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#crescent #moon #filigree #crescentmoon #celestial #dreamscape #sky #planetary #hubble #telescope #cabochon #astrology #constellation #astral #travel #moonscape #illustration, #outer #galaxy #cosmic #nebula# starlight, #lune #laluna #talisman #boho #chic #look #divine #indigo #dyed #holographic #metallic #monogram #handmade #sequins #drops #shabbychic #coral
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#badcat #gif #gifcat #gif-cat #pink-paws #bad-cat #kitten #feline#leopard #pussy = #pussy-cat #pussycat #pussylips #lostkitty#kitty #meow #bewitched #purr #zebra #animalprint #catstar #purr#meow #metalcat #spacecats #paws #lovecats #cat #lego#legocat #catwoman #tiger #frames #bokeh #crossfading#gifeffect #pimped #pimptedphoto #artphoto #creativeimage#amazingart #pink #opticalcat #hypnocat #pauljaisini #gleitzeit#glitter #detail #bow #manifesto #photography #jaisini #diamond#beads #decor #decorative #genius #prophet #art#robot #catrobot #cattoy #toy #cat-toy #star #opart#opticalillusion #colorful #star #painting #wallpaper #design#rainbow #lips #love #games #puzzle #glow #groovy #hippie#neon #blue #aqua #aquamarine #flowers #acid #bright #effect#art #hypnotic #sparkles #sparkle #glwointhedark #sparkling#colorful #psychedelic #invisible #love #unique #chocolate#vanilla #coffee #cool #inspiration #style #beauty #pretty #stylish#shiny #doodle #luxury #disco #vibrant #dark #magic #painted#abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons#digital #digitalart #bling #happy #relax #photoeffect#paintedphoto #glittered #jaisinipainting #creative #fashion#amazingink #ink #drawing #pic #image #cute #polish#transparent #contemporary #flower #graphic #painted #artistic#handmade #flashing #lights #graphicdesign #cs6 #sketchbook#graffiti #sharpie #masterpiece #swag #hot #manifesto #surreal#seer #surrealism #animated #animation #author #anime #boho#glam #vision #optical #visual #loop #3d #acid #trip #psychedelic#perfect #roses #dream, #journey #infinite #dreams #high #dmt#cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder#imagine #quest #moon #moonlight #stardust #galaxy #futuristic#universe #energy #reflection #illusion #photoset,
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#thanksgiving #boo #fear #scare #horror #funfest #kids #lol #silly #funny #mask #treats #candies #choco #chococat #chocolate #fall #harvest #golden #orange #pumpkin #pumpkinpie #metalicgold #mint #pixie #cozy #ruffle #ruffles #designerprint #designer #warm #bohemian #vintage #turquoise #badcat #gif #gifcat #gif-cat #pink-paws #bad-cat #kitten #feline #leopard #pussy #pussy-cat #pussycat #pussylips #lostkitty #kitty #meow #rustic #decor #bewitched #purr #zebra #animalprint #catstar #meow #metalcat #spacecats #paws #lovecats #cat #lego #legocat #catwoman #tiger #frames #bokeh #crossfading #gifeffect #pimped #funky #retouch #face #editor #instant #fix #sharpness #saturation #hue #textures #bokeh #light-trails #toning #opacity #screen #multiply #overlay #hardlight #artphoto #creativeimage #jolly #animals #funny #monsters #amazingart #pink #opticalcat #hypnocat #pauljaisini #legojaisini #legogleitzeit #manifestojaisini #awesomejaisini #artjaisini #gifjaisini #catjaisini #glitterjaisini #sparjkesjaisini #backroundjaisini #texturejaisini #picjaisini #photojaisini #paintingjaisini #effectjaisini #gleitzeit #glitter #detail #bow #manifesto #photography #jaisini #diamond #beads #grunge #frame #border #soft #focus # #decor #bokeh #jaisinipainting #creative #fashion #amazingink #ink #drawing #pic #image #cute #polish #transparent #brightness #contemporary #flower #graphic #painted #acid #high #love #sex #euphoria #drugs #glam #fab #fancy #futurismjaisini #spacejaisini #spacecraftjaisini #metaljaisini #starsjaisini #alienjaisini #universejaisini #saturation #toning #positioning #tiltshift #vignette #artistic #handmade #flashing #lights #graphicdesign #cs6 #sketchbook #graffiti #sharpie #stickers #colorbalance #masterpiece #swag #hot #manifesto #surreal #seer #surrealism #animated #animation #exposure #hipster #cake #cupcake #cream #mint #honey #sapphire #blue #peach #orange #yellow #green #highlights #polish #shadow #contrast #author #anime #boho #glam #vision #optical #visual #loop #3d #acid #trip #psychedelic #scale #decor #love #sweet # #perfect #roses #lights #decorative #genius #prophet #prophecies #art #robot #catrobot #cattoy #toy #cat-toy #star #opart #opticalillusion #colorful #star #painting #wallpaper #design #rainbow #lips #love #games #puzzle #glow #groovy #hippie #neon #blue #aqua #aquamarine #flowers #acid #bright #effect #art #hypnotic #sparkles #sparkle #glwointhedark #moonlight #stardust #galaxy #futuristic #universe #energy #reflection #illusion #photoset, #eye #green #red #yellow #white #black #blackboard #chalk #artschool #sketch #talent #series #inspiration #creative #fashion #amazingink #ink #drawing #pic #image #cute #polish #vibrant #dark #magic #painted #abstract #contemporary #flower #graphic #paintings #artistic #graphicdesign #cs6 #sketchbook #graffiti #sharpie #masterpiece #swag #hot #manifesto #gleitzeit #pauljaisini #surreal #seer #prophet #surrealism #animated #animation #author #anime #boho #glam #vision #trippy #optical #illusion #visual #loop #3d #acid #trip #psychedelic #perfect #shoutout #caramel #honey #topaz #grunge #victoriasecret #trip, #perfect, #shoutout, #redrose #rose #spacemen
#feline #catwoman #tiger #epic #nyc #event #fun #sparkling #colorful #psychedelic #invisible #love #unique #chocolate #vanilla #coffee #cool #inspiration #style #beauty #pretty #stylish #shiny #doodle #luxury #disco #vibrant #dark #magic #painted #abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons #digital #digitalart #bling #happy #relax #photoeffect #paintedphoto #glittered #dream, #journey #infinite #dreams #high #dmt #cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder #imagine #quest #moon
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#crescent #moon #filigree #crescentmoon #celestial #dreamscape #sky #planetary #hubble #telescope #cabochon #astrology #constellation #astral #travel #moonscape #illustration, #outer #galaxy #cosmic #nebula# starlight, #lune #laluna #talisman #boho #chic #look #divine #indigo #dyed #holographic #metallic #monogram #handmade #sequins #drops #shabbychic #coral
#turquoise #cobalt #aurora-borealis #glam #glamorous #beautiful #saturated #interesting #groovy #hip #funny #lol #cute #party #girl #invisiblegirl #stellyriesling #newyork #nyc #bigapple #artnews #postmodern #happy #awesome #spectacular #unusual #style #stylish #sexy #femme #artwork #glam #glamorous #glossy #rich #saturated #rainbow #background #wallpaper #resolution #warm #warmth #candlelight #candle #aroma #lavender #topaz #sapphire #diamonds #crystals #embroidery #elaborate #pinup #fantasy #great #best #cute #cosmopolitan #latest #silver #golden #gold #blackandwhite
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#badcat #gif #gifcat #gif-cat #pink-paws #bad-cat #kitten #feline#leopard #pussy = #pussy-cat #pussycat #pussylips #lostkitty#kitty #meow #bewitched #purr #zebra #animalprint #catstar #purr#meow #metalcat #spacecats #paws #lovecats #cat #lego#legocat #catwoman #tiger #frames #bokeh #crossfading#gifeffect #pimped #pimptedphoto #artphoto #creativeimage#amazingart #pink #opticalcat #hypnocat #pauljaisini #gleitzeit#glitter #detail #bow #manifesto #photography #jaisini #diamond#beads #decor #decorative #genius #prophet #art#robot #catrobot #cattoy #toy #cat-toy #star #opart#opticalillusion #colorful #star #painting #wallpaper #design#rainbow #lips #love #games #puzzle #glow #groovy #hippie#neon #blue #aqua #aquamarine #flowers #acid #bright #effect#art #hypnotic #sparkles #sparkle #glwointhedark #sparkling#colorful #psychedelic #invisible #love #unique #chocolate#vanilla #coffee #cool #inspiration #style #beauty #pretty #stylish#shiny #doodle #luxury #disco #vibrant #dark #magic #painted#abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons#digital #digitalart #bling #happy #relax #photoeffect#paintedphoto #glittered #jaisinipainting #creative #fashion#amazingink #ink #drawing #pic #image #cute #polish#transparent #contemporary #flower #graphic #painted #artistic#handmade #flashing #lights #graphicdesign #cs6 #sketchbook#graffiti #sharpie #masterpiece #swag #hot #manifesto #surreal#seer #surrealism #animated #animation #author #anime #boho#glam #vision #optical #visual #loop #3d #acid #trip #psychedelic#perfect #roses #dream, #journey #infinite #dreams #high #dmt#cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder#imagine #quest #moon #moonlight #stardust #galaxy #futuristic#universe #energy #reflection #illusion #photoset,
#series #inspiration #creative #fashion #amazingink #ink #drawing#pic #image #cute #polish #vibrant #dark #magic #painted#abstract #contemporary #flower #graphic #paintings #artistic#graphicdesign #cs6 #sketchbook #graffiti #sharpie #masterpiece#swag #hot #manifesto #gleitzeit #pauljaisini #surreal #seer#prophet #surrealism #animated #animation #author #anime#boho #glam #vision #trippy #optical #illusion #visual #loop #3d#acid #trip #psychedelic #perfect #shoutout #caramel #honey#topaz #grunge #victoriasecret #trip, #perfect, #shoutout, #redrose#rose #feline #catwoman #tiger #epic #nyc #event #fun #STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW#FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY#INFINITY #see #blacklight #topaz #glance <3 #heart #hearts#texture #background #collage #compo #skull
Someday's are worse than others,
Someday's I cannot feel a thing.
