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JK Business School has had a consistent record of top-notch placements. Placement statistics for PGDM 2017-19 batch recorded Rs. 5.5 LPA average salary and the highest stood at Rs.15.5 LPA. Top recruiters included Cease Fire, HDFC Bank, TLC Group, Byju’s, Learning Route, SS Globe Op, Jaro Education, Berger Paints, OM Logistics, Square Yards, NIIT Technology, American Express, PaperPedia, Calvin Klein, IndusInd Bank among others

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This year, although the market kept faltering due to the worldwide tough economic scenario our novices preferred to swim across the current and came out with vibrant colors. The students of JK Business School, Gurugram touched the annual CTC of 12.40 LPA. More than 50% of the job offers have been 4.0+ LPA as annual CTC. Some of the major recruiters of the 2020 PGDM batch have been Berger Paints, Kotak Mahindra Bank, Om Logistics, Bandhan Bank, Asahi Glass, Tommy Hilfiger & Calvin Klein, BYJUs, Extramarks, Aditya Birla Group, Jaro Education, etc.

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October 22, 2021: even though I just had the #flu, I got my #SeasonalFluShot at the 49th Parallel #Pharmacy & #Medical #Clinic in @CityOfWhiteRock … so now I’m feeling like I could #sleep for a #week & I did nap after #dinner. I had a big #salad & a #burger loaded with greens from @earlsrestaurant. I also had some #fruit for desert, along with a yummy chocolate chip pecan #cookie from @lauras_coffee_corner (so good!).

 

I’ve had my #flushot most years over the last two decades. More so when my #allergies were really bad, before I went on #shots for a few years just over a decade ago. I’ve never had adverse reactions to it, & I’ve largely avoided the flu over the years with the exception of getting very #sick in January/February 2020, which may have been #COVID_19.

 

I’ve done some #cleaning tonight, so I feel good about that. I’m listening about #depression through a @udemy course by psychologist Dr Randy Paterson. This course focuses on the #RiskFactors for depression.

 

I’m still struggling as I’ve not been #consistent still with getting stuff done. Old patterns are back: I’ve slept in a lot, stayed up late, & stopped #meditating & #journaling. I’ve not called back community support services that have left so many messages now & seems to have given up on trying to call again. This is what would hook me up with group therapy. I don’t know why I end up like this - unable to fix the causes behind the messes in my life. It’s one of the key associations Dr @jordan.b.peterson lists as possibly connected to being borderline, & I know I can’t diagnose myself but in a July 27, 2017 @bitesizedphilosophy YouTube video, “Jordan Peterson - Borderline Personality Disorder (BPD)” he explained how: “1 of the things that’s interesting about people with BPD is that they’re often quite intelligent, & you see in the person with BPD, something like the waste or squandering of tremendous potential. They seem capable of thinking through the nature of their problems, & analyzing them & discussing it, but not capable whatsoever of implementing any solutions” (2m 45s). That’s been me to a T for years now. So that’s something to explore with the psychologist I see in December.

 

This is post 295/365 in my #subverted #selfie #artproject.

MADRID RIO

  

Madrid Río es un parque de la ciudad española de Madrid, consistente en una zona peatonal y de recreo construida entre los años 2006 a 2012 en los dos márgenes del río Manzanares, en buena parte sobre el trazado soterrado de la vía de circunvalación M-30,1​ desde el nudo Sur hasta el enlace con la A-5. En 2016, el proyecto se hizo con el galardón Veronica Rudge Green Prize in Urban Design de la Universidad de Harvard por su diseño e impacto social y cultural en la transformación del río

Entre 2003 y 2007 se llevó a cabo la obra de soterramiento del arco oeste de la M-30 en el ámbito del río, obra que hizo posible la eliminación del tráfico en superficie y la consiguiente liberación de más de cincuenta hectáreas de terreno ocupado anteriormente por las calzadas. A esta superficie se sumaron otras casi cien hectáreas correspondientes a los diferentes suelos infrautilizados adyacentes a la autopista.

 

Tras la construcción de los túneles afloró una herida vacía formada por un rosario de espacios desocupados, que atesoraban la potencia latente de convertirse en nexo de unión de un corredor ambiental de casi tres mil hectáreas dentro del término municipal, que se extiende desde El Pardo hasta Getafe y que enlaza importantísimas áreas verdes de la ciudad como la Casa de Campo, el Parque de la Arganzuela o el Parque del Manzanares Sur.

 

Por tanto, los beneficios obtenidos al enterrar la antigua autopista, obviamente, no han quedado reducidos a la mejora de ciertos aspectos de la movilidad urbana, ni siquiera a la rehabilitación local de los barrios, sino que pueden adquirir en un futuro próximo, una dimensión de gran escala que necesariamente deberá repercutir en las relaciones entre la ciudad y el territorio, entendidas en su mayor alcance. La enorme trascendencia para la ciudad de los espacios liberados como consecuencia del soterramiento de la M-30, llevó al Ayuntamiento de Madrid a convocar un Concurso Internacional de Ideas para concebir y proyectar los nuevos espacios libres en el entorno del río. El concurso lo ganó el equipo de arquitectos dirigido por Ginés Garrido y formado por Burgos & Garrido Arquitectos, Porras & La Casta y Rubio & Álvarez-Sala y West8, con la solución para la construcción de un parque urbano de más de ciento veinte hectáreas, que ocupa la superficie liberada por el soterramiento de la autopista. Los inicios del proyecto pasaron por el intento de comprender en su totalidad las cualidades geográficas de la cuenca fluvial. Las características del territorio y la diversidad de sus elementos naturales constituyen un conjunto de claves que han sustentado muchas de las ideas contenidas en el proyecto.

 

Sumariamente, la estrategia del éste se basa en la convicción de que, a través del río es posible conectar la ciudad, expresión máxima de la acción artificial, con los territorios del norte y el sur de Madrid, en los que aún perviven los elementos naturales propios de la cuenca fluvial. El río se convierte en puerta o enlace entre interior urbano y exterior territorial y, a través de sus márgenes, se establece la continuidad y la permeabilidad, hasta hoy aniquiladas por los sucesivos anillos concéntricos, hollados por los cinturones viarios, M-30, M-40, M-45, M-50 …, que fueron el resultado de aplicar a la red circulatoria los modelos de movilidad propios de mediados del siglo XX.

 

El proyecto se ha concebido en sucesivas aproximaciones o escalas a partir de las que se ha aplicado la reflexión sobre el campo de juego, obteniendo respuestas o soluciones diversas, desde el ámbito territorial o estratégico al local o específico.

 

En la escala territorial se han establecido los parámetros de partida para que, en el medio plazo, sea posible la regeneración de las márgenes del río en toda su longitud, como verdaderas áreas de integración entre el paisaje y la actividad humana, bajo un entendimiento contemporáneo capaz de superar el antagonismo implícito en el binomio urbano-rural.

 

En la escala metropolitana, a través del proyecto y de su concepción como gran infraestructura, se lleva a cabo la incorporación del corredor que se extiende sobre los bordes fluviales a su paso por la ciudad como parte del GR 124 (Gran Recorrido de la Red de Senderos Europeos) que ya, en 2011 se podrá transitar en toda su extensión, desde Manzanares el Real hasta Aranjuez.

 

En la escala urbana, el proyecto incorpora el río como doble línea de fachada inédita y configura un conjunto enlazado de espacios verdes que se infiltra en la ciudad; establece en la superficie un nuevo sistema de movilidad y accesibilidad; incrementa la integración y calidad urbana de los barrios limítrofes al río; protege y revaloriza el patrimonio histórico y detecta áreas de oportunidad que, sobre este ámbito de nueva centralidad, serán capaces de generar un cambio potencial del conjunto de la ciudad en el largo plazo.

