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Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
On néglige souvent des êtres vivants auxquel on devrait faire plus attention. Il n'y pas que les plantes á grande fleurs, impressionantes ou avec un potentiel ornemental, qui méritent d'être étudiées et conservées. Ce Microchilus sp. á petites fleurs a attiré mon regard avec sa couleur bronze originale. In situ dans le département du Valle del Cauca dans la Colombie méga diversifiée.
We often overlook living beings worth paying attention to. Not just big, impressive plants and flowers or with an ornamental potential, deserve being studied and conserved. This small flowered Microchilus sp. caught my eye with its original bronzy color. In situ in Valle del Cauca department in the mega diverse Colombia.
Se neglige a menudo seres vivos para cuales deberíamos de poner más atención. No solamente las plantas con flores grandes, impresionantes o con un potencial ornamental, merecen ser estudiadas y conservadas. Este Microchilus sp. con flores pequeñas atrajó mi mirada con su color bronze original.. In situ en el departamento del Valle del Cauca en la mega diversificada Colombia.
...Bien conservée et peu connue, cette place forte de la région est apparue au XIe siècle. À l’époque, toutes les portes des villes alentour tournées en sa direction héritent de son nom, jusqu’à Bordeaux où le quartier de Benauge existe toujours...
L'original de ce tableau est conservé à l'académie des Beaux-Aers de Vienne.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the academy of arts in Vienne.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
INJURED EAGLE FLYING ONCE AGAIN
October 23rd, 2018
…thanks to help from some friends.
By: Larissa Smith, CWF Biologist
www.conservewildlifenj.org/blog/2018/10/23/injured-eagle-...
10/18/2018 - Braveheart’s Big Day - It was touch and go for awhile, but after 8 weeks of intensive medical treatment and rehab at The Raptor Trust of NJ, Braveheart was banded early this morning in preparation for his release. Many thanks to the good folks at The Raptor Trust, NJDEP Endangered & Nongame Species Program, Conserve Wildlife Foundation NJ, and Jon Palombi for all their hard work. Braveheart was released this morning in Monmouth County. Go Braveheart!!!
NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
L'original de ce tableau est conservé au musée des Beaux Arts de Gand, au Museo Lázaro Galdiano à Madrid, à la Gemäldegalerie à Berlin
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in musée des Beaux Arts de Gand, in Museo Lázaro Galdiano in Madrid, in the Gemäldegalerie in Berlin.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
This panel is from Bay 28c of Chartres Cathedral, a small crucifixion window dating to the 13th century. The design centers on Christ on the cross, flanked by Mary and John the Evangelist, while at the foot of the cross, a circular medallion vividly portrays Adam and Eve emerging from the tomb, signifying the defeat of original sin through Christ’s sacrifice.
Bay 28c sits within the south ambulatory as part of the Zodiac and Life of the Virgin grouping (Bay 28). The window was commissioned by Thibaut VI, Count of Chartres, together with the vintners’ guild, around 1217–1220—the same patrons responsible for the adjacent windows. This crucifixion panel underwent careful restoration in the early 20th century by Gaudin, and was later conserved by Jean Mauret’s studio in the 1990s, preserving its vivid jewel-toned palette and ensuring the narrative clarity of the Christus-redemptor motif.
You can read more about this pair of American Bald Eagles at Conserve Wildlife Foundation of New Jersey www.conservewildlifenj.org/blog/2017/11/20/w34-a-ny-bande...
SPOTLIGHT ON THE BALD EAGLE’S ALL-AMERICAN COMEBACK IN NEW JERSEY
by Lindsay McNamara, Communications Manager
June 20th 2016
In 1985 — just 31 years ago — a single bald eagle nest remained in the state of New Jersey. In 2015, CWF and partners monitored 161 nests throughout the Garden State. Just this year (as of June 20, 2016), over 50 young eagles have already fledged from their nests! What sparked this All-American comeback of the United States’ National Bird?
DDT use was banned in the United States in 1972. That ban combined with restoration efforts by biologists within the NJ Division of Fish and Wildlife’s Endangered and Nongame Species Program (ENSP) resulted in 25 bald eagle pairs by 2000.
In 2017 the number of New Jersey active bald eagle pairs was 170.
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
New Jersey Bald Eagle Project Report | 2016
New Jersey Bald Eagle Project Report | 2016 may be downloaded here: docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYX...
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
well conserved celtic village built in a strategic location, where people lived between the 1st century B.C. and the 2nd century A.D.
Conserved archaeological site consisting of a Paeonian city that was later conquered by Macedonians.
INJURED EAGLE FLYING ONCE AGAIN
October 23rd, 2018
…thanks to help from some friends.
By: Larissa Smith, CWF Biologist
www.conservewildlifenj.org/blog/2018/10/23/injured-eagle-...
10/18/2018 - Braveheart’s Big Day - It was touch and go for awhile, but after 8 weeks of intensive medical treatment and rehab at The Raptor Trust of NJ, Braveheart was banded early this morning in preparation for his release. Many thanks to the good folks at The Raptor Trust, NJDEP Endangered & Nongame Species Program, Conserve Wildlife Foundation NJ, and Jon Palombi for all their hard work. Braveheart was released this morning in Monmouth County. Go Braveheart!!!
NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
Bayside Parklands' central section of foreshore parks beside Moreton Bay connects the mangroves in the north with the southern bushland and creeks. Moreton Bay Marine Park begins at the high watermark. These foreshore parks conserve some of the Bay's remaining coastal habitats and provide many waterside recreational opportunities. Many migratory wading birds and shorebirds visit Moreton Bay each summer. The migratory birds are protected under the JAMBA (Japan-Australia Migratory Bird Agreements) and CAMBA (China-Australia Migratory Bird Agreements) international conservation agreements.
Mangroves firing the Parklands northern shores and the tidal banks of Lota and Tingalpa Creeks in the south. Fish, prawns, and crabs spawn and shelter in the mangroves. These marine nurseries form the ecological basis of Moreton Bay's commercial and recreational fishery. Each hectare of mangroves is estimated to produce over $8000 of marketable fish alone each year. The mangroves shelter and an amazing variety of birds. Ibis, spoonbills, and egrets feed on tiny plants and animals in the mud. Insect-eating birds - gerygones, flycatchers, and whistles feed in the mangrove branches.
The southern bushlands connect wildlife corridors along Lota and Tingalpa Creeks. These bushland are important fauna and flora habitats protecting a number of rare and endangered species. Powerful Owls have been seen here. Lota Creek opens into melaleuca swamps and freshwater lagoons before emptying into Moreton Bay. These creeks are habitats abound with wildlife sheltering frogs, lizards, birds of prey, wallabies, and wading birds. The southernmost bushlands are open forests with woodlands and coastal ??? and are a known habitat for koalas. In late winter and spring the heath wildflowers burst into bloom.
Source: Queensland Government, Queensland Parks And Wildlife Services.
Bayside Parklands' central section of foreshore parks beside Moreton Bay connects the mangroves in the north with the southern bushland and creeks. Moreton Bay Marine Park begins at the high watermark. These foreshore parks conserve some of the Bay's remaining coastal habitats and provide many waterside recreational opportunities. Many migratory wading birds and shorebirds visit Moreton Bay each summer. The migratory birds are protected under the JAMBA (Japan-Australia Migratory Bird Agreements) and CAMBA (China-Australia Migratory Bird Agreements) international conservation agreements.
Mangroves firing the Parklands northern shores and the tidal banks of Lota and Tingalpa Creeks in the south. Fish, prawns, and crabs spawn and shelter in the mangroves. These marine nurseries form the ecological basis of Moreton Bay's commercial and recreational fishery. Each hectare of mangroves is estimated to produce over $8000 of marketable fish alone each year. The mangroves shelter and an amazing variety of birds. Ibis, spoonbills, and egrets feed on tiny plants and animals in the mud. Insect-eating birds - gerygones, flycatchers, and whistles feed in the mangrove branches.
The southern bushlands connect wildlife corridors along Lota and Tingalpa Creeks. These bushland are important fauna and flora habitats protecting a number of rare and endangered species. Powerful Owls have been seen here. Lota Creek opens into melaleuca swamps and freshwater lagoons before emptying into Moreton Bay. These creeks are habitats abound with wildlife sheltering frogs, lizards, birds of prey, wallabies, and wading birds. The southernmost bushlands are open forests with woodlands and coastal ??? and are a known habitat for koalas. In late winter and spring the heath wildflowers burst into bloom.
Source: Queensland Government, Queensland Parks And Wildlife Services.
VERSION 2 ...........
à suivre
Le Théâtre Antique d'Orange est le théâtre romain
le mieux conservé en occident, classé au patrimoine mondial de l'UNESCO. Edifié sous l'empereur Auguste au Ier siècle de notre ère. Son mur de scène (37 mètres de haut sur 103 mètres de long), est l'un des mieux conservés du monde romain, et place le monument parmi les plus grands témoignages de toute la Rome Antique. Le théâtre occupait une place centrale dans la cité et la vie de ses habitants qui y passaient une grande partie de leur temps libre. Pour le pouvoir romain, le théâtre était un moyen de diffusion de la culture latine auprès des populations colonisées mais aussi un prétexte pour les éloigner de toute préoccupation politique. Véritables divertissements, les spectacles duraient toute la journée. Les Romains, peu passionnés par les tragédies grecques dont s'inspiraient au début les auteurs latins, préféraient un répertoire plus léger : dell'Arte. Les mimes, pantomimes, récitals de poésie, et surtout l'attelane, farce assez proche de la Commedia public populaire voulait avant tout du sensationnel : la mise en scène devint donc prédominante avec le développement de la machinerie. Le théâtre, gratuit, était accessible à tous et était le seul endroit public où l'on pouvait côtoyer les femmes. En revanche, la circulation dans les couloirs et les galeries était conçue de telle sorte que les spectateurs de statut social différent ne se mélangent pas. Aujourd'hui, le Théatre Antique d'Orange est un lieu culturel où des événements tels que le théâtre, l'opéra ou des concerts sont proposés. Sa capacité d'accueil est importante avec 9000 places réservées aux spectateurs.
