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One would also save on the cost of dryer sheets as well as not having to have to clean the lint screen. Static shock, which was always a good laugh for me was probably non existent.
Long Island Fair 2008
Old Bethpage,NY
The mansion was built by Sir Edward Culpeper in 1590. It originally formed a complete courtyard prior to being altered various times, and currently has an E-shaped plan. Wakehurst was bought in 1694 by Dennis Lyddell, comptroller of the Royal Navy treasurer's accounts and briefly MP for Harwich. His son Richard Liddell, Chief Secretary for Ireland and MP for Bossiney, was obliged by financial pressure to pass the estate to his younger brother Charles.
The house was illustrated in Joseph Nash's The Mansions of England in the Olden Time (1839–49).
The gardens were largely created by Gerald Loder (later Lord Wakehurst) who purchased the estate in 1903 and spent 33 years developing the gardens. He was succeeded by Sir Henry Price, under whose care the Loder plantings matured. Sir Henry left Wakehurst to the nation in 1963 and the Royal Botanic Gardens took up a lease from the National Trust in 1965.
In 1887, American architect Dudley Newton completed a replica of Wakehurst in Newport, Rhode Island, for sportsman and politician James J. Van Alen from plans designed by Charles Eamer Kempe. Salve Regina University purchased the mansion from the Van Alen family in 1972.
The Great Storm of 1987 decimated Loder's plantings, toppling 20,000 trees. Since then, Kew has redesigned the gardens to create a walk through the temperate woodlands of the world.
Millennium Seed Bank
The Wellcome Trust Millennium Building, which houses an international seed bank known as the Millennium Seed Bank (run by Kew, not the National Trust), was opened in 2000. The aim of the Millennium Seed Bank is to collect seeds from all of the UK's native flora and conserve seeds from 25% of the world's flora by 2020, in the hope that this will save species from extinction in the wild.
Wakehurst is home to the largest growing Christmas tree in England, a giant redwood. The tree stands 35 m (115 ft) tall and is lit with around 1,800 lights from Advent until Twelfth Night.
(source: Wikipedia)
The Indus river dolphin is listed by the IUCN as endangered on their Red List of Threatened Species and by the U.S. government National Marine Fisheries Service under the U.S. Endangered Species Act. It is the second most endangered cetacean in the world. It is estimated that there are only about 1,200 individuals remaining. However, not a lot is known because this species is not very well studied. There are many threats to their survival. Reckless and extensive fishing that reduces their prey availability is a large factor. Also, they are sometimes accidentally entangled in the fishing nets which can cause fatalities. Deforestation that occurs along the river basin is causing sedimentation which degrades the dolphin's habitat. Another factor in their decline is the construction of cross-river structures such as dams and barrages. These are a problem because they cause more isolation in the already small sub-populations.Lastly, human induced water pollution is a major threat factor. This pollution is usually in the form of either industrial and human waste, or agricultural run-off containing high amounts of chemical fertilizers and poisonous pesticides.Studies suggest that a good understanding of this species ecology is needed in order to develop good conservation plans. Regular monitoring is also a necessity to assess the population's status and factors causing its decline. There are currently a few organizations that are helping to conserve the Indus dolphin. The World Wildlife Fund(WWF) is involved in rescue missions and helping to reduce pollution in the river. In addition, WWF Pakistan is assisting in educating the public. They have even arranged training courses for many institutions. Lastly, CITES (Convention on the International Trade of Endangered Species) prohibits the hunting and trade of many endangered species, including this one. Although these efforts are a start, the Indus River dolphin's future is still uncertain because it's not very well studied
De la chimie qu’il a étudiée dans les années 1970, Tony Cragg conserve une curiosité pour les nouveaux matériaux. Sa sculpture s’élabore alors à partir des débris d’objets en plastique récupérés. Ce matériel ordinaire et hétéroclite est disposé au sol dans un désordre contredit cependant par l’ordonnancement géométrique ou chromatique de la sculpture. Dans ses « empilements », l’artiste anglais échafaude de même un amas d’éléments collectés, qui tiennent pourtant dans les limites strictes d’un volume cubique. Plan de coupe de la société industrielle fossilisée à travers ces reliquats matériels, ce travail a pu être apparenté à une géologie sociale. Il prend une dimension plus sensuelle dès lors que Cragg accentue son travail intrigant de la surface et de la forme. Monumentales, les sculptures s’inspirent de formes organiques ou naturelles et sont réalisées par les techniques traditionnelles du moulage ou du soufflage. Molécules d’ADN, dents, coquillages prêtent leur structure à des pièces qui rendent visible le monde des formes premières et vivantes.
Minster, première version qui date de 1985, relève a priori d’un travail tourné vers la société industrielle puisque les matériaux y sont prélevés. Mais les pneus, les disques dentelés métalliques ou les fuseaux en bois sont empilés dans des colonnes à l’architecture peut-être primitive. Sorte de totems modernes, ces « cercles » réactualiseraient des formes supports de rituels originels. Ils semblent conjoindre et stratifier des âges successifs pour finalement se poser comme les traces contemporaines d’une mémoire sociale.
