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Roughly 8.5 x 11 inches. I was thinking a bit about the work of Hooded Fang when I collaged in the guy working at the bank of machines that control our lives.

This photo was taken in a railway museum in Strasshof in Lower Austria near Vienna. The image shows a control panel inside of a draisine, which was originally built for railway workers and is not in use today.

 

I hope you like the picture. Please give me some feedback to let me know what you think about the photo.

 

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flickriver.com/photos/javier1949/popular-interesting/

 

“Hortus Conclusus” Oficinas para el Consejo Consultivo de Castilla y León, C. Obispo Manso, 1 c/v Rúa de los Notarios y C. de las Infantas, Zamora

  

Arquitecto: Alberto Campo Baeza

Arquitectos colaboradores: Ignacio Aguirre López y Miguel Ciria Hernández con Pablo Fernández Lorenzo, Pablo Redondo Díez, Alfonso González Gaisán y Francisco Blanco Velasco Proyecto 2007 Construcción 2012. Promotor Consejería de Hacienda de la Junta de Castilla y León.

  

Se eligió una parcela situada frente a la catedral de Zamora para construir la sede del Consejo Consultivo de la Comunidad de Castilla y León. Del concurso convocado surgió como ganadora una propuesta que nace de la reflexión sobre cómo debe construirse hoy en un centro histórico. La decisión tomada es radical en su planteamiento: un muro horadado por escasos huecos rodea un jardín en el que se levanta una leve caja de vidrio.

Los autores nos conducen por el proyecto: Levantamos unos altos muros de piedra, de la misma piedra que la catedral de Zamora, siguiendo las trazas de las tapias del huerto del antiguo convento, y allí trabajamos como en una caja abierta al cielo con los muros y el suelo en piedra. Conseguimos así un jardín secreto en el que conservamos y plantamos árboles frondosos y plantas aromáticas, un verdadero Hortus Conclusus. En la esquina que mira a la Catedral, una piedra de 250 x 150 x 50, una verdadera Piedra Angular. El muro que rodea enteramente la parcela es tan alto como el edificio y se ha construido con una piedra que comparte sus despieces, su grosor y tonalidad con la catedral y el casco histórico. Los escasos huecos que lo atraviesan se han distribuido de manera estratégica para favorecer ciertas vistas desde el jardín.

Y en este verde jardín construimos una caja de cristal transparente que lo hace parecer como si uno está trabajando en el jardín. Dentro de la caja de piedra, una caja de vidrio, toda en vidrio, como si fuera un transparente. Con una fachada doble tipo Muro Trombe, la piel exterior se hace con vidrios extra-claros de una sola pieza de 600 x 300, unidos con silicona estructural, y puestas en vertical, de forma que ocupen toda la altura del edificio, como si estuviera todo hecho de aire. En los ángulos superiores de esta caja, aparecen los triedros completos de vidrio que hacen más visible si cabe la buscada transparencia, lo que Mies buscaba en su torre de la Friedrichstrasse. El triedro construido con aire, un verdadero Vidrio Angular. El vidrio es sencillo, sin cámara de aire, pues ésta se crea construyendo dos hojas separadas entre sí la distancia suficiente para permitir a una persona moverse por su interior. Esta cámara ancha funciona como un elemento climático activo que ofrece la posibilidad de manipular la temperatura, la humedad y la circulación del aire interior. Es capaz de guardar el calor en invierno haciendo uso del efecto invernadero y a la vez de expulsar el calor y proteger el edificio en verano gracias a la cámara ventilada. De esta forma la fachada es activa en términos climáticos y es a su vez totalmente transparente, para tratar de eliminar cualquier barrera entre interior y exterior.

El programa del edificio se adapta bien a esta organización, pues los consejeros del gobierno autonómico gozan de un espacio en calma para realizar sus labores y de la seguridad necesaria, que proporciona un estricto control de vistas y accesos. Los muros de piedra proporcionan esta seguridad y permiten plantear un edificio con la máxima transparencia en sus fachadas, de forma que los espacios interiores se abran al máximo a la caja-jardín. El muro perimetral transforma la parcela en una gran caja de paredes de piedra, cerrada a las vistas pero abierta al cielo, dentro de la cual la colocación de árboles crea un jardín introvertido dominado por un edificio de factura moderna.

