery • speakeasy added gambling • gangster Al Capone said to have been a customer

 

"After Gen. Manuel Antonio Noriega, the former dictator of Panama, was convicted on drug and racketeering charges, federal prosecutors celebrated [at Tobacco Road] in a room upstairs. The phone rang: President George H.W. Bush was on the line to offer congratulations." -New York Times

 

• bar had incarnations as strip club, gay bar • temporarily shut down in drug raid ordered by Gov. Bob Graham, 1981 • music every night, past performers include George Clinton, Koko Taylor, David Bromberg, John Lee Hooker, Dr. John, B.B. King & Albert Collins • Wikipedia

 

• rising land values made demolition inevitable • last call Sat, 25 Oct, 2014 • Kickstarter campaign to raise $50K for reopening in another location attracted 81 backers, $5,271 • Tobacco Road Demolished -Miami New Times

 

• "Best of all is however Tobacco Road, Miami’s oldest pub located nearby. Once upon a time, tobacco ships from Cuba used to dock and unload there and the sailors and stevedores needed hearty sustenance. That tradition is kept on at the pub/restaurant which offers specials of steak or seafood on alternating days. At night, it gets even better. Live music makes the place hop. Bikers show off their incredible rides, Miamians come to eat, drink, dance and simply have a good time until 2am. On weekends, the parking lot is converted into an outdoor market with stalls selling clothes, jewelry and paintings. A clairvoyant will tell you your future and you will go home having made a few new friends and heard some outrageous tales." -The Single Woman Traveler

I was tagged by Tragic○Harmony and γομʀ ɗɛɱοɳɩς ʂɱɩɭɛ :D

 

-Get your iPod/Playlist

-List all the artists that are on your iPod/Playlist. ALL OF THEM!

-Capture a screen shot of your favorite song or get a picture of your favorite artist :)

-Tag 5 or more people.

 

My phone doesn't put my music in alphabetical order because I set it that way (don't ask why xD) So my artists are out of order xD

 

Artists

Crown The Empire

Skillet

Taylor Swift

One Direction (I need to learn one of their songs for my cousins Caroline's 7th birthday! Don't judge xD)

The Fray

Breaking Benjamin

Petatonix

Hilary Duff

Aly and Aj

Within Temptation

Mayday Parade

Theory Of A Deadman

Plumb

Justin Bieber (Again, my cousin's birthday. She's forcing me to sing O_O)

Shinedown

Bruno Mars

We Are the Fallen

Picture Me Broken

Selena Gomez

Call Atlantis

Miley Cyrus

Nickelback

Rembrandts

Hinder

Rise Against

Paramore

Avril Lavigne

Evanescence

Saving Abel

Christina Grimmie

Red

U-KISS

Devon Werkheiser

Vanessa Carlton

Daughtry

Jesse McCartney

Hatsune Miku

Rascal Flatts

Kelly Clarkson

The Veronicas

Falling In Reverse

Asking Alexandria

Brit Nicole

Allstar Weekend

Pillar

Halestorm

Emilie Autumn

Crossfade

Hobbastank

Linkin Park

Seether

Katy Perry

Rihanna

Wow, I never realized how many different artists I have xD Well, yeah!

WKXL-FM Control Room Circa 1990. I was such a lousy DJ. Most of the library was still vinyl, but I was lazy so usually stuck to the CD's which were conveniently under the desk.

 

Recording (like phone calls and promos) was still done on reel-to-reel, which is off camera to the left, and edited with a grease pencil, razor blade, and adhesive tape! This blows my mind when I think how much easier and more powerful even the simplest digital audio editor is to use.

 

Just to the left of the control board is the cart players for commercials etc. These were like 8-tracks in size, but usually only had one track and were about 30 secs long.

 

Like an 8-track, you just popped it in and pressed play - no rewinding. You would edit your commercials on the reel to reel and then dub them down to a cart when it was done.

 

The commercial scheduling was a pain in the ass, because you had to play different ads on different schedules and during different parts of the hour. I would always screw it up. Most of the reason I would screw stuff up is that I worked in the studio alone on Saturdays, so I never during my whole time there could just ask a question.

 

If I asked the program manager a question, she would usually look at me like I had two heads.

 

Another pain in the butt was trying to time music to finish up next to a live broadcast, like network news or UNH football. I would actually hand off to the UNH football announcer in Durham just using the clock - he could'nt hear me, he just knew when to start and we would sync clocks. This was especially a big problem with 'artsy' CD's which did stuff like list the tracks and their length in tiny cursef in circles around the edge of the CD.

 

I think a large part of Joe Jackson's success is that you can easily read all of his liners, his music is widely popular from rock to comtemporary and he has lots of short hits for filling tight time slots. Joe Jackson is a DJ's best friend.

 

On the other hand, long Led Zeppelin songs are good when you need to poop. Being a DJ means pooping with a stopwatch - not fun.

 

Stuff I would get in trouble for:

 

1. Playing Boogie Wonderland.

2. Playing 'Cocaine Sex' by Renegade Soundwave.

3. Missing spots (ads).

4. Crossfading (the girl who had the shift after me worked at Venus De Milo in Boston and showed me how to match BPM for crossfading and scratching)

5. Mispronouncing 'Terrance Trent D'Arby' (DEE-ARBY).

6. Mispronouncing Bruce Cockburn (its inexplicably pronounced CO-BURN.

7. Actually being in the presense of the program manager (thankfully rare).

8. Screwing up the UNH football remote hookup.

9. Dead air.

10. Screwing up a REALLY IMPORTANT live CBS special news bulletin during Iraq War I.

 

From a September Seahawks game. I accidentally captured a cross-fade between the Seagals and a play on the big screen at the end of the field.

 

If this doesn't capture the classic American male fantasy (doing battle while hotties look on), I don't know what does.

Engine :

1.499 cc

3 Cylinder

320 Nm @ 3.700 rpm

Electric :

96 kW

250 Nm

Combined :

362 PS @ 5.800 rpm

Vmax : 250 km/h

0-100 km/h : 4,4 sec

1.560 kg

 

Class XIII : Special Display Classes

 

Zoute Concours d'Elegance

The Royal Zoute Golf Club

 

Zoute Grand Prix 2017

Knokke - Zoute

België - Belgium

October 2017

All photos by Scott Dudelson. Copyright 2011. Photos may not be used without permission. To hire Scott to shoot for your publication / website please contact: scott@prodege.com. Serious inquiries only.

 

For more photos, please check out my concert photography blog at www.bestmusicphotography.com

 

Prints of my photos are available for sale exclusively at Rock Paper Photo

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