From the chemistry he studied in the 1970s, Tony Cragg retains a curiosity for new materials. His sculpture is then developed from the debris of recovered plastic objects. This ordinary and heterogeneous material is arranged on the ground in a disorder contradicted by the geometric or chromatic arrangement of the sculpture. In his "piles," the English artist similarly constructs a heap of collected elements, which nevertheless fit within the strict limits of a cubic volume. A cross-section of industrial society fossilized through these material remnants, this work could be compared to social geology. It takes on a more sensual dimension when Cragg accentuates his intriguing work with surface and form. Monumental, the sculptures are inspired by organic or natural forms and are created using traditional molding or blowing techniques. DNA molecules, teeth, and shells lend their structure to pieces that make visible the world of primal, living forms.
Minster, the first version dating from 1985, appears to be a work oriented towards industrial society, since the materials were taken from there. But tires, serrated metal discs, and wooden spindles are stacked in columns of perhaps primitive architecture. A sort of modern totem, these "circles" recreate forms that support original rituals. They seem to combine and stratify successive ages, ultimately emerging as contemporary traces of a social memory.
Sacred groves are tracts of undisturbed forests, conserved from ancient times by indigenous communities influenced by their animistic religious belief and practices. These are rich in bio-diversity of plants and animals, are sources for water, and laid down practices enable the community to exploit its resources only to the extent required - for food, timber and medicinal herbs, for example.
"...The guiding principle behind all these people's forests is the supremacy and control of the community, not only over the forests and the environment, but also over the individual. The community designates a forest area as protected and to enforce the protection, declares it sacred, usually by dedicating it to a deity. In such groves, all forms of vegetation, including shrubs and climbers, belong to the deity. Grazing and hunting are prohibited and only the removal of dead wood is allowed.
Says Madhav Gadgil of the Indian Institute of Science in Bangalore, who has studied sacred groves in Maharashtra for two decades, 'The stronger and more malevolent a deity, the greater its protection.'..."
- www.downtoearth.org.in/coverage/the-spirit-of-the-sanctua...
However, beliefs and practices change - mainly from influences outside the community, a decline of faith in local deities - and in this modern era sacred groves are under as much pressure as are forests to make way for modernisation.
Therefore to visit one that is relatively undisturbed, is somewhat of a novelty.
The Law Lyngdoh -‘forest of the priests’- is a sacred grove at Mawphlang in the state of Meghalaya, India.
It's spread over 75 hectares, and is home to more than 450 species of plants/trees, wild cats, snakes, foxes, toads and frogs, flying squirrels and many birds species. 'Labasa' is the reigning deity here.
Tradition prohibits you from taking anything from outside into the grove, and taking anything from within outside. Any produce of the grove - fruits, nuts, herbs, honey - these are all your's to consume freely, but cannot be taken out of the grove. Violations are severely punished by the diety, by some accounts 'by twisting the head back'.
Conservée par la même famille pendant 900 ans, préservée des pillages durant la Révolution, la forteresse est transmise au XXIe siècle à Jacqueline de Chabannes, qui en hérite de sa grand-mère née Montesquieu.
Décédée sans héritier direct en 2004, la descendante du philosophe et la dernière à avoir habité les lieux - qu'elle ouvrait au public de son vivant pour les journées du patrimoine - décide d'organiser sa succession en assurant juridiquement la postérité de son célèbre ancêtre.
«Elle ne voulait pas que le château serve à des pince-fesses (sic) et qu'il cesse d'être visité», explique José-Louis Desfilis.
L’ancien avocat de Jacqueline de Chabannes l’a donc aidé à construire et penser dans son testament une fondation éponyme, désormais propriétaire du château de la Brède.
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
In an area of several square kilometres, now called the Baptism Archaeological Park, the Jordanian Department of Antiquities has surveyed, excavated and conserved a series of ancient remains.
These include a walled monastery containing at least four churches and chapels, a prayer hall, a sophisticated water reticulation and storage system and three plastered pools. The wall was intended to prevent erosion, rather than protect against attack.
The discoveries include remains of foundations and walls, mosaic floors, fine coloured stone pavements, Corinthian capitals, column drums and bases, and hermits’ cells and caves.
One of the churches appears to have been built around a natural cave containing fresh spring water — possibly the cave that Byzantine pilgrims called “the cave of John the Baptist”.
The development of facilities for pilgrims has been encouraged by the Jordanian royal family. These facilities include a new road from the Dead Sea area, a visitors’ centre, and paths and walkways to the most important religious and archaeological sites.
In 2015 Bethany Beyond the Jordan was designated a World Heritage site.
Cold weather froze the area but little snow accumulated. Stacks from the North Bend Power Plant in Ohio are at the center of this image. Good day for a hike around Jackpot Lake.
Le Mans (Sarthe)
L'enceinte romaine.
C'est aujourd’hui l'enceinte la mieux conservée de tout l'ancien Empire romain, avec celles des capitales impériales, Rome et Byzance.
Longue de 1300 mètres à l'origine, l'enceinte comprenait une trentaine de tours. La teinte de la muraille est due à l'utilisation de briques, de pierres de roussard (grès rouge) et d'un mortier rosâtre.