  

www.campobaeza.com/

www.campobaeza.com/offices-for-the-junta-de-castilla-y-le...

www.campobaeza.com/wp-content/uploads/2011/01/Zamora_PDF-...

diariodesign.com/2012/10/oficinas-para-el-consejo-consult...

www.plataformaarquitectura.cl/cl/02-214780/oficinas-zamor...

www.arquitecturaviva.com/es/Info/News/Details/4720

 

yapımında emeğim geçtiği için demiyorum, silahtarağa gidip görülmeli çok güzel...

picture from the control room of the old thermal power plant silahtaraga, the museum of new campus of istanbul bilgi university. i was the design engineer of the infrastructure system during construction.

Polaroid Spectra | Impossible Project color film

...reflected in the upper-storey windows of Christchurch International Airport.

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福岡市東区 / Fuji X-Pro2 × Fujinon 35mm F2 R WR / mokuu.cc/2016/10/post-2135.html / JG Jo 12 004

The headphone is not working, the sound is altered.

They normally work when you press the button on the control, the golden button. With a quick check, the GND line is interrupted.

Now when you press this button, the microphone line works as GND and the headset sounds good.

Replace the cable with a new one and everything is fine.

Hello

Old Cotton Gin machines.

The local BR staff transport is strategically placed around the perimeter of the building where a mid-morning brew was being taken, no doubt. Class 08 08242 rests between duties at Boston.

 

All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Don Gatehouse

Oh look, if it isn't the physical manifestation of police brutality. No seriously, if power armor becomes a thing, you damn well know that at least in the 'states, A ton of PDs who don't need it would have at least 3. I can get the necessity of police being a bit more well-equipped in big towns like Manhattan or Los Angeles, but knowing how things are some PD in Bumblefuck, Indiana with a force consisting of high school bros who see the badge as an extension of what little power they had when they were on the football team would get one. And the first thing they'd do, after ironically slapping 15 Punisher logos on it is make some crappily-edited video for their Facebook with "Indestructible" by Distrubed serving as the Soundtrack.

 

Wow, this took a helluva turn. Sorry 'bout that. Here's another Yeren variant that was simply obligatory. I was thinking about giving it one of my minifig.cat riot shields but that seemed unnecessary. That and I want to use 100% TLG parts on these.

Gesafeltstein - Control Movement

   

Le contre-jour de nuit.

 

Canon 20D + Helios 44.2 (58mm M42)

Aixirivall, Sant Julia, Gran Valira, Andorra, Pyrenees

 

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The main cabin communication and control console, located at the forward flight attendant station aboard the abandoned McDonnell Douglas MD-81 in west Fort Worth, Texas.

 

"In the unlikely event of aircraft abandonment, the handset will be ripped from the console, with the remaining parts left to decay in perpetuity. Thank you for flying Spirit Airlines!"

 

Night, dark aircraft cabin, red-gelled strobe and CTO-gelled X2000.

Some hints for the interpretation in the tags.

Here is a good example of how digital electronics has now taken over the operating systems of these facilities. They can monitor all the data relating to the radio telescope and monitoring signals from space, and require so much less space than the old analogue units. The efficiency gains are obvious, but they'll never look as good as the old school electronic equipment.

Zeb Scoville, NASA's deputy chief flight director, monitors the countdown during a dress rehearsal in preparation for the launch of a SpaceX Falcon 9 rocket carrying the company's Dragon spacecraft on NASA’s SpaceX Crew-6 mission with NASA astronauts Stephen Bowen and Warren "Woody" Hoburg, UAE (United Arab Emirates) astronaut Sultan Alneyadi, and Roscosmos cosmonaut Andrey Fedyaev onboard, Thursday, Feb. 23, 2023, in firing room four of the Rocco A. Petrone Launch Control Center at NASA’s Kennedy Space Center in Florida. NASA’s SpaceX Crew-6 mission is the sixth crew rotation mission of the SpaceX Dragon spacecraft and Falcon 9 rocket to the International Space Station as part of the agency’s Commercial Crew Program. Bowen, Hoburg, Alneyadi, and Fedyaev are scheduled to launch at 1:45 a.m. EST on Feb. 27, from Launch Complex 39A at the Kennedy Space Center. Photo Credit: (NASA/Joel Kowsky)

Originally built by the RAF during WW2, with upper floors later added by the US Air Force during the Cold War. Now serving as the main office for Bentwaters Parks - the site of the old airfield, which includes a museum, commercially let units, usable runway and many filming locations

Based on the similarity of the overall view, the photo number & date, I presume this to be another fantastic view of Command Module 103 (CM-103) during assembly & testing at North American Aviation’s (NAA) Downey, CA facility. Possibly bldg. 290?