The Roman Theater of Orange is the Roman theater
the best preserved in the West, a UNESCO World Heritage Site. Built under the Emperor Augustus in the first century of our era. Its stage wall (37 meters high and 103 meters long), is one of the best preserved in the Roman world, and places the monument among the greatest testimonies of all the ancient Rome. The theater occupied a central place in the city and the life of its inhabitants, who spent a great deal of their free time there. For the Roman power, the theater was a means of spreading the Latin culture to the colonized populations but also a pretext to remove them from any political concern. True entertainment, the shows lasted all day. The Romans, unenthusiastic about the Greek tragedies that initially inspired Latin authors, preferred a lighter repertoire: dell'Arte. The mimes, pantomimes, recitals of poetry, and especially the attelane, a prank close enough to the Commedia public popular wanted above all the sensational: the staging became predominant with the development of the machinery. The theater, free, was accessible to all and was the only public place where women could be seen. On the other hand, traffic in corridors and galleries was designed in such a way that spectators of different social status did not mix. Today, the Antique Theater of Orange is a cultural venue where events such as theater, opera or concerts are offered. Its capacity is important with 9000 seats reserved for spectators.
El teatro romano de naranja es el teatro romano.
El mejor conservado de Occidente, declarado Patrimonio de la Humanidad por la UNESCO. Construido bajo el emperador Augusto en el primer siglo de nuestra era. Su muro escénico (37 metros de altura y 103 metros de largo), es uno de los mejor conservados del mundo romano, y coloca el monumento entre los testimonios más grandes de toda la antigua Roma. El teatro ocupó un lugar central en la ciudad y en la vida de sus habitantes, quienes pasaron gran parte de su tiempo libre allí. Para el poder romano, el teatro era un medio para difundir la cultura latina a las poblaciones colonizadas, pero también un pretexto para alejarlos de cualquier preocupación política. El verdadero entretenimiento, los espectáculos duraron todo el día. Los romanos, poco entusiastas con respecto a las tragedias griegas que inicialmente inspiraron a los autores latinos, preferían un repertorio más ligero: dell'Arte. Los mimos, las pantomimas, los recitales de poesía y, especialmente, el attelano, una broma lo bastante cercana a la gente de la comedia popular, sobre todo sensacional: la puesta en escena se hizo predominante con el desarrollo de la maquinaria. El teatro, gratuito, era accesible para todos y era el único lugar público donde se podía ver a las mujeres. Por otro lado, el tráfico en los pasillos y galerías fue diseñado de tal manera que los espectadores de diferente estatus social no se mezclaron. Hoy en día, el Antique Theatre of Orange es un lugar cultural donde se ofrecen eventos como teatro, ópera o conciertos. Su capacidad es importante con 9000 asientos reservados para espectadores.
statue de l'empereur Auguste au théâtre antique d'Orange, le théâtre antique d'Orange, site du patrimoine mondial de l'UNESCO, Orange, France
Wall is conserved as part of Centre for Addiction and Mental Health (CAMH) campus
en.wikipedia.org/wiki/Centre_for_Addiction_and_Mental_Health
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SLR Magic 8mm 1:4 rectilinear ultra-wide-angle manual-focus lens
P9290811 Anx2 Q90 1400h
François Schuiten, né le 26 avril 1956 à Bruxelles, est un dessinateur de bande dessinée et scénographe belge. Rendu célèbre par la série de bande dessinée fantastique Les Cités obscures réalisée en collaboration avec le scénariste Benoît Peeters.
Le peintre et dessinateur des Cités obscures et de Brussels a inventé à Bruxelles un musée enthousiasmant.
« Ce projet est un miracle. Il n’aurait jamais dû se réaliser », s’émerveille le dessinateur François Schuiten, qui a consacré dix ans de sa vie à imaginer ce musée inédit, mis en scène comme « un opéra ferroviaire ». « Train World » (le monde du train) s’ouvre dans la gare de Schaerbeek, construite à la fin du XIXe siècle dans le style « Renaissance flamande ».
Le dessinateur, qui habite tout près, l’a placée dans plusieurs albums et a beaucoup rêvé en tournant autour. Sous sa charpente en fer, l’immense salle des pas perdus a conservé ses guichets et ses banquettes en bois. Entrée majestueuse, avec projections de peintures, de photographies et de films sur ses hauts murs, dans un univers fabuleux, d’une folle originalité et d’une richesse délaissée. « Train World », c’est l’Atlantide ferroviaire retrouvée.
« À la place d’un musée traditionnel, j’ai préféré raconter une histoire vivante, changer le regard sur cette prodigieuse aventure, à partir de la rêverie qui s’attache à ce monde. » François Schuiten en déploie la mythologie sur un vaste espace de 10 000 mètres carrés, en une succession d’univers et d’époques : 22 locomotives et wagons exposés, 1 250 objets, 64 projections, 20 réalisations interactives.
François Schuiten, born on 26 April 19562 in Brussels, is a Belgian cartoonist and scenographer. Made famous by the fantastic cartoon series Les Cités obscures realized in collaboration with the screenwriter Benoît Peeters.
The painter and draftsman of the Cités obscures and of Brussels has invented in Brussels an enthusiastic museum.
"This project is a miracle. It should never have been realized, "says the artist François Schuiten, who devoted ten years of his life to imagining this unpublished museum, staged as" a railway opera ". "Train World" opens in Schaerbeek railway station, built at the end of the 19th century in the "Flemish Renaissance" style.
The artist, who lives nearby, put her in several albums and dreamed a lot by turning around. Under its iron framework, the immense hall of the steps has preserved its wickets and wooden benches. A majestic entrance, with projections of paintings, photographs and films on its high walls, in a fabulous universe, a crazy originality and a forgotten richness. "Train World", it is the Atlantis railway found again.