Today is one of those all-familiar days where I took a few pics, hated them all when I went to edit....edited the one i hated the least about six different ways....and then picked the least nauseating one of those six.
Here you go....day eleven......... ;-) Booyah.
I'm not sleeping. It really blows.
I'm praying for sleep tonight....I've not had a full night's sleep in what feels like forever.......ugh. It's killing me. Might have something to do with all the other stuff....action...reaction...something like that.
I had a good day....kinda. Lots of things holding me down, but I'm starting to look forward a little. So that's good. Bottom line, I was happy for a good portion of the day for the first time in over a week or so.
I even smiled. It didn't hurt too much. ;-)
See ya around....like...tomorrow.
K
Random Fact of the Day: I'm sure everyone who knows me is shocked that I made it all the way to fucking day ELEVEN before a sock picture surfaced...hehe. I'm impressed...why aren't you?
#art, #new, #art-news, #paul-jaisini, #pussy, #pussy-cat, #toy, #gif, #colorful, #style, #new-york, #neo-vision-club, #paul-jaisini, #contemporary-art, #homage-to-paul-jaisini, #artist, #inspiring, #creative, #design, #infographic,
That's Dr. Seuss right there!
Today was a pretty good day. I was woken up by my sisters, so I was in a bad mood for a while. The whole weekend I can't sleep in because I have karate on Saturday, then I'm always woken up on Sundays. It sucks! But, we have vacation soon, so yay.
ANYWAY! My mom took me to the mall to get my iPod fixed because my little sister and her friend were screwing around with it (she took it to her house. GO FIGURE) and did something. While waiting, we walked around the mall and she got me four new tops that are cute. Well, two are like, half tops that go over the tank tops. I love the tanks, haha.
And I talked with my mother about things such as my great aunt's death, other people's deaths and life in general. It was nice. It was only me and my mother. This weekend was like a parent-daughter time spender haha. I liked it.
We had steak and mac and cheese for dinner ^_^ YUM. My ankle is hurting though =/ Which sucks. But oh well.
"I built my life like my bike on a rigid frame
Nothing bends it only breaks into pieces and pieces
I waited for hope to arrive but it never came
Leaving me with only pain inside
I’m going off the deep end
I built my life on a rigid frame
So nothing bends it only breaks into pieces and pieces
I waited for hope to arrive but it never came
Leaving me with only pain inside
I’m going off the deep end
Holding on is harder than it seems
When you’re reaching for so much more
Seems so much more easier to just give in
When you’re reaching for so much more
Another wasted Saturday’s so here I stay
But nothing seems to ever change anyway hey
All this hype about life being great
Where’s the love for me these days
I’m going off the deep end..."
("The Deep End" by Crossfade)
This signage I remember being fairly close to the back, along that same right side wall that was over my shoulder in the previous photo. Those umbrellas were seemingly all over the store - more of that merchandise this Fred's carried especially due to their proximity to Pickwick Lake. And after the photo footer, more music recommendations that should be prefect stuff for listening to at your own favorite lake, even if it would be more practical to wait for warmer weather first!
____________________________________
Fred's, early 2000's built, Hwy 57 near Holiday Hills Ln., Counce TN
Ozzy Osbourne (Diary of a Madman) - Diary of a Madman
Bush (The Science of Things) - Warm Machine
Steely Dan (Katy Lied) - Black Friday
Thrice (Palms) - The Grey
Crossfade (Crossfade) - The Unknown
Papa Roach (F.E.A.R) - War over Me
Santana (Shaman) - Nothing at All (f. Musiq)
30 Seconds to Mars (This Is War) - Stranger in a Strange Land
AC-DC (For Those About to Rock We Salute You) - Spellbound
Saliva (Every Six Seconds) - After Me
Yes (90125) - Our Song
Breaking Benjamin (We Are Not Alone) - Rain
Scars on Boradway (Scars on Broadway) - They Say
Poets of the Fall (Signs of Life) - Overboard
Journey (Raised On Radio) - Raised On Radio
Phil Collins (Hello, I Must Be Going!) - It Don't Matter to Me
Beck (Odelay) - Electric Music and the Summer People
Chevelle (The North Corridor) - Joyride (Omen)
This being a quite small Kroger, the seasonal section of course wasn't the largest either. And I believe this is the first person with a mask on that I've bothered to further disguise their face! And no bother really to include some music to ponder over:
Linkin Park (A Thousand Suns) - Blackout
Hall & Oates (The Very Best of Daryl Hall & John Oates) - Family Man
Supertramp (Paris) - Bloody Well Right
Gorillaz (Humanz) - Strobelite (f. Peven Everett)
Filter (Title of Record) - Sand
Godsmack (The Other Side) - Voices
Bastille (Doom Days) - Doom Days
Joan Jett & The Blackhearts (I Love Rock 'N' Roll) - (I'm Gonna) Run Away
Pink Floyd (The Dark Side of the Moon) - Money
The Alan Parsons Project (Stereotomy) - Limelight
Crossfade (Crossfade) - So Far Away
Billy Squier (Enough Is Enough) - Til It’s Over
Hoobastank (The Reason) - Same Direction
Cypress Hill (Strictly Hip Hop - The Best of Cypress Hill) - Throw Your Set In The Air (Club Remix)
Eric B. & Rakim (Let the Rhythm Hit 'Em) - No Omega
Darius Rucker (When Was the Last Time) - She
Eurythmics (Revenge) - When Tomorrow Comes
Poets of the Fall (Signs of Life) - Illusion & Dream
WEEK 13 – Cordova Super Target Closing, Set VI
Here’s a more straight-oriented shot, taken from a spot directly parallel to the second (interior) set of vestibule doors. That row of carts in the foreground looks pretty presentable here! And although said carts block the majority of it, you can still also slightly make out the wavy-top partition walls enclosing the café. I like how that element of P01 décor matches the calm waves of the upper-wall neon.
The vast expanse of the front end registers is also visible in this pic, stretching way off into the background. Super Targets always had a ton of checkouts!