 

En la escala local, la propuesta se ejecuta como una operación radicalmente artificial, materializada sin embargo con instrumentos eminentemente naturales. No se debe olvidar que se actúa mayoritariamente sobre una infraestructura bajo tierra. El proyecto se implanta sobre un túnel o, más bien, sobre la cubierta de un conjunto complejísimo de instalaciones al servicio del viario enterrado. Un edificio de hormigón de más de seis kilómetros de longitud, con enormes y determinantes servidumbres y con una topografía cuya lógica obedece exclusivamente a la construcción de la infraestructura, que emerge inopinadamente sobre el suelo y con la que ha sido necesario negociar. Sobre esta edificación subterránea, la solución adoptada se ha basado en el uso de la vegetación como principal material de construcción. El proyecto establece como estrategia general la idea de implantar una densa capa vegetal, de carácter casi forestal, allá donde sea posible, es decir, fabricar un paisaje con materia viva, sobre un sustrato subterráneo inerte, modificado y excavado para el automóvil, sobre una construcción que expresa por sí misma el artificio máximo.

 

Las familias, formas y asociaciones de especies vegetales seleccionadas provienen de la extrapolación del estudio de la cuenca del río y su adaptación, en cada caso, al medio urbano específico. La ordenación de los distintos entornos y su caracterización como lugares de uso público se ha producido teniendo en cuenta, por un lado, las funciones requeridas y las necesidades detectadas en cada distrito y por otro, la capacidad de conformar espacios habitables, inherente a los conjuntos organizados de vegetación de distinto porte.

La solución se concreta en tres unidades de paisaje principales. Primero, el Salón de Pinos, o corredor verde que discurre por la margen derecha del río. Es la estructura que permite la continuidad de los recorridos y reacciona en su encuentro con los puentes existentes dando lugar a distintos tipos de jardines de ribera (Jardines bajos de Puente de Segovia, Jardines del Puente de San Isidro, Jardines del Puente de Toledo y Jardines del Puente de Praga). Segundo, el enlace definitivo del centro histórico (representado por la imagen imponente del Palacio Real y la cornisa elevada de la ciudad), con la Casa de Campo, parque de más de mil setecientas hectáreas. En este entorno se incluyen la Avenida de Portugal, la Huerta de la Partida, la Explanada del Rey y los Jardines de la Virgen del Puerto. Tercero, la ancha franja sobre la ribera izquierda donde se sitúa el conjunto del Parque de la Arganzuela que incluye el centro de creación de arte contemporáneo de Matadero, y que representa la mayor superficie de espacio verde unitario de la propuesta.

 

Además de estas tres grandes operaciones paisajísticas coherentes entre sí, el proyecto propone ciento cincuenta intervenciones de diferente carácter, entre las que destaca el sistema puentes que dotan de un inédito grado de permeabilidad al cauce. Se han desarrollado soluciones sobre más de veinte puentes o pasarelas sobre el río, rehabilitando las siete presas, reciclando algunos puentes existentes y creando nuevos pasos, unas veces con un lenguaje silencioso y otras, intencionadamente expresivo. Como en una acción microquirúrgica el proyecto incorpora, eslabón por eslabón, una cadena de fórmulas de integración del río en la ciudad y de la ciudad en el río. Son elementos que garantizarán el contagio de los nuevos valores de las orillas regeneradas sobre los ámbitos y barrios cercanos. Con este efecto de resonancia, se prevé una sucesión de operaciones que aseguren una renovación de gran alcance. Desde ahora y de manera irreversible, se está fraguando una radical metamorfosis, sin precedentes para la ciudad de Madrid.

La superestructura lineal del Salón de Pinos es el elemento que organiza la continuidad de recorridos a lo largo de la ribera derecha del río. Está construida sobre los túneles en su práctica totalidad y tiene un ancho medio de treinta metros. Sobre la losa de hormigón que cubre el paso de los automóviles se han plantado más de 9.000 unidades de diferentes especies de pinos, de diversos tamaños, formas y agrupaciones con un marco de plantación forestal. Los ejemplares han sido seleccionados fundamentalmente en campos en los que hubiese posibilidad de extraer plantas con morfologías naturales (troncos no lineales, troncos dobles, troncos inclinados, etc.) De este modo se obtiene una prolongación controlada de los pinares de la sierra situada al norte de Madrid que parecen extenderse hasta el confín de la ciudad. Estos árboles han sido anclados a la losa de los túneles mediante cables de acero y bridas biodegradables, para potenciar su estabilidad y el crecimiento de sus raíces en horizontal sobre el paquete de tierras disponible. No obstante, este paseo se encuentra frecuentemente con estructuras de gran valor urbano o patrimonial.

 

Dos ejemplos simbólicos de esta intersección son los puentes históricos de Segovia (1582) y de Toledo (1732). En estos enclaves el salón reacciona como espacio de estancia, ampliando sus límites y ofreciendo un diseño específico, con árboles de ribera de hoja caduca y alineaciones de setos y bancos de piedra. Las actividades integradas en el salón se incorporan con un lenguaje coherente con su carácter forestal. Un claro ejemplo de este procedimiento lo forma el conjunto de áreas de juegos infantiles, diseñado específicamente como un sistema completo de formas naturales.

 

Jardines del Puente de Segovia

 

El puente de Segovia está declarado Bien de Interés Cultural. Fue construido a finales del siglo XVI por el arquitecto Juan de Herrera, por encargo de Felipe II. El proyecto de ajardinamiento de su entorno conforma una excepción en el ámbito del Salón de Pinos, constituyendo un ensanchamiento de éste y ofreciendo un modo diferente de aproximación al río. Los jardines se ordenan mediante una serie de líneas de traza orgánica que modelan sucesivas terrazas que descienden hacia el río. Estas líneas están construidas con unas piezas de granito de gran formato que sirven también de bancos. Entre ellos se extiende una superficie de hierba de bajo consumo hídrico arbolada con diferentes especies de árboles frondosos de ribera de la familia de los populus. En las inmediaciones de la fábrica almohadillada del puente se han construido dos estanques de agua limpia sobre los cuales, por un lado alza una fuente monumental de 16 chorros con forma de ciprés y por otro se extiende un pequeño jardín de lirios acuáticos. Los estanques son accesibles mediante unas gradas de piedra que se acercan a ellos hasta sumergirse.

 

Jardines del Puente de Toledo

 

Los jardines del Puente de Toledo constituyen una de las áreas más significativas del Proyecto Madrid Río, ya que se están situados en un enclave de excepcional importancia en el que el Salón de Pinos se encuentra con uno de los puentes monumentales de Madrid, el puente de Toledo, construido entre 1718 y 1732. El proyecto aprovecha dicho monumento en un doble sentido: Por un lado se compone un espacio concebido para ser visto desde lo alto del puente que se convierte así en un mirador privilegiado. De este modo los jardines ofrecen una nueva e inédita panorámica de Madrid ya que sus trazados dibujan un enorme tatuaje que se extiende como una alfombra sobre la superficie, reproduciendo un motivo figurativo vegetal. Por otro lado, los jardines incorporan el Puente de Toledo, que es una estructura barroca diseñada por el arquitecto Pedro de Ribera, como un objeto al que admirar, al que tocar y bajo el que pasar. La disposición de los setos está organizada de modo que conforma una serie de líneas que toman como referencia los jardines barrocos de la época borbónica, aunque están trazadas con un lenguaje contemporáneo. Asimismo en este punto se ha construido un graderío que permite la máxima aproximación a la lámina de agua del río, y la mejor contemplación de los arcos del antiguo puente.

 

Segunda unidad de paisaje: La Escena Monumental

 

La vinculación del centro histórico y el barrio de La Latina con la Casa de Campo ha estado vedada a los peatones de forma secular. El nuevo contacto, que ya es posible por la desaparición de los automóviles bajo tierra, ha sido resuelto con diversas intervenciones que asumen el carácter monumental y panorámico de esta zona, en la que el zócalo elevado del Palacio Real (germen primigenio del nacimiento de la ciudad) contacta con el río. Se han propuesto diferentes soluciones afrontando con extremada atención el contexto en el que se sitúan: La “Explanada del Rey”, explanada abierta pavimentada con un gran patrón figurativo y que sirve de gran atrio ante la Casa de Campo. La huerta de la partida, que es un recinto cerrado en el que se han plantado diferentes retículas de árboles frutales (perales, manzanos, moreras, granados, higueras, nogales, avellanos, etc) acoge un extraordinario mirador de la cornisa. La avenida de Portugal, convertida en un bulevar pavimentado por calceteiros portugueses y poblado por cuatro especies de cerezos (Prunus avium, P. avium ‘Plena’, P.yedoensis y P.padus ‘Watereii’ ) permite la contemplación de una espectacular floración que se alarga más de un mes en primavera. Por último, los jardines de La Virgen del Puerto, en la otra margen del río, estructurados mediante la disposición de parterres orientados según los ejes de los principales acontecimientos urbanos del área: el puente de Segovia, el puente del Rey, la avenida de Portugal y la puerta del Rey que ha sido restaurada y resituada según los datos disponibles en la cartografía histórica de Madrid.