"In place of a traditional museum, I preferred to tell a living story, to change the look on this prodigious adventure, from the reverie that attaches to this world. François Schuiten deploys mythology in a vast space of 10,000 square meters, in a succession of universes and epochs: 22 locomotives and wagons exhibited, 1,250 objects, 64 projections, 20 interactive productions.
Cyclamen are native to the Mediterranean region from Spain east to Iran, and also in northeast Africa south to Somalia. They are perennial herbaceous plants, with a surface or underground tuber (derived from the hypocotyl) 4-12 cm diameter, which produces leaves in late winter, and flowers in the autumn; the leaves die down during the hottest part of the Mediterranean summer drought to conserve water. Each leaf or flower grows on its own stem, which shoots up from the hypocotyl. The variegation is thought by some botanists to be a form of natural disruptive camouflage to reduce grazing damage by animals.
Another well conserved piece ! The FAF used to have 110 Nord 2501 before it's retirement in 2009. Musée de l'EIA, Albert. 19/01/2019
A good day for abstracts. It rained like the dickens this morning and all evening. I've got my eye on a Dogwood tree around the corner from home. Hopefully tomorrow will cooporate a little better.
🇫🇷 L’église de Notre-Dame des Roches
L’église conserve. 68 peintures léguées par Tripo Kokolja, un éminent artiste du XVIIe siècle originaire de Perast, Parmi les fresques les plus émouvantes,
¤ la représentation de Jacinta Kunic de Perast. Une légende dit que le tableau a été tissé par une femme avec des fils d’argent et d’or et de ses propres cheveux….durant 25 ans
¤un autel en marbre datant de 1796 et portant la signature d’un sculpteur de Gênes, Antonio Kapelano.
¤ L'icône de la Madone et de son enfant, accrochée au-dessus de l'autel, est l'oeuvre de Lovro Marinov Dobricevic, un peintre du XVe siècle originaire de Kotor au milieu du XVe siècle
Dans la partie musée, il y a une exposition de divers objets récupérés dans la baie au fil des années, dont de nombreuses pièces archéologiques datant de la période romaine.
🇬🇧 The church of Notre-Dame des Roches
The church preserves. 68 paintings bequeathed by Tripo Kokolja, an eminent 17th-century artist from Perast, Among the most moving frescoes,
¤ the representation of Jacinta Kunic from Perast. Legend has it that the painting was woven by a woman with silver and gold threads and her own hair....during 25 years.
¤a marble altar dating from 1796 and bearing the signature of a sculptor from Genoa, Antonio Kapelano.
¤ The icon of the Madonna and her child, which hangs above the altar, is the work of Lovro Marinov Dobricevic, a 15th-century painter who came from Kotor in the mid-15th century.
In the museum section, there is an exhibition of various objects recovered from the bay over the years, including numerous archaeological finds dating back to the Roman period.
🇮🇹 La chiesa di Notre-Dame des Roches
La chiesa conserva. 68 dipinti lasciati in eredità da Tripo Kokolja, eminente artista di Perast del XVII secolo, Tra gli affreschi più toccanti,
¤ la rappresentazione di Giacinta Kunic di Perast. La leggenda narra che il dipinto sia stato tessuto da una donna con fili d'argento e d'oro e con i suoi stessi capelli.... durante 25 anni.
un altare in marmo del 1796 che porta la firma di uno scultore genovese, Antonio Kapelano.
L'icona della Madonna con il bambino, appesa sopra l'altare, è opera di Lovro Marinov Dobricevic, un pittore del XV secolo proveniente da Cattaro a metà del XV secolo.
Nella sezione del museo sono esposti vari oggetti recuperati dalla baia nel corso degli anni, tra cui numerosi reperti archeologici risalenti all'epoca romana.
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre and the Musée des Beaux Arts in Besançon. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a decree of 13 Fructidor year IX (31 August 1801), which was promulgated by the minister of the interior, Jean-Antoine Chaptal (Arrêté Chaptal du 14 fructidor an IX). At the start of the 19th century several medieval buildings (notably the refectory) were demolished and in their place Viollet-le-Duc and his pupil Darcy put up new exhibition galleries, accessed by a Gothic Revival monumental stair offering an interplay of richly complicated vaulting systems. The works continued from 1873 to 1901, when the museum reopened. In effect, Toulouse commissioned Urbain Vitry to ensure remove all the convent's religious characteristics. The archaeologist Alexandre Du Mège occupied the cloister and rebuilt it to be able to house the medieval collections gathered from Toulouse's destroyed religious buildings such as the basilique Saint-Sernin. Today the cloister houses a reconstructed medieval garden. The building was classed as a Monument historique in 1840. en.wikipedia.org/wiki/Musée_des_Augustins
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
La vieille ville de Sanaa est inscrite au Patrimoine de l'UNESCO depuis 1986. Elle est entourée de remparts avec certaines portes qui ont été conservées (Bab el Yemen). La vieille ville comprenait plus de 7000 maisons tours construites en pisé ou briques cuites. La plupart datent en moyenne de 300 ans mais certaines remonteraient à plus de 800 ans. Elles ont en moyenne 5 à 9 niveaux et les différents étages sont très hierarchisés: les étages inférieurs sont pour les animaux, les réserves en grains..les étages supérieurs sont pour la vie familiale (étages pour les hommes, pour les femmes, pour les réceptions...). Le dernier étage, le "mafraj", est la pièce oùr les hommes s' adonnent les après midi à la mastication du qât (plante euphorisante).
