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L'original de ce tableau est conservé au musée municipal de Saint-Germain-en-Laye.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
The original of this painting is kept in the municipal museum of Saint-Germain-en-Laye.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
Le temple de la Concorde est, avec l'Héphaïstéion (Théséion) d'Athènes et le temple de Poséidon à Paestum, l'un des temples les mieux conservés de l'antiquité grecque. Son appellation arbitraire n'est due qu'à une inscription romaine trouvée à proximité, où figurait le mot latin concordia. Il a été construit dans les années -440 à -430.
Les inégalités du terrain sur lequel il est édifié sont compensées par un soubassement (krépis) important. Son plan correspond à la forme la plus classique des temples d'Agrigente : pronaos, naos, opisthodome et péristyle de 6 × 13 colonnes.
Le temple de la Concorde est de tous ceux d'Agrigente celui qui a été réalisé avec le plus de précision. Le problème des extrémités propre aux temples doriques (conflit entre la régularité des métopes et des triglyphes d'une part, et l'espacement régulier des colonnes d'autre part) a été résolu d'une manière inhabituelle : il a été procédé tout à la fois au rétrécissement de l'espace entre les deux dernières colonnes et à l'allongement de la métope extrême, pour un meilleur effet visuel.
Les recherches ont également montré que les parties inférieures du temple étaient ornées de stucs blancs, tandis que les frises, métopes et parties hautes étaient peintes de couleurs vives. Le toit était couvert de tuiles de marbre.
En 597, l'évêque Grégoire d'Agrigente a fait du temple une basilique chrétienne consacrée aux apôtres Pierre et Paul, après en avoir chassé les démons païens Eber et Raps qui y demeuraient11. Chacun des murs de la cella fut alors percé de douze arcatures, et les entrecolonnements furent murés, tout comme on peut encore le voir de nos jours à la cathédrale de Syracuse. L'entrée fut reportée sur le côté ouest, ce qui entraîna la suppression de la cloison entre le naos et l'opisthodome, tandis que la sacristie trouvait sa place dans l'ancien pronaos.
La découverte dans le temple de deux figures de dieux puniques mises de côté a fait déduire que déjà les Grecs y honoraient deux divinités, peut-être les Dioscures.
Après l'abandon de la cité, l'église fut à nouveau remise en usage, jusqu'au XVIIe siècle. Elle est désaffectée en 1748. En 1788, les dernières structures appartenant à l'église chrétienne sont enlevées par ordre du prince de Torremuzza. Depuis lors, le temple a été restauré dans son état initial.
The Temple of Concord is, along with the Hephaestion (Thesion) of Athens and the Temple of Poseidon at Paestum, one of the best-preserved temples of Greek antiquity. Its arbitrary name is only due to a Roman inscription found nearby, where the Latin word concordia appeared. It was built in the years -440 to -430.
The unevenness of the land on which it is built is compensated by a significant base (krépis). Its plan corresponds to the most classic form of the temples of Agrigento: pronaos, naos, opisthodome and peristyle of 6 × 13 columns.
The temple of Concord is of all those of Agrigento the one that was created with the most precision. The problem of extremities proper to Doric temples (conflict between the regularity of the metopes and triglyphs on the one hand, and the regular spacing of the columns on the other hand) has been solved in an unusual way: both by narrowing the space between the last two columns and by lengthening the extreme metope, for a better visual effect.
Research has also shown that the lower parts of the temple were decorated with white stucco, while the friezes, metopes and upper parts were painted in bright colors. The roof was covered with marble tiles.
In 597, Bishop Gregory of Agrigento made the temple a Christian basilica dedicated to the apostles Peter and Paul, after having driven out the pagan demons Eber and Raps who lived there11. Each of the cella's walls was then pierced with twelve arches, and the intersections were walled, just as we can still see today in the cathedral of Syracuse. The entrance was moved to the west side, which led to the removal of the partition between the naos and the opisthodome, while the sacristy found its place in the old pronaos.
The discovery in the temple of two figures of Punic gods put aside made it deduce that already the Greeks honored two deities there, perhaps the Dioscuri.
