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Horreo antigua nevera para conservar los alimentos.

Se encuentra en la carretera Arcade Pontevedra .

Horreo old refrigerator to conserve food.

It is located on the Arcade Pontevedra road.

15/06/2011Coca-Cola is marking its milestone 125th anniversary with a fabulous 1950’s-style pop- up soda bar in Selfridges, London, for a limited run of six weeks from Friday 17th June. Positioned in the women’s street department on the ground floor, the soda bar pays homage to Coke’s first ever soda bar, established in Selfridges back in 1926. The Soda Bar will be manned by 50’s styled waitresses, who will be serving perfectly chilled Coca-Cola in beautiful limited edition ‘Hutchinson’ bottles, specially re-created to mark the company’s 125th anniversary. Situated in the busy women’s fashion department, the soda bar will provide the perfect opportunity to stop and enjoy a cool refreshing drink after a hard day’s shopping. The Hutchinson bottle, first created in 1899 is available at Selfridges to buy exclusively alongside a collection of heritage bottles inspired by different shaped Coca-Cola bottles during the brand’s 125-year history. Tanya McMullen, Grocery Buying Manager, Selfridges comments "Like Selfridges, Coca-Cola has a lasting heritage and it is exciting to be able to offer a contrast to the limited edition bottles of more recent years with a celebration of the original designs. The soda bar gives Coca-Cola the opportunity to showcase one of the brand's most celebrated eras, as well as provide some theatre for our customers." Zoe Howorth, Market Activation Director for Coca-Cola Great Britain, explains: “2011 is an incredibly significant milestone for Coca-Cola, as we’re celebrating 125 years of happiness in a bottle. The 1950s, pop-up Soda Bar at Selfridges is a great way for us to thank our drinkers and partners, who have made Coca-Cola the iconic brand it is today in Great Britain.” The Soda Bar will land in Selfridges on Friday 17th June and will remain in store for 6 weeks.- ‘From Pop Star, to Pop Bar, Myleene Klass launches Coca-Cola Soda Bar at Selfridges to mark the brand's 125th Anniversary. The 1950’s-style pop-up soda bar will be in the 'Spirit' fashion department of Selfridges, London, for a limited run of six weeks from Friday 17th June.’ - ENDS - For further information please contact:Gemma Bell at Lexis PR on 020 7908 6517 gbell@lexispr.comStacey Pinkus 020 7908 6502 spinkus@lexispr.com Notes for EditorsThe Coca-Cola story began on 8 May 1886 when a pharmacist named Dr. John Pemberton carried a jug of Coca-Cola syrup to Jacobs' Pharmacy in downtown Atlanta, where it was mixed with carbonated water and sold for five cents a glass. To this day, the secret formula remains a closely guarded secret within the vaults of Atlanta. From these humble beginnings in the Deep South 125 years ago, the brand remains as relevant today as it was then - Coca-Cola has grown into one of the world’s most recognisable brands, loved by consumers and celebrities alike.The Coca-Cola CompanyCoca-Cola is a registered trademark of The Coca-Cola Company.The Coca-Cola Company (NYSE: KO) is the world’s largest beverage company, refreshing consumers with more than 500 sparkling and still brands. Along with Coca-Cola, recognised as the world’s most valuable brand, the Company’s portfolio includes 12 other billion dollar brands, including Diet Coke, Fanta, Sprite, Coca-Cola Zero, Glacéau vitaminwater, Powerade, Minute Maid, Simply and Georgia. Globally, we are the No. 1 provider of sparkling beverages, juices and juice drinks and ready-to-drink teas and coffees.Through the world’s largest beverage distribution system, consumers in more than 200 countries enjoy the Company’s beverages at a rate of 1.7 billion servings a day. With an enduring commitment to building sustainable communities, our Company is focused on initiatives that protect the environment, conserve resources and enhance the economic development of the communities where we operate. For more information about our Company, please visit our website at www.coca-cola.co.uk -- Adrian BrooksImagewise Limitedwise words – clever picturesThe Award Winning Photographic ConsultancyImagewise Limited , Linear House , Peyton Place , Greenwich , London SE10 8RSTelephone : 0208 858 6555 - Mobile : 07768 696197 Email : info@ imagewise.co.uk Website : www.imagewise.co.uk

T. E. Lawrence

“perhaps the best preserved and most wholly admirable castle in the world.”