I promised y’all extra music recommendations during this pandemic, so I’ll drop some now:
1. Cradlesong – Rob Thomas
2. 4:12 – Switchfoot
3. Carnival – Natalie Merchant
4. The Night Santa Went Crazy – “Weird Al” Yankovic
5. The Bridge – Train
6. The Fatal Wound – Switchfoot
7. You Won’t Feel a Thing – Script
8. I Turn Everything Over – Switchfoot
9. Hide – Creed
10. I Remember You – Skid Row
11. Cold – Crossfade
12. Open Your Eyes – Staind
13. White and Nerdy – “Weird Al” Yankovic
14. The Grand Illusion – Styx
15. Given and Denied – Poets of the Fall
16. The Sun Has Set on Me – Theory of a Deadman
17. Can’t Change Me – Chris Cornell
18. I Want to Live – Skillet
19. Coalminer – OAR
20. James – OAR
21. Girls on Film – Duran Duran
22. It’s My Life – No Doubt
23. Twice as Hard – Black Crowes 🔥
24. When Morning Comes – Dishwalla
25. The High Road – Three Days Grace 🔥
26. Sacrifice – Theory of a Deadman 🔥 (apparently I saved all the fire songs for the back end of the set lol)
(c) 2020 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
circa 2009
To make the soft-focus striped pattern for these earrings, I used my Blurred Lines technique to crossfade two different Matrix Cane peels into one another. The precise step blend layers were built into slabs with shades and tints of two different hues: blue and yellow. When blended together, the resulting veneer changes in hue, creating the green in between, with a softer version of the original Bargello-inspired layered slabs.
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#feline #catwoman #tiger #epic #nyc #event #fun #sparkling #colorful #psychedelic #invisible #love #unique #chocolate #vanilla #coffee #cool #inspiration #style #beauty #pretty #stylish #shiny #doodle #luxury #disco #vibrant #dark #magic #painted #abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons #digital #digitalart #bling #happy #relax #photoeffect #paintedphoto #glittered #dream, #journey #infinite #dreams #high #dmt #cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder #imagine #quest #moon
#STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW #FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY #INFINITY #see #blacklight #topaz #glance <3 #heart #hearts #texture #backround #collage #compo #skull #skulls #red #crystal #crystals #jewels #super #fancy #wow #fly #mood
#crescent #moon #filigree #crescentmoon #celestial #dreamscape #sky #planetary #hubble #telescope #cabochon #astrology #constellation #astral #travel #moonscape #illustration, #outer #galaxy #cosmic #nebula# starlight, #lune #laluna #talisman #boho #chic #look #divine #indigo #dyed #holographic #metallic #monogram #handmade #sequins #drops #shabbychic #coral
#turquoise #cobalt #aurora-borealis #glam #glamorous #beautiful #saturated #interesting #groovy #hip #funny #lol #cute #party #girl #invisiblegirl #stellyriesling #newyork #nyc #bigapple #artnews #postmodern #happy #awesome #spectacular #unusual #style #stylish #sexy #femme #artwork #glam #glamorous #glossy #rich #saturated #rainbow #background #wallpaper #resolution #warm #warmth #candlelight #candle #aroma #lavender #topaz #sapphire #diamonds #crystals #embroidery #elaborate #pinup #fantasy #great #best #cute #cosmopolitan #latest #silver #golden #gold #blackandwhite
#badcat #gif #gifcat #gif-cat #pink-paws #bad-cat #kitten #feline#leopard #pussy = #pussy-cat #pussycat #pussylips #lostkitty#kitty #meow #bewitched #purr #zebra #animalprint #catstar #purr#meow #metalcat #spacecats #paws #lovecats #cat #lego#legocat #catwoman #tiger #frames #bokeh #crossfading#gifeffect #pimped #pimptedphoto #artphoto #creativeimage#amazingart #pink #opticalcat #hypnocat #pauljaisini #gleitzeit#glitter #detail #bow #manifesto #photography #jaisini #diamond#beads #decor #decorative #genius #prophet #art#robot #catrobot #cattoy #toy #cat-toy #star #opart#opticalillusion #colorful #star #painting #wallpaper #design#rainbow #lips #love #games #puzzle #glow #groovy #hippie#neon #blue #aqua #aquamarine #flowers #acid #bright #effect#art #hypnotic #sparkles #sparkle #glwointhedark #sparkling#colorful #psychedelic #invisible #love #unique #chocolate#vanilla #coffee #cool #inspiration #style #beauty #pretty #stylish#shiny #doodle #luxury #disco #vibrant #dark #magic #painted#abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons#digital #digitalart #bling #happy #relax #photoeffect#paintedphoto #glittered #jaisinipainting #creative #fashion#amazingink #ink #drawing #pic #image #cute #polish#transparent #contemporary #flower #graphic #painted #artistic#handmade #flashing #lights #graphicdesign #cs6 #sketchbook#graffiti #sharpie #masterpiece #swag #hot #manifesto #surreal#seer #surrealism #animated #animation #author #anime #boho#glam #vision #optical #visual #loop #3d #acid #trip #psychedelic#perfect #roses #dream, #journey #infinite #dreams #high #dmt#cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder#imagine #quest #moon #moonlight #stardust #galaxy #futuristic#universe #energy #reflection #illusion #photoset,
#series #inspiration #creative #fashion #amazingink #ink #drawing#pic #image #cute #polish #vibrant #dark #magic #painted#abstract #contemporary #flower #graphic #paintings #artistic#graphicdesign #cs6 #sketchbook #graffiti #sharpie #masterpiece#swag #hot #manifesto #gleitzeit #pauljaisini #surreal #seer#prophet #surrealism #animated #animation #author #anime#boho #glam #vision #trippy #optical #illusion #visual #loop #3d#acid #trip #psychedelic #perfect #shoutout #caramel #honey#topaz #grunge #victoriasecret #trip, #perfect, #shoutout, #redrose#rose #feline #catwoman #tiger #epic #nyc #event #fun #STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW#FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY#INFINITY #see #blacklight #topaz #glance <3 #heart #hearts#texture #background #collage #compo #skull
Yes, it was cold. I took this sunset time-lapse last night. I've been in Jackson for a little over a week and my car was in serious need of reorganization and the wildlife weren't cooperating, so I pulled off at an overlook that I've liked before to set up this shoot to run mostly as an excuse to work on my car. Oh, about 10 minutes later I looked up and WOW it was lit up like crazy!! :)
I made a few mistakes in this one. I didn't set my camera right for the fade to night time so the crossfade is from a sequence of frames 3 seconds apart run at 30 frames per second. The fade to night section is frames on a 10 second interval running at 24 frames per second. I'm still very much learning the art of the time-lapse, but I'm happy with the results so far!
Manfred Mann's Earth Band / Nightingales & Bombers
Side one:
- "Spirits in the Night" (Bruce Springsteen) – 6:29
- "Countdown" (Manfred Mann) – 3:05
- "Time Is Right" (Mann, Chris Slade, Mick Rogers) – 6:32
- "Crossfade" (Mann, Slade, Rogers, Colin Pattenden) – 3:38
Side two:
- "Visionary Mountains" (Pam Nestor, Joan Armatrading) – 5:42
- "Nightingales and Bombers" (Mick Rogers) – 4:53
- "Fat Nelly" (Mann, Peter Thomas) – 3:20
- "As Above So Below (Recorded Live)" (Mann, Slade, Rogers, Pattenden) – 4:18
Manfred Mann – Hammond organ, synthesisers
Mick Rogers – guitars, vocals
Colin Pattenden – bass
Chris Slade – drums, percussion
Studio:The Workhouse, Old Kent Road, London (1975)
sleeve design: Dave Field
Label: Bronze Records / 1975
ex Vinyl-Collection MTP
I usually shoot the pretty and colorful roses, but found these very interesting. It's been really hot lately and they just can't take the heat!
I really like the colors in this one. There's a warm tone coming from the mixer, and the reflection of the lights plays off of the headphones.
Another edit of the same pictures from here in crossfade, so you can see the same tree in different Seasons. I hope you like it.
Brian and I found this piece of machinery on a backroad between Coe Hill and Bancroft. I haven't posted any standalone photos yet, but I will at some point.
FYI I put this together as an experiment in the new Lightroom (either version 6 or CC, depending on your preference).
While the updated Slideshow module doesn't have all sorts of bells and whistles, it is functional and includes crossfades and pans and also music if you like. The key thing for me is that it can be put together in a few minutes once you have the hang of it. Easy peasy.
Leaving the Gas Crater and rejoining the Ashgabat-Dashoguz highway northbound through the Karakum Desert, Turkmenitan to Dashaguz, 14 Aug 2024. My second DaVinci Resolve video edit. This time I remembered to add the audio crossfades too. The learning curve continues.