La construction de l'enceinte s'est certainement étalée du milieu des années 270 au début des années 300. Cette construction s'inscrit probablement dans la campagne de constructions décidées par l'empereur Aurélien. Vindunum (Le Mans) n'est pas la seule cité à se doter d'une enceinte fortifiée à cette époque : Le mur d'Aurélien à Rome a été construit entre 271 et 282. L'Empire sort alors d'une grave crise (politique, militaire et économique) et Aurélien décide de concentrer toutes les administrations de chaque ville de l'Empire dans un castrum où elles seront à l'abri. Le castrum du Mans protégeait l'extrémité du plateau de Sargé qui domine la Sarthe.
La muraille du Mans est une des seules à posséder de telles décorations dont le caractère ostentatoire devait affirmer le prestige impérial, ainsi que celui du pouvoir local, après une période difficile.
Les remparts ne possèdent pas de véritables fondations, ils reposent simplement sur une assise de moellons, de blocs ou de dalles, parfois de pilotis en bois dans les zones humides. On retrouve dans la muraille des fragments de colonnes et frontons provenant de monuments antérieurs ce qui montre que les matériaux de bâtiments plus anciens ont été réemployés.
La muraille fut le seul système défensif de la ville jusqu'au XIVe siècle.
www.ouest-france.fr/pays-de-la-loire/le-mans-la-petite-hi...
www.lemans.fr/dynamique/des-idees-de-visite/les-monuments...
This building conserves most of the decorative elements of Tulum. It has two levels, of which the lower level is comprised of two temples, one within the other, where the decoration is concentrated. The façade of the inner temple is decorated with mural paintings, while that of the outer temple boasts stucco figures in bas-relief, including masks in the corners, sculptures in three niches in the façade – the central one is a representation of the descending god – and human figures intertwined in the frieze. The temple of the upper level is very simple as its decoration consists of red-colored hand prints.
Sant Feliu, Girona.
La iglesia de Sant Feliu es una basílica ubicada en la ciudad de Girona, originaria de los primeros tiempos del cristianismo. Acoge los oficios de la Parroquia Mayor de Sant Feliu del Obispado de Gerona, llamada así porque éste era el templo principal de Gerona antes de la construcción de la catedral. Su construcción, en honor del mártir san Feliu, se alargó desde el siglo XII hasta el XVII y conserva buena parte del edificio románico, completado más tarde con las naves y las cubiertas góticas y la fachada barroca. El atractivo principal está constituido por ocho extraordinarios sarcófagos romanos y paleocristianos de los siglos III y IV, encontrados al construirse la iglesia, junto con el sepulcro gótico de San Narciso.
Eminentemente de estilo gótico, el edificio parte de un esquema románico. Es de planta basilical y tiene tres naves separadas por cuatro arcos formeros de medio punto a cada lado de la nave central, sobre la que corre un triforio. La nave central termina en un gran ábside semicircular románico perforado por altos ventanales góticos que dejan pasar la luz al interior. En cuanto a las naves laterales, la del lado sur contiene dos absidiolos, que no están en el lado norte, ya que desaparecieron al construirse la capilla de San Narciso en el siglo XVIII. El campanario gótico actual sustituyó al antiguo románico y se construyó entre los siglos XIV y XVI, a la izquierda de la portada principal, barroca, situada en la fachada sur. Los otros dos accesos a la colegiata, góticos, se encuentran también en el lado sur y la parte norte.
La mayor parte de los capiteles situados en el ábside, decorados con motivos vegetales o animales, corresponden al desaparecido claustro románico.
The church of Sant Feliu is a basilica located in the city of Girona, originally from the early days of Christianity. It welcomes the offices of the Sant Feliu Parish of the Bishopric of Gerona, so named because this was the main temple of Gerona before the construction of the cathedral. Its construction, in honor of the martyr san Feliu, extended from the XII century Until the XVII and conserves good part of the Romanesque building, completed later with the ships and the gothic covers and the baroque facade. The main attraction consists of eight extraordinary Roman and early Christian sarcophagi of the third and fourth centuries, found when the church was built, together with the Gothic tomb of San Narciso.
Eminently Gothic, the building is part of a Romanesque scheme. It is of basilical plant and has three naves separated by four arches former of half point to each side of the central ship, on which runs a triforio. The central nave ends in a large semicircular Romanesque apse pierced by tall Gothic windows that let the light pass into the interior. As for the lateral ships, the one on the south side contains two absidioles, which are not on the north side, since they disappeared when the chapel of San Narciso was built in the eighteenth century. The present Gothic belfry replaced the old Romanesque and was built between the fourteenth and sixteenth centuries, to the left of the main baroque doorway, located on the south facade. The other two approaches to the collegiate church, Gothic, are also on the south side and the northern part.
Most of the capitals located in the apse, decorated with vegetable or animal motifs, correspond to the disappeared Romanesque cloister.
SN/NC: Solanum lycopersicum, Solanaceae Family
This beautiful plant or vegetable commonly known as a tomato plant, which belongs to the nightshade family, Solanaceae. The species originated in Central and South America. The Nahuatl (Aztec language) word tomatl gave rise to the Spanish word "tomate", from which the English word tomato originates.
Numerous varieties of tomato are widely grown in temperate climates across the world, with greenhouses allowing its production throughout the year and in cooler areas. The plants typically grow to 1–3 meters (3–10 ft) in height and have a weak stem that often sprawls over the ground and vines over other plants. It is a perennial in its native habitat, and grown as an annual in temperate climates. An average common tomato weighs approximately 100 grams (4 oz). Its use as a food originated in Mexico, and spread throughout the world following the Spanish colonization of the Americas. Tomato is consumed in diverse ways, including raw, as an ingredient in many dishes, sauces, salads, and drinks. While tomatoes are botanically berry-type fruits, they are considered culinary vegetables, being ingredients of savory meals.