"Certainement le château au monde le mieux préservé et le mieux conservé dans son entité" Laurence d'Arabie

 

Le Krak des Chevaliers, ou Krak de l'Hospital — krak dérive du syriaque karak signifiant forteresse ,

Qal`at al-Hosn (La forteresse imprenable) ou

Hisn al-Akrād (forteresse des Kurdes)

La forteresse est construite sur une colline de 750 mètres de haut aux flancs abrupts

Les chevaliers de l'Hôpital (ou Hospitaliers) gérèrent le fort de 1142 - offert par Raymond II, Comte de Tripoli - jusqu' à 1271, date de sa conquête par Az-Zâhir Rukn ad-Dîn Baybars al-Bunduqdari - Baybars Ier - sultan des Mamelouks. Il ne put malgré tout s'emparer du krak que par la ruse : il envoya une fausse missive, émanant prétendument du Grand Maître des Templiers, enjoignant aux assiégés de se rendre.

En 1157, un important tremblement de terre ébranla le château et Raymond du Puy, le grand maître des Hospitaliers, le fit restaurer et agrandir, nouveau tremblement de terre en 1170

Saladin (mort en 1193) eut beau infliger de nombreuses défaites aux croisés, ne put s'emparer du krak des Chevaliers

un des châteaux médiévaux les mieux préservé au monde

13 tours, écuries, salles, magasins, citernes, passages et ponts

à 40 km à l'ouest de la ville de Homs, proche de la frontière du Liban, à 30 km à vol d'oiseau de la mer

Le 20 mars 2014, le château, jusque-là tenu par la rébellion, est repris par les forces gouvernementales

 

surface totale de 2,5 hectares protégée par deux enceintes concentriques entièrement indépendantes.

13 tours, écuries, salles, magasins, citernes, ponts et passages. Le krak hébergeait une garnison de 2 000 hommes et possédait des vivres pour cinq ans.

 

Krak des Chevaliers - Crusader castle - one of the most important preserved medieval castles in the world. The site was first inhabited in the 11th century by a settlement of Kurds; as a result it was known as Hisn al Akrad, meaning the Castle of the Kurds;. In 1142 given by Raymond II, Count of Tripoli, to the Knights Hospitaller.

Due to an earthquake in 1157, followed by another one in 1170, the castle was restored and enlarged,

It remained in their possession until it fell in 1271.

after a siege lasting 36 days, supposedly by way of a forged letter purportedly from the Hospitallers' Grand Master that caused the Knights to surrender.

It became known as Crac de l'Ospital; the name Krak des Chevaliers was coined in the 19th century.

could house up to 2.000 men and food for 5 years

located 40 kilometres (25 mi) west of the city of Homs, close to the border of Lebanon, 30 km from the sea, the castle sits atop a 750-metre-high (2,130 ft) hill

13 towers, cisterns, barrracks, shops, stables, bridges

 

The Syrian Arab Army recaptured the castle and the village of al-Hosn from rebel forces on March 20, 2014

Maybe the most famous snorkeling beach in the US. The Hanauma Crater was created about 32,000 years ago during the Honolulu volcanic series, the latest (and perhaps final) round of volcanic activity to occur on Oʻahu.[9] Tens of thousands of years ago, a series of volcanic vents opened along the southeast shoreline of Oʻahu. Unlike the gentle lava flows currently building the island of Hawaiʻi, the late-stage eruptions on Oʻahu were most often short-lived violent explosions. The volcanic vents that formed Hanauma Crater opened on the sea floor. Upwelling magma vaporized the ocean water and steam explosions blew the magma into fine ash. The explosions built cones or rings of ash, which solidified into tuff. The eruptions shattered the sea floor—coral reef and basalt—and scattered pieces that are now embedded in the tuff. Wave erosion eventually cut through the low, southeast wall of the crater, forming the current bay. Due to its popularity, officials in Hawai'i have taken several steps to limit visitors and educate those that do come about conserving the reef and marine life.

  

This beautifully conserved dwelling and byre in Glen Lochay, near Killin, offers a unique insight into rural life in 19th-century and early 20th century Scotland. There are 5 jointed and pegged cruck couples, two of which can be viewed easily in the byre end of the house. The roof was originally thatched but this was raked back in the 1940s and covered with corrugated tin.

From Conserve Ireland:

 

Males are larger than females with the average adult male measuring up to 40cm for the head and body while the females are shorter measuring up to 30cm. Stoats have long slender tails in proportion to their bodies which have a distinctive black tip at the end, males grow slightly longer tails than females which can measure up to 14cm in length. Adult males weigh up to 400 grams with females being much lighter weighing on average 200 grams. Unusually for mammals there is a noticeable difference in the size of the Irish population of stoats with individuals in the south being bigger and heavier than those found in more northern areas.