After the abandonment of the city, the church was again put back into use, until the 17th century. It was abandoned in 1748. In 1788, the last structures belonging to the Christian church were removed by order of the prince of Torremuzza. Since then, the temple has been restored to its original state.
l'église conserve, dans la chapelle de la Communion (ou des Catéchismes), une très belle collection de vitraux peints à l'émail de la fin du XVIe siècle ou du début du XVIIe. Mutilés et dispersés à la Révolution, ils furent à nouveau réunis en 1834 ; il n'en reste plus que 12 sur les 22 initiaux.
In the Communion (or Catechism) chapel, the church has a fine collection of enamel-painted stained glass windows from the late 16th and early 17th centuries. Used up and dispersed during the Revolution, they were reunited in 1834; only 12 of the original 22 remain.
On 18 July 2016, I had a wonderful day out NE of the city with my daughter. The last time I actually drove eastwards was about seven months ago, when I was shooting Short-eared Owls near the end of January. The last time (also the first time) I had ever driven out as far as Drumheller was on 29 September 2014. So, my daughter and I had a great time exploring the roads between Calgary and Drumheller. There were a handful of things or places we wanted to check out, but many things were total surprises. We knew we wanted to see fields, yellow fields full of canola as far as the eye could see. No disappointment there, as we took in the gorgeous colour and the perhaps not so pleasant smell of this crop. When we were driving through regular, green landscapes, it all seemed so 'ordinary' after being treated to vibrant gold.
As well as canola fields, we also knew of a particular grain elevator and nearby old barn that we were keen to see. There was also an old, two-storey house in a hilly setting that we knew would have to be photographed from a great distance, but we were curious about it. There was also a small wetland that I wanted to drive by, just in case there was something to see. How glad we were that we went, as this Black-crowned Night-heron was posing nicely on a post out in the open. This was the first time I had ever seen one close, so it made my day. At least, an adult - in October 2015, I had seen a gorgeous juvenile in Fish Creek Park.
Continuing on our way, we stopped to take a couple of quick shots of an Eastern Kingbird and then my daughter spotted a dark patch just above ground level, hidden in the bushes. It turned out to be an Eastern Kingbird's nest, with what looked like three large babies in it. No idea how she caught sight of this, but it was a treat to see.
Soon after this, we stopped to photograph a beautiful red barn and then stopped again to photograph a Western Kingbird. This is not a bird I normally see, so i was very happy to catch sight of this one.
A short drive further, we spotted a shorebird standing on a fence post - and then a second one a few posts away. At first, we thought maybe they were Wilson's Snipe, but then realized that they were something different - two beautiful Upland Sandpipers. I had seen one a number of years ago, but it was too far away for a photo. These are uncommon in Alberta.
It was a pretty good day for hawks, too - so much so, that I got a gentle reminder from my daughter that I didn't need to photograph EVERY hawk we saw, lol. We had other places and other things that we wanted to get to.
As well as birds and beautiful scenery, we saw several old barns, including a special small shed/granary. Each year, the farmer allows the graduating class from the local high school to decorate this old building in any way they wish. A fun idea and it certainly adds a splash of colour. I was absolutely fascinated to read a little bit of history from someone who was a contact of mine on Flickr two or three years ago. Her Grandmother was apparently born in this house/shed. It was later converted to a granary and now, of course, has become the canvas for local students.
One of our main goals was to visit the old grain elevator at Sharples. I had wanted to visit there for quite a while and finally, we made it. Unfortunately, the elevator and nearby barn were in shadow, but it was great to see both old structures. We also passed another old elevator when we were driving along the road north of the river, on the way to Drumheller. This, needless to say, meant another stop for photos.
A great day of fun, seeing and photographing such a variety of things. Beautiful weather and, best of all, a day spent with my daughter. Thanks so much, Rachel - glad you felt up to a day out, but sorry you got so many mosquito bites!