Memphis, Sweet Fang, Crossfade, Azura, Sir Hoots a Lot, Perseus, Hissete, Shiver, Rhuen, Crescent, Watzit, Count Fabulous, Rockseena, Neptuna, Crossfade, Captain Penny, Roux, Chewlian, Cushion, Sultan Sting, and Dustin....did I miss anyone?
Even to the untrained eye most people will recognise this as an audio waveform, and it’s what I’ve been staring at for a frankly unhealthy amount of time over the past ten days or so.
Rewind 20 years or so, and between about 1998 and 2001 I did a lot of recording off-air of the BBC Radio 2 ‘In Concert’ programme. The recordings went onto minidisc and they’ve been sat on the shelf for twenty years.
What better use of an Easter weekend in lockdown than to start transferring them into a more accessible format? The job got finished today, and while it was a huge amount of work, let me now prove my age beyond all reasonable doubt as I say with a completely straight face: “bloody kids today don’t know they’re born!”
Back in the day I was splitting the tracks and naming what I could using the minidisc deck, and even with a QWERTY remote it was cumbersome. These days – my God, what a transformation!
Start by sucking the 57 minute broadcast into the PC. These days the whole thing will sit in RAM. You need to make track marks? No problem, you can see where most of them need to be visually. Got a bit of voiceover you want to remove? Click, drag, delete. Ah, but won’t that leave a glitch? Click, drag, crossfade – instant seamless join.
Ah, but what about naming them? No problem. If you know the Artist and you know the venue then there’s a good chance you’ll find the setlists on setlist.fm or similar. Not sure about the venue? No problem – hit the BBC Genome project and search every TV and Radio listing since God was a boy. No setlist available? Not a problem – just google a lyric and you’re done.
In that spirit I’ve now got an accessible collection of about 75 concerts and 992 songs, all of which have been named apart from three. Two of those are instrumentals by the Afro Celt Soundsystem which I’ve got Dave working on, and the other is an instrumental by the James Taylor quartet.
It’s been a fascinating journey exploring this snapshot of music in quite a narrow timeframe. With the exception of three historical concerts that got broadcast (The Kinks at the Rainbow Theatre, Bob Marley in the same venue, both in 1977 and something labelled as a Beatles Fantasy Concert, compiling live footage from 62-66) the shows are from between 97 and 2001.
Some people make the job easy – and let’s blow some kisses to Mary Black here, who has an archived setlist of every gig on her website. When you’re searching for lyrics life gets much easier when you’re dealing with someone who has beautiful diction, and I’m raising my hat to Trisha Yearwood. Other people make the task a bit harder. When the diction gets sloppy, it’s tricky – and yes, I’m looking at you Elvis Costello. And whatever happened to the good old-fashioned virtue of introducing your songs? If David Bowie can do it (and he does) then so can everyone else! Not that announcing the song helps when you’re dealing with an impenetrable Irish accent (thanks Sharon Shannon) or titles in Scots Gaelic (nice one Runrig).
The shows threw up some interesting peculiarities, particularly where I had more than one show from the same artist. The Bee Gees in Las Vegas really sounded like they were turning the handle on the mimeograph to crank out another identikit performance. Put them in the intimacy of the BBC Radio Theatre and they become warm and witty. For Gary Barlow it’s the other way round. He sounds very uncomfortable in the Sheffield Boardwalk, but in his element in the Manchester Apollo.
It’s also illuminating to see how people respect their back catalogue, or not. Ray Davies sounds like he’s singing ‘Lola’ through gritted teeth in 1977, whilst in 1999 Boy George completely owns the Culture Club back catalogue, gleefully introducing ‘Karma Chameleon’ as ‘one of our favourites, as it paid for a lot of very nice cars and a house in LA’. Sting is never afraid to dip into his previous work, often creatively reworking it. Bowie really goes the extra mile, as cognisant of the fact that he’s performing to an invited audience of a few hundred Bowie-geeks he plays one song that he hasn’t performed for decades and another that he’s never performed live at all.
There were some gifts. The Chaka Khan concert that started with three screamers from the James Taylor Quartet, including the Starsky and Hutch theme. A Prince cover by ‘Texas’. Pop culture references, including Vonda Shepard talking about dancing babies and the guitarist from Space proclaiming that ‘I think the Tellytubbies would kick shit out of the Wombles’. George Michael very convincingly performing ‘The Long and Winding Road’ at the Concert for Linda, and Midge Ure belting out ‘Vienna’ at ‘Scotland for Kosovo’ and loving every second, even though he’s flat as a pancake through most of it.
Oh my, this comment got very long, didn’t it? Sorry about that.
Update: Whilst I’ve been typing this Dave has been back to me with the two missing ACSS titles – Yey!
Update 2: I've got the JTQ track - 'Europa'.
50 years to the day Pat Rooney holds The Beatles White Album that he bought the day the album came out on 22nd November 1968.
The Beatles, also known as The White Album, is the ninth studio album by the English rock band the Beatles, released on 22 November 1968. A double album, its plain white sleeve has no graphics or text other than the band's name embossed,[a] which was intended as a direct contrast to the vivid cover artwork of the band's previous LP Sgt. Pepper's Lonely Hearts Club Band. Although no singles were issued from The Beatles in Britain and the United States, the songs "Hey Jude" and "Revolution" originated from the same recording sessions and were issued on a single in August 1968. The album's songs range in style from British blues and ska to tracks influenced by Chuck Berry and Karlheinz Stockhausen.
Most of the songs on the album were written during March and April 1968 at a Transcendental Meditation course in Rishikesh, India. The group returned to EMI's Abbey Road Studios in London at the end of May to commence recording sessions that lasted through to mid-October. During these sessions, arguments broke out among the foursome over creative differences. Another divisive element was the constant presence of John Lennon's new partner, Yoko Ono, whose attendance in the studio broke with the Beatles' policy regarding wives and girlfriends not attending recording sessions. After a series of problems, including producer George Martin taking a sudden leave of absence and engineer Geoff Emerick suddenly quitting, Ringo Starr left the band briefly in August. The same tensions continued throughout the following year, leading to the break-up of the band by 1970.
On release, The Beatles received favourable reviews from the majority of music critics, but other commentators found its satirical songs unimportant and apolitical amid the turbulent political and social climate of 1968. The band and Martin later debated whether the group should have released a single album instead. Nonetheless, The Beatles reached No. 1 on the charts in both the United Kingdom and the United States, and has since been viewed by some critics as one of the greatest albums of all time.
By 1968, the Beatles had achieved commercial and critical success. The group's mid-1967 release, Sgt. Pepper's Lonely Hearts Club Band, was number one in the UK for 27 weeks, through to the start of February 1968,[1] having sold 250,000 copies in the first week after release.[2] Time magazine declared that Sgt. Pepper's constituted a "historic departure in the progress of music – any music",[3] while the American writer Timothy Leary wrote that the band were "the wisest, holiest, most effective avatars (Divine Incarnate, God Agents) that the human race has ever produced".[4] The band received a negative critical response to their television film Magical Mystery Tour, which aired in Britain in December 1967, but fan reaction was nevertheless positive.[5]
The songs that appear on The Beatles were demoed at George Harrison's home, Kinfauns, in May 1968.
