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High Tea is an altered ATC, created for Roses On My Table group .... N/A
Lovely Lady courtesy of Autumn Sensation/Thank You
Instagram: instagram.com/45surf
Sony A7RII Photos: Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens: Fine Art Galleries and Creating High-End Fine Art Prints on Fuji Crystal Supergloss Metallic Facemounted to Acrylic! Dr. Elliot McGucken Fine Art
I had fun visiting Prolab Digital by the LAX ariport to witness the creation of a fine art print for the band the Who's Charity Auction! :) I was always curious how the face-mounted! prints were made! :)
Not so long ago, I was honored with an invitation to donate one of my fine art prints to The Who's charity auction benefitting Teen Cancer.
Well, I hope my art is able to help a bit! It's quite an honor.
Given the cause, I decided to go big and print a 40"x60" museum-quality, fine art rendition of a fortuitous Malibu sunset recently photographed with the new 42 mp Sony A7RII! Please find the photograph of the sunset here:
www.flickr.com/photos/herosjourneymythology45surf/2020220...
As a physicist who worked on CMOS photosensors and an artificial retina for the blind, I have always been fascinated by the amazing evolution of digital cameras and sensors, and that interest recently carried over into the art and science of printing fine art photography. What makes an optimal fine art print? I visited Prolab Digital to ask some questions while documenting the creation of the museum-quality archival print. This also tied into a book I am working on, which is a beauty-driven approach to photography. Every element of photography, from camera and lens selection, to settings and composition, to computers and software, to printing, can be seen as an answer to the simple question, "How do I best capture and share beauty?"
Fine art photography can be broken down into three basic stages, all dictated by beauty--capturing beauty's light, bending and shaping beauty's light, and liberating the beauty's light in a fine art print. The first stage centers about the optimal capture of beauty's light out in the field via the blending of optimal compositions, sensors, settings, and glass. The second part consists of bending and shaping the beauty's light in post--in software such as Lightroom or Photoshop. And the third part consists of liberating the light in the finest manner possible via a combination of printing and mounting on the materials most capable of projecting the original beauty's light--the light that began in the landscape, passed on though the camera's sensor and then through a computer and software, and now travels forth from the wall of a gallery or museum.
For the finest rendition, we choose to print on Fuji Crystal Archival paper--either the metallic or super-gloss which makes the light pop. Both papers have tiny metallic crystals of silver halide which reflect the light in a manner that makes a print look backlit, thusly bringing it to life with a magical glow. The light literally emanates from the scenic landscape, just as it did when first captured in the field. Fuji describes their line of "crystal" papers:
"Fujicolor Crystal Archive Paper is a silver halide color paper, designed exclusively to produce high-image-quality color prints on both analogue and digital printers. This paper incorporates latest silver halide emulsion technology, coupler technology and layer design technology to deliver enhanced color reproduction, white purity, image stability and handling of the photo."
The print is then face-mounted to a sheet of 1/8" or 1/4" acrylic UV resistant acrylic via an adhesive. Not only does this thin layer of plexiglass serve to capture and liberate a gallery's high-end lighting fixtures in a way that brings the landscape to life, but it also serves to protect the print. While scratches on acrylic can be buffed out, once an aluminum print is scratched or damaged, it is very hard (if not impossible) to repair. The resistance to UV rays keeps the print from fading.
To further enhance the experience, we use acrylic with an anti-reflective coating, known to the industry as "P99 non-glare plexiglass." This equivalent to the "museum glass" used in more traditional framed and matted prints, is well-worth the premium, as it cuts down on the glare from ambient light and reflections from the environment. Without the reflective coating, the viewer of the art will see their own reflection, or reflections of the lights and windows in the room. When we go to a gallery or museum and cast our gaze upon a seascape, we want to see the art, and not a reflection of ourselves! :)
The physics of anti-reflective coatings consists of applying thin layers of film to the glass's surface with a thickness chosen in proportion to the wavelengths of visible light, so that when the light reflects, the wavelengths of the incoming and outgoing wave match up in opposition, and thus cancel one-another, thereby "disappearing" the reflection. This is not easy to do, but we photographers always pay premium for lenses and filters coated with the anti-reflective coatings, so as to optimize the capture of beauty's light. And thus it makes sense to mount a print to glass with anti-reflective coatings, so as to liberate the beauty's light in an optimal manner.
For longevity and durability, the print is mounted to aluminum with a metal cleat attached to the back for hanging. Sandwiched between a solid sheet of aluminum on the back and UV-resistant acrylic on the front, the print is frozen in time, and will never wrinkle nor crease.
Well, I'm working on a book on all this--the full odyssey of creating museum-quality/gallery-quality prints! :)
www.create-learning.com - Photos of the Flip-Chart graphics and notes from a 2.5 day training for Lean Six Sigma Master Black Belts. The training covered Change Management, Project Management, and Training Techniques
Students of color, the LGBTQ community and female students convened in Reeve Union Ballroom April 2 to hone their networking skills with professionals at Creating Connections: Empowering through Networking, a Social Justice Week event hosted by University of Wisconsin Oshkosh Career Services.
