View allAll Photos Tagged coursework
For an assignment...
"Take an object and photograph it in three different ways"
Which of the two do you prefer?
Red terracotta walling of the Galerie de paléontologie et d’anatomie comparée (Gallery of Palaeontology and Comparative Anatomy) near the entrance to the Jardin des Plantes, Paris (France).
The coursework is an unusual pattern with courses of larger blocks separated by little spacers, and two rows of bonded smaller blocks in between the courses of larger blocks.
For more on this building, go to accompanying photos at:
----- flic.kr/p/hanr1x
----- flic.kr/p/hb7LuN
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LONDON - PARIS - CATANIA - ROME - LONDON ----- DAY 2
Photo from the second day of our crazy long distance rail trip from home (London) to Sicily. We spent the first day travelling from home in London to Paris, by Eurostar train, and were meant to the take an overnight train from Paris to Rome that same evening. But our Eurostar train out of London was badly delayed due to 'a fatality [unexplained - perhaps fortunately] on the train'. So we missed our onward connection to Rome and had an unexpected but happy second day in Paris. We left Paris that evening, on the equivalent Rome service.
By the end of the whole holiday trip we had seen things and sites from ancient Greek time to modern, so the trip felt like a mini Grand Tour. Or given the rich mythology of Sicily, Etna and the Straits of Messina (Odysseus, the Cyclops, Scylla & Charybdis, etc.) perhaps our trip was like a modern mini Odyssey of our times. Odysseus took ten years to get home. It took us ten trains - but no monsters.
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Photo
Darkroom Daze © Creative Commons.
If you would like to use or refer to this image, please attribute.
ID: DSC_6531
Picture 1 (saved from multyshades.com) - This picture is a good example of well thought lighting and composition. The glasses were set up on the scene in a very interesting way, creating illusion effects in the bowl of the first glass. Also, the white surface, on which the glasses are standing, makes them stand out from the dark background.
Picture 2 (saved from blog.jmleclercq.com) - A good use of lighting and contrast to elevate object from the background. The interesting fact about this picture is that it is black and white, which makes the contrast even greater.
Picture 3 (saved from telegraph.co.uk) - Interesting use of scale to make the small plat look like a grown tree. This effect was possible thanks to the small toy figures, which, at first glance, look like real humans. The author of this picture did a good job with setting up this scene and playing with perspective
Picture 4 (saved from Playbuzz on pinterest.com) - This picture represents a very good use of colour and motion. There are only two colours which were used in this picture (both subtractive). This mix of colours may give the viewer some positive/happy thoughts
Picture 5 (saved from weheartit.com) - An example of the long exposure photography. It is one of the best ways to show motion in the picture. On this photo viewer can see cars driving on the highway in the big city. The long exposure technique created long lines of light on the road, which made it look like there were even more cars on it. Also this effect gives the cars more speed.
Picture 6 (saved from cute-pets.club) - On this picture viewer can see a lot of contrast and line work. Author of this art used white lines to counter the black tone. Also the different angles of these lines give the character a more realistic shape. On the picture it's clearly visible where the light is coming from
Picture 7 (saved from mydarkenedeyes.tumblr.com) - This is a good example of a painting with exceptional lighting. All of the reflections on the ground make it look like it's made of ice. Also, the viewer may notice that almost everything on the painting is dimmed or blurred. The only things that stand out are the red tram and the red jacket on one of the pedestrians.
Picture 8 (saved from WordPress.com) - Geometric shapes are a very essence of the modern sculptures. On this example viewer can see a geometric human figure. Despite the unusual shape, it is easy to describe the posture and pose of this character (big belly, hands in the pockets).
Photoshoot with my brother for my A level (: as my coursework is about emotions, and personalities. Well this shoot wsa to show his personality in as best way as i can. He's a very laid back person, who loves skateboarding, but also is quite mature even though he's only 15 (hence the suit). He loves the outdoors, wide open spaces, woods, skateboarding etc. So i had to try and find a way to combine all these things. He also hates fitting into society and the mainstream, and does everything possible to go against that, so i hope we found a way to put all this across, it was an interesting shoot, but i think it came out relatively successfully (:
I've had to watermark this copy because it's my coursework, and I haven't actually received my certificate for it yet (so I don't want anyone else to get at it). Also please note that it's bloody difficult to get inDesign files into JPEGs, and random saturation seems to have occurred in the process. Also, contrasts and blends appear a bit orrible on screen, especially on the back cover. I assure you they look lovely in real life.