Les fenêtres sont ornées de motifs géométriques en plâtre et certaines ont des incrustations de verres colorés ("camarillas") .
Le Théâtre Antique d'Orange est le théâtre romain
le mieux conservé en occident, classé au patrimoine mondial de l'UNESCO. Edifié sous l'empereur Auguste au Ier siècle de notre ère. Son mur de scène (37 mètres de haut sur 103 mètres de long), est l'un des mieux conservés du monde romain, et place le monument parmi les plus grands témoignages de toute la Rome Antique. Le théâtre occupait une place centrale dans la cité et la vie de ses habitants qui y passaient une grande partie de leur temps libre. Pour le pouvoir romain, le théâtre était un moyen de diffusion de la culture latine auprès des populations colonisées mais aussi un prétexte pour les éloigner de toute préoccupation politique. Véritables divertissements, les spectacles duraient toute la journée. Les Romains, peu passionnés par les tragédies grecques dont s'inspiraient au début les auteurs latins, préféraient un répertoire plus léger : dell'Arte. Les mimes, pantomimes, récitals de poésie, et surtout l'attelane, farce assez proche de la Commedia public populaire voulait avant tout du sensationnel : la mise en scène devint donc prédominante avec le développement de la machinerie. Le théâtre, gratuit, était accessible à tous et était le seul endroit public où l'on pouvait côtoyer les femmes. En revanche, la circulation dans les couloirs et les galeries était conçue de telle sorte que les spectateurs de statut social différent ne se mélangent pas. Aujourd'hui, le Théatre Antique d'Orange est un lieu culturel où des événements tels que le théâtre, l'opéra ou des concerts sont proposés. Sa capacité d'accueil est importante avec 9000 places réservées aux spectateurs.
The Roman Theater of Orange is the Roman theater
the best preserved in the West, a UNESCO World Heritage Site. Built under the Emperor Augustus in the first century of our era. Its stage wall (37 meters high and 103 meters long), is one of the best preserved in the Roman world, and places the monument among the greatest testimonies of all the ancient Rome. The theater occupied a central place in the city and the life of its inhabitants, who spent a great deal of their free time there. For the Roman power, the theater was a means of spreading the Latin culture to the colonized populations but also a pretext to remove them from any political concern. True entertainment, the shows lasted all day. The Romans, unenthusiastic about the Greek tragedies that initially inspired Latin authors, preferred a lighter repertoire: dell'Arte. The mimes, pantomimes, recitals of poetry, and especially the attelane, a prank close enough to the Commedia public popular wanted above all the sensational: the staging became predominant with the development of the machinery. The theater, free, was accessible to all and was the only public place where women could be seen. On the other hand, traffic in corridors and galleries was designed in such a way that spectators of different social status did not mix. Today, the Antique Theater of Orange is a cultural venue where events such as theater, opera or concerts are offered. Its capacity is important with 9000 seats reserved for spectators.
El teatro romano de naranja es el teatro romano.
El mejor conservado de Occidente, declarado Patrimonio de la Humanidad por la UNESCO. Construido bajo el emperador Augusto en el primer siglo de nuestra era. Su muro escénico (37 metros de altura y 103 metros de largo), es uno de los mejor conservados del mundo romano, y coloca el monumento entre los testimonios más grandes de toda la antigua Roma. El teatro ocupó un lugar central en la ciudad y en la vida de sus habitantes, quienes pasaron gran parte de su tiempo libre allí. Para el poder romano, el teatro era un medio para difundir la cultura latina a las poblaciones colonizadas, pero también un pretexto para alejarlos de cualquier preocupación política. El verdadero entretenimiento, los espectáculos duraron todo el día. Los romanos, poco entusiastas con respecto a las tragedias griegas que inicialmente inspiraron a los autores latinos, preferían un repertorio más ligero: dell'Arte. Los mimos, las pantomimas, los recitales de poesía y, especialmente, el attelano, una broma lo bastante cercana a la gente de la comedia popular, sobre todo sensacional: la puesta en escena se hizo predominante con el desarrollo de la maquinaria. El teatro, gratuito, era accesible para todos y era el único lugar público donde se podía ver a las mujeres. Por otro lado, el tráfico en los pasillos y galerías fue diseñado de tal manera que los espectadores de diferente estatus social no se mezclaron. Hoy en día, el Antique Theatre of Orange es un lugar cultural donde se ofrecen eventos como teatro, ópera o conciertos. Su capacidad es importante con 9000 asientos reservados para espectadores.
One of the most typical places of Cesenatico is the Piazzetta delle Conserve (The "Conserve" Square). An important renewal in the 80's has faithfully kept the old urban context of the square.
Known in the Adriatic seaside since the 1500, the first documents that mention the "conserve" - also called ghiacciae (iceboxes) - date from the 18th Century. These are structures of great importance to the economy of coastal cities and the the Marine Civilization of the Adriatic, since they were used for the preservation of foodstuffs, particularly fish.
Even if it is difficult to go back to the exact location of the "conserve" in Cesenatico, we know about a change of location of all the "iceboxes" to a sandy area called "il Monte", located on the east side of the canal.
The importance of the fish market as the main source of income for Cesenatico is clear by the number of "conserve" at the end of the 19th Century, when around twenty existed. They were used up to the first quarter of the 1900, until the installation of the first artificial ice factory between 1929 and 1930 meant that the traditional "conserve" were abandoned.