Created by Antonio and Julia Smith-Plata (family project) from Payson, AZ
Title: Arizona Centennial Celebration
Participants: Antonio Smith-Plata (age 9) and Julia Smith-Plata (age 6) designed and created the panel – I am their Nana (Pamela Smith) -- I provided the supplies for the project, contacted Sue Coccia for permission to use her art and paid the fee.
Dream Theme: Conservation (Nature, animals, etc)
Materials and Techniques Used:
With permission from Sue Coccia -- colored some of her art panels with watercolor pencils. Scanned them into the computer and printed them onto fabric. Used steam a seam 2 to fuse the pictures onto a background fabric. Added a border. Quilted the project. Bound the edge with yarn fibers.
What is your artwork about?
We are Antonio (age 9) and Julia (age (6). We made a quilt panel with our cousins and our Nana two years ago. Now that we are older we wanted to try to do one by ourselves – next year is the Arizona centennial – wit permission we used Sue Coccia art pages with a southwest theme for our quilt. The border is a specially designed Arizona centennial fabric. We hope our quilt is chosen to be shown in Phoenix as we live there. We have done some sewing before and wanted to try a quilt. It was fun and we like how it turned out. We plan to do another one for ourselves.
…
Print a Dream Rocket Flyer:
docs.google.com/viewer?a=v&pid=explorer&chrome=tr...
Subscribe: www.feedblitz.com/f/?Sub=757612
Learn how to participate at: www.thedreamrocket.com
We will pull no punches nor silly puns, and put together a poster for a boxing event, for the second tutorial exploring the complete vintage designer’s kit.
The process will have us explore the customization abilities of the bundle’s typefaces, layout ideas to accommodate the long swashes and tall capital letters, and weathering tips and tricks.
Created with Kandinsky 2.2
Prompt:
Nightmare In Wonderland , Surreal Cryptid Landscape, cryptid taxidermy creatures, horror, Vibrant, Whimsical Creatures, By Patrick Woodroffe, By Aeron Alfrey, by Alex Grey, by Otto Rapp, imperial color
Stalker's team take full advantage of the lethal obstacle cast by the Dark Knight and bolt through the tunnel!
Stalker: Hit any Cobras hard and quiet-like! Silent weapons! We don't wanna bring any more attention to ourselves!
Stalker clenches his jaw as his words and the frantic footsteps of his team echo through the tunnel, plainly betraying the intention behind his order. Moments later, Jinx, at the front of the team, hurls herself flat against the wall and signals for silence to her colleagues. The team joins her as she peers around a turn in the tunnel. The others see her look for a minute, then return her attention to the Joes.
Jinx: Stalker was right. We found the communication terminal. It looks small time. There's a pair of Sand Vipers and a Tele Viper and that's it, and they are lost in a world of communication hell. That big ass Devastator
guy outside must be interfering with the signals.
Batman shakes his head.
Batman: It's part of my netting. I've got something else that should scramble their signals even more.
Batman reaches once more into his bat-utility belt, past the bat-shark-repellent and pulls out a pen-like device.
Batman: This will do the trick.
Stalker: Ok, let's take them out quiet and fast. Go!
The team swarms the already panicked Cobras as Batman activates his device! The Cobra computer console displays nothing but static and sparks burst from the helmet of the Tele-Viper as the Joes take the Cobra troopers our with expert precision!
Yan Reach, one of the client farmers benefitting from IDE Cambodia's Farm Business Advisors programme.
Created this Stiletto cake as a surprise for a 40th birthday. The cake was a total surprise and she sent me the nicest letter afterward. She loves cherries and that's the reason for the cherries all over the shoe and the large oversized cherry on the side which is RTK. The cake itself was chocolate with peanut butter icing.
And God Created Woman (French: Et Dieu... créa la femme) is a 1956 French romantic drama film directed by Roger Vadim in his directorial debut and starring Brigitte Bardot. Though not her first film, it is widely recognized as the vehicle that launched Bardot into the public spotlight and immediately created her "sex kitten" persona, making her an overnight sensation.
When the film was released in the United States by Kingsley-International Pictures in 1957, it pushed the boundaries of the representation of sexuality in American cinema, and most available prints of the film were heavily edited to conform with the Hays Code censorial standards.[citation needed] Filmmaker Peter Bogdanovich credited it for "breaking French cinema out of U.S. art houses and into the mainstream and thereby inadvertently also paving the way for the takeover in France of the New Wave filmmakers."[5]
A poorly-received English-language remake, also titled And God Created Woman, was directed by Vadim and released in 1988.