 

Plataforma del Rey

 

En el acceso monumental que enlaza el centro histórico de Madrid con la Casa de Campo, antiguo cazadero real, destaca la Explanada o Plataforma del Rey, que es un espacio abierto de una superficie aproximada de 14.000 m2 y un frente paralelo al río de poco menos de 250 m. El destino de este espacio es el de formar un escenario capaz de acoger diferentes manifestaciones cívicas (conciertos, celebraciones oficiales, actividades culturales, etc.) en un entorno de extraordinaria calidad ambiental, que permite contemplar la Cornisa Histórica de la Ciudad. Este lugar está conectado con el Salón de Pinos y forma parte de él, aunque por exigencias de su uso, sea un área casi desprovista de arbolado. En ella el principal elemento organizador es el pavimento que, de forma muy suave, se adapta a una topografía que integra todas las emergencias de los túneles hasta hacerlas imperceptibles. En este pavimento las pequeñas piezas de granito y basalto forman un patrón que desciende desde la Avenida de Portugal y se esparce sobre la superficie del suelo a una escala en aumento progresivo. Dicho patrón vincula la plataforma con el pavimento proyectado en la avenida. De este modo la Plataforma es un elemento que liga de manera natural importantes piezas del escenario monumental que se produce en este punto, como son el Puente del Rey, la Casa de Campo, la Avenida de Portugal y el Salón de Pinos.

 

Huerta de la Partida

  

Se trata de un espacio recuperado que en las pasadas décadas se dedicó a albergar uno de los principales nudos de la autopista. La propuesta de regeneración de este lugar incluye varias operaciones: En primer lugar la construcción de una tapia, a veces opaca, a veces permeable que constituye un cierre que confiere al recinto el carácter de huerto cerrado. En segundo lugar, el modelado artificial del terreno, regularizando su superficie y tallando un único plano inclinado de suave pendiente que se desliza hacia el río. En tercer lugar la plantación de diferentes agrupaciones de árboles frutales (granados, moreras, manzanos, perales, avellanos, almendros, higueras, olivos y nogales) que se incorporan en el entorno describiendo cuadrantes reticulados con sutiles variaciones de orientación. Por último, se ha proyectado una ría húmeda que describe la trayectoria del Arroyo Meaques, actualmente entubado y oculto. Este proyecto ha sido fruto del estudio minucioso de la historia del lugar, ya que en el pasado, cuando Felipe II adquirió esta finca después de establecer la capitalidad de Madrid, en esta posición se plantaron algunas huertas que producían el alimento necesario para los trabajadores de la Casa de Campo.

 

Tercera unidad de paisaje: La Ribera del Agua. Arganzuela y Matadero

 

En la margen izquierda del cauce la ciudad se separa del río. El ejemplo más importante de la propuesta en esta orilla es el nuevo Parque de la Arganzuela, construido sobre antiguas dehesas de pasto de uso comunal. En este entorno se construyó el Matadero Municipal, notable ejemplo de arquitectura posindustrial de la segunda década del siglo XX. Con el soterramiento de la autopista, Madrid dispone ahora en este punto de 33 hectáreas de espacios libres que forman el mayor parque del proyecto. Éste se ha concebido como un gran espacio en el que el río se ha retirado dejando su huella ancestral. Está organizado con diferentes líneas que se entrecruzan, como surcos por los que pasó el agua, dejando entre sí espacios para distintos usos. Estas líneas, de carácter marcadamente longitudinal, son los caminos de distinta especie que recorren el espacio de norte a sur.

 

Paseo junto al matadero

 

Un camino más plano y ancho (el Camino Rápido), otro más sinuoso y de pendiente variable (el Camino Lento) y una franja empedrada de márgenes frondosos (el Arroyo Seco), que vertebra el centro del parque. La construcción del espacio se plantea como una gran arboleda que contiene varios paisajes, algunos más naturales y otros más construidos, configurados por una variación de especies, alturas, densidades y texturas. De este modo el parque, concebido como un retazo de la cuenca del río, incorpora tres áreas botánicas: bosque mediterráneo, bosque atlántico y fronda de ribera. El carácter de estos paisajes interiores está relacionado con los trazados longitudinales del parque, con árboles que siguen los caminos y las sendas, con sotos y bosques que emergen sobre la topografía. La textura boscosa se intercala con las superficies plantadas de aromáticas entre los caminos y el Arroyo Seco. Siguiendo la orilla izquierda del río, se dispone una franja húmeda y verde, con una pradera de césped que se inclina hacia el agua. Una constelación de fuentes ornamentales y un conjunto de tres láminas elípticas de agua pura introducen este elemento como materia narrativa que relaciona las distintas asociaciones de vegetación. Cada fuente presenta un distinto juego sonoro y visual y se rodea de pequeñas laderas plantadas de frutales que remiten a la imagen de los jardines de las leyendas o del Paraíso. Las líneas entrelazadas que estructuran el parque permiten la formación de recintos en los que se han situado importantes instalaciones para el recreo al servicio de los usuarios de todas las edades. En él se incluye un campo de fútbol , dos pistas de patinaje y tres importantes conjuntos de juegos infantiles. El parque así mismo incorpora el conjunto dedicado a la creación de arte contemporáneo de Matadero, como una gran dotación cultural que vive dentro de él. A través de los caminos se accede a las naves del antiguo complejo, cuya rehabilitación está a punto de finalizar. El diseño de los trazados permite entender la relación entre Matadero y el parque como un continuo entre el río y la ciudad.

 

El sistema de puentes sobre el río

 

La implantación de puentes sobre el Manzanares se lleva a cabo como una estrategia global, es decir, como un conjunto en que cada elemento resuelve problemas puntuales detectados en el entorno próximo, pero también forma parte a su vez de un sistema integral de conectividad transversal de acuerdo con la relación entre la ciudad y el río. Las unidades de este conjunto son de diferente carácter: puentes y presas rehabilitados o reciclados, puentes rodados existentes acondicionados al nuevo sistema de tráfico ciclista y peatonal, puentes singulares que constituyen hitos en el recorrido del río, pasarelas funcionales situadas en los nodos de máximo tránsito transversal y puentes de grandes luces que enlazan los recorridos del parque con los territorios exteriores a la ciudad al norte y al sur, haciendo realidad la principal aspiración territorial del proyecto.

 

Entre los puentes existentes destaca la operación llevada a cabo con las siete presas que han sido convertidas en pasarelas peatonales a través de su restauración integral y la incorporación de un tablero de madera accesible. En segundo lugar dentro de esta serie, se debe destacar el reciclaje del puente rodado de la M-30 que cruzaba el río al sur del Puente de Segovia, reconvertido en un puente peatonal y ciclista que incorpora un talud plantado con pinos. Entre los puentes singulares cabe mencionar el puente con forma de Y construido con cajones de perfiles metálicos, que evoca el lenguaje de los puentes ferroviarios del s. XIX colgados sobre los desfiladeros forestales y los puentes gemelos de hormigón que se dan acceso al complejo Matadero, proyectados como elementos de paso capaces también de configurar un espacio al que se ingresa, como pabellones que gravitan sobre el río, pero que verdaderamente pertenecen al parque.

 

Pasarela de Almuñécar

 

Fabricada de una sola pieza con fibra de carbono, para salvar una luz de algo más de 40 metros. Se sitúa sobre el único tramo del cauce que carece de cajero de hormigón. Su diseño final responde a las capacidades del material con que está fabricada, extremadamente ligero y resistente.