The "conserve" of Cesenatico are cone-shaped holes made of bricks, dug in the ground such as a well, 8 meters wide and 5 to 6 meters deep. They grow a little above the ground level with a round parapet, the hole being covered by bricks isolating the exterior by means of layers of straw, sand, wood roof and sometimes with a doubled door, to avoid the hot air coming in.
Fish and food were placed carefully inside the "conserve", alternated with layers of ice or compacted snow, assuring the preservation by means of freezing, a more modern method compared to the salting technique of meat and fish. The ice and snow usually came from the neighbouring hills or from the Apennines' region, transported on carts and gathered in appropriate tanks or canals. Some "conserve" were also used to collect ice, allowing fishermen to take the ice collected inside the "conserve" to their boats, and put it in the boxes with the fresh fish they had just fished and then put for sale. From the three remaining "conserve" of Cesenatico today, one is covered.
The Piazzetta delle Conserve, due to its central location in the old town of Cesenatico, has today acquired an important role in the social life, in the tourism and economy of the city. Continuing the traditional trade of old times, everyday in the morning the Farmer's Market takes place, selling fruit and vegetables from the local farms.
During summer the Flea's Market takes place, a display of arts and crafts, antiques and modern objects of art, while on Mondays the square becomes an open air place for entertainment with its Notturni alle Conserve evenings dedicated to classical music.
La beauté de la nature conservée est imbattable ! Dans chaque recoin il est possible de rencontrer des espèces prêtes á nous surprendre, comme cet Epidendrum escobarianum, lequel est endémique (exclusif) de Colombie. Observé in situ durant un tour de 11 jours que je viens de guider. dans les départements du Valle del Cauca et du Cauca.
Beauty and perfection of conserved nature is unbeatable ! In any corner you can find impressive species ready to astonish you, like this Epidendrum escobarianum, which is endemic (exclusive) from Colombia. Seen in situ during an 11 days tour I just guided in Valle del Cauca and Cauca departments.
La belleza de la naturaleza conservada es imbatible ! En cualquier rincón se puede encontrar especies listas para sorprender nos, como este Epidendrum escobarianum, el cual es endémico (exclusivo) de Colombia. Observado in situ durante un tour de 11 días que acabo de guiar en los departamentos del Valle del Cauca y del Cauca.
.....conserving energy to be able to eat more. lol
They need more sleep than most animals because eucalyptus leaves contain toxins and are very low in nutrition and high in fibrous matter so they take a large amount of energy to digest.
Au XIIème siècle, la chapelle reliquaire Sainte-Croix est édifiée à l’extérieur de l’abbaye afin d’y accueillir les pèlerins et de les laisser se recueillir devant la relique, exposée tous les 3 mai. Le reste de l’année, elle est conservée dans la salle du Trésor. C’est à cette époque que la construction du cloître débute. Cette partie de l’abbaye est le cœur spirituel et humain du monastère. Il rappelle l’architecture cistercienne, même si ses chapiteaux et ses consoles sont sculptés. Ces fabuleuses sculptures rappellent tout le monde imaginaire de l’époque médiévale avec ses monstres, ses animaux fantastiques et ses tarasques (un animal du folklore provençal). Ainsi, les moines étaient confrontés au mal même à l’intérieur du monastère. Depuis les arcatures, on découvre l’ancienne citerne qui permettait de récolter les eaux de pluie des toitures.
davebowles.smugmug.com/Animals/Birds/Hooded-Vulture/
Meet Fagin, a Male Hooded Vulture photographed at the Andover Hawk Conservency. Click on the picture for more pictures of this intereresting bird.
Conserve Landscaping and CerberusXing present The Bay Photography Contest.
December 1st - 23rd
Location:
maps.secondlife.com/secondlife/Cats/26/217/25
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(First Place) 8,000L$ + Gift card courtesy of CerberusXing
(Second Place) 3,500L$ + 1/4th sim with 800 prims for 2 weeks
(Third Place) 2,500L$ lindens
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Rules of Participation
**All photos must be taken on -The Bay- Sim.
**Maximum of 3 entries per person (but only one will be eligible to win a prize).
** Photos must be titled; -The Bay- Photography contest (Yourname)
**Entries must be uploaded to the flickr group pool. (www.flickr.com/groups/2719992@N24/)
**Must be a new, original photo. Old photos may not be submitted.
**Photos may not be submitted into any other competition.
**All entries must include a SLURL to The Bay sim in the Flickr description
**By entering you give The Bay permission to modify and display your entry on The Bay’s website and use in any future marketing/advertising.
**Judges highly recommend participants to utilize adult themes and membership to our VIP group.
You can read more about this pair of American Bald Eagles at Conserve Wildlife Foundation of New Jersey www.conservewildlifenj.org/blog/2017/11/20/w34-a-ny-bande...
SPOTLIGHT ON THE BALD EAGLE’S ALL-AMERICAN COMEBACK IN NEW JERSEY
by Lindsay McNamara, Communications Manager
June 20th 2016
In 1985 — just 31 years ago — a single bald eagle nest remained in the state of New Jersey. In 2015, CWF and partners monitored 161 nests throughout the Garden State. Just this year (as of June 20, 2016), over 50 young eagles have already fledged from their nests! What sparked this All-American comeback of the United States’ National Bird?