Plot
Juliette is an 18-year-old orphan in Saint-Tropez, France,[6][7] with a high level of sexual energy. She makes no effort to restrain her natural sensuality – lying nude in her yard, habitually kicking her shoes off and stalking about barefoot, and disregarding many societal conventions and the opinions of others. This behavior causes a stir and attracts the attention of most of the men around her.
Her first suitor is the much older and wealthy Eric Carradine. He wants to build a new casino in Saint-Tropez, but his plans are blocked by a small shipyard on the stretch of land which he needs for the development; the shipyard is owned by the Tardieu family.
Antoine, the eldest of the three Tardieu brothers, returns home for the weekend to hear Carradine's proposal and Juliette is waiting for him to take her away with him. His intentions are short-term, and he spurns her by leaving Saint-Tropez without her.
U.S theatrical advertisement, 9 April 1958
Tiring of her outrageous behavior, Juliette's guardians threaten to send her back to the orphanage, which will confine her until she is 21. To keep her in town, Carradine pleads unsuccessfully with Antoine to marry her. His infatuated and naive younger brother Michel sees his opportunity and proposes marriage to Juliette. Despite her love for Antoine, she accepts.
When Antoine is contracted to return home and work for Carradine, Juliette's behavior becomes increasingly disrespectful of her husband. In a huff, she takes one of the family's boats. When it develops engine trouble, she has to be saved by Antoine. While they are washed up together on a wild beach, she seduces him.
Juliette begins acting bizarrely. She takes to her bed, claiming to have a fever. She tells Christian, the youngest Tardieu brother, that she had sex with Antoine on the beach. When Madame Tardieu, mother of the three boys, hears about it, she tells Michel that he has to dump Juliette promptly. Michel goes to their room to talk with Juliette, but she has gone off to the Bar des Amis to drink and dance.
Michel tries to go looking for her, but Antoine locks him inside, telling him to forget her. Michel fights his brother for the key and heads out after Juliette.
Eric has been alerted that Juliette is making a spectacle of herself and comes to the bar to collect her. Juliette refuses to leave with him. Michel arrives but Juliette refuses to talk with him and continues her improvised and sexually suggestive dancing. When she ignores Michel's order to stop, Michel shoots at her. Eric steps in and is slightly wounded. Antoine offers to drive Eric to a doctor and they leave. Michel angrily slaps Juliette four times. She only smiles at him with satisfaction that she has provoked him to this behavior. En route to the doctor, Eric tells Antoine that he is going to reassign him to work elsewhere to put some distance between him and Michel and Juliette. He says: "That girl was made to destroy men". In the final scene, Michel and Juliette walk home together, hand in hand.
Cast
Brigitte Bardot as Juliette Hardy
Curd Jürgens as Éric Carradine
Jean-Louis Trintignant as Michel Tardieu
Marie Glory as Mme. Tardieu
Georges Poujouly as Christian Tardieu
Christian Marquand as Antoine Tardieu
Jane Marken as Madame Morin
Jean Tissier as M. Vigier-Lefranc
Isabelle Corey as Lucienne
Jacqueline Ventura as Mme Vigier-Lefranc
Jacques Ciron as The Secretary of Éric
Paul Faivre as M. Morin
Jany Mourey as The Orphanage Representative
Philippe Grenier as Perri
Jean Lefebvre as The Man who wanted to dance
Leopoldo Francés as The Dancer
Jean Toscano as René
Production
By the mid-1950s Roger Vadim was an established screenwriter and had written several movies starring his then wife Brigitte Bardot. Producer Raoul Levy wanted Vadim to write and direct a film starring Bardot, and suggested he adapt the book The Little Genius by Maurice Garçon. Vadim disliked the book and came up with a new story, one based on a trial of a woman who had been the mistress of three different brothers, and who killed one of them. Vadim was particularly taken with the attitude of the woman towards her lovers, the jury and the police. Levy liked Vadim's idea and obtained finance.[8]
Levy succeeded in raising finance from Columbia, who would provide color and CinemaScope provided Curd Jurgens was given a role. The parts of the brothers had already been cast so Vadim rewrote the script in two days to expand the part of an arms dealer so it could be offered to Jurgens.[8]
Reception
Box office
The film was a big hit in France, one of the ten most popular films at the British box-office in its year of release[9] and the biggest foreign-language film ever in the United States at the time.[10] The film earned $4 million in the U.S. (grossing $12 million), and a further $21 million around the globe.[2][3]
The film was extremely popular in Kansas City, where it played for a year at the Kimo Theatre, grossing over $100,000, a record for Kansas City at the time.[11] In Europe, this movie smashed attendance records from Norway to the Middle East.[12] It earned for France over $8 million, more than France's biggest export — "the Renault Dauphine".[13]
In the United States the film was released by Kingsley-International, a subsidiary of Columbia Pictures as Columbia was forbidden to release a film with nudity and adult themes. The Catholic Legion of Decency gave it a "C" for "Condemned" rating. A Columbia spokesman stated that the film would have received twice as many bookings with a less restrictive "B" rating, but would only have done half the business.[14] Variety reported that in spite of the rating, the film broke "local records at the Paris Theatre, N.Y., and at other houses where it has played", and noted that "In Fitchburg, Mass., it actually outgrossed Ten Commandments."[15]