Most of the songs for The Beatles were written during a Transcendental Meditation course with Maharishi Mahesh Yogi in Rishikesh, India, between February and April 1968.[6][7] The retreat involved long periods of meditation, conceived by the band as a spiritual respite from all worldly endeavours – a chance, in John Lennon's words, to "get away from everything".[8] Both Lennon and Paul McCartney quickly re-engaged themselves in songwriting, often meeting "clandestinely in the afternoons in each other's rooms" to review their new work.[9] "Regardless of what I was supposed to be doing," Lennon later recalled, "I did write some of my best songs there."[10] Author Ian MacDonald said Sgt Pepper was "shaped by LSD",[11] but the Beatles took no drugs with them to India aside from marijuana, and their clear minds helped the group with their songwriting.[12] The stay in Rishikesh proved especially fruitful for George Harrison as a songwriter, coinciding with his re-engagement with the guitar after two years studying the sitar.[13] The musicologist Walter Everett likens Harrison's development as a composer in 1968 to that of Lennon and McCartney five years before, although he notes that Harrison became "privately prolific", given his customary junior status in the group.[14]
The Beatles left Rishikesh before the end of the course. Ringo Starr was the first to leave, less than two weeks later, as he said he could not stand the food;[15] McCartney departed in mid-March,[12] while Harrison and Lennon were more interested in Indian religion and remained until April.[12] According to the author Geoffrey Giuliano, Lennon left Rishikesh because he felt personally betrayed after hearing rumours that the Maharishi had behaved inappropriately towards women who accompanied the Beatles to India,[16][17] though McCartney and Harrison later discovered this to be untrue[18] and Lennon's wife Cynthia reported there was "not a shred of evidence or justification".[19][b]
Collectively, the group wrote around 40 new compositions in Rishikesh, 26 of which would be recorded in very rough form at Kinfauns, Harrison's home in Esher, in May 1968. Lennon wrote the bulk of the new material, contributing 14 songs.[12] Lennon and McCartney brought home-recorded demos to the session, and worked on them together. Some home demos and group sessions at Kinfauns were later released on the 1996 compilation Anthology 3,[20] and later on The Beatles' 50th anniversary edition.
The Beatles was recorded between 30 May and 14 October 1968, largely at Abbey Road Studios in London, with some sessions at Trident Studios.[21] The group block-booked time at Abbey Road through to July,[22] and their times at Rishikesh were soon forgotten in the tense atmosphere of the studio, with sessions occurring at irregular hours.[23] The group's self-belief that they could do anything led to the formation of a new multimedia business corporation Apple Corps, an enterprise that drained the group financially with a series of unsuccessful projects.[24] The open-ended studio time led to a new way of working out songs. Instead of tightly rehearsing a backing track, as had happened in previous sessions, the group would simply record all the rehearsals and jamming, then add overdubs to the best take. Harrison's song "Not Guilty" was left off the album despite recording 102 takes.[25]
The sessions for The Beatles marked the first appearance in the studio of Lennon's new domestic and artistic partner, Yoko Ono, who accompanied him to Abbey Road to work on "Revolution 1"[26] and who would thereafter be a more or less constant presence at all Beatles sessions.[27] Ono's presence was highly unorthodox, as prior to that point, the Beatles had generally worked in isolation, rarely inviting wives and girlfriends to recording sessions.[28] McCartney's girlfriend at the time, Francie Schwartz, was also present at some sessions,[29] as were the other two Beatles' wives, Pattie Harrison and Maureen Starkey.[30]
During the sessions, the band upgraded from 4-track recording to 8-track. As work began, Abbey Road Studios possessed, but had yet to install, an 8-track machine that had supposedly been sitting in a storage room for several months. This was in accordance with EMI's policy of testing and customising new gear extensively before putting it into use in the studios. The Beatles recorded "Hey Jude" and "Dear Prudence" at Trident because it had an 8-track console.[31] When they learned that EMI also had one, they insisted on using it, and engineers Ken Scott and Dave Harries took the machine (without authorisation from the studio chiefs) into Abbey Road Studio 2 for the band's use.[32]
The author Mark Lewisohn reports that the Beatles held their first and only 24-hour session at Abbey Road near the end of the sessions for The Beatles, which occurred during the final mixing and sequencing for the album. This session was attended by Lennon, McCartney and producer George Martin. Unlike most LPs, there was no customary three-second gap between tracks, and the master was edited so that songs segued together, via a straight edit, a crossfade, or an incidental piece of music.[33]
The studio efforts on The Beatles captured the work of four increasingly individuated artists who frequently found themselves at odds. Lewisohn notes that several backing tracks do not feature the full group, and overdubs tended to be limited to whomever wrote the song.[35] Sometimes McCartney and Lennon would even record simultaneously in different studios, each using different engineers.[36] Late in the sessions, Martin, whose influence over the band had gradually waned, spontaneously left to go on holiday, leaving Chris Thomas in charge of production.[37] Lennon's devotion to Ono over the other Beatles, and the couple's increasing use of heroin, made working conditions difficult as he became prone to bouts of temper and lethargy.[38]
Recording engineer Geoff Emerick, who had worked with the group since Revolver in 1966, had become disillusioned with the sessions. At one point, while recording "Ob-La-Di, Ob-La-Da", Emerick overheard Martin criticising McCartney's lead vocal performance, to which McCartney replied, "Well you come down and sing it".[39] On 16 July, Emerick announced that he was no longer willing to work with the group and immediately left the studio.[39]
Within the band, according to the author Peter Doggett, "the most essential line of communication ... between Lennon and McCartney" had been broken by Ono's presence on the first day of recording.[40] While echoing this view, Beatles biographer Philip Norman comments that, from the start, each of the group's two principal songwriters shared a mutual disregard for the other's new compositions: Lennon found McCartney's songs "cloyingly sweet and bland", while McCartney viewed Lennon's as "harsh, unmelodious and deliberately provocative".[41] In a move that Lewisohn highlights as unprecedented in the Beatles' recording career, Harrison and Starr chose to distance themselves part-way through the project,[35] flying to California on 7 June so that Harrison could film his scenes for the Ravi Shankar documentary Raga.[42] Lennon, McCartney and Harrison's involvement in individual musical projects outside the band during 1968 was further evidence of the group's fragmentation.[43] In Lennon's case, the album cover of his experimental collaboration with Ono, Two Virgins, featured the couple fully naked – a gesture that his bandmates found bewildering and unnecessary.[44]
On 20 August, Lennon and Starr, working on overdubs for "Yer Blues" in Studio 3, visited McCartney in Studio 2, where he was working on "Mother Nature's Son". The positive spirit of the session disappeared immediately, and the engineer Ken Scott later claimed: "you could cut the atmosphere with a knife".[36] On 22 August, during the session for "Back in the U.S.S.R.", Starr abruptly left the studio,[45] feeling that his role in the group was peripheral compared to the other members, and was upset at McCartney's constant criticism of his drumming on the track.[46][47] Abbey Road staff later commented that Starr was usually the first to arrive at the studio and sat waiting in the reception area for the others to turn up.[48] In his absence, McCartney played the drums on "Dear Prudence". For "Back in the U.S.S.R.", the three remaining Beatles each made contributions on bass and drums, with the drum part being a composite of Lennon, McCartney and Harrison's playing.[48]
Lennon, McCartney and Harrison pleaded with Starr to reconsider. He duly returned on 5 September to find his drum kit decorated with flowers,[49] a welcome-back gesture from Harrison.[50] McCartney described the sessions for The Beatles as a turning point for the group, saying "there was a lot of friction during that album. We were just about to break up, and that was tense in itself",[51] while Lennon later said "the break-up of the Beatles can be heard on that album".[52] Of the album's 30 tracks, only 16 have all four band members performing.[c]
The Beatles contains a wide range of musical styles, which the authors Barry Miles and Gillian Gaar each view as the most diverse of any of the group's albums.[67][68] These styles include rock and roll, blues, folk, country, reggae, avant-garde,[69] hard rock[70] and music hall.[71] The production aesthetic ensured that the album's sound was scaled-down and less reliant on studio innovation, relative to all the Beatles' releases since Revolver.[72] The author Nicholas Schaffner viewed this as reflective of a widespread departure from the LSD-inspired psychedelia of 1967, an approach that was initiated by Bob Dylan and the Beach Boys and similarly adopted in 1968 by artists such as the Rolling Stones and the Byrds.[73] Edwin Faust of Stylus Magazine described The Beatles as "foremost an album about musical purity (as the album cover and title suggest). Whereas on prior Beatles albums, the band was getting into the habit of mixing several musical genres into a single song, on The White Album every song is faithful to its selected genre. The rock n' roll tracks are purely rock n' roll; the folk songs are purely folk; the surreal pop numbers are purely surreal pop; and the experimental piece is purely experimental."[74]
The only western instrument available to the group during their Indian visit was the acoustic guitar, and thus many of the songs on The Beatles were written and first performed on that instrument.[75] Some of these songs remained acoustic on The Beatles and were recorded solo, or only by part of the group (including "Wild Honey Pie",[76] "Blackbird",[77] "Julia",[78] "I Will"[79] and "Mother Nature's Son"[80]).