Do you know the characteristics of Rhinos? Read about them at www.facebook.com/natureworldadventures
Friends i am back to share with you the wonders of nature. Credit goes to CovBoy2007 for sponsoring FlickrPro. With this, nature is able to reach so many people in different groups. Check out his profile www.flickr.com/photos/8582725@N05/
Lets conserve and protect nature for future generation. You can also reach out to my channel to support nature by watching and subscribing to my videos. www.youtube.com/c/natureworldadventures
The Ohio River rose and washed out part of the new dam and closed the Old Lawrenceburg Road that crosses the area. Great for hiking and Great Blue Heron sighting though. The contractor has started repairing the dam.
Conserved as part of Centre for Addiction and Mental Health (CAMH) campus
www.blogto.com/city/2011/04/nostalgia_tripping_provincial...
localwiki.org/toronto/Asylum_Wall
www.camh.ca/en/driving-change/building-the-mental-health-...
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Nikon Coolpix 4500
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L'original de ce tableau est conservé au Museu Nacional de Arte Antiga à Lisbonne.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the Museu Nacional de Arte Antiga in Lisbonne.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
...Bien conservée et peu connue, cette place forte de la région est apparue au XIe siècle. À l’époque, toutes les portes des villes alentour tournées en sa direction héritent de son nom, jusqu’à Bordeaux où le quartier de Benauge existe toujours...
L'original de ce tableau est conservé à l'académie des Beaux-Aers de Vienne.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the academy of arts in Vienne.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
Une plante énorme de Philodendron verrucosum dans son habitat natural de forêt de brouillard super conservé, á la meilleure heure pour la lumiere, et le résultat est: un petit paradis qui vous nourrit l'âme et vous remplit d'émotion pour un bon moment ! Département du Valle del Cauca, Colombie.
A huge Philodendron verrucosum plant in its very well conserved cloud forest natural habitat, at the best time for light, and the result is: a small paradise that feeds your soul and fills you with emotion for a long moment ! Valle del Cauca department, Colombia.
Una planta enorme de Philodendron verrucosum en su habitat natural de bosque de niebla super conservado, a la mejor hora para la luz y el resulta es: un paraiso terrenal que le nutre el alma y lo llena de emoción para un buen rato ! Departamento del Valle del Cauca, Colombia.
INJURED EAGLE FLYING ONCE AGAIN
October 23rd, 2018
…thanks to help from some friends.
By: Larissa Smith, CWF Biologist
www.conservewildlifenj.org/blog/2018/10/23/injured-eagle-...
10/18/2018 - Braveheart’s Big Day - It was touch and go for awhile, but after 8 weeks of intensive medical treatment and rehab at The Raptor Trust of NJ, Braveheart was banded early this morning in preparation for his release. Many thanks to the good folks at The Raptor Trust, NJDEP Endangered & Nongame Species Program, Conserve Wildlife Foundation NJ, and Jon Palombi for all their hard work. Braveheart was released this morning in Monmouth County. Go Braveheart!!!
NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
L'original de ce tableau est conservé au musée des Beaux Arts de Gand, au Museo Lázaro Galdiano à Madrid, à la Gemäldegalerie à Berlin
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in musée des Beaux Arts de Gand, in Museo Lázaro Galdiano in Madrid, in the Gemäldegalerie in Berlin.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
A conserved area of traditional houses. These houses are occupied by bars, restaurants, and offices of small professional business.
You can read more about this pair of American Bald Eagles at Conserve Wildlife Foundation of New Jersey www.conservewildlifenj.org/blog/2017/11/20/w34-a-ny-bande...
SPOTLIGHT ON THE BALD EAGLE’S ALL-AMERICAN COMEBACK IN NEW JERSEY
by Lindsay McNamara, Communications Manager
June 20th 2016
In 1985 — just 31 years ago — a single bald eagle nest remained in the state of New Jersey. In 2015, CWF and partners monitored 161 nests throughout the Garden State. Just this year (as of June 20, 2016), over 50 young eagles have already fledged from their nests! What sparked this All-American comeback of the United States’ National Bird?
DDT use was banned in the United States in 1972. That ban combined with restoration efforts by biologists within the NJ Division of Fish and Wildlife’s Endangered and Nongame Species Program (ENSP) resulted in 25 bald eagle pairs by 2000.
In 2017 the number of New Jersey active bald eagle pairs was 170.