Author Peter Lev describes the film's impact in America:
And God Created Woman's impact on the film industry was significant. New Bardot films were eagerly snapped up by distributors, and old Bardot films were released or re-released. Prices for distribution rights to foreign films escalated overall.[16]
Critical response
When the film was released in the United States, Bosley Crowther, the film critic for The New York Times, found Brigitte Bardot attractive but the film lacking and was not able to recommend it. He wrote: "Bardot moves herself in a fashion that fully accentuates her charms. She is undeniably a creation of superlative craftsmanship. But that's the extent of the transcendence, for there is nothing sublime about the script of this completely single-minded little picture. ...We can't recommend this little item as a sample of the best in Gallic films. It is clumsily put together and rather bizarrely played. There is nothing more than sultry fervor in the performance of Mlle. Bardot, and Christian Marquand and Jean-Louis Trintignant are mainly heavy-breathers as her men".[17]
en.wikipedia.org/wiki/And_God_Created_Woman_(1956_film)
Film critic Dennis Schwartz wrote: "The breezy erotic drama was laced with some thinly textured sad moments that hardly resonated as serious drama. But as slight as the story was it was always lively and easy to take on the eyes, adding up to hardly anything more than a bunch of snapshots of Bardot posturing as a sex kitten in various stages of undress. The public loved it and it became a big box-office smash, and paved the way for a spate of sexy films to follow. What was more disturbing than its dullish dialogue and flaunting of Bardot as a sex object, was that underneath its call for liberation was a reactionary and sexist view of sex."[18]
Rotten Tomatoes reports a 69% approval rating based on 13 reviews, with an average rating of 6.4/10.[19]
Censorship
When released in the United States, the film was condemned by the National Legion of Decency.[20]
Police made attempts to suppress its screening in the U.S.[21][22]
Saint-Tropez (/ˌsæn troʊˈpeɪ, - trəˈ-/ SAN troh-PAY, - trə-,[4][5] French: [sɛ̃ tʁɔpe]; Provençal: Sant Tropetz [san(t) tʀuˈpes]) is a commune in the Var department and the region of Provence-Alpes-Côte d'Azur, Southern France. It is 68 kilometres (42 miles) west of Nice and 100 kilometres (62 miles) east of Marseille, on the French Riviera, of which it is one of the best-known towns. In 2018, Saint-Tropez had a population of 4,103. The adjacent narrow body of water is the Gulf of Saint-Tropez (French: Golfe de Saint-Tropez), stretching to Sainte-Maxime to the north under the Massif des Maures.
Saint-Tropez was a military stronghold and fishing village until the beginning of the 20th century. It was the first town on its coast to be liberated during World War II as part of Operation Dragoon. After the war, it became an internationally known seaside resort, renowned principally because of the influx of artists of the French New Wave in cinema and the Yé-yé movement in music. It later became a resort for the European and American jet set and tourists.
History
Aerial view of Saint-Tropez, with Pampelonne beach in background and the citadel and the port in the foreground
Citadel of Saint-Tropez
Map of Saint-Tropez (c. 1680)
In 599 BC, the Phocaeans from Ionia founded Massilia (present-day Marseille) and established other coastal mooring sites in the area. Through the writings of Roman historian and military commander Pliny the Elder, it was found that Saint-Tropez was known in ancient times as Athenopolis and that it belonged to the Massilians.[6] In 31 BC, the Romans invaded the region. Their citizens built many opulent villas in the area, including one known as the "Villa des Platanes" (Villa of the Plane Trees). The closest settlement to Saint-Tropez in antiquity is attested as Heraclea-Caccabaria, today Cavalaire-sur-Mer, situated on the southern end of the peninsula, while the gulf of Saint-Tropez was called sinus Sambracitanus, which likely survives in the settlement name of Les Issambres.[7]
The town owes its current name to the early Christian martyr Saint Torpes. Legend tells of his decapitation at Pisa during Nero's reign, with his body placed in a rotten boat along with a rooster and a dog. The body purportedly landed at the present-day location of the town of Saint-Tropez.[8][9][10]
Toward the end of the ninth century, long after the fall of the Roman Empire in the West, pirates and privateers began a hundred years of attacks and sackings. In the tenth century, the village of La Garde-Freinet was founded 15 km (9 mi) to the north of Saint-Tropez. From 890 to 972, Saint-Tropez and its surroundings became an Arab Muslim colony dominated by the nearby Saracenic settlement of Fraxinet;[11][12] in 940, Saint-Tropez was controlled by Nasr ibn Ahmad.[12] From 961 to 963, Adalbert, son of Berengar, the pretender to the throne of Lombardy who was pursued by Otto I, hid at Saint-Tropez.[12] In 972, the Muslims of Saint-Tropez held Maïeul, the abbot of Cluny, for ransom.[12]
In 976, William I, Count of Provence, Lord of Grimaud, began attacking the Muslims, and in 980 he built a tower where the Suffren tower now stands. In 1079 and 1218, Papal bulls mentioned the existence of a manor at Saint-Tropez.