Side one
McCartney wrote "Back in the U.S.S.R." as a parody of Chuck Berry's song "Back in the U.S.A."[76] and the Beach Boys.[81][82] A field recording of a jet aeroplane taking off and landing was used at the start of the track, and intermittently throughout it.[48] The backing vocals were sung by Lennon and Harrison in the style of the Beach Boys,[48] further to Mike Love's suggestion in Rishikesh that McCartney include mention of the "girls" in the USSR.[81] The track became widely bootlegged in the Soviet Union, where the Beatles' music was banned, and became an underground hit.[76][d]
"Dear Prudence" was one of the songs recorded at Trident. The style is typical of the acoustic songs written in Rishikesh, using guitar arpeggios. Lennon wrote the track about Mia Farrow's sister Prudence Farrow, who rarely left her room during the stay in commitment to the meditation.[84]
"Glass Onion" was the first backing track recorded as a full band since Starr's brief departure. MacDonald claimed Lennon deliberately wrote the lyrics to mock fans who claimed to find "hidden messages" in songs, and referenced other songs in the Beatles catalogue – "The Walrus was Paul" refers back to "I Am the Walrus" (which itself refers to "Lucy in the Sky with Diamonds").[85] McCartney, in turn, overdubbed a recorder part after the line "I told you about the Fool on the Hill", as a deliberate parody of the earlier song.[86] A string section was added to the track in October.[86]
Lennon went straight to the piano and smashed the keys with an almighty amount of volume, twice the speed of how they'd done it before, and said "This is it! Come on!"
Recording engineer Richard Lush on the final take of "Ob-La-Di, Ob-La-Da"[87]
"Ob-La-Di, Ob-La-Da" was written by McCartney as a pastiche of ska music. The track took a surprising amount of time to complete, with McCartney demanding perfectionism that annoyed his colleagues.[54] Jimmy Scott, a friend of McCartney, suggested the title and played bongos on the initial take. He demanded a cut of publishing when the song was released, but the song was credited to "Lennon–McCartney".[88] After working for three days on the backing track, the work was scrapped and replaced with a new recording.[87] Lennon hated the song, calling it "granny music shit",[89] while engineer Richard Lush recalled that Starr disliked having to record the same backing track repetitively, and pinpoints this session as a key indication that the Beatles were going to break up.[87] McCartney attempted to remake the backing track for a third time, but this was abandoned after a few takes and the second version was used as the final mix.[87] The group, save for McCartney, had lost interest in the track by the end of recording, and refused to release it as a single. Marmalade recorded a version that became a number one hit.
McCartney recorded "Wild Honey Pie" on 20 August at the end of the session for "Mother Nature's Son". It is typical of the brief snippets of songs he recorded between takes during the album sessions.[76]
"The Continuing Story of Bungalow Bill" was written by Lennon after an American visitor to Rishikesh left for a few weeks to hunt tigers.[66] It was recorded as an audio vérité exercise, featuring vocal performances from almost everyone who happened to be in the studio at the time. Ono sings one line and co-sings another, while Chris Thomas played the mellotron, including improvisations at the end of the track.[90] The opening flamenco guitar flourish was a recording included in the Mellotron's standard tape library.[91]
"While My Guitar Gently Weeps" was written by Harrison during a visit he made to his parents' home in Cheshire.[92] He first recorded the song as a solo performance, on acoustic guitar, on 25 July – a version that remained unreleased until Anthology 3.[58] He was unhappy with the group's first attempt to record the track, and so invited his friend Eric Clapton to come and play on it. Clapton was unsure about guesting on a Beatles record, but Harrison said the decision was "nothing to do with them. It's my song."[93] Clapton's solo was treated with automatic double tracking to attain the desired effect; he gave Harrison the guitar he used, which Harrison later named "Lucy".[94][e]
"Happiness Is a Warm Gun" evolved out of song fragments that Lennon wrote in Rishikesh. According to MacDonald, this working method was inspired by the Incredible String Band's songwriting.[62] The basic backing track ran to 95 takes, due to the irregular time signatures and variations in style throughout the song. The final version consisted of the best half of two takes edited together.[96] Lennon later described the song as one of his favourites,[97] while the rest of the band found the recording rejuvenating, as it forced them to re-hone their skills as a group playing together to get it right.[98] Apple's press officer Derek Taylor made an uncredited contribution to the song's lyrics.[99]
Side two
McCartney got the title of "Martha My Dear" from his sheepdog, but the lyrics are otherwise unrelated.[100] The entire track is played by him backed with session musicians, and features no other Beatles. Martin composed a brass band arrangement for the track.[101]
"I'm So Tired" was written in India when Lennon was having difficulty sleeping.[65] It was recorded at the same session as "The Continuing Story of Bungalow Bill".[90] The lyrics make reference to Walter Raleigh, calling him a "stupid git" for introducing tobacco to Europe;[f] while the track ends with Lennon mumbling "Monsieur, monsieur, how about another one?"[90] This became part of the Paul is Dead conspiracy theory, when fans claimed that when the track was reversed, they could hear "Paul is dead man, miss him miss him".[49]
"Blackbird" features McCartney solo, accompanying himself on acoustic guitar. According to Lewisohn, the ticking in the background is a metronome,[35] although Emerick recalls capturing the sound via a microphone placed beside McCartney's shoes.[103] The birdsong on the track was taken from the Abbey Road sound effects collection, and was recorded on one of the first EMI portable tape recorders.[35]
Harrison wrote "Piggies" as an attack on greed and materialism in modern society.[104] His mother and Lennon helped him complete the lyrics.[105] Thomas played harpsichord on the track, while Lennon supplied a tape loop of pigs grunting.[106]
"Rocky Raccoon" evolved from a jam session with McCartney, Lennon and Donovan in Rishikesh. The song was taped in a single session, and was one of the tracks that Martin felt was "filler" and only put on because the album was a double.[60]
"Don't Pass Me By" was Starr's first solo composition for the band;[107] he had been toying with the idea of writing a self-reflective song for some time, possibly as far back as 1963.[108] It went by the working titles of "Ringo's Tune" and "This Is Some Friendly". The basic track consisted of Starr drumming while McCartney played piano.[109] Martin composed an orchestral introduction to the song but it was rejected as being "too bizarre" and left off the album.[107] Instead, Jack Fallon played a bluegrass fiddle part.[110]
"Why Don't We Do It in the Road?" was written by McCartney in India after he saw two monkeys copulating in the street and wondered why humans were too civilised to do the same.[111] He played all the instruments except drums, which were contributed by Starr. The simple lyric was very much in Lennon's style, and Lennon was annoyed about not being asked to play on it. McCartney suggested it was "tit for tat" as he had not contributed to "Revolution 9".[112]
"I Will" was written and sung by McCartney, with Lennon and Starr accompanying on percussion.[79] In between numerous takes, the three Beatles broke off to busk some other songs. A snippet of a track known as "Can You Take Me Back?" was put between "Cry Baby Cry" and "Revolution 9",[86] while recordings of Cilla Black's hit "Step Inside Love" and a joke number, "Los Paranoias", were released on Anthology 3.[113]
"Julia" was the last track to be recorded for the album and features Lennon on solo acoustic guitar which he played in a style similar to McCartney's on "Blackbird".[78] This is the only Beatles song on which Lennon performs alone[114] and it was a tribute to his mother Julia Lennon, who was killed in 1958 in a road accident while Lennon was only seventeen, and the lyrics deal with the loss of his mother and his relationship with Ono, the "ocean child" referred to in the lyrics.[78] Ono helped with the lyrics, but the song was still credited to Lennon-McCartney as expected.[115]
Side three
According to McCartney, the authorship of "Birthday" was "50–50 John and me, made up on the spot and recorded all on the same evening".[116] He and Lennon were inspired to write the song after seeing the first UK showing of the rock 'n' roll film The Girl Can't Help It on television, and sang the lead vocal in the style of the film's musical star, Little Richard.[61] After the Beatles had taped the track, Ono and Pattie Harrison added backing vocals.[96]
"Yer Blues" was written by Lennon in India. Despite meditating and the tranquil atmosphere, he still felt unhappy, which was reflected in the lyrics.[117] The style was influenced by the British Blues Boom of 1968, which included groups such as Fleetwood Mac, Cream, the Jimi Hendrix Experience, Jeff Beck and Chicken Shack.[59] The backing track was recorded in a small room next to the Studio 2 control room at Abbey Road. Unusually for a Beatles recording, the four-track source tape was edited directly, resulting in an abrupt cut-off at 3'17" into the start of another take (which ran into the fade out).[118][g]