DDT use was banned in the United States in 1972. That ban combined with restoration efforts by biologists within the NJ Division of Fish and Wildlife’s Endangered and Nongame Species Program (ENSP) resulted in 25 bald eagle pairs by 2000.
In 2017 the number of New Jersey active bald eagle pairs was 170.
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
New Jersey Bald Eagle Project Report | 2016
New Jersey Bald Eagle Project Report | 2016 may be downloaded here: docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYX...
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
Entre 1836 et 1846, la place est transformée par l'architecte Jacques-Ignace Hittorff qui conserve le principe imaginé par Gabriel. Il ajoute deux fontaines (qui ont l'audace d'être en fonte de fer) monumentales — la Fontaine des Mers et la Fontaine des Fleuves. Les deux fontaines — inaugurées le 1er mai 1840 par le préfet Rambuteau — célèbrent la navigation fluviale (fontaine nord, avec des figures assises représentant le Rhin et le Rhône et les récoltes de raisins et de blé) et la navigation maritime (fontaine sud, avec la Méditerranée, l'Océan et la pêche). Pour la réalisation des statues ornant ces fontaines, l'architecte fera appel à de nombreux artistes : Jean-François-Théodore Gechter, Honoré Jean Aristide Husson, François Lanno, Nicolas Brion, Auguste-Hyacinthe Debay, Antoine Desboeufs, Jean-Jacques Feuchère, Antonin-Marie Moine, Jean-Jacques Elshoecht (dit Carle Elshoecht) et Louis-Parfait Merlieux. Les colonnes rostrales portent des proues de navire, qui évoquent également l'emblème de la Ville de Paris. Les statues allégoriques de huit villes françaises dessinent le contour de l'octogone imaginé par Gabriel. Celle évoquant Strasbourg est drapée de noir à partir de 1871, date du rattachement de l'Alsace-Lorraine à l'Allemagne.
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The two fountains in the Place de la Concorde have been the most famous of the fountains built during the time of Louis-Philippe, and came to symbolize the fountains in Paris. They were designed by Jacques-Ignace Hittorff, a student of the Neoclassical designer Charles Percier at the École des Beaux-Arts. The German-born Hittorff had served as the official Architect of Festivals and Ceremonies for the deposed King, and had spent two years studying the architecture and fountains of Italy.
The north fountain was devoted to the Rivers, with allegorical figures representing the Rhone and the Rhine, the arts of the harvesting of flowers and fruits, harvesting and grape growing; and the geniuses of river navigation, industry, and agriculture.
The south fountain, closer to the Seine, represented the seas, with figures representing the Atlantic and the Mediterranean; harvesting coral; harvesting fish; collecting shellfish; collecting pearls; and the geniuses of astronomy, navigation and commerce.
thanks to all for visits and faves :)
Caméra Sony DSLR-A850
Exposition 75s
Ouverture f/16.0
Longueur focale 20 mm
Vitesse ISO 100
Exposition +0.7 EV
HDR with 9 jpeg from 1 raw assembled in PS5
[My GETTY Images @] [My MOST FAVE on Flickriver] [My RECENT on Fluidr] [My STREAM on Darckr]
In Corbigny under an implacable sun.
Pentax ME Super and SMC Pentax 28mm f/2.8 (it has a tiny scratch on the rear element so nobody wanted it, well, it served me wells sofar), Ilford Delta 100 in Rodinal 1+50 for 13min @ 21°C and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
Cedar of Lebanon (Cedrus libini)
This tree was planted in 1887 as part of the celebrations to mark Queen Victoria's Golden Jubilee. The Parish magazine of the time read:
'Worden Park having been thrown open by the kindness of misses ffarington, a great multitude gathered to hear the singing in front of the Hall, and to watch the proceedings at the planting of Cedar tree in honour of the occasion'.
The tree had grown at a angle due to a group of large oak trees growing close behind and was originally propped in the winter of 1999/2000 following a storm when the roof plate started lifting out of the ground and the tree began to fall.
Please help us conserve this tree for future generations by not climbing it or entering the fenced area.
© 2024 Keith Jones. All Rights Reserved
Schloss Benrath (Benrath Palace) is a Baroque-style maison de plaisance (pleasure palace) in Benrath, which is now a borough of Düsseldorf. It was erected for the Elector Palatine Charles Theodor and his wife, Countess Palatine Elisabeth Auguste of Sulzbach, by his garden and building director Nicolas de Pigage. Construction began in 1755 and was completed in 1770. The ensemble at Benrath has been proposed for designation as a UNESCO World Heritage Site.
The main building, the central corps de logis, for the Elector Palatine and his wife is flanked by two arched symmetrical wings, the maisons de cavalière, which originally housed the servants. They partially surround a circular pond, the Schlossweiher (palace pond), in the north. On the southside lies a long rectangular pond, the Spiegelweiher (mirror pond). From the predescant castle, which stood formerly in the mid of the long rectangular pond on the southside of the palace, is conserved only one of the servant wings, the so-called Alte Orangerie (Old Orangery).
he main building corps de logis is a museum with guided tours. Sometimes music concerts are also performed. The two wings house two museums since 2002: the Museum for European Garden Art in the east wing and the Museum of Natural History in the west wing.
It is surrounded by a baroque square hunting park with two crossing diagonal alleys and a circular alley.