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
New Jersey Bald Eagle Project Report | 2016
New Jersey Bald Eagle Project Report | 2016 may be downloaded here: docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYX...
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
well conserved celtic village built in a strategic location, where people lived between the 1st century B.C. and the 2nd century A.D.
Conserved archaeological site consisting of a Paeonian city that was later conquered by Macedonians.
INJURED EAGLE FLYING ONCE AGAIN
October 23rd, 2018
…thanks to help from some friends.
By: Larissa Smith, CWF Biologist
www.conservewildlifenj.org/blog/2018/10/23/injured-eagle-...
10/18/2018 - Braveheart’s Big Day - It was touch and go for awhile, but after 8 weeks of intensive medical treatment and rehab at The Raptor Trust of NJ, Braveheart was banded early this morning in preparation for his release. Many thanks to the good folks at The Raptor Trust, NJDEP Endangered & Nongame Species Program, Conserve Wildlife Foundation NJ, and Jon Palombi for all their hard work. Braveheart was released this morning in Monmouth County. Go Braveheart!!!
NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
Bayside Parklands' central section of foreshore parks beside Moreton Bay connects the mangroves in the north with the southern bushland and creeks. Moreton Bay Marine Park begins at the high watermark. These foreshore parks conserve some of the Bay's remaining coastal habitats and provide many waterside recreational opportunities. Many migratory wading birds and shorebirds visit Moreton Bay each summer. The migratory birds are protected under the JAMBA (Japan-Australia Migratory Bird Agreements) and CAMBA (China-Australia Migratory Bird Agreements) international conservation agreements.
Mangroves firing the Parklands northern shores and the tidal banks of Lota and Tingalpa Creeks in the south. Fish, prawns, and crabs spawn and shelter in the mangroves. These marine nurseries form the ecological basis of Moreton Bay's commercial and recreational fishery. Each hectare of mangroves is estimated to produce over $8000 of marketable fish alone each year. The mangroves shelter and an amazing variety of birds. Ibis, spoonbills, and egrets feed on tiny plants and animals in the mud. Insect-eating birds - gerygones, flycatchers, and whistles feed in the mangrove branches.
The southern bushlands connect wildlife corridors along Lota and Tingalpa Creeks. These bushland are important fauna and flora habitats protecting a number of rare and endangered species. Powerful Owls have been seen here. Lota Creek opens into melaleuca swamps and freshwater lagoons before emptying into Moreton Bay. These creeks are habitats abound with wildlife sheltering frogs, lizards, birds of prey, wallabies, and wading birds. The southernmost bushlands are open forests with woodlands and coastal ??? and are a known habitat for koalas. In late winter and spring the heath wildflowers burst into bloom.
Source: Queensland Government, Queensland Parks And Wildlife Services.
Bayside Parklands' central section of foreshore parks beside Moreton Bay connects the mangroves in the north with the southern bushland and creeks. Moreton Bay Marine Park begins at the high watermark. These foreshore parks conserve some of the Bay's remaining coastal habitats and provide many waterside recreational opportunities. Many migratory wading birds and shorebirds visit Moreton Bay each summer. The migratory birds are protected under the JAMBA (Japan-Australia Migratory Bird Agreements) and CAMBA (China-Australia Migratory Bird Agreements) international conservation agreements.
Mangroves firing the Parklands northern shores and the tidal banks of Lota and Tingalpa Creeks in the south. Fish, prawns, and crabs spawn and shelter in the mangroves. These marine nurseries form the ecological basis of Moreton Bay's commercial and recreational fishery. Each hectare of mangroves is estimated to produce over $8000 of marketable fish alone each year. The mangroves shelter and an amazing variety of birds. Ibis, spoonbills, and egrets feed on tiny plants and animals in the mud. Insect-eating birds - gerygones, flycatchers, and whistles feed in the mangrove branches.
The southern bushlands connect wildlife corridors along Lota and Tingalpa Creeks. These bushland are important fauna and flora habitats protecting a number of rare and endangered species. Powerful Owls have been seen here. Lota Creek opens into melaleuca swamps and freshwater lagoons before emptying into Moreton Bay. These creeks are habitats abound with wildlife sheltering frogs, lizards, birds of prey, wallabies, and wading birds. The southernmost bushlands are open forests with woodlands and coastal ??? and are a known habitat for koalas. In late winter and spring the heath wildflowers burst into bloom.