McCartney wrote "Mother Nature's Son" in India, and worked on it in isolation from the other members of the band. He performed the track solo alongside a Martin-scored brass arrangement.[80]
"Everybody's Got Something to Hide Except Me and My Monkey" evolved from a jam session and was originally untitled. The final mix was sped up by mixing the tape running at 43 hertz instead of the usual 50.[25] Harrison claimed the title came from one of the Maharishi's sayings (with "and my monkey" added later).[53]
"Sexy Sadie" was written as "Maharishi" by Lennon, shortly after he decided to leave Rishikesh.[57] In a 1980 interview, Lennon acknowledged that the Maharishi was the inspiration for the song: "I just called him 'Sexy Sadie'."[119]
"Helter Skelter" was written by McCartney and was initially recorded in July as a blues number. The initial takes were performed by the band live and included long passages during which they jammed on their instruments.[39] Because these takes were too long to practically fit on an LP, the song was shelved until September, when a new, shorter, version was made. By all accounts, the session was chaotic, but nobody dared suggest to any of the Beatles that they were out of control. Harrison reportedly ran around the studio while holding a flaming ashtray above his head, "doing an Arthur Brown".[120] The stereo version of the LP includes almost an extra minute of music compared to the mono, which culminates in Starr famously shouting "I've got blisters on my fingers!"[120] Charles Manson was unaware that helter skelter is the British name for a spiral slide found on a playground or funfair, and he assumed the track had something to do with hell. This was one of the key tracks that led Manson to believe the album had coded messages referring to apocalyptic war, and led to his movement of the same name.[57]
The final song on side three is Harrison's "Long, Long, Long", part of the chord progression for which he took from Bob Dylan's "Sad Eyed Lady of the Lowlands".[121] MacDonald describes the song as Harrison's "touching token of exhausted, relieved reconciliation with God" and considered it to be his "finest moment on The Beatles".[65] The recording session for the basic track was one of the longest the Beatles ever undertook, running from the afternoon of 7 October through the night until 7 am the next day. McCartney played Hammond organ on the track, and an "eerie rattling" effect at the end was created by a note causing a wine bottle on top of the organ's Leslie speaker to resonate.[65][122]
Side four
"Revolution 1" was the first track recorded for the album, with sessions for the backing track starting on 30 May.[24] The initial takes were recorded with the aim of it being a possible single, but as the session progressed, the arrangement became slower, with more of a laid-back groove. The group ended the chosen take with a six-minute improvisation that had further overdubs added, before being cut to the length heard on the album. The brass arrangement was added later.[123]
"Honey Pie" was written by McCartney as a pastiche of the flapper dance style from the 1920s. The opening section of the track had the sound of an old 78 RPM record overdubbed[124] while Martin arranged a saxophone and clarinet part in the same style. Lennon played the guitar solo on the track, but later said he hated the song, calling it "beyond redemption".[64]
"Savoy Truffle" was named after one of the types of chocolate found in a box of Mackintosh's Good News, which Clapton enjoyed eating. The track featured a saxophone sextet arranged by Thomas, who also played keyboards.[64] Harrison later said that Derek Taylor helped him finish the lyrics.[125]
Lennon began writing "Cry Baby Cry" in late 1967 and the lyrics were partly derived from a tagline for an old television commercial. Martin played harmonium on the track.[55]
"Revolution 9" evolved from the overdubs from the "Revolution 1" coda. Lennon, Harrison and Ono added further tape collages and spoken word extracts, in the style of Karlheinz Stockhausen. The track opens with an extract from a Royal Schools of Music examination tape, and ends with Ono's infamous comment, "you become naked".[126] Ono was heavily involved in the production, and advised Lennon on what tape loops to use.[127] McCartney did not contribute to the track, and was reportedly unhappy on it being included, though he had led similar tape experiments such as "Carnival of Light" in January 1967.[128] The track has attracted both interest and disapproval from fans and music critics over the years.[129]
"Good Night" was a lullaby written by Lennon for his son Julian, and he specifically wanted Starr to sing it. The early takes featured just Lennon on acoustic guitar and Starr singing.[25] Martin scored an orchestral and choral arrangement that replaced the guitar in the final mix, and also played the celesta.[54]
Singles[edit]
"Hey Jude" was recorded at the end of July 1968 during the sessions for The Beatles but was issued separately as a single nearly three months before the album's release.[130] (It would, however, make its LP debut in the US two years later as the title cut of the compilation album Hey Jude.) The B-side, "Revolution", was a different version of the album's "Revolution 1". Lennon had wanted the original version of "Revolution" to be released as a single, but the other three Beatles objected on the grounds that it was too slow. Instead, the single featured a new, faster version, with heavily distorted guitar and an electric piano solo from Nicky Hopkins.[88] This was the first release on Apple Records and went on to be the band's most successful single, with world sales of over 5 million by the end of 1968 and 7.5 million by October 1972.[131]
The convention in the British music industry at the time was that singles and albums were distinct entities and should not duplicate songs.[132][h] However, though no singles were taken from The Beatles in either Britain or America, "Ob-La-Di, Ob-La-Da" backed with "While My Guitar Gently Weeps" was released in other markets. The single was a commercial success in countries such as Australia (where it spent five weeks at number one on the Go-Set chart),[133] Japan,[134] Austria[135] and Switzerland.[136]
Unreleased material
Some songs that the Beatles were working on individually during this period were revisited for inclusion on the group's subsequent albums, while others were eventually released on the band members' solo albums. According to the bootlegged album of the demos made at Kinfauns, the latter of these two categories includes Lennon's "Look at Me"[137] and "Child of Nature" (eventually reworked as "Jealous Guy");[138] McCartney's "Junk";[138] and Harrison's "Not Guilty" and "Circles".[138] In addition, Harrison gave "Sour Milk Sea" to the singer Jackie Lomax, whose recording, produced by Harrison, was released in August 1968 as Lomax's debut single on Apple Records.[139] Lennon's "Mean Mr. Mustard" and "Polythene Pam" would be used for the medley on Abbey Road the following year.[33]
The Lennon-written "What's the New Mary Jane" was demoed at Kinfauns[140] and recorded formally (by Lennon, Harrison and Ono) during the 1968 album sessions.[60] McCartney taped demos of two compositions at Abbey Road – "Etcetera"[36] and "The Long and Winding Road" – the last of which the Beatles recorded in 1969 for their album Let It Be.[141] The Beatles versions of "Not Guilty" and "What's the New Mary Jane", and a demo of "Junk", were ultimately released on Anthology 3.[142]
"Revolution (Take 20)", a previously uncirculated recording, surfaced in 2009 on a bootleg. This ten-minute take was later edited and overdubbed to create two separate tracks: "Revolution 1" and the avant-garde "Revolution 9".[143]
Release
The Beatles was issued on 22 November 1968 in Britain,[144] with a US release following three days later.[145] The album's working title, A Doll's House, had been changed when the English progressive rock band Family released the similarly titled Music in a Doll's House earlier that year.[115] Schaffner wrote in 1977 of the name that was adopted for the Beatles' double album: "From the day of release, everybody referred to The Beatles as 'the White Album.'"[146]
The Beatles was the third album to be released by Apple Records, following Harrison's Wonderwall Music, and Lennon’s Two Virgins.[148] Martin has said that he was against the idea of a double album at the time and suggested to the group that they reduce the number of songs to form a single album featuring their stronger work, but that the band decided against this.[144] Interviewed for the Beatles Anthology television series in the 1990s, Starr said that he now felt that it should have been released as two separate albums (that he nicknamed "The White Album" and "The Whiter Album").[147] Harrison felt on reflection that some tracks could have been released as B-sides, but "there was a lot of ego in that band."[147] He also supported the idea of the double album, to clear out the backlog of songs that the group had at the time. By contrast, McCartney said that it was fine as it was, adding: "It's the bloody Beatles' White Album. Shut up!"[147]