Es conocido comúnmente como tomate, tomatera o jitomate, es una especie de planta herbácea del género Solanum de la familia Solanaceae; es nativa de Centro y Sudamérica y su uso como comida se habría originado en México hace unos 2500 años. El nombre proviene de la palabra náhuatl tomatl.
Es cultivada en el mundo entero para su consumo tanto fresco como procesado de diferentes modos (salsa, puré, zumo, deshidratado, enlatado).
O tradicional tomate, cultivado no mundo inteiro, originário da América Central e consagrado na Europa pelos italianos em suas deliciosas pastas. Para alguns é um vegetal e outros chegam a dizer que é fruta. Mas acho mesmo que é um legume e pouco importa o título. O que vale mesmo é sua importancia para a culinaria mundial.
Het is algemeen bekend als tomaat, tomaat of tomaat, het is een soort kruidachtige plant van het geslacht Solanum van de Solanaceae-familie; Het komt oorspronkelijk uit Midden- en Zuid-Amerika en het gebruik ervan als voedsel zou ongeveer 2500 jaar geleden in Mexico zijn ontstaan. De naam komt van het Nahuatl-woord tomatl.
Het wordt over de hele wereld gekweekt voor consumptie, zowel vers als op verschillende manieren verwerkt (saus, puree, sap, gedehydrateerd, ingeblikt).
È comunemente noto come pomodoro, pomodoro o pomodoro, è una specie di pianta erbacea del genere Solanum della famiglia delle Solanacee; È originario dell'America centrale e meridionale e si dice che il suo uso come cibo abbia avuto origine in Messico circa 2.500 anni fa. Il nome deriva dalla parola Nahuatl tomatl.
Viene coltivato in tutto il mondo per il consumo, sia fresco che lavorato in vari modi (salsa, purea, succo, disidratato, in scatola).
Es ist allgemein bekannt als Tomate, Tomate oder Tomate, es ist eine Art krautige Pflanze der Gattung Solanum der Familie Solanaceae; Sie ist in Mittel- und Südamerika beheimatet und ihre Verwendung als Nahrungsmittel soll vor etwa 2.500 Jahren in Mexiko entstanden sein. Der Name leitet sich vom Nahuatl-Wort tomatl ab.
Es wird auf der ganzen Welt für den Verzehr angebaut, sowohl frisch als auch auf verschiedene Weise verarbeitet (Sauce, Püree, Saft, dehydriert, in Dosen).
Elle est communément appelée tomate, tomate ou tomate, c'est une sorte de plante herbacée du genre Solanum de la famille des Solanacées ; Il est originaire d'Amérique centrale et d'Amérique du Sud et son utilisation comme aliment serait originaire du Mexique il y a environ 2 500 ans. Le nom vient du mot nahuatl tomatl.
Il est cultivé partout dans le monde pour la consommation, aussi bien frais que transformé de diverses manières (sauce, purée, jus, déshydraté, en conserve).
يُعرف باسم الطماطم أو الطماطم أو الطماطم ، وهو نوع من النباتات العشبية من جنس Solanum من عائلة Solanaceae ؛ موطنها الأصلي أمريكا الوسطى والجنوبية ويقال أن استخدامها كغذاء قد نشأ في المكسيك منذ حوالي 2500 عام. يأتي الاسم من كلمة ناهواتل توماتل.
يزرع في جميع أنحاء العالم للاستهلاك ، طازجًا ومعالجًا بطرق مختلفة (الصلصة ، المهروس ، العصير ، المجفف ، المعلب).
一般にトマト、トマト、またはトマトと呼ばれ、ナス科ナス属の草本植物の一種です。中南米原産で、食用としての利用は約2,500年前にメキシコで始まったと考えられています。名前はナワトル語のトマトルに由来します。
生のものもあれば、さまざまな方法で加工されたもの（ソース、ピューレ、ジュース、乾燥、缶詰）も含めて、世界中で消費用に栽培されています。
...bathe with a friend! 8-)
The house sparrows were very busy yesterday taking baths in the birdbath Leo likes to drink out of.........you know what they say.........while the cat's away...........
Perhaps this will make the water taste extra yummy.....nothing like a little essence of feathers to flavor things up a little!.
On cold mornings butterflies conserve energy by hanging on plants until the day warms up.
Butterflies reproduce the way other animals do -- sperm from a male fertilizes eggs from a female. Males and females of the same species recognize one another by the size, color, shape and vein structure of the wings, all of which are species specific. Butterflies also recognize each other through pheromones or scents. During mating, males use clasping organs on their abdomens to grasp females.
Many male butterflies deliver more than just sperm to their mates. Most provide a spermatophore, a package of sperm and nutrients the female needs to produce and lay eggs. Some males collect specific nutrients to produce a better spermatophore in an attempt to attract a mate. Some females, however, don't have a choice -- in some species, males mate with females before they have left their chrysalis or swarm the chrysalis waiting for the female to appear. In most species, males and females look a lot a like, but females often have larger abdomens for carrying their eggs.
