View allAll Photos Tagged constructive
3D pre-construction visual for #7 Park Lane, Claremont, Western Australia. Designed by Doug Paton, D4 Residential + Commercial + Design for Lime St Properties.
Please see www.constructivemedia.com.au for more information.
126/365 Photo Manipulations Project
Constructive criticism gratefully received. Please, no invitations to private groups.
Victorian Flower Brushes mouritsada-stock.deviantart.com
Circle Brushes blendfu.com/brush/by/Brenda%20Rivera
Hair Brushes browse.deviantart.com/?qh=§ion=&global=1&...
Eyelash Brushes - www.obsidiandawn.com
Model faestock.deviantart.com Bite_Me5_by_faest...
3D Visual of a house-behind-house development.
Please see www.constructivemedia.com.au for more information.
Constructive criticism is always welcome.
My YouTube: www.youtube.com/channel/UCb3RekZ8vQDRahrsvGd-cvg
Constructive criticism is always welcome.
My YouTube: www.youtube.com/channel/UCb3RekZ8vQDRahrsvGd-cvg
Constructive criticism, thoughts and advice encouraged and welcomed!
Copyright 2015 Berlin Green. Please visit my website at berlingreencreative.com for contact information.
Honest Constructive Critiques ALWAYS WELCOMED!
©Chris Adval All Rights Reserved 2012. Chris Adval Productions - www.ChrisAdval.com - Go to www.ChrisAdval.biz for service details.
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Read my articles on my "Chris Adval: Learning Model Photography" Blog!
Photographer: Chris Adval MM#: 2175015
Model: Angelique MM#: 2220068
If you are interested in buying any prints from this photo please email me at Service@ChrisAdval.biz
Constructive criticism, thoughts and advice encouraged and welcomed!
Copyright 2015 Berlin Green. Please visit my website at berlingreencreative.com for contact information.
"All that which seems destructive is but a phase in the process of constructive change. All that which is loosely called creation and annihilation is really transformation. That which seems new is but old matter, old thought, old spirit, old life, old hate, old evil, old errors, in new forms, new births of manifestation.
There are no contradictions in nature's laws. Harmony is the element that binds them all into one law- the Law of Evolution. Since there is no destruction of matter, energy, force, or principle, and no creation of this from what has not always existed "from the beginning", all is eternal, immortal. Hence, even the body of man in its elements, the spirit of life in its essence, the soul of man in its consciousness, are eternal and immortal. There must be a law of evolution- change- new form for the mind, character, personality, and soul of man, as there is for the body of man. Coincident with the progressive evolution of man's body in the ages of the past has been the progressive evolution of the soul of man.
Character is fate! Certainly, as we build our character in the now, we decree our fate in the future. The forcefulness Every experience in life, every incident consciously realized- and many of which we are unconscious, form a part of molding personality. We are not only now what we think, but we will become that which results from our thinking. We are dealing daily and hourly as we have sown. Each day we become, mentally, spiritually, and physically what we have made ourselves. Hence, we are forever working out our own salvation or damnation, independent of the subtle influences of heredity, and independent of any predestined course in life.
Man possesses the power to choose. Free will is a fundamental factor of his highly developed consciousness. But as he chooses, so must he abide. The responsibility rests with him. Man's life is an endless battle between urge and decision. Man is motivated by urge, he is free to decide and he becomes what he thereby decrees. Such is the principle, the true law of fatalism. The responsibility rests not in some blind law of chemical action and reaction, nor with a jealous, vengeful God" -H. Spencer Lewis
Constructive critiques and comments welcome.
Second look at texture overlay. This texture taken from a red concrete wall at a small temple in Mie, Japan.
コメントは日本語でもどうぞ！
There is a statue of a lion at the stairs going down to the Western Wall. I put the camera on the head of the lion and photographed. When I posted the photo on Facebook I received two Constructive Comments:
a. Surreal, looks like the Taj Mahal.
b. Difficult to identify at first glance.
In Facebook, generally, people make encouraging comments like great, gorgeous, charming, but the comments that I quoted above are constructive comments, and any constructive comment is worth a thousand encouraging comments.
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The Dome of Al-Aqsa Mosque
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במדרגות שיורדות לכותל יש אריה. הנחתי את המצלמה על הראש של האריה וצילמתי. כשפרסמתי את הצילום בפייסבוק קיבלתי שתי הערות: א. הזוי, נראה כמו טאג' מאהאל. ב. קשה לזיהוי במבט ראשון.
בפייסבוק בדרך כלל אנשים מעירים הערות מעודדות כמו נהדר, משגע, מקסים, אבל ההערות שציטטתי לעיל הן הערות בונות, וכל הערה בונה שווה אלף הערות מעודדות
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מסגד אל אקצה
Constructive criticism, or constructive analysis, is a compassionate attitude towards the person qualified for criticism. Having higher experience, gifts, respect, knowledge in specific field and being able to verbally convince at the same time, this person is intending to uplift the other person materially, morally, emotionally or spiritually. For high probability in succeeding compassionate criticism, the critic has to be in some kind of healthy personal relationship with the other one, which is normally a parent to child, friend to friend, teacher to student, spouse to spouse or any kind of recognized authority in specific field. Hence the word constructive is used so that something is created or visible outcome generated rather than the opposite. Participatory learning in pedagogy is based on these principles of constructive criticism, focusing on positive examples to be emulated over precepts to be followed.