Saint-Tropez "le vieux port" (the old port)
From 1436, Count René I (the "good King René") tried to repopulate Provence. He created the Barony of Grimaud and appealed to the Genoan Raphael de Garezzio, a wealthy gentleman who had sent a fleet of caravels carrying 60 Genoese families to the area. In return, Count René promised to exempt the citizens from taxation. On 14 February 1470, Jean de Cossa, Baron of Grimaud and Grand Seneschal of Provence, agreed that the Genoan could build city walls and two large towers, which still stand: one tower is at the end of the Grand Môle and the other is at the entrance to the Ponche.
The city became a small republic with its own fleet and army and was administered by two consuls and 12 elected councillors. In 1558, the city's captain Honorat Coste was empowered to protect the city. The captain led a militia and mercenaries who successfully resisted attacks by the Turks and Spanish, succored Fréjus and Antibes and helped the Archbishop of Bordeaux regain control of the Lérins Islands.
In 1577, the daughter of the Marquis Lord of Castellane, Genevieve de Castilla, married Jean-Baptiste de Suffren, Marquis de Saint-Cannet, Baron de La Môle, and advisor to the parliament of Provence. The lordship of Saint-Tropez became the prerogative of the De Suffren family. One of the most notable members of this family was the later vice-admiral Pierre André de Suffren de Saint-Tropez (1729–1788), veteran of the War of the Austrian Succession, the Seven Years' War and the American Revolutionary War.
In September 1615, Saint-Tropez was visited by a delegation led by the Japanese samurai Hasekura Tsunenaga that was on its way to Rome but was forced by weather to stop in the town. This may have been the first contact between the French and the Japanese.
Bust of Saint-Tropez during the Bravades
The local noblemen were responsible for raising an army that repulsed a fleet of Spanish galleons on 15 June 1637; Les Bravades des Espagnols, a local religious and military celebration, commemorates this victory of the Tropezian militia.[13] Count René's promise in 1436 to not tax the citizens of Saint-Tropez was honored until 1672, when Louis XIV abrogated it as he imposed French control.
The Gulf of Saint-Tropez was known as the Gulf of Grimaud until the end of the 19th century.
During the 1920s, Saint-Tropez attracted famous figures from the fashion world such as Coco Chanel and Elsa Schiaparelli. During World War II, the landing on 15 August 1944 began the Allied invasion of southern France, Operation Dragoon. In the 1950s, Saint-Tropez became internationally renowned as the setting for such films as And God Created Woman, which starred French actress Brigitte Bardot.
In May 1965, an Aérospatiale Super Frelon pre-production aircraft crashed in the gulf, killing its pilot.
On 4 March 1970, the French submarine Eurydice, with its home port as Saint-Tropez, disappeared in the Mediterranean with 57 crew aboard after a mysterious explosion.
The motto of Saint-Tropez is Ad usque fidelis, Latin for "faithful to the end". After the Dark Age of plundering the French Riviera, Raphaël de Garesio landed in Saint-Tropez on 14 February 1470, with 22 men, simple peasants or sailors who had left the overcrowded Italian Riviera. They rebuilt and repopulated the area, and in exchange were granted by a representative of the "good king", Jean de Cossa, Baron of Grimaud and Seneschal of Provence, various privileges, including some previously reserved exclusively for lords, such as exemptions from taxes status and the right to bear arms. About ten years later, a great wall with towers stood watch to protect the new houses from sea and land attack; some 60 families formed the new community. On 19 July 1479, the new Home Act was signed, "the rebirth charter of Saint-Tropez".[14]
Climate
Saint-Tropez has a hot-summer mediterranean climate with mild winters and hot summers, although daytime temperatures are somewhat moderated by its coastal position.