Anyways, I'm uploading this because, like the other picture which appears here, I am fiercely proud of it. It's my first real delve into print work, and I think it went very nicely.
Once again you can see a heavy composition of images, effects and the like.
Now the brief was to design a cover for a video game which was as realistic as possible, and I think it's fair to say I did try. Measuring the beasts was a nightmare, and getting hold of some conventional elements of the covers (like the PCCD logo) wasn't easy either (I had to make the one on this cover), but I did manage to pull together something very convincing.
So convincing, in fact, that one young lad picked it up and said "I'm sure I've played this one before", going on to describe how fun it was.
Of course, there is no game. But I was delighted to be asked when the game was coming out by many kids in the Library. I'd usually say something like "soon."
I couldn't possibly recall the number of times I've printed this off, guillotined it and stuck it into a dummy cover, but I can tell you that I have made 3 copies of the cover in a case and I display one proudly along with all my other games. I love it when it takes people long to identify!
Coming up with the story was good fun, as was making up all the excellent "features" that were to go in the game.
Things to watch out for (let me think...)
- Massive, simple SLAY logo. It took me ages to decide on the name, but I love ultimate creative missions like that
- DETAIL! "Online Team Play functionality", "15", "PC CD-ROM", the spine, "Buster Games", legal text, support line, barcode (real!), screenshots (stolen - guess where from!), cheesy strapline, consistent fontage
- USE OF COLOUR! Binary white/black front/cover, pink and blue, red and white/black/cream, yellow and black, blue and cream... all carefully chosen and developed.
It's a photo OF a photo. Because I have no scanner.
Original taken on an old Ricoh, developed and printed myself back in 2005.
17.03.2010
Yea not very festive..
Today I was determined to get two drawings done and I did. Procrastination is quite a difficult thing to fight for me but today was different, I actually liked doing this observation which was unheard of when you pass the 4-5 hour mark but still Im really happy with it. Pen is my favourite medium, I have a blessing/curse of zeroing in on something, I can be very focused when I put my mind to it and can think through elaborate concepts (that noone ever gets bar those who actually listen to my ramblings lol) in art as a result but I can also try too hard when drawing/painting, which usually ends up in the peice failing.
See watercolour, pencil, acrylic, pastel etc all have a degree of forgiveness when it comes to fixing mistakes but with pen this isnt the case, when you put a stroke down its there for good so it forces (me at least) you into 'interperating' it more than just photocopying it when sketching. I like doing that as it usually means quicker drawings with a nice outcome, this was not quick but I still enjoyed it :)
I think Ive talked about my pens before so Ill just note the image for those interested. I got most of my pens from www.cultpens.com/ who provide an excellent (and very prompt) service. I'll definately be getting from them again.
The second drawing was entirely with the pentel brush pen which Im not terribly confident with yet so Ill not stick that particular one up here.
Im becoming an increasing fan of ceiling-bounced lighting. People sometimes give the excuse that they dont have huge lightsources to play with and so can't get the nice light fall-off of professional studio equipment. Thats a lie because my ceiling is 8x14ish feet and I could make my whole room into a bounce reflector if I wanted with two little £50 strobes :)
An interesting song.
BIG pens
"10/10 for picture 0/10 for painful, moist memories." Aidin Moh.
One of my first A-level shoots for my coursework, always nice to revisit photos and recreate them.
Brief: design a logo for an Art & Design library.
This is a sketch of a Tawny owl - the most common owl in the UK - taken from my sketchbook. I was working on an owl design and decided to try a realistic image for the logo first. I used the same image that I'd previously done in charcoal and tried it again using watercolour pencils. I thought an owl required a softer kind of colouring and so watercolours would be the best medium for this. I used watercolour pencils as I find that I can shade and blend the colours better than with paints.
The feet came out rather bright and I had a bit of trouble getting the wing dark enough but I'm pleased with the rest of it, especially the face. Unfortunately reworking the wing made the paper buckle, even though it's 150gsm cartridge paper.
Right at the end of the day today a few of our pupils asked me to come and photograph some of their textiles coursework.