Females store the sperm in a sac called a bursa until she's ready to lay her eggs. She fertilizes her eggs as she lays them, using the last sperm she received first. For this reason, males of some species will leave a substance that dries into a film on the female's abdomen in an effort to keep her from mating with other males. Females lay their eggs one at a time or in batches of hundreds depending on their species.
A butterfly has to take special care when laying eggs. The eggs must be kept warm and at the right humidity level. Too much moisture and the egg will rot or be attacked by fungus. Too little and the egg will dry out. Caterpillars also need to start eating as soon as they hatch, so most of the time females place the eggs directly onto a plant the caterpillar will eat. Typically, the eggs attach to the underside of a leaf so they are hidden from predators.
In spite of all the effort female butterflies make to protect their eggs, very few make it to adulthood. Ants, birds and other animals can eat the eggs themselves. Also caterpillars and butterflies are popular snacks for everything from birds to bats. Some insects also lurk in or around flowers to prey on adult butterflies. A butterfly's chrysalis also has few defenses from predators and, at all stages of life, a butterfly can succumb to fungi and diseases.
Parides iphidamas is commonly known as the Iphidamas Cattleheart and the Transandean Cattleheart.
Wings of the Tropics, Fairchild Tropical Botanic Garden, Miami FL
L'original de ce tableau est conservé au musée du Prado à Madrid.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the museum of Prado in Madrid.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
Conserve water!
Explore!
Taken from my archives. :P Just needed to post something. :D This might be gone by tomorrow. Haha! I really have a hand thing, don't I? Lol!
*Scratch that. I guess I'll keep it. :P :D
🇫🇷 1er arrêt : site de Termesos
Termessos est une cité antique dont les ruines actuelles, relativement bien conservées, sont à 34 km au nord-ouest d'Antalya. située en altitude (1 050 m) au fond d'une gorge qui se termine par un petit plateau coincé entre deux sommets .
Le site de Termessos a connu une occupation très ancienne, citée par Homère dans l'Iliade. La ville semble donc déjà exister bien avant l'an 1000 avant JC, elle faisait alors partie de l'empire Hittite.
Termessos passera ensuite sous influence des Phrygiens, des Lydiens puis des Perses. Cette cité réputée combative, bien protégée par son environnement, résiste ainsi à Alexandre le Grand qui tente en vain de conquérir la ville en 334 avant JC.
A la mort d'Alexandre le Grand, Termessos tombe sous la coupe de l'un de ses généraux, la ville bien que restant très indépendante s'hellénise progressivement.
🇬🇧 1st stop: Termessos is an ancient city whose relatively well-preserved ruins lie 34km north-west of Antalya. It lies at an altitude of 1,050m at the bottom of a gorge that ends in a small plateau wedged between two peaks.
The site of Termessos was inhabited very long ago, as mentioned by Homer in the Iliad. The city seems to have existed long before 1000 BC, when it was part of the Hittite Empire.
Termessos then came under the influence of the Phrygians, Lydians and Persians. With its reputation for fighting spirit and well-protected environment, Termessos was able to resist Alexander the Great's unsuccessful attempt to conquer the city in 334 BC.
After the death of Alexander the Great, Termessos fell under the control of one of his generals, and although it remained very independent, it gradually became Hellenised.
🇩🇪 1. Station: Termessos ist eine antike Stadt, deren heutige, relativ gut erhaltene Ruinen 34 km nordwestlich von Antalya liegen. Sie liegt hoch (1050 m) am Ende einer Schlucht, die in einem kleinen Plateau zwischen zwei Gipfeln endet.
Termessos war schon sehr früh besiedelt und wurde von Homer in der Ilias erwähnt. Die Stadt scheint schon lange vor 1000 v. Chr. bestanden zu haben und gehörte damals zum Reich der Hethiter.
Später geriet Termessos unter den Einfluss der Phryger, der Lyder und schließlich der Perser. Die Stadt galt als kämpferisch und war durch ihre Umgebung gut geschützt. So widerstand sie auch Alexander dem Großen, der 334 v. Chr. vergeblich versuchte, die Stadt zu erobern.
Nach dem Tod Alexanders des Großen fiel Termessos unter die Herrschaft eines seiner Generäle, und die Stadt behielt zwar ihre Unabhängigkeit, wurde aber nach und nach hellenisiert.
🇪🇸 1.ª parada: Termessos es una antigua ciudad cuyas ruinas, relativamente bien conservadas, se encuentran a 34 km al noroeste de Antalya, a 1050 m de altitud, en el fondo de un desfiladero que termina en una pequeña meseta encajonada entre dos picos.
El emplazamiento de Termessos estuvo ocupado desde tiempos antiguos, como menciona Homero en la Ilíada. La ciudad parece haber existido mucho antes del año 1000 a. C., cuando formaba parte del Imperio hitita.
Posteriormente, cayó bajo la influencia de los frigios, lidios y persas. Gracias a su reputación de espíritu combativo y a su entorno bien protegido, Termessos pudo resistir el intento infructuoso de Alejandro Magno de conquistarla en el 334 a. C.
Tras la muerte de Alejandro Magno, la ciudad pasó a estar bajo el control de uno de sus generales y, aunque siguió siendo muy independiente, poco a poco se fue helenizando.