 

Restauración de Presas

 

Las siete presas que regulan el río a su paso de la ciudad han sido restauradas y puestas al servicio del nuevo sistema de pasos transversales. Sus mecanismos y exclusas han sido reparados y se les ha incorporado un tablero accesible de madera y una escala de peces para favorecer la continuidad de la fauna subacuática a lo largo del río.

 

Puente Oblicuo

 

Esta estructura viaria coetánea de la M-30 se ha reciclado para incorporarla al Salón de Pinos como un paso privilegiado a través del cual los peatones, los ciclistas y los árboles pasan de una a otra orilla. La losa aligerada que componía el tablero de hormigón postesado se cortó y apeó reforzándose para soportar las cargas debidas a su nuevo uso.

 

Puente del Principado de Andorra

 

Es uno de los nuevos puentes singulares del proyecto. Está construido por jaulas de perfiles abiertos, de expresividad algo arcaica, que toma como referencia las estructuras ferroviarias sobre los desfiladeros boscosos que se construyeron en Europa y Estados Unidos a finales de siglo XIX. Antes conocido como Puente Y, en julio de 2011 se le cambió de nombre al actual de Principado de Andorra, para agradecer al gobierno de Andorra la construcción del Puente de Madrid en Andorra la Vieja.​ Se escogió este puente para nombrarlo como Principado de Andorra porque representa también la geografía de Andorra: el país pirenaico está formado por dos valles, el del Valira del Norte y el del Valira de Oriente, los cuales confluyen en Escaldes-Engordany y se convierten en uno solo, de nombre Gran Valira. Esta disposición de los valles y sus ríos es similar a una Y.

 

Puentes Cáscara

 

Son dos puentes gemelos construidos con una lámina de 15 cm de hormigón autonivelante que forma una superficie con doble curvatura, de la que cuelga el tablero. Se conciben como dos pabellones a los que acceder para cruzar el río. Su bóveda se ha ornamentado con un mosaico creado por el artista Daniel Canogar.

 

Pasarela de la Princesa

 

El canto necesario para el funcionamiento de la pasarela se incorpora en las barandillas que en realidad conforman una pareja de vigas de alma llena y rigidizadores verticales. El lenguaje de la pasarela es intencionadamente sobrio.

  

TIDE POOLIN'

 

Leo Carrillo beach in Malibu is consistently one of my favorite places to visit and photograph. I just love climbing around the rocks and investigating the tide pool. There are several ways to get there, but I usually take the 101 North to Malibu Canyon, head south over to Pacific Coast Highway, then West (a right turn) on PCH approximately 25 miles until you hit Leo Carrillo. From the Valley to Leo it's about a 45 minute to hour drive each way. The tide pool is just in front of the #3 lifeguard tower (and incidentally, dogs are allowed on leash from this tower and continuing west up the beach). I just google low tide Malibu to find out the best time to go there and check out the tide pool. Usually there's a several hour window about an hour before to an hour after low tide that's good. If you go after that, the waves usually are just hitting the rocks too hard and it can be dangerous to stand there. I always see tons of starfish (many different colors including orange, light blue, and purple), sea anemones (they are really fun to touch), mussels, crabs (little teeny black ones and bigger red ones), and even little fish swimming in the watery crags and crevices of the tide pool rocks. And I've spotted dolphins and whales from this beach. After an outing at Leo Carrillo, I always stop at this little food shack called Malibu Seafood, located just before you find yourself back at Malibu Canyon. It's totally no frills - you order food inside, wait for your number to be called, and find an open bench to sit down. My fave meals there are swordfish with rice pilaf and salad (the ranch is really good), fish and chips, clam chowder, or a pot of steamed clams in a nice broth.

 

Leo Carrillo State Park / Malibu photos by Lydia Marcus

 

As seen on my blog: fotonomous.blogspot.com/2008/08/tide-poolin.html

Mr. Reliable, Chittaranjan Locomotive Works (CLW) made in year 2001, 5350 HP, fitted with Roof mounted DBR and 3 Compressor Motors, Vadodara (BRC) WAP-4E # 22394 resting on green carper at Kaman Road with ISO certified, 19311 Pune - Indore Express. Normally, this train gets overtaken by Nizamuddin bound Rajdhani or Superfast Express on Bhiwandi-Kaman scratch. However due to monsoon TT in Konkan Railway, this overtake does not happens and this poor fellow always suffer in waiting for more than 30 to 40 minutes on this scratch. As per news, this train is going to be converted as Superfast Express and will reach Indore ahead of Avantika Express. Notice LP taking sip of tea in relaxed time.

ODC-Cool

 

Taken out the living room window this morning. It's cool out there this morning. Only in the 30's. We got snow over night again :) I love love love it! It makes this brown desert look so pretty. This is probably the most consistent winter I've ever seen in the 13 plus years I have lived here!

A consistently delicious summer ale. Perfect for hot and humid New England summer days.

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This is the thirty-first beer in my 2009 quest; 52 Seasonals. Join me as I sample 52 varieties of seasonal beers (defined by me as four-season-type stuff, anniversary-type stuff, limited-release-type stuff, etc.)!

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MB irons feature a uniform muscle shape that provides more mass behind the impact area to achieve the quintessential soft, solid feel. This weighting also produces consistent launch angle, backspin and ball speed in order to provide precise distance and shot control demanded by better players. The classic design and traditional feel and responsiveness of the new MB irons will please even the most adamant traditional iron enthusiasts.

     

Titleist introduces the new Titleist MB 712 Irons featuring improved feel and looks. The MB are classic muscle back forged irons that deliver the looks, feel and performance highly-skilled players demand. Forged from 1025 carbon steel with bright chrome plating, MB irons feature constant blade lengths, minimal progressive offset and a thin topline for superior shotmaking.

We consistently overlook peoples who is important in our life, especially our loved ones(lover, family and friends).. was sharing with another 2 friends, sometimes being in love is merely being presence for them..taking great care of them physically and spiritually, when they are sick we are there to nurse, when rain fall, we are here to offer sunshine, every little things and moments seem heavenly and touching the miracles of being in selfless love..2 become 1 and even a simple teh tarik taste extremely great..yes its possible to live happily in the here and now. So many conditions of happiness are available as long as we are content, we are happy with the hands we are holding years after years, sitting next to each other and never get bore with what ordinary life has to offer..we don't have to run to nice scenic places to enjoy the miracle of genuine love..simply be present simply be here...cause we have each other hands to hold, body(thin or fat) to hugs and gentle soothing voice to listen too:) Happy Valentines Day in advance! Big Hugs from Enrick

 

being consistently adorable is not helping! But I'm thinking a wig like this in brown.

Um projeto inovador e consistente, que não deixa de lado a elegância e o compromisso com o meio ambiente. Assim é a Praça ArcelorMittal, criada pelas paisagistas Carla e Marina Pimentel, ressaltando os benefícios da construção de jardins sobre laje, numa área de 320 m² . Uma alternativa eficiente e fascinante, que garante conforto térmico ao ambiente, além de promover um delicioso encontro com a natureza.O destaque do espaço fica por conta de um grande painel verde, que chama a atenção pela simbologia utilizada: um alerta a toda população pela preservação da Serra do Curral, um símbolo da cidade. Os materiais utilizados são ecologicamente corretos e sustentáveis. O jardim, que envolve de forma inusitada toda a área gourmet da Casa Cor 2010, é enriquecido e valorizado pela diversidade de plantas nativas e exóticas.

16 July: Join our special #IJD Google+ Hangout ‘Can the UN Security Council be Consistent on Justice?’ at 10.00 EDT/16.00 CET #UNSCJustice youtube.com/user/CoalitionfortheICC

 

Defensive behavior. Interstingly, every time I flipped it over, it would panic, right itself, do this for a couple of seconds, then run again. Very consistent.

Istanbul University, also known as University of Istanbul (Turkish: İstanbul Üniversitesi), is a prominent public research university located in Istanbul, Turkey. Founded by Mehmed II on May 30, 1453, a day after the conquest of Constantinople by the Turks, it was reformed as the first Ottoman higher education institution influenced by European approaches. The successor institution, which has been operating under its current name since 1933, is the first university in modern Turkey.