Climate data for Saint-Tropez
MonthJanFebMarAprMayJunJulAugSepOctNovDecYear
Mean daily maximum °C (°F)12.1
(53.8)12.6
(54.7)14.3
(57.7)16.5
(61.7)19.7
(67.5)23.4
(74.1)27.0
(80.6)27.3
(81.1)24.3
(75.7)20.2
(68.4)15.6
(60.1)13.0
(55.4)18.8
(65.8)
Daily mean °C (°F)9.3
(48.7)9.6
(49.3)11.0
(51.8)13.2
(55.8)16.3
(61.3)20.0
(68.0)23.3
(73.9)23.4
(74.1)20.8
(69.4)17.1
(62.8)12.8
(55.0)10.3
(50.5)15.6
(60.1)
Mean daily minimum °C (°F)6.5
(43.7)6.6
(43.9)7.8
(46.0)9.8
(49.6)13.0
(55.4)16.5
(61.7)19.5
(67.1)17.3
(63.1)14.1
(57.4)9.9
(49.8)7.5
(45.5)6.0
(42.8)12.3
(54.1)
Average precipitation mm (inches)82.4
(3.24)82.8
(3.26)64.7
(2.55)53.2
(2.09)40.1
(1.58)25.7
(1.01)15.5
(0.61)27.8
(1.09)57.0
(2.24)104.9
(4.13)85.7
(3.37)72.2
(2.84)711.8
(28.02)
Mean monthly sunshine hours147.8148.9203.2252.1234.9280.6310.3355.5319.5247.0201.5145.52,748.1
Source: Climatologie mensuelle à la station de Cap Camarat.[15]
Economy
The Hôtel Byblos is a Grand Hotel built in the mid-1960s.
The main economic resource of Saint-Tropez is tourism. The city is well known for the Hôtel Byblos and for Les Caves du Roy, a member of the Leading Hotels of the World; its 1967 inauguration featuring Brigitte Bardot and Gunter Sachs was an international event.
Beaches
Tropezian Tahiti beach in 2011
Tropezian beaches are located along the coast in the Baie de Pampelonne, which lies south of Saint-Tropez and east of Ramatuelle. Pampelonne offers a collection of beaches along its five-kilometre shore. Each beach is around 30 metres wide with its own beach hut and private or public tanning area.
Many of the beaches offer windsurfing, sailing and canoeing equipment for rent, while others offer motorized water sports, such as power boats, jet bikes, water skiing and scuba diving. Some of the beaches are naturist beaches. There are also many exclusive beach clubs that are popular among wealthy people from around the world.
Toplessness and nudity
Saint-Tropez's Tahiti Beach, which had been popularised in the film And God Created Woman featuring Brigitte Bardot, emerged as a clothing-optional destination,[16] but the mayor of Saint-Tropez ordered police to ban toplessness and to watch over the beach via helicopter.[17] The "clothing fights" between the gendarmerie and nudists become the main topic of a famous French comedy film series, Le gendarme de Saint-Tropez (The Troops of St. Tropez) featuring Louis de Funès. In the end, the nudist side prevailed.[18] Topless sunbathing is now the norm for both men and women from Pampelonne beaches to yachts in the centre of Saint-Tropez port.[19] The Tahiti beach is now clothing-optional, but nudists often head to private nudist beaches, such as that in Cap d'Agde.[20]
Port
Saint Tropez Port view
Aerial view of Saint-Tropez
The port was widely used during the 18th century; in 1789 it was visited by 80 ships. Saint-Tropez's shipyards built tartanes and three-masted ships that could carry 1,000 to 12,200 barrels. The town was the site of various associated trades, including fishing, cork, wine and wood. The town had a school of hydrography. In 1860, the flagship of the merchant navy, named The Queen of the Angels (La Reine des Anges, a three-masted ship of 740 barrels capacity), was built at Saint-Tropez.
Its role as a commercial port declined, and it is now primarily a tourist spot and a base for many well-known sail regattas. There is fast boat transportation with Les Bateaux Verts to Sainte-Maxime on the other side of the bay and to Port Grimaud, Marines de Cogolin, Les Issambres and St-Aygulf.
Events
Les Bravades de Saint-Tropez
Les Bravades de Saint-Tropez is an annual celebration held in the middle of May when people of the town celebrate their patron saint, Torpes of Pisa, and their military achievements. One of the oldest traditions of Provence, it has been held for more than 450 years since the citizens of Saint-Tropez were first given special permission to form a militia to protect the town from the Barbary pirates. During the three-day celebration, the various militias in costumes of the time fire their muskets into the air at traditional stops, march to the sound of bands and parade St. Torpes's bust. The townspeople also attend a mass wearing traditional Provençal costume.
Les Voiles de Saint-Tropez
Les Voiles de Saint-Tropez
Each year, at the end of September, a regatta is held in the bay of Saint-Tropez (Les Voiles de Saint-Tropez). Many yachts are entered, some as long as 50 metres. Many tourists come to the location for this event, or as a stop on their trip to Cannes, Marseille or Nice.
Traditional dishes
The Tarte tropézienne is a traditional cake invented by a Polish confectioner who had set up shop in Saint-Tropez in the mid-1950s, and made famous by actress Brigitte Bardot.[21]
Demographics
Historical population
YearPop.±% p.a.