Source: Queensland Government, Queensland Parks And Wildlife Services.
for just 'One' Hour we 'All' can make a difference in conserving Energy & in turn help Mother-Earth !~ Turn off the TV, the computer, the Lights......Light a candle....it All counts !
'Earth Hour'
March 31st 8:30pm - 9:30pm
VERSION 2 ...........
à suivre
Le Théâtre Antique d'Orange est le théâtre romain
le mieux conservé en occident, classé au patrimoine mondial de l'UNESCO. Edifié sous l'empereur Auguste au Ier siècle de notre ère. Son mur de scène (37 mètres de haut sur 103 mètres de long), est l'un des mieux conservés du monde romain, et place le monument parmi les plus grands témoignages de toute la Rome Antique. Le théâtre occupait une place centrale dans la cité et la vie de ses habitants qui y passaient une grande partie de leur temps libre. Pour le pouvoir romain, le théâtre était un moyen de diffusion de la culture latine auprès des populations colonisées mais aussi un prétexte pour les éloigner de toute préoccupation politique. Véritables divertissements, les spectacles duraient toute la journée. Les Romains, peu passionnés par les tragédies grecques dont s'inspiraient au début les auteurs latins, préféraient un répertoire plus léger : dell'Arte. Les mimes, pantomimes, récitals de poésie, et surtout l'attelane, farce assez proche de la Commedia public populaire voulait avant tout du sensationnel : la mise en scène devint donc prédominante avec le développement de la machinerie. Le théâtre, gratuit, était accessible à tous et était le seul endroit public où l'on pouvait côtoyer les femmes. En revanche, la circulation dans les couloirs et les galeries était conçue de telle sorte que les spectateurs de statut social différent ne se mélangent pas. Aujourd'hui, le Théatre Antique d'Orange est un lieu culturel où des événements tels que le théâtre, l'opéra ou des concerts sont proposés. Sa capacité d'accueil est importante avec 9000 places réservées aux spectateurs.
The Roman Theater of Orange is the Roman theater
the best preserved in the West, a UNESCO World Heritage Site. Built under the Emperor Augustus in the first century of our era. Its stage wall (37 meters high and 103 meters long), is one of the best preserved in the Roman world, and places the monument among the greatest testimonies of all the ancient Rome. The theater occupied a central place in the city and the life of its inhabitants, who spent a great deal of their free time there. For the Roman power, the theater was a means of spreading the Latin culture to the colonized populations but also a pretext to remove them from any political concern. True entertainment, the shows lasted all day. The Romans, unenthusiastic about the Greek tragedies that initially inspired Latin authors, preferred a lighter repertoire: dell'Arte. The mimes, pantomimes, recitals of poetry, and especially the attelane, a prank close enough to the Commedia public popular wanted above all the sensational: the staging became predominant with the development of the machinery. The theater, free, was accessible to all and was the only public place where women could be seen. On the other hand, traffic in corridors and galleries was designed in such a way that spectators of different social status did not mix. Today, the Antique Theater of Orange is a cultural venue where events such as theater, opera or concerts are offered. Its capacity is important with 9000 seats reserved for spectators.
El teatro romano de naranja es el teatro romano.