 

Istanbul University is consistently ranked first in Turkey and among the top 500 universities in the world according to the recently published Shanghai Ranking. At present, there are 58,809 undergraduate, graduate, and doctoral students studying in 112 academic units, including faculties, institutes, colleges, and vocational schools at 9 campuses. The main campus is adjacent to Beyazıt Square in Fatih, the capital district of the province, on the European side of the city.

 

Istanbul University alumni include Nobel Prize in Chemistry winner Aziz Sancar and Nobel Prize in Literature winner Orhan Pamuk, as well as President of Turkey Abdullah Gül, six Prime Ministers of Turkey, including Suat Hayri Ürgüplü, Sadi Irmak, Nihat Erim, Refik Saydam, Naim Talu, Yıldırım Akbulut, and the current mayor of Istanbul Ekrem İmamoğlu. The alumni also include the longest-serving President of Israel Yitzhak Ben-Zvi, as well as David Ben-Gurion and Moshe Sharett, who both served as Prime Ministers of Israel.

 

The origins of Istanbul University date back to 1453, when it was founded by Ottoman Sultan Mehmed II as a school of philosophy, medicine, law and letters. The University of Constantinople, established in 425 CE by the Eastern Roman emperor Theodosius II as the Pandidacterium, later became known as the Phanar Greek Orthodox College after the Fall of Constantinople in 1453. In the early stages, Istanbul University also functioned as a medrese, an Islamic theological school. This madrasa is regarded as the precursor to the Darülfünûn, a technical institute or university (lit. House of Natural Sciences), which evolved into Istanbul University in 1933. Education in various sciences and fields, including medicine, mathematics, astronomy, cartography, geography, history, philosophy, religion, literature, philology, and law, became available and, until the 19th century, played a key role in educating the ruling cadres of Ottoman society. However, when the medreses were no longer able to meet the needs of the time, a restructuring process began, leading to the establishment of Darülfünûn, the core of Istanbul University.

 

An institution of higher education named the Darülfünûn-u Osmanî (lit. the Ottoman Polytechnic Institute) was created in 1863, but suppressed in 1871. Its first rector was Hasan Tahsini, regarded as one of the most important Ottoman scholars of the 19th century. In 1874 the Darülfünûn-u Sultanî (lit. the Royal College of Natural Sciences, French: Université Impériale Ottoman) began offering law classes in French, but was closed in 1881.

 

The Imperial College of Sciences, later known as Darülfünûn-u Şahâne, was reestablished in 1900 with departments in theology, arts, mathematics, science, and philology. In 1924, the faculties of law, medicine, arts and sciences were established in İstanbul Darülfünûnu, as the university was now called. Islamic theology was added in 1925, but in 1933 the university was reorganized without the latter.

 

The first modern applied physics courses were offered at the Darülfünûn on 31 December 1863, marking the beginning of a new era. On 20 February 1870, the school was renamed Darülfünûn-u Osmanî (lit. the Ottoman House of Multiple Sciences) and reorganized to meet the needs of modern sciences and technologies. Starting in 1874, some classes in literature, law, and applied sciences were held at the Lycée de Galatasaray, continuing regularly until 1881. On 1 September 1900, the school was renamed and reorganized as Darülfünûn-u Şahâne (lit. the Royal Polytechnic Institute), offering courses in mathematics, literature, and theology. On 20 April 1912, the school was renamed İstanbul Darülfünûnu, with an expanded course offering and a modernized curriculum. The School of Medicine, Law, Applied Sciences, Literature, and Theology were established.

 

On 21 April 1924, the Republic of Turkey recognized İstanbul Darülfünûnu as a state institution. On 7 October 1925, its administrative autonomy was established, and the schools, which had been part of the old medrese system, became modern faculties. The Darülfünûn then consisted of five faculties: medicine, law, letters, theology, and science. The professors were granted academic freedom as outlined in Article 2 of Law 493. On 1 August 1933, İstanbul Darülfünûnu was reorganized as İstanbul Üniversitesi (lit. Istanbul University) following the educational reforms of Mustafa Kemal Atatürk. Classes officially began on 1 November 1933.

 

Before World War II, many German scientists, particularly those from fields such as medicine, natural sciences, and humanities, were forced to flee Germany due to pressure on anti-Nazi scholars and artists, many of whom were of Jewish origin. A significant number of these emigrants found refuge at Istanbul University, where they contributed to the growth of academic programs and research, enhancing the university's intellectual environment and fostering scientific efforts in Turkey.

   

the "consistent UK delivery of a global brand" challenge.

 

Challenge

Sodexo Land Technology a division of global food and facilities management provider Sodexo is a leading supplier of grounds maintenance services. The division needed an agency that could deliver ongoing projects from exhibition stands, brochures to news stories tailored to promote its services whilst retaining clear global corporate branding and core quality messages.

 

Discuss

ICG was able to draw upon its previous experience in this sector and of working with global brands such as BAE Systems. Our team ensured that we had all the available design and copy guidelines from the onset and engaged in regular dialogue with the client through each project so that the highest levels of creativity were achieved within the brand umbrella.

 

Solution

ICG established a core team of ICG 'Sodexo experts' across the design and PR disciplines to support the achievement of synergy between the creative graphics and copy required for all work produced. In addition, short lines of communication between ICG and our client supports the speedy and efficient completion of projects.

 

Result

ICG has worked with Sodexo for four years and requests for support has grown to encompass wider ranging projects – from the design and writing of newsletters and customer surveys to corporate presentations and commissioning photographers.

 

www.icgonline.co.uk

Saying that Delaware has made consistent progress in reducing its infant mortality rate, Governor Carney told the Delaware Maternal and Child Health Summit on April 17 that the goal is that “every child in Delaware is born healthy” and has the opportunity to be successful in his or her life.

 

“I’m optimistic that we can address all of these challenges,” the Governor said in figuring out new and innovative ways to bring down the state’s infant mortality rate from its current 7.5 deaths per 1,000 live births to match or fall below the national average rate of 5.9. Delaware’s infant mortality rate has declined from a high of 9.3 deaths per 1,000 live births in 2005. The Delaware Healthy Mothers and Infants Consortium was created in 2005 to address Delaware’s high rate of infant deaths.

 

“The fact that some segments in our state already have birth outcomes that are better than the national average is a clear indication that we can get there together,” DHSS Secretary Dr. Kara Odom Walker said of the state’s white infant mortality rate that is at 5.1 deaths per 1,000 live births. The black infant mortality rate in Delaware is 12.5. “For the families who experience this terrible nightmare, we can do better,” Secretary Walker said. “That’s what gets me up every day, knowing we can do better.”

 

Lt. Gov. Bethany Hall-Long, a registered nurse, also applauded the progress made to reduce infant mortality in the state, but said the measure is a public health indicator of a state’s overall health.

 

Attorney General Matt Denn said the increasing number of substance-exposed infants in the state indicates that “the opioid crisis is a healthy infants crisis as well.”

 

Kenn Harris of New Haven Healthy Start, one of the summit’s keynote speakers, has devoted his career to child and maternal health after he and his wife lost their second son as a baby. “There is no single fix for this issue of infant mortality … It takes innovation,” he said in encouraging the more than 300 attendees at the Chase Center to listen to and engage their communities. “We have to work on our listening.”

 

To learn more about the Delaware Healthy Mother and Infant Consortium, go to:

dethrives.com/dhmic

 

Consistent and quick. Two adjectives that rarely associate themselves directly with Dodge Neons. This guy proves that it's 90% driver ability.

To consistently control the speed and direction of the cue ball, I put boards next to each other, with the far end raised about six inches, and changed the width of the crack between two boards to control direction, and further control the speed. I racked it a little loose, to get a little more action and strange directions. The cue ball wasn't moving very fast, so the one second exposure worked out very nicely. 50mm lens.

No one can doubt the beauty and appeal of Ka`anapali Beach. It consistently ranks among the best beaches in the world, often topping the list.