 

At the Irish Wildlife Photography Woodland hide, Mountmellick, Co Laois.

  

Pas de FAV sans commentaire.

No FAV without comment

 

Construit au XIIème siècle, en 1170, sur un dyke volcanique et sur les restes d'un castrum gallo-romain à 650m d'altitude, par Guillaume VIII d'Auvergne, le château de Busséol est l'une des rares forteresses romanes restées intactes qui domine la Limagne. Rare exemple d'architecture romane, il a conservé son caractère militaire, qui lui permit de résister au siège de Philippe Auguste en 1215, aux assauts des soldats du Prince Noir pendant la guerre de Cent Ans ainsi qu'à l'attaque du Duc de La Rochefoucauld chef des Ligueurs en 1595.

Ce Château-fort appartint successivement, dès l'origine, à des personnages illustres : les Comtes d'Auvergne, le Pape Alexandre III, Jean Stuart Prince d'Ecosse, Blanche de Clermont petite-fille de Saint-Louis... et releva du domaine royal par Catherine de Médicis, reine de France, Comtesse d'Auvergne qui y séjourna avec son fils Charles IX en 1566 lors de leur voyage en Auvergne. Il est ainsi considéré comme le plus historique de la Province. Epargné par Richelieu, il fut habité jusqu'à la Révolution.

Décoration intérieure évoquant le Moyen Âge. On peut également admirer un jardin suspendu dit "des Croisades" où poussent plantes, fleurs et arbustes cultivés au Moyen Âge.

Abandonnée durant la Révolution Française, cette solide forteresse, envahie par la végétation, fut sauvée en 1966, par ses propriétaires actuels. Meublée et habitée, elle est ainsi redevenue une demeure accueillante ouverte aux visiteurs. Ce château appartint à Jeanne, épouse de Jean le Bon, à Catherine de Médicis puis à la reine Margot. Du chemin de ronde on découvre un vaste panorama des Monts du Sancy au Livradois-Forez. Présentation d'une magnifique cheminée romane à foyer cylindrique, unique dans un château en France.

 

[source : centre-france : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Bonne journée à tous.

Merci pour vos visites et commentaires

 

en ---------------

 

Built in the Xiith century, in 1170, on a dyke of volcanic and on the remains of a castrum gallo-roman at 650m of altitude, by William VIII of Auvergne, the castle of Busséol is one of the few fortresses of the romance remained intact, which dominates the Limagne. Rare example of romanesque architecture, it has retained its military character, which enabled him to withstand the siege of Philippe Auguste in 1215, the assaults of the soldiers of the Black Prince during the Hundred Years war and the attack of the Duke of La Rochefoucauld-chief of the Leaguers in 1595.

This Castle belonged successively, from the beginning, to famous people : the Counts of Auvergne, the Pope Alexander III, John Stuart, Prince of Scotland, White of Clermont, granddaughter of Saint-Louis... and raised the royal estate by Catherine de Medici, queen of France, Countess of Auvergne, who stayed there with her son Charles IX in 1566 during their trip in the Auvergne region. Thus, it is considered the most historic of the Province. Spared by Richelieu, it was inhabited until the French Revolution.

Interior decoration evoking the Middle Ages. We can also admire a hanging garden called "the Crusades" where they grow plants, flowers and shrubs grown in the Middle Ages.

Abandoned during the French Revolution, this strong fortress, invaded by vegetation, was rescued in 1966 by its current owners. Furnished and inhabited, thus, it is once again a remains welcoming, open to visitors. This castle belonged to Joan, wife of John the Good, to Catherine de ' Medici and the queen Margot. The round path, we discover a vast panorama of the Monts du Sancy in the Livradois-Forez. Presentation of a beautiful fireplace, a romanesque fireplace, cylindrical, single, in a castle in France.

 

[source : centre of france : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Good day to all.

Thank you for your visits and comments

 

de ---------------

 

Erbaut im Xii jahrhundert, im jahr 1170 auf einem dyke vulkanischen ursprungs und auf die überreste eines römischen castrum gallo-römischen 650m über dem meeresspiegel, von Wilhelm VIII. von Auvergne, das schloss Busséol ist eine der wenigen festungen, die romanischen, die noch intakt sind, dominiert der Limagne. Seltenes beispiel der romanischen architektur, er behielt seinen militärischen charakter, die erlaubte ihm, zu widerstehen, den sitz von Philippe-Auguste im jahre 1215, die angriffe der soldaten des Schwarzen Prinzen während des hundertjährigen krieges und der angriff des Herzogs von La Rochefoucauld, leiter der Ligisten im jahre 1595.