El mejor conservado de Occidente, declarado Patrimonio de la Humanidad por la UNESCO. Construido bajo el emperador Augusto en el primer siglo de nuestra era. Su muro escénico (37 metros de altura y 103 metros de largo), es uno de los mejor conservados del mundo romano, y coloca el monumento entre los testimonios más grandes de toda la antigua Roma. El teatro ocupó un lugar central en la ciudad y en la vida de sus habitantes, quienes pasaron gran parte de su tiempo libre allí. Para el poder romano, el teatro era un medio para difundir la cultura latina a las poblaciones colonizadas, pero también un pretexto para alejarlos de cualquier preocupación política. El verdadero entretenimiento, los espectáculos duraron todo el día. Los romanos, poco entusiastas con respecto a las tragedias griegas que inicialmente inspiraron a los autores latinos, preferían un repertorio más ligero: dell'Arte. Los mimos, las pantomimas, los recitales de poesía y, especialmente, el attelano, una broma lo bastante cercana a la gente de la comedia popular, sobre todo sensacional: la puesta en escena se hizo predominante con el desarrollo de la maquinaria. El teatro, gratuito, era accesible para todos y era el único lugar público donde se podía ver a las mujeres. Por otro lado, el tráfico en los pasillos y galerías fue diseñado de tal manera que los espectadores de diferente estatus social no se mezclaron. Hoy en día, el Antique Theatre of Orange es un lugar cultural donde se ofrecen eventos como teatro, ópera o conciertos. Su capacidad es importante con 9000 asientos reservados para espectadores.
statue de l'empereur Auguste au théâtre antique d'Orange, le théâtre antique d'Orange, site du patrimoine mondial de l'UNESCO, Orange, France
Wall is conserved as part of Centre for Addiction and Mental Health (CAMH) campus
en.wikipedia.org/wiki/Centre_for_Addiction_and_Mental_Health
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SLR Magic 8mm 1:4 rectilinear ultra-wide-angle manual-focus lens
P9290811 Anx2 Q90 1400h
🇫🇷 L’église de Notre-Dame des Roches
L’église conserve. 68 peintures léguées par Tripo Kokolja, un éminent artiste du XVIIe siècle originaire de Perast, Parmi les fresques les plus émouvantes,
¤ la représentation de Jacinta Kunic de Perast. Une légende dit que le tableau a été tissé par une femme avec des fils d’argent et d’or et de ses propres cheveux….durant 25 ans
¤un autel en marbre datant de 1796 et portant la signature d’un sculpteur de Gênes, Antonio Kapelano.
¤ L'icône de la Madone et de son enfant, accrochée au-dessus de l'autel, est l'oeuvre de Lovro Marinov Dobricevic, un peintre du XVe siècle originaire de Kotor au milieu du XVe siècle
Dans la partie musée, il y a une exposition de divers objets récupérés dans la baie au fil des années, dont de nombreuses pièces archéologiques datant de la période romaine.
🇬🇧 The church of Notre-Dame des Roches
The church preserves. 68 paintings bequeathed by Tripo Kokolja, an eminent 17th-century artist from Perast, Among the most moving frescoes,
¤ the representation of Jacinta Kunic from Perast. Legend has it that the painting was woven by a woman with silver and gold threads and her own hair....during 25 years.
¤a marble altar dating from 1796 and bearing the signature of a sculptor from Genoa, Antonio Kapelano.
¤ The icon of the Madonna and her child, which hangs above the altar, is the work of Lovro Marinov Dobricevic, a 15th-century painter who came from Kotor in the mid-15th century.
In the museum section, there is an exhibition of various objects recovered from the bay over the years, including numerous archaeological finds dating back to the Roman period.
🇮🇹 La chiesa di Notre-Dame des Roches
La chiesa conserva. 68 dipinti lasciati in eredità da Tripo Kokolja, eminente artista di Perast del XVII secolo, Tra gli affreschi più toccanti,
¤ la rappresentazione di Giacinta Kunic di Perast. La leggenda narra che il dipinto sia stato tessuto da una donna con fili d'argento e d'oro e con i suoi stessi capelli.... durante 25 anni.
un altare in marmo del 1796 che porta la firma di uno scultore genovese, Antonio Kapelano.
L'icona della Madonna con il bambino, appesa sopra l'altare, è opera di Lovro Marinov Dobricevic, un pittore del XV secolo proveniente da Cattaro a metà del XV secolo.
Nella sezione del museo sono esposti vari oggetti recuperati dalla baia nel corso degli anni, tra cui numerosi reperti archeologici risalenti all'epoca romana.