 

But I have some very mixed feelings about Ka`anapali. I love the place; I go there to be part of the experience and to enjoy the waters there. Here's the catch: Ka`anapali Beach Resort didn't exist until 50 years ago when it was the first proposed by a group of investors, American Factors, Inc. (Amfac) as the world's first fully master-planned destination resort. It's magnificent. There are now seven major resorts, two condominium complexes, and an upscale shopping area along this mile of beach. The idea was a good one, because changes in the sugar cane industry left this area unused at that time, and an influx of part of the burgeoning tourist industry could help.

 

However, cultural insensitivity was and remains rampant. That black rock outcropping in the distance, known in English as "Black Rock," is Pu`u Keka`a, a sacred place to native Hawaiians that legend says was placed there by the demigod Maui. It was believed to be the place that the spirits of the dead left the earth to join their ancestors.

 

When the Sheraton Corporation was invited to be one of the prime developers of the resort area, they were given the area around Pu`u Keka`a. That's the Sheraton that now sits on top, around, and into the rock.

 

Most tourists never get to know the Hawaiian people, their culture, their language, and their history. The luaus they experience are the packaged ones offered by the resorts, and many people have no idea how ingrained into the present culture that song and hula continue to be. Tourists come for the sun and the sand, and many never leave this very well-planned and very complete resort area. That is such a loss!

 

Perhaps, though, the ancient mana (spiritual power or essence) remains; it was a couple of years ago while snorkeling along the wall of that sacred black rock that, as I was swimming with honu (sea turtles), I first heard the song of the whales from underwater.

The 53rd annual Bon Odori Festival at Camp Zama was held Aug. 4. The festival is consistently the largest bilateral event of the year for U.S. Army Japan, this year attracting more than 30,000 visitors to the installation. The festival featured live entartainment, games for children, a variety of ethnic foods, bilateral sports, and a fireworks show.

 

About the United States Army Garrison Japan:

 

The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.

 

The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.

 

Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.

 

We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.

 

-----

 

To learn more about USAG Japan, please visit:

  

Official Website - www.usagj.jp.pac.army.mil

 

Facebook - www.facebook.com/usagj

 

Flickr - www.flickr.com/usagj

 

YouTube - www.youtube.com/usagjapan

 

Vimeo - www.vimeo.com/usagj

 

Twitter - www.twitter.com/usagjapan

 

Slideshare - www.slideshare.net/usagjapan

 

USARJ This Week on YouTube - www.youtube.com/usarjthisweek

  

The 53rd annual Bon Odori Festival at Camp Zama was held Aug. 4. The festival is consistently the largest bilateral event of the year for U.S. Army Japan, this year attracting more than 30,000 visitors to the installation. The festival featured live entartainment, games for children, a variety of ethnic foods, bilateral sports, and a fireworks show.

 

About the United States Army Garrison Japan:

 

The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.

 

The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.

 

Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.

 

We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.

 

-----

 

To learn more about USAG Japan, please visit:

  

Official Website - www.usagj.jp.pac.army.mil

 

Facebook - www.facebook.com/usagj

 

Flickr - www.flickr.com/usagj

 

YouTube - www.youtube.com/usagjapan

 

Vimeo - www.vimeo.com/usagj

 

Twitter - www.twitter.com/usagjapan

 

Slideshare - www.slideshare.net/usagjapan

 

USARJ This Week on YouTube - www.youtube.com/usarjthisweek

 

The 53rd annual Bon Odori Festival at Camp Zama was held Aug. 4. The festival is consistently the largest bilateral event of the year for U.S. Army Japan, this year attracting more than 30,000 visitors to the installation. The festival featured live entartainment, games for children, a variety of ethnic foods, bilateral sports, and a fireworks show.

 

About the United States Army Garrison Japan:

 

The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.

 

The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.

 

Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.

 

We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.

 

-----

 

To learn more about USAG Japan, please visit:

  

Official Website - www.usagj.jp.pac.army.mil

 

Facebook - www.facebook.com/usagj

 

Flickr - www.flickr.com/usagj

 

YouTube - www.youtube.com/usagjapan

 

Vimeo - www.vimeo.com/usagj

 

Twitter - www.twitter.com/usagjapan

 

Slideshare - www.slideshare.net/usagjapan

 

USARJ This Week on YouTube - www.youtube.com/usarjthisweek

  

World’s Best Surfers Ignite Aproador to Complete Round 1 of Billabong Rio Pro

 

APROADOR, Rio de Janeiro/Brazil (Tuesday, May 17, 2011) – After a week of lay-days, the world’s best surfers tore into consistently changing conditions at the lefthand pointbreak of Aproador to complete Round 1 of the Billabong Rio Pro.

 

Stop No. 3 of 11 on the ASP World Title Series, the opening day of men’s competition saw ASP Dream Tour veterans earn the day’s top scores while defending event winner Jadson Andre (BRA), 21, made an impressive entrance in the Billabong Rio Pro’s opening round.

 

Kelly Slater (USA), 39, reigning 10-time ASP World Champion, got off to a strong start to open his Billabong Rio Pro campaign. Slater unleashed two furious tail-drifting backhand turns to notch the day’s highest single-wave score of a 9.00 (out of 10) midway through his bout to overtake ASP World Tour rookie Julian Wilson (AUS), 22, and event wildcard Peterson Crisanto (BRA), 18, after nearly missing the start of his heat.

 

“That 9 felt good,” Slater said. “I went down to grab my jersey and there was some confusion. By the time I got out, the heat had already started and Julian got that first one. It wasn’t a good start. I knew there were going to be some good ones and I just had to be patient. That one good wave actually let me bottom turn and hit the lip, most of the waves were soft and had a lot of horizontals.”

 

Slater, who finished runner-up at the Billabong Pro last year, was also quick to admit that several goofy-footers will be tough to beat at the lefthander of Aproador and noted that the natural-footers will need to be especially selective in their wave choice at the Billabong Rio Pro.

 

“A little left like this is going to play well for goofy footers,” Slater said. “Owen (Wright) and Jadson (Andre) are probably frothing on it and licking their chops ready to go. We (natural footers) have been on our frontside at Snapper and Bells and now it’s their turn. We’ve just got to try and be smart. Mick (Fanning) looked good and there are waves out there to do it, you’ve just got to be smart.”

 

Taj Burrow (AUS), 32, opened his Billabong Rio Pro campaign with a sharp backhand attack by belting two Arpoador lefthanders to the tune of a 16.83 (out of 20) on his first two waves to earn the highest heat-total of the day. The Australian veteran notched his Round 1 heat win over dangerous Brazilian rookie Alejo Muniz (BRA), 21, and event wildcard Ricardo Santos (BRA), 20.

 

“It was kind of scary for a second there, right when they decided to start the competition the wind started howling, but then it cleaned up heaps,” Burrow said. “I got two fun ones at the start so I’m happy.”

 

Jadson Andre, defending event winner, reveled in Aproador’s lefthanders with a combination of aggressive carves and snaps to take a convincing Round 1 heat victory with the support of the Brazilian crowd behind him.

 

“I’m so happy to be here competing in Brazil and I love Aproador, I feel like a local,” Andre said. “I’ve competed here several times before and have friends here. I know everyone says I should feel pressure as defending champion, but I’m not worried about it. I’m just thinking about the next heat. That’s what I did last year.”

 

Mick Fanning (AUS), 29, two-time ASP World Champion, slowly built momentum in his opening Billabong Rio Pro heat, eventually igniting two lefthanders by combining a series of seamless backhand turns to notch a 15.07 heat total to advance directly through to Round 3.

 

“It was tricky trying to find the right one out there, but I watched the heat before and noticed that guys that were doing turns back-to-back were getting scores, so I tried to concentrate on that,” Fanning said. “They weren’t the biggest waves, but they just allowed three turns straight away.”

 

The Australian talent also expressed the importance of advancing directly through to Round 3 with Brazil’s ever-changing conditions.

 

“It’s really good to skip as many rounds as possible, especially here in Brazil where it can be really unpredictable,” Fanning said. “I’m stoked to get through Round 1 and I’ll go back and assess what’s going on and hopefully keep going.”

 

Billabong Rio Pro event organizers will reconvene at Aproador at 7am local time tomorrow morning for a possible Round 2 start.