The Beatles was the last Beatles album to be mixed separately for both stereo and mono,[149] though the mono version was issued only in the UK and a few other countries. All but one track exist in official mono mixes; the exception is "Revolution 9", which was a direct reduction of the stereo master.[36] The Beatles had not been particularly interested in stereo until this album, but after receiving mail from fans stating they bought both stereo and mono mixes of earlier albums, they decided to make the two different.[150] Several mixes have different track lengths; the mono mix/edit of "Helter Skelter" eliminates the fade-in at the end of the song (and Starr's ending scream),[120] and the fade out of "Yer Blues" is 11 seconds longer on the mono mix.[151]
In the US, mono records were already being phased out; the US release of The Beatles was the first Beatles LP to be issued in stereo only.[152] In the UK, the following album, Yellow Submarine, was the last to be shipped in mono.[153] The mono version of The Beatles was made available worldwide on 9 September 2009, as part of The Beatles in Mono CD boxed set.[154] A reissue of the original mono LP was released worldwide in September 2014.[155]
The album's sleeve was designed by pop artist Richard Hamilton,[144] in collaboration with McCartney.[156] Hamilton's design was in stark contrast to Peter Blake's vivid cover art for Sgt. Pepper's Lonely Hearts Club Band, and consisted of a plain white sleeve. The band's name, in Helvetica,[157] was crookedly blind embossed slightly below the middle of the album's right side,[158] and the cover also featured a unique stamped serial number, "to create", in Hamilton's words, "the ironic situation of a numbered edition of something like five million copies".[159] In 2008, an original pressing of the album with serial number 0000005 sold for £19,201 on eBay.[160] In 2015, Ringo Starr's personal copy number 0000001 sold for a world record $790,000 at auction.[161]
Later vinyl record releases in the US showed the title in grey printed (rather than embossed) letters. The album included a poster comprising a montage of photographs, with the lyrics of the songs on the back, and a set of four photographic portraits taken by John Kelly[162] during the autumn of 1968 that have themselves become iconic. The photographs for the poster were assembled by Hamilton and McCartney, and sorted them in a variety of ways over several days before arriving at the final result.[163]
Tape versions of the album did not feature a white cover or the numbering system. Instead, cassette and 8-track versions (issued on two cassettes/cartridges in early 1969) contained cover artwork that featured high contrast black and white (with no grey) versions of the four Kelly photographs. These two-tape releases were both contained in black outer cardboard slipcase covers embossed with the words The Beatles and the outline of an apple in gold print.[164] The songs on the cassette version of The Beatles[165] are sequenced differently from the album, in order to equalize the lengths of the tape sides.[166] Two reel-to-reel tape releases of the album were issued, both using the monochrome Kelly artwork. The first, issued by Apple/EMI in early 1969,[167][168] packaged the entire double-LP on a single tape, with the songs in the same running order as on the LPs. The second release, licensed by Ampex from EMI in early 1970 after the latter ceased manufacture of commercial reel-to-reel tapes, was issued as two separate volumes,[169][170] and sequenced the songs in the same manner as on the cassette version. The Ampex reel tape version of The Beatles has become desirable to collectors, as it contains edits on eight tracks not available elsewhere.[i]
A painting of the band by John Byrne was at an earlier point under consideration to be used as the album's cover. The piece was later used for the sleeve of the compilation album The Beatles' Ballads, released in 1980. In 2012 the original artwork was put up for auction.[172]
During 1978 and 1979, for the album's tenth anniversary, EMI reissued the album pressed on limited edition white vinyl in several countries.[173][174] In 1981, Mobile Fidelity Sound Lab (MFSL) issued a unique half-speed master variation of the album using the sound from the original master recording. The discs were pressed on high-quality virgin vinyl.[175]
The album was reissued, along with the rest of the Beatles catalogue, on compact disc in 1987.[176] It was the only CD in the Beatles' catalogue to be issued in white jewel cases (as opposed to the usual black), and, like the original vinyl pressings, featured individually stamped numbers on the album's front cover (in this case on the cover of the booklet for the first disc). It was reissued again on CD in 1998 as part of a 30th anniversary series for EMI, featuring a scaled-down replication of the original artwork. This was part of a reissue series from EMI that included albums from other artists such as the Rolling Stones and Roxy Music.[177] It was reissued again in 2009 in a new remastered edition.[178]
On 9 November 2018, remixed and expanded editions of The Beatles were released. These sets feature 50 previously unreleased recordings of songs from the album, in addition to the Esher demos recorded at Harrison's house.[179] The four editions are: a three-CD deluxe set, containing the original double album and one CD of Esher demos; a seven-disc super deluxe edition, which adds three CDs of outtakes and a Blu-ray disc; a two-LP edition, comprising the original release; and a four-LP edition, two discs of which contain Esher demos.[180] Following the announcement of these editions in September, a preview containing three versions of "Back in the U.S.S.R." was released on Spotify[181] and iTunes.[182]
Take pictures of me, I'll take pictures of you!
The driver of the Google Maps Street View car takes a smoke break. I'm sure he's used to being the centre of attention.
Google Street View is a technology featured in Google Maps and Google Earth that provides panoramic views from positions along many streets in the world. It was launched on May 25, 2007, in several cities in the United States, and has since expanded to include cities and rural areas worldwide.
On each of these vehicles there are nine directional cameras for 360° views at a height of about 2.5 metres, GPS units for positioning and three laser range scanners from SICK AG for the measuring of up to 50 meters 180° in the front of the vehicle. These are used for recording a rough 3D model of the surroundings, enabling faux-3D transitions between distinct panoramas where the environment images are momentarily mapped onto this 3D model while being crossfaded to create an animated perspective change as the user travels from one panorama to another.
Privacy advocates have objected to this Google feature, pointing to views found to show men leaving strip clubs, protesters at an abortion clinic, sunbathers in bikinis, and people engaging in activities visible from public property in which they do not wish to be seen publicly. The concerns have led to several temporary bans of Street View in countries around the world. Google maintains that the photos were taken from public property; however, an individual taking pictures of private property using a ladder to gain a view not normally available to a pedestrian would be prosecuted for invasion of privacy or harassment in many jurisdictions worldwide. Google has yet to address this concern. The service also allows users themselves to flag inappropriate or sensitive imagery for Google to review and remove.
When we put it in reverse and go back to the McIngvale bridge over 269, this if what we see (though no, I didn't actually have my driver back up) :P I like how this turned out, with some of the construction visible on both sides of 269. Not much traffic on 269 for a lazy Sunday afternoon, but I do like one thing I see there: several big trucks using the route - at least some of those trucks would probably be using congested Goodman Rd. if they didn't now have 269 to travel on!
And may good music (such as the tunes on this list) accompany you, whatever roads you travel this week (don't think I've done a music list introduction that cheezy in quite a while XD):
Metallica (Death Magnetic) - The Judas Kiss
Icehouse (Man of Colours) - Anybody's War
Staind (Chapter V) - Right Here
Crossfade (Crossfade) - Death Trend Setta
Ozzy Osbourne (Ordinary Man) - Goodbye
Poets of the Fall (Ultraviolet) - In a Perfect World
Chevelle (Hats off to the Bull) - Arise
Tool (AEnima) - Jimmy
Limp Bizkit (Significant Other) - Nookie
Three Days Grace (Three Days Grace) - I Hate Everything About You
The Police (Ghost in the Machine) - Secret Journey
Seether (Isolate and Medicate) - Keep the Dogs at Bay
Kings of Leon (Aha Shake Heartbreak) - Four Kicks
Van Halen (Women and Children First) - Romeo Delight
The Rolling Stones (Honk) - Harlem Shuffle
Sting (57th & 9th) - If You Can't Love Me
Joan Jett & The Blackhearts (I Love Rock 'N' Roll) - Bits and Pieces
Dio (Holy Diver) - Straight Through the Heart
This is an improved version of this video of mine: www.flickr.com/photos/josh-rokman/14689376506/in/set-7215...
For the original video, I had to move fast to capture the dragonfly before it flew off and I did not have my tripod handy, so I shot the video handheld. This created a great deal of shakiness in the video. For this version, I used Muvee 'Turbo Video Stabilizer' software to stabilize the video, and then I put it back in Photoshop to put a box around the video to make up for the reduction in resolution as a result of the stabilization process and added some crossfading scene transitions as well.
The song here is an original creation of mine called "Glass Rainforest". You can check it out here: soundcloud.com/josh-rokman/glass-rainforest
- Josh