🇮🇹 1a tappa: Termessos è un'antica città le cui rovine, relativamente ben conservate, si trovano a 34 km a nord-ovest di Antalya, a 1.050 m di altitudine, in fondo a una gola che termina su un piccolo altopiano incuneato tra due cime.
Il sito di Termessos fu occupato molto tempo fa, come ricorda Omero nell'Iliade. La città sembra sia esistita ben prima del 1000 a.C., quando faceva parte dell'impero ittita.
Successivamente, passò sotto l'influenza dei Frigi, dei Lidi e dei Persiani. Grazie alla sua reputazione di città dallo spirito combattivo e al suo ambiente ben protetto, Termessos riuscì a resistere al tentativo fallito di Alessandro Magno di conquistarla nel 334 a.C.
Alla morte di Alessandro Magno, Termessos passò sotto il controllo di uno dei suoi generali e, sebbene la città rimase molto indipendente, si ellenizzò gradualmente.
Translated by Deepl
I found this baby field mouse shivering in the middle of a path. Too young to have left the nest already, with his eyes till not open, it looks like he's hugging himself to conserve heat - but he's really washing his whiskers and this is one of the movements involved in doing so.
I popped him into cover in the hope that his mummy might find him, rather than a kestrel or grass snake!
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
Site préhistorique de Filitosa - Les hommes de pierre
L’histoire de la Corse a commencé bien avant Napoléon ! Il y a plus de 8 000 ans, les hommes vivaient déjà sur l’Île de Beauté, 8000 ans que Filitosa garde jalousement ses statues-menhirs, ses monuments circulaires (les « Torre ») et ses mystères…
Véritable musée à ciel ouvert, Filitosa conserve les traces d’une très longue occupation, s’étalant du VIème millénaire avant notre ère jusqu’à l’occupation romaine. Au IIème millénaire av. J.C, les tailleurs de pierre et les sculpteurs mégalithiques feront de Filitosa le plus grand centre de l’art statuaire corse. Ce site exceptionnel situé au cœur d’un espace naturel remarquable a été découvert en 1946 par Charles-Antoine Cesari et fouillé 20 ans durant, par l’archéologue et chercheur au CNRS, Roger Grosjean. Classé Monument Historique, Filitosa est inscrit sur la liste des cent sites historiques d'intérêt commun aux pays de la Méditerranée.
Filitosa prehistoric site - Stone men
The history of Corsica began long before Napoleon ! More than 8,000 years ago, people already lived on the Island of Beauty, 8,000 years that Filitosa jealously guards its statues-menhirs, its circular monuments (the "Torres") and its mysteries ...
A true open-air museum, Filitosa preserves the traces of a very long occupation, stretching from the 6th millennium BC until the Roman occupation. In the 2nd millennium BC. J.C, stonemasons and megalithic sculptors will make Filitosa the greatest center of Corsican statuary art. This exceptional site located in the heart of a remarkable natural space was discovered in 1946 by Charles-Antoine Cesari and excavated for 20 years by archaeologist and CNRS researcher Roger Grosjean. Listed as a Historic Monument, Filitosa is on the list of one hundred historical sites of common interest to Mediterranean countries.
España - Málaga - Ronda - Baños árabes
ENGLISH
This thermal building of the arab time is the best conserved of its kind at the Iberian Peninsula. It is located at the old arab quarter of the city, today called San Miguel Quarter, being the formerly outside quarter of the arab medina (city) of Ronda.
The bahts were built near the Arroyo de las Culebras (snakes' stream), a perfect place in order to be provided of water, which was moved by a waterwheel, in an current perfect conservation state.
The chronology of the Ronda arab bahts starts at the 13th-14th centuries. The bath is divided into three main zones, following the Roman model of thermal buildings:cold water, warm water and hot water bathrooms. The hydraulic system of the thermal bath has arrived to our days almost complete. The central room is the biggest and has got three parts, separated by four pairs of horseshoe arches above bricks and stone columns, which have the function of holding up barrel vaults, with nice skylights forming stars, closed with glass.
The building is surrounded by one wall with blind arches (no light can be seen through them) and has got at its end a tower containing the waterwheel structure. The boiler area is also conserved, where the water was heated, as well as rests of a tannery, which was the main activity of this place after the christian conquest of the city, which meant that the use of the building as thermal baths was neglected.
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ESPAÑOL
Los Baños Arabes de Ronda, de época nazarí (s. XIII-XIV), están situados en la zona de la antigua judería y, a pesar de su extraordinario interés arquitectónico, fueron abandonados (la moral cristiana no permitía ciertas prácticas), y las crecidas del río Guadalevín acabaron sepultándolos. Al encargar la Duquesa de Parcent la construcción de unos jardines en esta zona, aparecieron sus primeros restos, aunque se obviaron hasta que en 1935 el yacimiento fue adquirido por el Estado. Las excavaciones realizadas hasta ahora han permitido rescatar las tres salas de baño (fría, templada y caliente) y las cubiertas con bóvedas de cañón (horadadas por tragaluces en forma de estrella), que se comunican por arcos de medio punto. Se conservan, además, parte de las calderas y de los sistemas de conducción de agua.
