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Thank you Gaia for tagging me :)(always).And sorry for never making these :P
1. most views
As for personal fave, I am not sure but this one I like,also I haven't uploaded lots of photos from the year yet.
I tagged some people if they want to do it of course.
Created with fd's Flickr Toys
In this photo collage, one might think that Kentland, Indiana was a busy place. NOT SO. It took me 5 years of sitting for HOURS waiting for these trains...lol But, I waited, with extreme patience, and got lots of photos like these. This collage shows what 90% of my time was doing between 1982 and 1987. Not only did I get the Milw, Soo, ATSF & Conrail but I got plenty of "merger" photos (bandits, both engines & cabooses), lots of MKT, KCS, SP & unlettered early lease engines, plenty of roadname car shots and always caboose photos. My next collage will be cab shots in Kentland from the same roads as above. I am so glad I lived here during this time and took photos.
Photo #1--Milwaukee Road train #204 comes blasting through Kentland on April 6th, 1984 with Milw SD40-2 #27+1. No work today. View looks N/E from the opposite side of the NYC depot. Engineer is waving and the Conrail sign photobombed the shot. I think the triangle CR yellow sign with a black dot in the middle was some sort of flanger sign.
Photo #2--Conrail's Kentland turn rolls into the siding to tie up for the day on October 30th, 1984 with CR #3390-3278, 10 cars and CR caboose #21216. This was the only time I ever saw them tie their train down here. Normally, they made it back to Lyons. View looks N/E from the north end of the pass track.
Photo #3--Northbound Soo Line train #201 is running early on July 2nd, 1987 with Soo #788-787-743 and Soo caboose #52. View looks S/W from the south side of town. Train is seen crossing Allen Street.
Photo #4--The morning eastbound Santa Fe pig train is starting to roll just moments after a southbound Milw train cleared on June 8th, 1985 with 2 Santa Fe's (can't really make out the numbers, could be #3607-6351) and cab was ATSF #999325. View looks W/N/W from where the tower was.
Photographically speaking, it seems as though I like to photograph trains coming into the shot from the left.....
Belgian actor, artist and glass blower, Luk D'Heu uses a tool to form a piece of molten glass at the Art in Glass studio in Brugge.
ISO 400 / F18 / 1 second / Canon 5D mark11 / Canon EF16-35 F2-8L II USM.
Lee Filters - .9Hard & .6Soft Stacked.
Had the joy of Matt joining us Aaron / James this morning for an early shoot @ Warriewood. He was on work experience with his school with us.
What an amazing opportunity for him - he has a great passion for photography and I have no doubt will be showing us some great photos in the months to come. You were a pleasure to shoot with mate. Hope we were able to give you some tips along the way. Your welcome along anytime.
Created in Leonardo AI using Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
CREATE Centre.
Is this the ultimate "I'll recycle it by just leaving it outside my house until someone nicks it or the street cleaners bin it, because I can't be bothered going to the tip/recycling centre" type scenario?
Didn't see a "Free to a good home, take me please" note on it...
Commentary.
Created by Vita Sackville-West and her husband Harold Nicholson in the 1930’s, these gardens have become something of a blue-print for the development of English country garden design in the 20th, Century.
Separate hedged and walled gardens are referred to as “rooms” at Sissinghurst.
Some are themed by a bloom colour such as the “White Room.”
Harold focused on making new vistas via a “door,” or hedged arches.
Vita targeted exciting flower displays as the theme of each “room.”
First opened to the public in 1938, the National Trust took over stewardship in 1967.
In creating this work in Paris in 1908 Matisse was probably inspired by watching the Parisians playing the traditional French game of boules, and certainly the boys are very concrete individuals, the artist's sons and nephew. The arrangement of the figures, the incline of the heads, the schematic facial features, all give us some idea of what each player is feeling: there is the total concentration of the boy about to throw his boule, the expectant interest in the result of the other boy, the calm of the seated figure.
But at the same time there is something strange, sad and mysterious in the composition. Some kind of primeval silence in which the earth, water, sky and man, the central elements in the world, are all sunk. The game is to be perceived as one manifestation of man's creativity. The "game" is in the highest sense a form of cognition, an instrument to use in understanding the "codes" of life. Matisse turns to man's mythological past, to times when the mystery of being was more central to everyday life. The participants in the "action" seem to have frozen, each "held" in the surface, although the sense of volume and mass has not totally disappeared.
[Oil on canvas, 115 x 147 cm]
gandalfsgalleymodern.blogspot.com/2011/08/henri-matisse-g...
Created for Angie's Animal Antics Challenge No 7 Premade Backgrounds
Background 1 ~
Background 2, texture, horse, and boy from Pixabay.
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Please Sign Here to stop the Dog Cruelty and Tortures in China.
You can help the billions of animals across the world who suffer everyday, if you care enough ,
Please Sign Here And give them a Voice.
The Retreat Animal Rescue where i Volunteer ~
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created for
Photobicho Challenge 13 ~ theme,Plants surrealists
effects Corel Draw
photos the www.google.com.br
Created in DALL-E 3.
Inspiration from all the great adventure games from the 1980s and 1990s.
See more here: www.youtube.com/@journeymanplayer7459
created for: Surrealart challenge "The Mliss doll"
tree by::Olibac
girl is the FOTOLIA free downloads
texture by Pareeerica
Doll by: Dreamstime
It was put severely to bed in a hollow tree near the schoolhouse, and only allowed exercise during Mliss's rambles.
"Created in the world’s toughest development lab: the world of motorsport. We drew on our experiences with motorsport for the development of the Audi R8. For example, the many national and international GT3 titles won by the R8 LMS, including victories at the classic 24-hour races in the Nürburgring, Spa, and Daytona. This means that the Audi R8 Coupé V10 plus* is rooted in the tradition of GT3 racing – and you can feel it the instant you turn on the engine..."
Source: Audi
Photographed during Driven Club event in Northern Ireland.
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The Federal Dominion Public Building at 269 Main Street.
Construction was financed under the City of Winnipeg’s unemployment relief program of 1932 and Canada’s Public Works Construction Act of 1934.
Together, this cooperation of federal and municipal funding helped create one of the largest buildings constructed in Canada during the Great Depression era.
The Federal Building is based on the architectural designs of George William Northwood (under the direction of T. W. Fuller, Chief Architect of the Public Works Department), and awarded to the local contractor firm of Carter-Halls-Aldinger at a tendered bid of $1,412,229.
The seven-storey building consisted of a steel frame covered with Tyndall-stone with concrete caissons and concrete floors.
Design of the exterior main floor was Norman influenced, with the upper floors in Gothic styling.
The construction project served as relief work for some 1,300 labourers. The exterior was largely completed by December 1935, with the interior work continuing into 1936.
Upon completion, the facility housed federal government offices that were previously spread around the city. The building was ready for occupancy in June 1936.
The Federal Building was classified Federal Heritage Building 11 October, 1990.