17933,629—
18003,156−1.98%
18063,319+0.84%
18213,360+0.08%
18313,736+1.07%
18363,637−0.54%
18413,538−0.55%
18463,647+0.61%
18513,595−0.29%
18563,640+0.25%
18613,558−0.45%
18663,739+1.00%
18723,532−0.94%
18763,531−0.01%
18813,545+0.08%
18863,636+0.51%
18913,533−0.57%
18963,599+0.37%
YearPop.±% p.a.
19013,704+0.58%
19063,708+0.02%
19113,704−0.02%
19213,842+0.37%
19264,324+2.39%
19314,589+1.20%
19364,102−2.22%
19464,161+0.14%
19544,925+2.13%
19625,668+1.77%
19686,130+1.31%
19755,427−1.73%
19826,213+1.95%
19905,754−0.95%
19995,444−0.61%
20075,640+0.44%
20124,452−4.62%
20174,352−0.45%
Graphs are unavailable due to technical issues. Updates on reimplementing the Graph extension, which will be known as the Chart extension, can be found on Phabricator and on MediaWiki.org.
Source: EHESS[22] and INSEE[23]
Infrastructure
Transport to and from Saint-Tropez
By sea
Saint-Tropez marina
The 800-berth port with two marinas hosts boats, including ferries. In the summer season, there is a ferry service between St-Tropez and Nice, Sainte-Maxime, Cannes, Saint-Raphaël.[24] Private yachts may also be chartered.
By air
There is no airport in Saint-Tropez, but there is a charter service to and from clubs, the town and Tropezian beaches by helicopter.[25] The nearest airport is La Môle – Saint-Tropez Airport located in La Môle, 15 km (9 mi) (8 NM) southwest of Saint-Tropez.[26] Other main airports are Nice Côte d'Azur Airport located approximately 95 kilometers and Toulon–Hyères Airport located approximately 52 kilomters from Saint-Tropez.[27] Marseille Provence Airport is located approximately 158 kilometres from Saint-Tropez.[28]
By land
There is no rail station in Saint-Tropez. The nearest station is Saint-Raphaël-Valescure, located in Saint-Raphaël (39 km (24 mi) from Saint-Tropez), which also offers a boat service to Saint-Tropez.[29] There is also direct bus service to Saint-Tropez, and the rail station is connected with bus station.[30][31]
There is a bus station in Saint-Tropez called the Gare routière de Saint-Tropez, located in Place Blanqui.[32] It is operated by Var department transport division Varlib [fr], which employs other transport companies to operate routes.
There are taxi services, including from Nice airport to Saint-Tropez, but they are expensive because of the long distances and the area's wealth.[31]
In the tourist season, traffic problems may be expected on roads to Saint-Tropez,[33] so the fastest way to travel is by scooter or bike. There is no direct highway to the village. There are three main roads to Saint-Tropez:
Via the A8 (E80) with the sign "Draguignan, Le Muy-Golfe de Saint-Tropez" – RD 25 Sainte-Maxime, 19 km (12 mi) -> on the former RN 98 – 12 km (7 mi).
A57 with the sign "The Cannet des Maures" -> DR 558, 24 km (15 mi) Grimaud until then by the RD 61 – 9 km (6 mi) through the famous intersection of La Foux.
Near the sea, the former RN 98 connects to Toulon-La Valette-du-Var, Saint-Raphaël, Cannes, Nice, Monaco, DR 93, called "Beach Road", with destinations to Pampelonne, Ramatuelle and La Croix – Valmer.
Town transport
Public transport in Saint-Tropez includes minibuses, providing shuttle service between town and Pampelonne beaches.[27]
Other means of transport include scooters, cars, bicycles and taxis.[34] There are also helicopter services[35] and boat trips.[36]
Because of traffic and short distances, walking is an obvious choice for trips around town and to the Tropezian beaches.[37]
Culture, education and sport
Paul Signac, Leaving the port of Saint-Tropez, 1901
A panoramic view of Saint-Tropez by Paul Leduc [fr] (1876–1943)
Paintings Galerie Ivan
The town has health facilities, a cinema, a library, an outdoor center and a recreation center for youth.[38]
Schools include: École maternelle (kindergarten – preschool) – l'Escouleto, écoles primaires (primary schools – primary education): Louis Blanc and Les Lauriers, collège d'enseignement secondaire (secondary school, high school – secondary education) – Moulin Blanc.[39][40]
There are more than 1,000 students distributed among kindergartens, primary schools and one high school.[41] In 2011, there were 275 students in high school and 51 people employed there, of whom 23 were teachers.[42]
Art
Saint-Tropez plays a major role in the history of modern art. Paul Signac discovered this light-filled place that inspired painters such as Matisse, Pierre Bonnard and Albert Marquet to come to Saint-Tropez. The painting styles of pointillism and fauvism emerged in Saint-Tropez. Saint-Tropez was also attractive for the next generation of painters: Bernard Buffet, David Hockney, Massimo Campigli and Donald Sultan lived and worked there. Today, Stefan Szczesny continues this tradition.