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
Le Trinkhall Museum, (anciennement Madmusée pour « Musée d'art différencié ») est un musée liégeois fondé en 1998 qui est situé dans le parc d'Avroy à Liège. Le musée conserve et expose des œuvres réalisées par des artistes porteurs d'un handicap mental, de maladie mentale ou de fragilité psychique, en contexte d'atelier. S'inscrivant à l'avant-scène du paysage culturel liégeois, il entend développer de nombreuses collaborations avec les différents acteurs de la vie artistique, sociale et culturelle, à Liège et bien au-delà des frontières de la ville. L'ouverture du Trinkhall est l'aboutissement d'un projet qui a mis plus de dix ans à se concrétiser. Il émane du Créahm qui, depuis quarante ans, défend dans une perspective qui reste profondément novatrice et engagée l'expression artistique des personnes porteuses d'un handicap mental.
Réalisé par le bureau d’architecture Beguin-Massart, le bâtiment, recouvert d’une résille opaline aux contours doucement arrondis, se dépose comme une lanterne au cœur de la ville. Il est l’aboutissement d’une réflexion où les architectes ont su rencontrer la poétique du lieu, son histoire, sa beauté, et toutes les exigences fonctionnelles d’un musée d’aujourd’hui. Avec plus de 600 m2 de surface d’exposition, un espace librairie, un centre de documentation, un espace de rencontre et d’activités pédagogiques et tous les locaux techniques nécessaires à la conservation des oeuvres, le Trinkhall s’inscrit dans une nouvelle dynamique. Son café-restaurant, ouvrant largement sa terrasse sur le parc d’Avroy, reste librement accessible au public et renforce la dimension d’échange et de sociabilité qui caractérise le lieu depuis le XIXe siècle.
The Trinkhall Museum, (formerly Madmusée for “Musée d'art differentié”) is a Liège museum founded in 1998 which is located in the Avroy park in Liège. The museum preserves and exhibits works by artists with mental disabilities, mental illness or psychic fragility, in the context of a workshop. The Trinkhall Museum, (formerly Madmusée) is a Liège museum founded in 1998 which is located in the Avroy park in Liège. The museum preserves and exhibits works by artists with mental disabilities, mental illness or psychic fragility, in the context of a workshop. Being at the forefront of the cultural landscape of Liège, it intends to develop numerous collaborations with the various actors of artistic, social and cultural life, in Liège and well beyond the borders of the city. The opening of Trinkhall is the culmination of a project that took more than ten years to materialize. It emanates from Créahm which, for forty years, defends in a perspective which remains deeply innovative and committed the artistic expression of people with a mental handicap.
Designed by the Beguin-Massart architectural firm, the building, covered with an opaline mesh with gently rounded contours, sits like a lantern in the heart of the city. It is the result of a reflection in which the architects have been able to meet the poetics of the place, its history, its beauty, and all the functional requirements of a museum today. With more than 600 m2 of exhibition space, a bookstore space, a documentation center, a meeting space and educational activities and all the technical rooms necessary for the conservation of works, the Trinkhall is part of a new dynamic . Its café-restaurant, widely opening its terrace onto Avroy Park, remains freely accessible to the public and reinforces the dimension of exchange and sociability that has characterized the place since the 19th century.
Le Théâtre Antique d'Orange est le théâtre romain
le mieux conservé en occident, classé au patrimoine mondial de l'UNESCO. Edifié sous l'empereur Auguste au Ier siècle de notre ère. Son mur de scène (37 mètres de haut sur 103 mètres de long), est l'un des mieux conservés du monde romain, et place le monument parmi les plus grands témoignages de toute la Rome Antique. Le théâtre occupait une place centrale dans la cité et la vie de ses habitants qui y passaient une grande partie de leur temps libre. Pour le pouvoir romain, le théâtre était un moyen de diffusion de la culture latine auprès des populations colonisées mais aussi un prétexte pour les éloigner de toute préoccupation politique. Véritables divertissements, les spectacles duraient toute la journée. Les Romains, peu passionnés par les tragédies grecques dont s'inspiraient au début les auteurs latins, préféraient un répertoire plus léger : dell'Arte. Les mimes, pantomimes, récitals de poésie, et surtout l'attelane, farce assez proche de la Commedia public populaire voulait avant tout du sensationnel : la mise en scène devint donc prédominante avec le développement de la machinerie. Le théâtre, gratuit, était accessible à tous et était le seul endroit public où l'on pouvait côtoyer les femmes. En revanche, la circulation dans les couloirs et les galeries était conçue de telle sorte que les spectateurs de statut social différent ne se mélangent pas. Aujourd'hui, le Théatre Antique d'Orange est un lieu culturel où des événements tels que le théâtre, l'opéra ou des concerts sont proposés. Sa capacité d'accueil est importante avec 9000 places réservées aux spectateurs.