 

The dangling hoses from the fixture partially encircling the Command Module are all pneumatic, and interestingly - to me that is - five of them appear to lead into the spacecraft through the hatchway. In the companion photograph to this, they are hooked up to tanks/vessels visible within the exposed aft compartment, all Reaction Control System (RCS) related. So, I assume/d this ‘work station’ was to pressure test those tanks/vessels. If so, I wonder what pneumatic/high pressure, possible RCS connections are inside the crew cabin. Or maybe access to them is through the flooring? IDK, total SWAG.

Also, what I initially thought was the framework of the surrounding structure are the myriad of feed lines to each hose position!

 

Additionally, per an ‘H-Missions’ Command/Service Module News Reference, at:

www.hq.nasa.gov/alsj/CSM16_Reaction_Control_Subsystem_pp1...

which may or may not be applicable (I choose to think it is):

 

“The [CM reaction control] system consists of two independent, redundant systems, each containing six engines, helium and propellant tanks, and a dump and purge system. The two systems can operate in tandem; however, one can provide all the impulse needed for the entry maneuvers and normally only one is used.”

 

Note when compared to the companion photograph, which is of the opposite side of the capsule, the complete absence of any tanks. I first thought they had yet to be installed – WRONG, as shown in this very illustrative diagram.

Splitting the following diagram right down the middle; the right-hand side is what’s visible in this photograph & the left-hand side being what’s visible in the companion photograph:

 

sites.google.com/site/theapolloconnection/_/rsrc/14727686...

Credit: “The Apollo Connection” website

 

I ignorantly would’ve expected the components to be more equally distributed. I’m sure the placement/positioning is associated with weight/mass distribution, center of gravity & other possible ‘asymmetric’ properties of the CM. Fascinating.

 

A rare, obscure & stunning photograph that somehow fortunately survived.

 

Just a few minutes after separation from its Vega launcher on 23 June, the Sentinel-2A satellite automatically activated its solar array and transmitter, oriented itself into an Earth-pointing mode, and started transmitting 'telemetry' – onboard status signals – to the ground.

 

Receipt of these first crucial data from the new mission marked the start of an intensive phase in the Main Control Room at ESOC, ESA's operations centre, Darmstadt, Germany.

 

For the next several days, an extended team of spacecraft engineers, systems specialists, flight dynamics experts and ground station technicians will shepherd Sentinel-2A through 'LEOP' – the launch and early orbit phase.

 

They will work around the clock to activate crucial systems and ensure the spacecraft’s health in the extreme environment of space. For Sentinel-2A, these will include release of the payload shutter lock, first transition to the nominal mode of operations and the first orbital manoeuvre – a burn using the spacecraft's thrusters – that is planned around 51 hours into the mission.

 

LEOP is also the first time that the mission operations team gets to work with the satellite in the real environment of space; despite the best preparations, unforeseen problems and challenges often arise that must be solved in real time by teams working and thinking on their feet.

 

As Europe's centre of excellence for satellite operation, ESOC is home to the engineering teams that control spacecraft in orbit, manage our global tracking station network, and design and build the systems on the ground that support missions in space. Since 1967, over 100 satellites belonging to ESA and its partners have been successfully flown from Darmstadt, Germany.

 

More about ESA spacecraft operations

 

Credit: ESA/T. Ormston - CC BY-SA IGO 3.0

Probably my fav. of this group so far.

Robyn and I first connected on Model Mayhem. I still use that site sometimes but it has little value anymore (at least to me). Anyway, once Robyn and I started talking about a photo session, it took a while to pull it all together mostly because of unpredictable wook schedules. But it was defintely worth the effort.

 

Robyn loved this dance/blur/motion style image I always try to explore. I wish we could have shot again after tnis to be able to do more of this style.

Success in weight loss comes at a price: eating the same thing (almost) every day to combat any sign of eating disorders.

 

I've shrunk back the rice and added green beads to what I eat every day (win!), but at the same time the struggle happens every day.

 

But that also means every day is a chance at a mini victory, and who doesn't like a victory every day?!?

Excitement is rising in anticipation of the pending touchdown of NASA's InSight lander on Mars.

I was not successful finding the official control panel of this spacecraft online and was only able to find a decent facsimile for those who would like to assist the InSight Lander on it's descent. Instructions about how to operate the controls are unavailable except for those who are knowledgeable of steam locomotives, however.

 

This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens and Hoya SMC Y[K2] 82mm filter using Kodak TX400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

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