Diese Burg gehörte nacheinander, von anfang an illustre persönlichkeiten : die Grafen von Auvergne, von Papst Alexander iii., Johannes Stuart, Prinz von Schottland, Blanche von Clermont enkelin von Saint-Louis... und stand, der domaine royal, die von Katharina von Medici, königin von Frankreich, Gräfin von Auvergne, die sich hier mit ihrem sohn Karl ix. im jahre 1566 bei ihrer reise in die Auvergne. Es gilt als das wichtigste historische Provinz. Gespart durch Richelieu, er wohnte hier bis zur Revolution.

Inneneinrichtung erinnern an das mittelalter. Kann man auch bewundern einen hängenden garten sagt "Kreuzzüge" wo wachsen pflanzen, blumen und sträucher angebaut im mittelalter.

Aufgegeben während der Französischen Revolution, die starke festung, erobert durch die vegetation wurde gerettet, die 1966 von seinen jetzigen eigentümer. Möbliert und bewohnt ist, so ist er auch wieder ein gemütliches haus für besucher geöffnet. Dieses schloss gehörte Johanna, ehefrau von Jean le Bon, Katharina von Medici und die bartholomäusnacht. Der wehrgang entdeckt man ein weites panorama über die Berge des massif du Sancy, im Livradois-Forez. Präsentation einer wunderschönen kamin romanische zuhause zylindrisch, einzigartig in einem schloss in Frankreich.

 

[quelle : centre-frankreich : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Guten tag an alle.

Danke für eure besuche und kommentare

 

es ---------------

 

Construido en el siglo Xii, en 1170, en un dique de origen volcánico y en los restos de un castro galo-romana, a 650 metros de altitud, por Guillermo VIII de Auvernia, el castillo de Busséol es una de las pocas fortalezas de el romance se mantuvo intacta, que domina la Limagne. Raro ejemplo de arquitectura románica, ha conservado su carácter militar, lo que le permitió resistir el asedio de Philippe Auguste, en 1215, los ataques de los soldados del Príncipe Negro durante la guerra de Cien Años y el ataque del Duque de La Rochefoucauld-jefe de los Jugadores en 1595.

Este Castillo perteneció sucesivamente, desde el principio, a gente famosa : los Condes de Auvernia, el Papa Alejandro III, John Stuart, el Príncipe de Escocia, Blanco de Clermont, nieta de Saint-Louis... y planteó la real hacienda por Catalina de Médicis, reina de Francia, Conde de Auvernia, que se quedó allí con su hijo Carlos IX en 1566 durante su viaje en la región de Auvernia. Por lo tanto, es considerado como el más histórico de la Provincia. Salvo por el cardenal Richelieu, fue habitada hasta la Revolución francesa.

La decoración Interior que evoca la Edad Media. También podemos admirar un jardín colgante llamado "las Cruzadas", donde crecen las plantas, flores y arbustos cultivados en la Edad Media.

Abandonado durante la Revolución francesa, esta fortaleza, invadido por la vegetación, fue rescatado en 1966 por sus actuales propietarios. Amueblado y habitada, por lo tanto, es una vez más una sigue siendo acogedor, abierto a los visitantes. Este castillo perteneció a Juana, esposa de Juan el Bueno, a Catherine de ' Medici y la reina Margot. La ronda de camino, descubrimos un vasto panorama de los Monts du Sancy en la Livradois-Forez. Presentación de una hermosa chimenea, un románico chimenea, cilíndrico, sola, en un castillo en Francia.

 

[fuente : centro de francia : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Buen día a todos.

Gracias por sus visitas y comentarios

 

nl ---------------

 

Gebouwd in de Xiie eeuw, in 1170, op een dijk van vulkanische en op de resten van een castrum gallo-romeinse op 650m hoogte, door Willem VIII van de Auvergne, het kasteel van Busséol is een van de weinige forten van de romantiek bleef intact, domineert de Limagne. Zeldzaam voorbeeld van de romaanse architectuur, heeft zij behield haar militair karakter, die hem in staat stelde om bestand te zijn tegen de belegering van Philippe Auguste in 1215, de aanvallen van de soldaten van de Zwarte Prins tijdens de honderdjarige oorlog en de aanval van de Hertog van La Rochefoucauld-chief van de Leaguers in 1595.