 

To watch the Billabong Rio Pro LIVE log on to www.billabongpro.com

 

For additional ASP information log on to www.aspworldtour.com

 

Billabong Rio Pro Round 1 Results:

Heat 1: Owen Wright (AUS) 13.60, Heitor Alves (BRA) 7.67, Bobby Martinez (USA) 7.47

Heat 2: Adrian Buchan (AUS) 11.84, Adam Melling (AUS) 11.16, Kai Otton (AUS) 7.90

Heat 3: Taj Burrow (AUS) 16.33, Ricardo Santos (BRA) 11.17, Alejo Muniz (BRA) 10.60

Heat 4: Mick Fanning (AUS) 15.07, Simao Romao (BRA) 12.36, Dusty Payne (HAW) 11.66

Heat 5: Patrick Gudauskas (USA) 8.13, Jordy Smith (ZAF) 8.07, Igor Morais (BRA) 6.34

Heat 6: Kelly Slater (USA) 15.17, Julian Wilson (AUS) 14.37, Peterson Crisanto (BRA) 3.84

Heat 7: Jadson Andre (BRA) 14.33, Gabe Kling (USA) 10.66, Bede Durbidge (AUS) 7.90

Heat 8: Jeremy Flores (FRA) 13.56, C.J. Hobgood (USA) 10.80, Josh Kerr (AUS) 7.43

Heat 9: Damien Hobgood (USA) 12.00, Raoni Monteiro (BRA) 11.10, Tiago Pires (PRT) 10.93

Heat 10: Cory Lopez (USA) 11.54, Chris Davidson (AUS) 10.00, Michel Bourez (PYF) 8.57

Heat 11: Daniel Ross (AUS) 14.90, Adriano de Souza (BRA) 14.67, Kieren Perrow (AUS) 8.96

Heat 12: Taylor Knox (USA) 15.03, Matt Wilkinson (AUS) 14.70, Joel Parkinson (AUS) 8.34

 

Photo ASP/Scholtz

    

Batería consistente en 3 cuerpos medidas 8x12, 14x14 y 16x18 con cascos de Caoba (Mahogany) maciza (steam bent solid shells) con refuerzos, aros de madera de Viraró, el sistema de tensión es free floating.

The Commission on the Status of Women, has consistently promoted the advancement of women. It has been instrumental in expanding the recognition of women’s rights, in documenting the reality of women’s lives throughout the world, in shaping global policies on gender equality and empowerment of women and in ensuring that the work of the UN is all areas incorporates a gender perspective. It continues to play a critical role by bringing together governments, UN entities, NGOs, and other international and regional organizations to promote women’s rights and advance gender equality.

 

For more information:

www.unwomen.org/how-we-work/csw/csw-56/

 

For more UN archive photos: www.unmultimedia.org/photo/

 

In this picture (original caption):

Before opening meeting, from left to right, are: Madame Marie Helene Lefaucheux, of France, Chairman of Commission since 1948, re-elected to-day; Mary Sutherland of United Kingdom; and Olive Remington Goldman, of the United States. The Commission is composed of 15 members representing all regions of the world and is aimed at improving the status of women everywhere.

 

Photo Date: May 8th, 1950

 

Photo Credit: UN Photo/MB

 

Photo Number (NICA): 331751

A consistent favorite in both style and glaze combination. Cobalt blue and brown seem to go with everything!

 

For more info about my work please see my profile.

The Consistent Golf Swing System - An ultimate Golf swing system.

ARC, ZUG, SWITZERLAND: PHOTO CREDIT SIIA/Stokasmud www.stokasmud.com. Financial investors and leaders of more than 30 different faith traditions representing over 500 faith investment groups and billions of dollars in assets, met in Zug's beautiful Lassalle-Haus retreat centre together with the UN, the Alliance of Religions and Conservation (ARC) and some key impact investment funds, for a unique international meeting on Faith in Finance. Asking the question: “what do you do with your investments to make a better planet?” they launched the Zug Guidelines on Faith-Consistent Investment and a new alliance to support this movement. More details see www.arcworld.org/projects.asp?projectID=674 and for press coverage arcworld.org/news.asp?pageID=864

Dad was consistently handy with the Kodak as we grew up... no matter what regretable decisions we made about our hairstyles, eyeglasses, hand-sewn outfits, or poorly-chosen accessories.

 

We thought we rocked! In a completely nerdy, white way...we did.

 

Music: 'Pump' © B-52's 2008, Funplex.

 

On P. aurata the only consistent postmedian mark is a round golden blotch near the costa, but there is usually a small golden mark between it and the costa. In fresh specimens, there is sometimes a thin indistinct wavy golden postmedian line between the round blotch and the dorsum.

 

P. aurata has two generations; in May and June, and again through July and August. It flies both during the day and at night.

 

The larvae feed on mints, including spearmint (Mentha spicata) and Apple mint (Mentha rotundifolia), marjoram (Origanum vulgare), Meadow-clary (Salvia pratensis), Lemon balm (Melissa officinalis), catmint (Nepeta cataria) and calamints (Calamintha spp).

UNICODE 5.1.0 meets Or-Omcode∞.1.0

 

Unicode represents the Tower ob Babel en.wikipedia.org/wiki/Tower_of_Babel In computing, Unicode is an industry standard allowing computers to consistently represent and manipulate text expressed in most of the world's writing systems. Developed in tandem with the Universal Character Set standard and published in book form as The Unicode Standard, Unicode consists of a repertoire of more than 100,000 characters, a set of code charts for visual reference, an encoding methodology and set of standard character encodings, an enumeration of character properties such as upper and lower case, a set of reference data computer files, and a number of related items, such as character properties, rules for normalization, decomposition, collation, rendering and bidirectional display order (for the correct display of text containing both right-to-left scripts, such as Arabic or Hebrew, and left-to-right scripts). en.wikipedia.org/wiki/UniCode

Or-Omcode∞.1.0 represents a new Universal Language de.wikipedia.org/wiki/Universalsprache derived within the Doctine Of Essense by

de.wikipedia.org/wiki/Karl_Christian_Friedrich_Krause

Encoding Unicode into the Or-Omcode∞.1.0 all traditional languages become semantically transformed within the new universal language parameters. portal.or-om.org/art/UnicodemeetsOrOmCode/tabid/6319/Defa...

 

First night 2019!

 

Consistent Quality Capture -- Always

It's YOUR Moment!

 

Follow on Instagram: www.instagram.com/http.www.DaveGill.Photography/

 

Full Un-Watermarked Gallery -- Proceeds to benefit SPCA of Wake County: davegillphotography.shootproof.com/gallery/8516390

Photos courtesy of Reaux Photo.

 

As our Technical Director, brewer Mary Wiles keeps our beer consistent and delicious. With a resume longer than a Garrett Oliver recipe, Mary, a certified brewmaster in her own right, can answer all of your zmurgy questions, whether they are about beer's molecular composition or which maple trees in upstate NY yield the best maple syrup for brewing with. We'll be doing a sampling of some of our rarest brews, including Mary's Maple Porter, a Brewmaster's Reserve we created using Mary's own maple syrup company. Join us for this public forum on all things brew related.

 

Additionally, St. James Cheese will be on hand to walk us through the intricate flavor pairings that make beer and cheese so wonderful together.

 

Mary Wiles has dedicated her life to the pursuit of delicious beer. Graduating with a Master’s degree in Chemical Engineering, Mary started a 30 year career with Anheuser-Busch working her way up from Process Engineer to Brewmaster. After she spent two years of consulting work for Sam Adams, we tapped Mary to be our Brewing Quality Assurance Manager. Overseeing our brews at F.X. Matt Brewery in Utica as well as everything coming out of Brooklyn, Mary’s knowledge of best practices and brewery waste treatment help all of our beers stay fresh and clean. Mary lives on her Onondaga, NY maple syrup and Christmas tree farm. She is also the proprietor of the Cedarville Maple Syrup Co. with her husband Karl. She is the nicest person Brooklyn has ever met.

In many fantasies, particularly in very popular YA fantasy series, magic seems…well…magical. Things happen, for no reason beyond the quick application of a magic wand. Is it possible to make magic systems consistent? Who are some authors who’ve managed to achieve this?