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Fujifilm X-T2
Fujinon XF14mm F2.8 R
Eurasian collared dove stocking up with some stones to conserve balance.
Specially for blog:
garmonpictures.blogspot.com/2015/12/late-october-walk-in-...
Le temple de la Concorde est, avec l'Héphaïstéion (Théséion) d'Athènes et le temple de Poséidon à Paestum, l'un des temples les mieux conservés de l'antiquité grecque. Son appellation arbitraire n'est due qu'à une inscription romaine trouvée à proximité, où figurait le mot latin concordia. Il a été construit dans les années -440 à -430.
Les inégalités du terrain sur lequel il est édifié sont compensées par un soubassement (krépis) important. Son plan correspond à la forme la plus classique des temples d'Agrigente : pronaos, naos, opisthodome et péristyle de 6 × 13 colonnes.
Le temple de la Concorde est de tous ceux d'Agrigente celui qui a été réalisé avec le plus de précision. Le problème des extrémités propre aux temples doriques (conflit entre la régularité des métopes et des triglyphes d'une part, et l'espacement régulier des colonnes d'autre part) a été résolu d'une manière inhabituelle : il a été procédé tout à la fois au rétrécissement de l'espace entre les deux dernières colonnes et à l'allongement de la métope extrême, pour un meilleur effet visuel.
Les recherches ont également montré que les parties inférieures du temple étaient ornées de stucs blancs, tandis que les frises, métopes et parties hautes étaient peintes de couleurs vives. Le toit était couvert de tuiles de marbre.
En 597, l'évêque Grégoire d'Agrigente a fait du temple une basilique chrétienne consacrée aux apôtres Pierre et Paul, après en avoir chassé les démons païens Eber et Raps qui y demeuraient11. Chacun des murs de la cella fut alors percé de douze arcatures, et les entrecolonnements furent murés, tout comme on peut encore le voir de nos jours à la cathédrale de Syracuse. L'entrée fut reportée sur le côté ouest, ce qui entraîna la suppression de la cloison entre le naos et l'opisthodome, tandis que la sacristie trouvait sa place dans l'ancien pronaos.
La découverte dans le temple de deux figures de dieux puniques mises de côté a fait déduire que déjà les Grecs y honoraient deux divinités, peut-être les Dioscures.
Après l'abandon de la cité, l'église fut à nouveau remise en usage, jusqu'au XVIIe siècle. Elle est désaffectée en 1748. En 1788, les dernières structures appartenant à l'église chrétienne sont enlevées par ordre du prince de Torremuzza. Depuis lors, le temple a été restauré dans son état initial.
The Temple of Concord is, along with the Hephaestion (Thesion) of Athens and the Temple of Poseidon at Paestum, one of the best-preserved temples of Greek antiquity. Its arbitrary name is only due to a Roman inscription found nearby, where the Latin word concordia appeared. It was built in the years -440 to -430.
The unevenness of the land on which it is built is compensated by a significant base (krépis). Its plan corresponds to the most classic form of the temples of Agrigento: pronaos, naos, opisthodome and peristyle of 6 × 13 columns.
The temple of Concord is of all those of Agrigento the one that was created with the most precision. The problem of extremities proper to Doric temples (conflict between the regularity of the metopes and triglyphs on the one hand, and the regular spacing of the columns on the other hand) has been solved in an unusual way: both by narrowing the space between the last two columns and by lengthening the extreme metope, for a better visual effect.
Research has also shown that the lower parts of the temple were decorated with white stucco, while the friezes, metopes and upper parts were painted in bright colors. The roof was covered with marble tiles.
In 597, Bishop Gregory of Agrigento made the temple a Christian basilica dedicated to the apostles Peter and Paul, after having driven out the pagan demons Eber and Raps who lived there11. Each of the cella's walls was then pierced with twelve arches, and the intersections were walled, just as we can still see today in the cathedral of Syracuse. The entrance was moved to the west side, which led to the removal of the partition between the naos and the opisthodome, while the sacristy found its place in the old pronaos.
The discovery in the temple of two figures of Punic gods put aside made it deduce that already the Greeks honored two deities there, perhaps the Dioscuri.
After the abandonment of the city, the church was again put back into use, until the 17th century. It was abandoned in 1748. In 1788, the last structures belonging to the Christian church were removed by order of the prince of Torremuzza. Since then, the temple has been restored to its original state.
On néglige souvent des êtres vivants auxquel on devrait faire plus attention. Il n'y pas que les plantes á grande fleurs, impressionantes ou avec un potentiel ornemental, qui méritent d'être étudiées et conservées. Ce Microchilus sp. á petites fleurs a attiré mon regard avec sa couleur bronze originale. In situ dans le département du Valle del Cauca dans la Colombie méga diversifiée.
We often overlook living beings worth paying attention to. Not just big, impressive plants and flowers or with an ornamental potential, deserve being studied and conserved. This small flowered Microchilus sp. caught my eye with its original bronzy color. In situ in Valle del Cauca department in the mega diverse Colombia.
Se neglige a menudo seres vivos para cuales deberíamos de poner más atención. No solamente las plantas con flores grandes, impresionantes o con un potencial ornamental, merecen ser estudiadas y conservadas. Este Microchilus sp. con flores pequeñas atrajó mi mirada con su color bronze original.. In situ en el departamento del Valle del Cauca en la mega diversificada Colombia.