Dit Kasteel behoorde achtereenvolgens, vanaf het begin, naar het beroemde mensen : de Graven van Auvergne, de Paus Alexander III, John Stuart, Prins van Schotland, Wit van Clermont, kleindochter van Saint-Louis... en verhoogde het koninklijk domein door Catherine de Medici, koningin van Frankrijk, Gravin van Auvergne, die bleef er met haar zoon Karel IX in 1566 tijdens hun reis in de Auvergne. Dus, het wordt beschouwd als de meest historische van de Provincie. Gespaard door Richelieu, werd bewoond tot aan de franse Revolutie.

Het interieur doet denken aan de Middeleeuwen. We kunnen ook genieten van een hangende tuin de naam "de Kruistochten", waar ze groeien planten, bloemen en struiken geteeld in de Middeleeuwen.

Verlaten tijdens de franse Revolutie, deze sterke vesting aangevallen door de vegetatie, gered werd in 1966 door de huidige eigenaren. Ingericht en bewoond, dus is het weer blijft een gastvrije, open voor bezoekers. Dit kasteel behoorde tot Joan, echtgenote van Johannes de Goede, Catharina de ' Medici en de koningin Margot. Het ronde pad ontdekken we een breed panorama van de Monts du Sancy in het natuurpark Livradois-Forez. Presentatie van een prachtige open haard, een romaanse open haard, cilindrische, single, in een kasteel in Frankrijk.

 

[bron : centrum van frankrijk : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Goede dag allemaal.

Dank u voor uw bezoeken en opmerkingen

 

it ---------------

 

Costruita nel Xii secolo, nel 1170, su una diga di origine vulcanica e sui resti di un castrum gallo-romana, a 650 m di altitudine, da Guglielmo VIII di Auvergne, il castello di Busséol è una delle poche fortezze del romanticismo è rimasto intatto, che domina la Limagne. Raro esempio di architettura romanica, che ha mantenuto il suo carattere militare, che gli ha permesso di resistere all'assedio di Philippe Auguste nel 1215, gli assalti dei soldati del Principe Nero durante la guerra dei Cent'Anni e l'attacco del Duca di La Rochefoucauld-capo dei Leghisti nel 1595.

Questo Castello apparteneva successivamente, dall'inizio, di persone famose : i Conti d'Alvernia, il Papa Alessandro III, John Stuart, il Principe di Scozia, il Bianco di Clermont, nipote di Saint-Louis... e sollevato la reale tenuta da Caterina de ' Medici, regina di Francia, Contessa di Auvergne, che rimase lì con suo figlio Carlo IX nel 1566, durante il loro viaggio nella regione dell'Alvernia. Così, è considerato il più storico della Provincia. Risparmiato da Richelieu, fu abitata fino alla Rivoluzione francese.

Decorazione di interni, di evocare il Medioevo. Si può inoltre ammirare un giardino pensile chiamato "le Crociate", dove crescono le piante, i fiori e gli arbusti cresciuti nel Medioevo.

Abbandonato durante la Rivoluzione francese, questa fortezza, invaso dalla vegetazione, è stato salvato nel 1966 dai suoi attuali proprietari. Arredato e abitato, così, è ancora una volta rimane accogliente, aperta ai visitatori. Questo castello apparteneva a Giovanna, moglie di Giovanni il Buono, a Caterina de ' Medici e la regina Margot. Il giro del percorso, si scopre un vasto panorama di Monts du Sancy del Livradois-Forez. Presentazione di un bellissimo camino, una romanica camino, cilindrico, singolo, in un castello in Francia.

 

[fonte : centro della francia : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Buona giornata a tutte.

Grazie per le vostre visite e commenti

 

pt ---------------

 

Construída no século xii, em 1170, em um dique de origem vulcânica e sobre os restos de um castrum gallo-roman 650m de altitude, por William VIII do Auvergne, o castelo de Busséol é uma das poucas fortalezas do romance permaneceu intacta, que domina o Limagne. Raro exemplo de arquitetura românica, ele manteve a sua militares personagem, o que lhe permitiu suportar o cerco de Philippe Auguste em 1215, os ataques dos soldados do Príncipe Negro durante a guerra dos Cem Anos e o ataque do Duque de La Rochefoucauld-chefe dos jogadores da liga, em 1595.

Este Castelo pertenceu, sucessivamente, desde o início, pessoas famosas : a Conta de Auvergne, o Papa Alexandre III, John Stuart, Príncipe da Escócia, Branca de Clermont, neta de Saint-Louis... e levantou o real estate, Catarina de Médici, rainha da França, Condessa de Auvergne, que ficou lá com o seu filho Carlos IX, em 1566, durante a sua viagem na região de Auvergne. Assim, é considerado o mais históricas da Província. Poupado por Richelieu, foi habitado até a Revolução francesa.