L.E. Modesitt Jr., Tim Powers, Pat Rothfuss, Jo Walton (m), Gregory A. Wilson

Virtual Wrestle Entertainment is an entertainment venue that has existed on the SL grid for over five years. Bringing bi-weekly second life wrestling every Wednesday and Friday. It has a dedicated team that work to consistently bring the best of the best

 

Taken at Olympus Coliseum - Home of VWE-Virtual Wrestling Entertainment, Agard (199, 166, 25)

Indumentaria deportiva consistente en dos juegos completos de fútbol, entregó la alcaldesa Virginia Reginato a la Escuela de Futbol V Zona de Carabineros, integradas por hijos de funcionarios de la institución policial, que dirige Fernando Latin.

 

La actividad se realizó en el Complejo Municipal de Reñaca Alto, con la presencia de las concejalas Pamela Hödar y Macarena Urenda, luego de los encuentros que sostuvieron las series pre infantil e infantil con Colo Colo, set que fueron recibidas por el Subprefecto de los servicios de Viña del Mar, comandante Ramón Bórquez.

 

La alcaldesa destacó este aporte del municipio a la institución: “Con Carabineros siempre hemos tenido una gran y estrecha relación y por eso era importante apoyar este tipo de iniciativas que fomentan el deporte y la actividad física. Para mí es un gran honor orgullo entregarles esta indumentaria que les permitirá jugar y representar a su institución con tenidas nuevas y adecuadas en las diferentes competencias o actividades recreativas, y que lleva la leyenda de “Viña, Ciudad del Deporte” en el corazón”.

 

En tanto el comandante Bórquez agradeció a nombre de Carabineros el apoyo de la Municipalidad y de la alcaldesa: “Esta Escuela se hace con bastante esfuerzo y mucho corazón, y por eso agradezco la recepción que tuvo de parte de la autoridad esta solicitud que nos permitirá mejorar las condiciones de ella para hacer deporte, ya que estábamos pobres en indumentaria”.

 

El aporte consistió en dos set completos para 16 jugadores, que incluye camisetas de campo, dos de arquero, medias y pantalones, y además la alcaldesa también comprometió el apoyo para destinar un recinto para que puedan desarrollar esta escuela.

 

Visite nuestro portal en www.ciudaddeldeporte.com

 

Nuestras redes sociales

 

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TIDE POOLIN'

 

Leo Carrillo beach in Malibu is consistently one of my favorite places to visit and photograph. I just love climbing around the rocks and investigating the tide pool. There are several ways to get there, but I usually take the 101 North to Malibu Canyon, head south over to Pacific Coast Highway, then West (a right turn) on PCH approximately 25 miles until you hit Leo Carrillo. From the Valley to Leo it's about a 45 minute to hour drive each way. The tide pool is just in front of the #3 lifeguard tower (and incidentally, dogs are allowed on leash from this tower and continuing west up the beach). I just google low tide Malibu to find out the best time to go there and check out the tide pool. Usually there's a several hour window about an hour before to an hour after low tide that's good. If you go after that, the waves usually are just hitting the rocks too hard and it can be dangerous to stand there. I always see tons of starfish (many different colors including orange, light blue, and purple), sea anemones (they are really fun to touch), mussels, crabs (little teeny black ones and bigger red ones), and even little fish swimming in the watery crags and crevices of the tide pool rocks. And I've spotted dolphins and whales from this beach. After an outing at Leo Carrillo, I always stop at this little food shack called Malibu Seafood, located just before you find yourself back at Malibu Canyon. It's totally no frills - you order food inside, wait for your number to be called, and find an open bench to sit down. My fave meals there are swordfish with rice pilaf and salad (the ranch is really good), fish and chips, clam chowder, or a pot of steamed clams in a nice broth.

 

Leo Carrillo State Park / Malibu photos by Lydia Marcus

 

As seen on my blog: fotonomous.blogspot.com/2008/08/tide-poolin.html

In Rome, Ukrainian President Volodymyr Zelenskyy met with Italian President Sergio Mattarella.

The President of Ukraine expressed gratitude for Italy’s steadfast support for Ukraine’s sovereignty and territorial integrity, as well as its consistent focus on Ukraine during Italy’s presidency of the G7.

"I recall all our meetings, and they always concluded with us finding solutions to very complex issues. One of the most challenging is protecting the rights of people in Ukraine, as well as defending our sovereignty and territorial integrity. I am very pleased that your position in supporting Ukraine, our people, and our children has always remained unwavering," said Volodymyr Zelenskyy.

The Ukrainian President provided an update on the situation at the front lines and on Russia’s ongoing missile terror targeting civilians.

During the meeting, the leaders discussed the continuation of military assistance to Ukraine. Volodymyr Zelenskyy expressed his appreciation to Italy for its significant military-technical support, including the approval of the 10th aid package.

He emphasized the importance of coordinated actions by partner countries to end the war with a just and lasting peace.

The President of Ukraine also commended Italy’s firm stance on maintaining and enforcing sanctions against Russia.

A key topic of negotiations was the return of Ukrainian children abducted by Russia.

The President thanked Italy for its care and support of Ukrainian orphans currently residing in Italy because of the Russian aggression.

The leaders also discussed preparations for the International Ukraine Recovery Conference, scheduled for July 10–11 in Rome. Volodymyr Zelenskyy noted that Italian experts could join the restoration of Ukraine’s cultural heritage.

President Zelenskyy extended an invitation to President Mattarella to visit Ukraine.

Known for its consistent river mouth surf break, Sayulita was "discovered" by roving surfers in the late 1960s with the construction of Mexican Highway 200. Today, Sayulita is a prosperous growing village of approximately 5,000 residents. Hailed as a popular off-the-beaten-path travel destination, Sayulita offers a variety of activities such as horseback riding, hiking, jungle canopy tours, snorkeling and fishing.

Claude Monet

Painter

Oscar-Claude Monet was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term "Impr…

Wikipedia

Lived: Nov 14, 1840 - Dec 05, 1926 (age 86)

Height: 6' 3"

Spouse: Alice Hoschedé (m. 1892 - 1911) · Camille Doncieux (m. 1870 - 1879)

Periods: Impressionism

Children: Michel Monet (Son) · Jean Monet (Son)

Parents: Louise Justine Aubrée Monet (Mother) · Claude Adolphe Monet (Father)

Artwork

See all (20+)

 

Water Lilies

 

Impression, Sunrise

 

Haystacks

 

Rouen Cathedral

Timeline

1862:Disillusioned with the traditional art taught at art schools, in 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley.

1870:Claude Monet married Camille Doncieux on June 28, 1870; their marriage lasted 9 years till September 05, 1879.

1874:From the boat studio Monet painted landscapes and also portraits of Édouard Manet and his wife; Manet in turn depicted Monet painting aboard the boat, accompanied by Camille, in 1874.

1883:In April 1883, looking out the window of the little train between Vernon and Gasny, he discovered Giverny in Normandy.

1899:In 1899, he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

1926:Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery.

Quotes

“I get madder and madder on giving back what I feel.”

“No one but myself knows the anxiety I go through and the trouble I give myself…”

I am following Nature without being able to grasp her, I perhaps owe having become a painter to flowers.

“I must have flowers. Always and always.”

“I don’t think I’m made for any earthly kind of pleasure.”

Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.

“It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.”

People discuss my art and pretend to understand as if it were necessary to understand, when it's simply necessary to love.

Panasonic Lumix DMC-FZ150.

  

This is consistently the best all round camera I have ever used. The others all excel at particular things, but this one does all thing well. Its light, not so big you cannot shove it into a man's coat pocket, it does not have heavy demands on batteries.

  

The x24 optical zoom is outstanding and it has a constant f2.8 through the entire range !

  

This camera excels in low light, in fact a little too well at times forcing me to go manual to get the exposure I really want, but I am not knocking it for that.

  

It is fantastic for HD video. I am currently pitching it against the medium range Panasonic V720 camcorder and I have to say that so far I cannot see any big plus for the camcorder, but this view may change with more experience. The lumix has an external Microphone socket (1.5mm, so buy and adaptor) and takes a Rode mic easily.

  

NOTE***: Always turn the external microphone on FIRST, then the camera. For some reason this camera does not like it the other way.

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