The quality of the work was really exceptional, and some of the items looked shop ready.
This is a detail on the hem of one of the garments. Nice colours, and I hadn't taken much else today!
Photography coursework.
Colour symbolism. Red - lust / love.
Lust before of the associations with lips and kissing.
Love because of the gift of roses.
I really like the way the rose looks in this image.
Brief: design a logo for an Art & Design library.
This is a sketch of a Tawny owl - the most common owl in the UK - taken from my sketchbook. I was working on an owl design and decided to try a realistic image for the logo first. I chose charcoal as I thought it would add texture to the design but as it's a relatively soft medium, it would give a good suggestion of downy feathers. I'm very pleased with how it came out.
More coursework from the VPW workshop. I think this is with a china ball. I liked this guy. He's a light heavyweight. The wolf is his totem animal. I think my totem animal is a marmot.
Model: Dave R.
Lighting:
-- Key: Softbox from above diffused with silk
Brief: design a film poster for one of the five films showing at the film festival taking place at a local university. I chose the film Control.
Preliminary sketch to work out the final design of the poster. It's taken from a screenshot showing Sam Riley portraying Ian Curtis at the mic. The angel wing was inspired by the street artist, Eelus.
Gouache on cartridge paper; this was my first time using gouache. The outline of the silhoutte was traced from a printout of the screenshot and the angel wing was added on afterwards. All detail in the wing and the shading was all done by freehand. I'm very pleased with how it came out, particularly the texture in the wing.
Scanned in.
Teaching Assistant Piper Dunn discusses the coursework with students. Photo by Robert Jordan/Ole Miss Communications
.coursework level 2.march/april 2008
.effects achieved by the firing process
.tutor: carmina anastácio
A bit cynical but these days students ability to concentrate on anything other than a computer game is well documented!
.coursework level 1 .april/may 2007
.colours and effects were achieved solely by the paper kiln firing process
.tutor: martim santa rita
This AS coursework final outcome was from a project called 'Paint' and within it I created artwork based on subject matter relating to paint as well as physically experimenting with actual paint.
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For "Picture This", asked to choose a subject then take photo's and edit them for the type of book genre. For this second love, I took a photo of my mode Naomi, and made the white of her face fill the area, leaving only her eye hair and nose visible.
Portraiture triptych, oil on canvas, December 2014. 60cmx75cm (x3) Part of A level coursework focusing on self portraiture.
ODC2. Typography.
Well currently I'm learning how to develop 35 mm film, and so this is the beginnings of my write up about it (its not the most exciting experience in the world) but it is interesting. But one of the fun parts about sketch book work is drawing out cool fonts, I have no idea why I find that enjoyable, but there you go. Happy Monday!
Brief: design a film poster for one of the five films showing at the film festival taking place at a local university. I chose the film Control.
Preliminary sketch to work out the final design of the poster. It's taken from a screenshot showing Sam Riley portraying Ian Curtis at the mic.
It's done in charcoal and was my first time ever using that medium. The outline of the image was traced from a printout of the screenshot but all detail and shading was freehand. The line down the right-hand side of the image is because the A4 sheet was too long to go into my supposedly A4 sketchbook so it had to be folded over slightly. Scanned in.
One for my A2 Art&Design Coursework.
For this project I have to include a dissertation-like written essay for my A&D coursework, Given the the theme 'Beginnings' I thought up the project topic of 'Grow.' - looking at the acorn to oak tree concept and how something so small and insignificant can eventually grow to produce a massive body, much more complex than its original form. Im really going to stay away from the digital end for my final peice for the sake of my university application as I think I have that down so ill be working in more traditional media to hopefully bring out some more depth in my portfolio's media spectrum.
So for the photography end of this project (no photog class this year unfortunately :( ) ill be looking at nuts, seeds, beans, roots, shoots/saplings, trees and other fully grown plants. Quite a nice subject type as I do like my still life so it will be interesting to see if I can still draw after the summer break :)
Strobist:
one black studio case/portfolio case as a background
One plant (a thyme shoot I think it was) clamped by the horseshoe mount of my unbrella stand about 2 feet infront of background
natural light from window (90 degrees camera left)
I think I worked this a little too much, roots are very fine so getting the contrast right was tricky.