Cuentan con la singularidad de conservar completa su estructura, con las diferentes estancias e instalaciones que lo organizaban, siendo los más grandes y mejor conservados de la Península Ibérica. Curiosamente se situaban extramuros de la ciudad, en el Antiguo Arrabal Islámico de la Ciudad, actualmente denominado Barrio de San Miguel en el extraradio de lo que fue en su momento la Medina Musulmana de Ronda. Fueron construidos junto al Arroyo de las Culebras, lugar perfecto para el abastecimiento de agua, que se desplazaba a través de un sistema de noria, perfectamente conservado en la actualidad.
La sala central es la más grande y consta de tres cuerpos, separados mediante cuatro pares de arcos de herradura sobre columnas de ladrillo y piedra, que sostienen bóvedas de cañón (semiesféricas) con bellos tragaluces en forma de estrella cerrados con cristales. El edificio está cercado con un muro de arcos ciegos, que forman el acueducto, y tiene una torre al fondo con una caja de noria. Del mismo modo conserva el área de calderas donde se calentaba el agua, así como restos de las curtidurías, actividad principal en el lugar una vez que se abandonó el uso como baños tras la conquista cristiana de la ciudad.
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre and the Musée des Beaux Arts in Besançon. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a decree of 13 Fructidor year IX (31 August 1801), which was promulgated by the minister of the interior, Jean-Antoine Chaptal (Arrêté Chaptal du 14 fructidor an IX). At the start of the 19th century several medieval buildings (notably the refectory) were demolished and in their place Viollet-le-Duc and his pupil Darcy put up new exhibition galleries, accessed by a Gothic Revival monumental stair offering an interplay of richly complicated vaulting systems. The works continued from 1873 to 1901, when the museum reopened. In effect, Toulouse commissioned Urbain Vitry to ensure remove all the convent's religious characteristics. The archaeologist Alexandre Du Mège occupied the cloister and rebuilt it to be able to house the medieval collections gathered from Toulouse's destroyed religious buildings such as the basilique Saint-Sernin. Today the cloister houses a reconstructed medieval garden. The building was classed as a Monument historique in 1840. en.wikipedia.org/wiki/Musée_des_Augustins
Great Sand Dunes National Park and Preserve
Great Sand Dunes National Park and Preserve is an American national park that conserves an area of large sand dunes up to 750 feet (230 m) tall[5] on the eastern edge of the San Luis Valley, and an adjacent national preserve in the Sangre de Cristo Range, in south-central Colorado, United States.[6] The park was originally designated Great Sand Dunes National Monument on March 17, 1932, by President Herbert Hoover. The original boundaries protected an area of 35,528 acres (55.5 sq mi; 143.8 km2).[2] A boundary change and redesignation as a national park and preserve was authorized on November 22, 2000, and then established on September 24, 2004.[3] The park encompasses 107,342 acres (167.7 sq mi; 434.4 km2) while the preserve protects an additional 41,686 acres (65.1 sq mi; 168.7 km2) for a total of 149,028 acres (232.9 sq mi; 603.1 km2).[1] The recreational visitor total was 527,546 in 2019.[4]
The park contains the tallest sand dunes in North America.[7] The dunes cover an area of about 30 sq mi (78 km2) and are estimated to contain over 1.2 cubic miles (5 billion cubic metres) of sand.[8] Sediments from the surrounding mountains filled the valley over geologic time periods. After lakes within the valley receded, exposed sand was blown by the predominant southwest winds toward the Sangre de Cristos, eventually forming the dunefield over an estimated tens of thousands of years.[9] The four primary components of the Great Sand Dunes system are the mountain watershed, the dunefield, the sand sheet, and the sabkha.[8] Ecosystems within the mountain watershed include alpine tundra, subalpine forests, montane woodlands, and riparian zones.[10]
Evidence of human habitation in the San Luis Valley dates back about 11,000 years. The first historic peoples to inhabit the area were the Southern Ute Tribe; Apaches and Navajo also have cultural connections in the area. In the late 17th century, Diego de Vargas, a Spanish governor of Santa Fe de Nuevo México, became the first European on record to enter the San Luis Valley. Juan Bautista de Anza, Zebulon Pike, John C. Frémont, and John Gunnison all travelled through and explored parts of the region in the 18th and 19th centuries. The explorers were soon followed by settlers who ranched, farmed and mined in the valley starting in the late 19th century. The park was first established as a national monument in 1932 to protect it from gold mining and the potential of a concrete manufacturing business.[11]
Visitors must walk across the wide and shallow Medano Creek to reach the dunes in spring and summer. The creek typically has a peak flow from late May to early June. From July to April, it is usually no more than a few inches deep, if there is any water at all.[12] Hiking is permitted throughout the dunes with the warning that the sand surface temperature may reach 150 °F (66 °C) in summer.[13] Sandboarding and sandsledding are popular activities, both done on specially designed equipment that can be rented just outside the park entrance or in Alamosa.[14] Visitors with street-legal four-wheel drive vehicles may continue past the end of the park's main road to Medano Pass on 22 miles (35 km) of unpaved road, crossing the stream bed of Medano Creek nine times and traversing 4 miles (6.4 km) of deep sand.[15] Hunting is permitted in the preserve in the autumn, but prohibited within national park boundaries at all times.[16] The preserve encompasses nearly all of the mountainous areas north and east of the dunefield, up to the ridgeline of the Sangre de Cristos.[6]
Source: en.wikipedia.org/wiki/Great_Sand_Dunes_National_Park_and_...