Decoração de interiores evocando a Idade Média. Nós também podemos admirar um jardim suspenso chamado "as Cruzadas", onde crescem as plantas, flores e arbustos cultivados na Idade Média.

Abandonada durante a Revolução francesa, este forte fortaleza, invadido pela vegetação, foi resgatado em 1966, por seus atuais proprietários. Mobilado e habitada, assim, é mais uma vez um permanece acolhedor, aberto para visitantes. Este castelo pertencia a Joana, esposa de João, o Bom, para a Catarina de Medici e a rainha Margot. A rodada caminho, descobrimos um vasto panorama da Monts du Sancy em Livradois-Forez. Apresentação de uma bela lareira, um românica lareira, cilíndrica, único, em um castelo na França.

 

[fonte : centro de frança : www.auvergne-centrefrance.com/geotouring/patrimoi/chateau...]

 

Bom dia a todos.

Obrigado por suas visitas e comentários de

  

Oui je sais, pour peu que l'on soit ni étanche ni stérilisé, une expression à géométrie variable...

2018 NJ BALD EAGLE PROJECT REPORT

by: Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.

 

“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”

 

The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.

 

The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.

 

Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf

2018 NJ BALD EAGLE PROJECT REPORT

by: Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.

 

“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”

 

The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.

 

The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.

 

Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf

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Self-portrait At Ocotillo Moons

(November 7th, 2020)

Terlingua, Texas, U.S.A.

 

After the first encounter last year, I returned there again. I had to because it was love at first sight. The desert is not a landscape that shouts. It whispers, inviting you to look closer. I think I found my place on Earth. The Chihuahuan desert, the largest desert in North America and the third most diverse in the world, is where I went for a 10-day road trip in November. It was a peak season, but I was able to find my solitude, rebuild harmony, and feed my soul. Aride and alive, the fascinating paradox about the Chihuahuan could be the metaphor of my poor existence in this world.

 

I took this mirrored self-portrait at my new place called 'Ocotillo Moons' where I moved to for next four days. It was a secluded luxuary barn sitting on 40 acres of beautiful desert landscape. It made me really sad seeing quite a comfortable lodging that I didn't expect with a spacious bathroom, a separate bedroom, a well equipped kitchen, a little rest area and an incredible covered patio. Even the refrigerator was giving natural water after pressing a proper button, or if you wanted potable water with glace straight to your cup! Gosh! All this made me feel bad and guilty. I started missing my Ghost Town Ruin where I stayed for the first three days, and all the hard work I had to do in order to wash dirty dishes, get potable water or a cup of tea. Such life makes you humble, and only this way you start understanding better the desert. Well, in fact, it was at Ocotillo Moons where I took two showers, my only ones during a 10-day road trip. Still, there was no a bathub, and everywhere I looked at, signs with conserving water, so I thought quite a bit before I decided to use it.

 

After a day or so of my stay there, I started slowly liking this place more and more. It's because I figured out its name, and fell in love with a new desert plant: ocotillo. It was so amazing looking at so many flourishing ocotillos surrounding the barn. To me they were like a synonyme of the essence of the Chihuahuan desert aride and alive. For most of the year the ocotillo appears devoid of life, but its dry, woody, thorny stems sprout small green leaves in spring and after heavy rains, followed by a cluster of bright red flowers.

 

I was able to take some self-portraits only twice at this place. First photoshoot was focused on ocotillos of course (sadly, I lost my mind dancing at the Golden Hour in the desert, and completely forgot to take a mirrored self-portrait for my project), the second one- on yucca trees. All these belong to the project "My Life Is a Picture" documenting my life.

---

About the project:

 

I wish to look at myself in all reflected streets and places I will be passing by. These self-portraits are inspired by Vivian Maier's self-portraiture: www.vivianmaier.com

2018 NJ BALD EAGLE PROJECT REPORT

by: Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.

 

“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”

 

The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.

 

The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.

 

Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf

Seeded sliced bread with ginger conserve topping.

L'abbaye de Fontenay est une abbaye cistercienne (aujourd'hui désaffectée) fondée en 1118 près de Montbard en Bourgogne.

 

Elle est la plus ancienne abbaye cistercienne entièrement conservée et est inscrite au patrimoine mondial de l'Unesco depuis 1981 (source : Wikipedia).