The contemporary artist Philippe Shangti imagined the design of Le Quai and L'Opera, restaurants located on the port of Saint-Tropez where he also exhibits his art collections. Centered on a specific theme, he always denounces different problems affecting society with provocative artworks.[43]
International relations
See also: List of twin towns and sister cities in France
Saint-Tropez is twinned with:
Vittoriosa, Malta[44][45]
Famous persons connected with Saint-Tropez
Saint Torpes of Pisa
Saint Torpes of Pisa
Portrait of Hasekura Tsunenaga
Portrait of Hasekura Tsunenaga
Statue of Admiral de Suffren de Saint-Tropez
Statue of Admiral de Suffren de Saint-Tropez
Brigitte Bardot at Saint-Tropez, 1963
Brigitte Bardot at Saint-Tropez, 1963
Louis de Funès during filming
Louis de Funès during filming
The most famous persons connected with Saint-Tropez include the semi-legendary martyr who gave his name to the town, Saint Torpes of Pisa; Hasekura Tsunenaga, probably the first Japanese in Europe, who landed in Saint-Tropez in 1615; a hero of the American Revolutionary War, Admiral Pierre André de Suffren de Saint-Tropez; the icon of modern Saint-Tropez, Brigitte Bardot, who started the clothes-optional revolution and still lives in the Saint-Tropez area;[46] Louis de Funès, who played the character of the gendarme (police officer) in the French comedy film series Le Gendarme de Saint-Tropez and also helped establish the international image of Saint-Tropez as both a quiet town and a modern jet-set holiday target.[47]
In popular culture
The English rock band Pink Floyd wrote a song "San Tropez" after the town. Saint-Tropez was also mentioned in David Gates's 1978 hit "Took the Last Train", Kraftwerk's "Tour de France", Aerosmith's "Permanent Vacation", Taylor Swift's "The Man", and Beyoncé's "Energy". Rappers including Diddy, Jay-Z, 50 Cent, J. Cole, and Post Malone refer to the city in some of their songs as a favorite vacation destination, usually reached by yacht. DJ Antoine wrote a song "Welcome to St. Tropez". The Tony Award-winning Broadway musical La Cage aux Folles is set in a drag night club in St. Tropez. Furthermore, Bulgarian singer azis wrote a song named "Сен Тропе"(Sen Trope). Also, Romanian singer Florin Salam wrote the song (Saint Tropez). Saint Tropez was also mentioned in Army of Lovers' song "My Army of Lovers." Their song "La Plage De Saint Tropez" was also dedicated to this town.
Gallery
Aerial view of the Cital of Saint-Tropez, France
Aerial view of the Cital of Saint-Tropez, France
Cannons of the Citadel
Cannons of the Citadel
Tour Jarlier
Tour Jarlier
Aerial view of the old town and the old port of Saint-Tropez, France
Aerial view of the old town and the old port of Saint-Tropez, France
Luxury boats
Luxury boats
Sailboats
Sailboats
Aerial view of Pampelonne Beach, Saint-Tropez
Aerial view of Pampelonne Beach, Saint-Tropez
Harbour promenade with cafes
Harbour promenade with cafes
Aerial view of vineyards in Saint-Tropez, France
Aerial view of vineyards in Saint-Tropez, France
Old gendarmerie station; popular spot for photographs[48] (cf. Le Gendarme de Saint-Tropez)
Old gendarmerie station; popular spot for photographs[48] (cf. Le Gendarme de Saint-Tropez)
Aerial view of the old town of Saint-Tropez, France
Aerial view of the old town of Saint-Tropez, France
Tarte tropézienne (tropezian pie)
Tarte tropézienne (tropezian pie)
The main gate to Citadel
The main gate to Citadel
Top-down aerial of the old town of Saint-Tropez, France
Top-down aerial of the old town of Saint-Tropez, France
Aerial view of the cemetery of Saint-Tropez, France
Aerial view of the cemetery of Saint-Tropez, France
List of media connected with Saint-Tropez
Non-exhaustive filmography
Saint-Tropez, devoir de vacances [fr] (short film, 1952)
Et Dieu... créa la femme (1956)
Bonjour Tristesse (1958)
Une fille pour l'été [fr] (1960)
Saint-Tropez Blues [fr] (1960)
Le Gendarme de Saint-Tropez (1964) and its sequels Le Gendarme à New York (1965), Le Gendarme se marie (1968), Le Gendarme en balade (1970), Le Gendarme et les Extra-terrestres (1979) and finally Le Gendarme et les Gendarmettes (1982)[49][50]
La Collectionneuse (1967)
La Chamade (1968)
Les Biches (1968)
La Piscine (1969)
Le Viager (1972)
La Cage aux Folles (1978)
Le Coup du parapluie (1980)
Le Beau Monde [fr] (1981)
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