L'original de ce tableau est conservé au musée du Prado à Madrid.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in Prado museum in Madrid.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
L'original de ce tableau est conservé au musée des Beaux Arts de Gand (Gent).
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the museum of Beaux Arts of Gand (Gent).
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
The conserved remains of the first Landfalløy bridge that crossed the river in Drammen between Landfalløya/Åssiden on the Northern bank and Gulskogen on the Southern was built in 1867 as a tilting bridge. The part that opened was 2,9m long. The total length of the bridge was 158m. Height of passage for boats 6m.
It stands alongside the new concrete bridge that replaced it in 1967.
En semaine, les petits marchés de Noël sont bien plus calmes et agréables.
Riquewihr fait parti de ceux là.
Cela permet de voir un peu plus clairement toute cette belle cité conservée, comme ce très beau bâtiment de la poste en arrière-plan avec colombages et peintures.
Sources : Wikipedia sur Riquewihr (Multi) && Informations sur Fernand Zeyer (FR)
Medano Creek flows seasonally. Flows are generally greater in the morning than later in the day. This morning, the flow, such as it was, was just beginning.
From Wikipedia:
Great Sand Dunes National Park and Preserve is an American national park that conserves an area of large sand dunes up to 750 feet (229 m) tall on the eastern edge of the San Luis Valley, and an adjacent national preserve in the Sangre de Cristo Range, in south-central Colorado, United States.
The park contains the tallest sand dunes in North America. The dunes cover an area of about 30 sq mi (78 km2) and are estimated to contain over 1.2 cubic miles (5 billion cubic metres) of sand. Sediments from the surrounding mountains filled the valley over geologic time periods. After lakes within the valley receded, exposed sand was blown by the predominant southwest winds toward the Sangre de Cristos, eventually forming the dunefield over an estimated tens of thousands of years. The four primary components of the Great Sand Dunes system are the mountain watershed, the dunefield, the sand sheet, and the sabkha. Ecosystems within the mountain watershed include alpine tundra, subalpine forests, montane woodlands, and riparian zones.
A picture is worth a thousand words.
We could probably come up with hundreds of stories out of this picture. Some could be joyful. Some could be sad. A love story. And maybe it could be just a normal life in a day of a traveller on a subway.
Enjoy your Friday. It's only once in a week, you know.
Shot yesterday at a subway station in L.A. I'm conserving gas so I'm using local transportation. It was fun and adventurous. And only once did I have to look for a parking space. The rest of the time was travel and shooting. You'll see my other shots in the days to come.
Le flamant rose dort debout sur une ou deux pattes, la tête cachée sous une aile. Contrairement à la plupart des oiseaux, à cause de leur taille, les flamants doivent prendre quelques mètres d'élan pour décoller des eaux. Migrateurs, ils volent en formation, en gardant cou et pattes étirés. Les battements d'ailes, puissants et réguliers, les propulsent à 60 km/h sur des étapes de plusieurs centaines de kilomètres.
Flamingos often stand on one leg, the other leg tucked beneath the body. The reason for this behaviour is not fully understood. Recent research indicates that standing on one leg may allow the birds to conserve more body heat, given that they spend a significant amount of time wading in cold water. However, the behaviour also takes place in warm water. As well as standing in the water, flamingos may stamp their webbed feet in the mud to stir up food from the bottom.
Standing on one leg to conserve energy...
> Explored on 2013-03-12.
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This vividly colorful house was constructed in 1900 in the Strait Chinese style by a local businessman named Tan Teng Niah. Once called “Elegant Pine” (which symbolised the Chinese virtue: endurance). At the time, the neighborhood was an industrial zone (Tan’s candy and rubber factories were located nearby) and many of Singapore’s ethnic-Chinese businessmen lived in similar villas.
This house is one of the last surviving Chinese Villas in Little India. This eight-room villa was built for Tan Teng Niah’s wife. He was one of the non-Indian communities who prospered in Little India.
The villa has many interesting features such as a courtyard, gilded name plate with the calligraphic inscription “siew song” or Elegant Pine (the pine being a symbol of endurance), richly carved pintu pagar (decorative swinging doors), bamboo tiled roof and calligraphic scrolls hanging from the living room. The villa has been restored and has been leased for commercial use.
Amid Singapore’s rapid economic growth and social change during the 20th century, the neighborhood evolved into what is now known as Little India. Most of the old merchant houses were razed to make way for modern commercial buildings and sleek skyscrapers. However, the Tan Teng Niah house survived, and during the 1980s, it underwent a full restoration to what people see today. Believed to be the last such house in existence, it’s now preserved under landmark status from the National Heritage Board.
Although the house’s historical background is interesting, the key to its popularity among locals and visitors is its current appearance. The exterior is painted in a rainbow riot of vivid colors, with every element—each individual slat, molding, panel, and pilaster—in a different hue than its neighbor. An array of sky blue, avocado green, traffic-cone orange, highlighter yellow, and nail-polish pink shades adorns the house. Further embellishments beyond the psychedelic color-palette include gilded Chinese calligraphy, intricate floral lunettes, and a bamboo-tiled roof.
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
Sometimes you wait a very long time for something. And then, amazingly, it all comes together.
-jared ropelato