 

www.abbayedefontenay.com/index.php

Osprey of the Jersey Shore | 2018

 

The 2017 Osprey Project in New Jersey:

 

www.conservewildlifenj.org/downloads/cwnj_802.pdf

 

Despite New Jersey being the most densely populated state, it holds tremendous diversity in preserved open space, especially our coastal salt marshes. The preservation of these wetland areas has played a huge role in the recovery of the osprey population in New Jersey. Today, they are home to the majority of ospreys (86%) who nest along the Atlantic Coast. Osprey nests define our coast and colonies are located along the entire coast from Sandy Hook to Cape May and west on the Delaware Bayshore up the Maurice River to Salem. This year a total of 668 active nests were recorded in New Jersey, with 75 of those being new nests from various regions of the state. This is well above the historic pre-DDT estimate of 500 nesting pairs and goes to show that ospreys and humans can coexist in New Jersey as long as we continue to protect wetland areas and conserve our natural resources, like forage fish, that ospreys need to thrive. The largest population gains in the state, from 2013 to 2017, were observed in both Monmouth and Ocean Counties, from 130 in 2013 to 207 in 2017.

 

The Osprey (Pandion haliaetus), sometimes known as the Sea Hawk, Fish Eagle or Fish Hawk, is a diurnal, fish-eating bird of prey. It is a large Raptor, reaching more than 24 inches in length and a 71 inches wingspan. It is brown on the upper parts and predominantly greyish on the head and under parts, with a black eye patch and wings. In 1994, the osprey was declared the provincial bird of Nova Scotia, Canada.

 

For more info: en.wikipedia.org/wiki/Osprey

Bruno Vansina Quartet @ La Conserve Leuven

 

3MAY2018

 

Cyrille Obermüller Double bass

Kobe Proesmans Percussion

Bruno Vansina Alt Sax

Teun Verbruggen Drums

  

Photography: © Patrick Van Vlerken 2018

Medieval bridge over the river Fluvia to the village Besalu in Catalonia Spain. After several visits, I finally captured a strong reflection of the beautiful Romanesque bridge, which was constructed in the 12th century. The old part of the village is exceptionally well conserved and contains many interesting historic buildings. It played an important role in the early Middle Ages where it was the capital of the county La Garrotxa. In case you happen to like one of my photographs, I would like to mention that I sell prints of my best ones at the print-on-demand site Redbubble (www.redbubble.com/people/kimvbpedersen/).

Location: Teck Lim Road at Keong Saik Street.

This building was built when I wasn't even born yet. It managed to survive through the course of history including the Japanese invasion of Singapore. On the right background is The Pinnacle at Tanjong Pagar, one of Singapore's tallest and most expensive place to own.

 

Teck Lim Road

Teck Lim Road is a one-way road linking Keong Saik Road to Neil Road in Chinatown within the Outram Planning Area of Singapore. The road is lined with conserved quaint shophouses and houses a number of budget hotels and F & B outlets. –Wikipedia

 

About Keong Saik Street

Once a famous Red Light (prostitution) district of Singapore the area has now been conserved and converted into an entertainment district in Chinatown. The prostitution business has since shifted over to Geylang where it is still popular for those looking for some pleasure.

 

Shot taken on the fly handheld.

file:keong siak_DSC8406.jpg

 

Be sure to tune in to singaporeology.com, a NEW Tourism Guide created by a team of Expats living here in Singapore. Fully supported with images from my stream. For a quick take tune in to: www.singaporeology.com

NEW JERSEY 2017 BALD EAGLE PROJECT REPORT

 

ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES

by Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.

 

In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.

 

This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.

 

For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...

 

New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf

L'original de ce tableau est conservé au musée des Beaux Arts de Gand (Gent).

 

You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.

In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.

 

The original of this painting is kept in the museum of Beaux Arts of Gand (Gent).

  

Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.

En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.

  

2018 NJ BALD EAGLE PROJECT REPORT

by: Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.

 

“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”

 

The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.

 

The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.

 

Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf

From Wikipedia:

 

Great Sand Dunes National Park and Preserve is an American national park that conserves an area of large sand dunes up to 750 feet (229 m) tall on the eastern edge of the San Luis Valley, and an adjacent national preserve in the Sangre de Cristo Range, in south-central Colorado, United States.

 

The park contains the tallest sand dunes in North America. The dunes cover an area of about 30 sq mi (78 km2) and are estimated to contain over 1.2 cubic miles (5 billion cubic metres) of sand. Sediments from the surrounding mountains filled the valley over geologic time periods. After lakes within the valley receded, exposed sand was blown by the predominant southwest winds toward the Sangre de Cristos, eventually forming the dunefield over an estimated tens of thousands of years. The four primary components of the Great Sand Dunes system are the mountain watershed, the dunefield, the sand sheet, and the sabkha. Ecosystems within the mountain watershed include alpine tundra, subalpine forests, montane woodlands, and riparian zones.