There can be tension between friendly support and useful criticism. A critic might usefully help an individual artist to recognize what is poor or slapdash in their body of work, but the critic may appear harsh and judgmental in the process. Useful criticism is a practical part of constructive criticism.
(source : Wikipedia)
3D visual of a 2-storey project home design.
Please see www.constructivemedia.com.au for more information.
Constructive criticism and/or tips (equipment use, post-processing, creativity, etc) for capturing a better photo would be extremely helpful and appreciated...
Thank you for every single view, comment, and fav. They are very much appreciated!
Note: constructive critiques accepted, i'd love to know my mistakes and ways to make better images in the future.
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Yokohama, Japan
October, 2009
Descripció: Recinte compost d'una església, un edifici conventual i diverses dependències, com l'actual rectoria. El conjunt és força heterogeni, degut a les diverses etapes constructives que ha sofert, fruit d'ampliacions i als saqueigs que patí els anys 1714, 1835 i 1936. L'església actual és de planta de creu llatina amb una sola nau, capelles laterals i cambril en el presbiteri. La nau té quatre tram coberts amb volta de canó i llunetes sobre els arcs faixons de mig punt, així com pilars amb pilastres de cornises motllurades. Les capelles laterals estan cobertes amb volta d'aresta i la capçalera per una cúpula rebaixada sobre petxines. Darrera l'altar s'aixeca un cambril amb una imatge moderna del sant titular. Al costat de l'Epístola s'observen les restes del cor dels monjos, aquests es comunicaven amb l'església a través de gelosies de fusta. Sota la cúpula hi ha la cripta de Sant Magí.
Resenya històrica: El santuari està dedicat a Sant Magí, l'anacoreta que segons la tradició morí martiritzat i fou enterrat en aquest lloc al segle III de la nostra era. Posteriorment es bastí una església sobre les seves despulles. Documentalment, no tenim cap notícia anterior al 1204, quant sabem que en aquest lloc existia una església ermitana. En el segle XVI, la família Cervelló llegà al santuari diverses propietats. Els dominicans el regentaren des de 1603 fins a 1835, període en el qual es construí l'actual església (1735-1776). A partir de 1841 esdevingué la parròquia de la rodalia, especialment del llogarret de Rocamora. Per aquest motiu el santuari és anomenat sovint Sant Magí de Rocamora. Actualment, és encara un lloc de trobada i de devoció popular.
patrimoni.serviconca.org/monuments/detall.php?id=267
Descripció:
Recinte format per una església, un edifici conventual i altres dependències, com l'actual rectoria. El conjunt, força heterogeni palesa les diferents etapes constructives que ha sofert, degudes principalment a diferents ampliacions i als saquejos dels anys 1714, 1835 i 1936. Església Església d'una sola nau amb capelles laterals i cambril en el presbiteri. La nau té quatre trams coberts amb volta de canó i llunetes sobre els arcs faixons de mig punt, així com pilars amb pilastres de cornises motllurades. Les capelles laterals estan cobertes amb volta d'aresta i la capçalera per una cúpula rebaixada sobre petxines. Darrera l'altar s'aixeca un cambril amb una imatge moderna del Sant titular. Al costat de l'epístola s'observen les restes del cor dels monjos, que es comunicaven amb l'església a través de gelosies de fusta. Sota la cúpula es troba la cripta.
Notícies històriques:
El santuari està dedicat a l'anacoreta que, segons la tradició, morí martiritzat i fou enterrat en aquest lloc al segle III. Posteriorment es bastí l'església sobre les seves despulles. Documentalment no tenim cap notícia anterior al 1204 i ja en aquest moment existia una església ermitana. Al segle XVI, la família Cervelló llegà al Santuari diverses propietats. Els dominicans el regentaren entre 1603 i 1835. a partir de 1841 és la parròquia de la rodalia.
patmapa.gencat.cat/web/guest/patrimoni/arquitectura?artic...
Constructive criticism is always welcome.
My YouTube: www.youtube.com/channel/UCb3RekZ8vQDRahrsvGd-cvg
Architectural Collage Making
Architectural scholars have long compared Crown Hall to the Greek Temples of antiquity. The consistencies of massing range from the upset of the first floor upon a stylobate and the tall, vertical columns, to the expansive horizontality of the rooftop/pediment. The collaged images of the Parthenon under reconstruction and Crown Hall during construction point out additional ways in which the two relate. Just as remnants of antiquity require regular restoration efforts, so too are the landmark works of early modernism finding themselves in need of increasingly comprehensive restorations.
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Constructive criticism and comments are welcome.
Constructive criticism, thoughts and advice encouraged and welcomed!
Copyright 2015 Berlin Green. Please visit my website at berlingreencreative.com for contact information.
Constructive criticism is always welcome.
My YouTube: www.youtube.com/channel/UCb3RekZ8vQDRahrsvGd-cvg
Constructive criticism is always welcome.
My YouTube: www.youtube.com/channel/UCb3RekZ8vQDRahrsvGd-cvg