The Roman Theater of Orange is the Roman theater
the best preserved in the West, a UNESCO World Heritage Site. Built under the Emperor Augustus in the first century of our era. Its stage wall (37 meters high and 103 meters long), is one of the best preserved in the Roman world, and places the monument among the greatest testimonies of all the ancient Rome. The theater occupied a central place in the city and the life of its inhabitants, who spent a great deal of their free time there. For the Roman power, the theater was a means of spreading the Latin culture to the colonized populations but also a pretext to remove them from any political concern. True entertainment, the shows lasted all day. The Romans, unenthusiastic about the Greek tragedies that initially inspired Latin authors, preferred a lighter repertoire: dell'Arte. The mimes, pantomimes, recitals of poetry, and especially the attelane, a prank close enough to the Commedia public popular wanted above all the sensational: the staging became predominant with the development of the machinery. The theater, free, was accessible to all and was the only public place where women could be seen. On the other hand, traffic in corridors and galleries was designed in such a way that spectators of different social status did not mix. Today, the Antique Theater of Orange is a cultural venue where events such as theater, opera or concerts are offered. Its capacity is important with 9000 seats reserved for spectators.
El teatro romano de naranja es el teatro romano.
El mejor conservado de Occidente, declarado Patrimonio de la Humanidad por la UNESCO. Construido bajo el emperador Augusto en el primer siglo de nuestra era. Su muro escénico (37 metros de altura y 103 metros de largo), es uno de los mejor conservados del mundo romano, y coloca el monumento entre los testimonios más grandes de toda la antigua Roma. El teatro ocupó un lugar central en la ciudad y en la vida de sus habitantes, quienes pasaron gran parte de su tiempo libre allí. Para el poder romano, el teatro era un medio para difundir la cultura latina a las poblaciones colonizadas, pero también un pretexto para alejarlos de cualquier preocupación política. El verdadero entretenimiento, los espectáculos duraron todo el día. Los romanos, poco entusiastas con respecto a las tragedias griegas que inicialmente inspiraron a los autores latinos, preferían un repertorio más ligero: dell'Arte. Los mimos, las pantomimas, los recitales de poesía y, especialmente, el attelano, una broma lo bastante cercana a la gente de la comedia popular, sobre todo sensacional: la puesta en escena se hizo predominante con el desarrollo de la maquinaria. El teatro, gratuito, era accesible para todos y era el único lugar público donde se podía ver a las mujeres. Por otro lado, el tráfico en los pasillos y galerías fue diseñado de tal manera que los espectadores de diferente estatus social no se mezclaron. Hoy en día, el Antique Theatre of Orange es un lugar cultural donde se ofrecen eventos como teatro, ópera o conciertos. Su capacidad es importante con 9000 asientos reservados para espectadores.
La beauté de la nature conservée est imbattable ! Dans chaque recoin il est possible de rencontrer des espèces prêtes á nous surprendre, comme cet Epidendrum escobarianum, lequel est endémique (exclusif) de Colombie. Observé in situ durant un tour de 11 jours que je viens de guider. dans les départements du Valle del Cauca et du Cauca.
Beauty and perfection of conserved nature is unbeatable ! In any corner you can find impressive species ready to astonish you, like this Epidendrum escobarianum, which is endemic (exclusive) from Colombia. Seen in situ during an 11 days tour I just guided in Valle del Cauca and Cauca departments.
La belleza de la naturaleza conservada es imbatible ! En cualquier rincón se puede encontrar especies listas para sorprender nos, como este Epidendrum escobarianum, el cual es endémico (exclusivo) de Colombia. Observado in situ durante un tour de 11 días que acabo de guiar en los departamentos del Valle del Cauca y del Cauca.