 

www.nationaltrust.org.uk/the-white-cliffs-of-dover/featur...

  

The White Cliffs of Dover’s rare chalk grass land requires the conservation work of both the human and equine variety to ensure that the veritable treasure trove of flora and fauna found on the cliffs can thrive.

 

We care for 8km of the White Cliffs of Dover. The cliffs are not only a national landmark but also an important place for rare species of wildlife, including butterflies, birds and wildflowers.

 

The chalk downland or calcareous grassland that is found on the cliff tops is formed where the chalk eroded to form gently rolling hills. Here where the downland meets the sea, the chalk's face is exposed to form the famous White Cliffs.

 

A combination of shallow soils which are exposed to the wind and rain make it difficult for large plants to become established. In this harsh environment no single type of plant can dominate, instead, small clumps or patches of a wide variety of plants thrive together.

 

Historically, this chalk grassland was created by allowing animals to graze the cliff tops. This traditional form of agriculture created the landscape that we see today; however, modern farming techniques including the use of fertilizers, herbicides and even tractors, can easily destroy it.

 

New Jersey Eagle Project - 2020

 

Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife’s Endangered & Nongame Species Program, is releasing results of the 2019 NJ Bald Eagle nesting season.

 

2019 was a record year for NJ eagles with the highest number of active nests and young fledged in the history of the project. This year, 238 eagle nests were monitored, of which 189 were active (laid eggs) and 248 young fledged. This is the highest number of fledges ever, surpassing the previous high of 216 in 2016.

 

For more info: www.conservewildlifenj.org/blog/2019/09/09/new-jersey-bal...

le pont peint parPaul Cézanne (1839-1906) conservée au musée Pouchkine1 de Moscou. Elle date de 1888 et mesure 71 × 90 cm2. On aperçoit au fond le pont de Créteil.

The lakes are at their lowest level making the reflections longer. I've been able to access areas normally surrounded by water. It's been quite exciting to explore different sections of this area.

NCBP Duncombe at Helmsley

2018 NJ BALD EAGLE PROJECT REPORT

by: Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.

 

“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”

 

The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.

 

The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.

 

Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf

De la chimie qu’il a étudiée dans les années 1970, Tony Cragg conserve une curiosité pour les nouveaux matériaux. Sa sculpture s’élabore alors à partir des débris d’objets en plastique récupérés. Ce matériel ordinaire et hétéroclite est disposé au sol dans un désordre contredit cependant par l’ordonnancement géométrique ou chromatique de la sculpture. Dans ses « empilements », l’artiste anglais échafaude de même un amas d’éléments collectés, qui tiennent pourtant dans les limites strictes d’un volume cubique. Plan de coupe de la société industrielle fossilisée à travers ces reliquats matériels, ce travail a pu être apparenté à une géologie sociale. Il prend une dimension plus sensuelle dès lors que Cragg accentue son travail intrigant de la surface et de la forme. Monumentales, les sculptures s’inspirent de formes organiques ou naturelles et sont réalisées par les techniques traditionnelles du moulage ou du soufflage. Molécules d’ADN, dents, coquillages prêtent leur structure à des pièces qui rendent visible le monde des formes premières et vivantes.

Minster, première version qui date de 1985, relève a priori d’un travail tourné vers la société industrielle puisque les matériaux y sont prélevés. Mais les pneus, les disques dentelés métalliques ou les fuseaux en bois sont empilés dans des colonnes à l’architecture peut-être primitive. Sorte de totems modernes, ces « cercles » réactualiseraient des formes supports de rituels originels. Ils semblent conjoindre et stratifier des âges successifs pour finalement se poser comme les traces contemporaines d’une mémoire sociale.

 

From the chemistry he studied in the 1970s, Tony Cragg retains a curiosity for new materials. His sculpture is then developed from the debris of recovered plastic objects. This ordinary and heterogeneous material is arranged on the ground in a disorder contradicted by the geometric or chromatic arrangement of the sculpture. In his "piles," the English artist similarly constructs a heap of collected elements, which nevertheless fit within the strict limits of a cubic volume. A cross-section of industrial society fossilized through these material remnants, this work could be compared to social geology. It takes on a more sensual dimension when Cragg accentuates his intriguing work with surface and form. Monumental, the sculptures are inspired by organic or natural forms and are created using traditional molding or blowing techniques. DNA molecules, teeth, and shells lend their structure to pieces that make visible the world of primal, living forms.

Minster, the first version dating from 1985, appears to be a work oriented towards industrial society, since the materials were taken from there. But tires, serrated metal discs, and wooden spindles are stacked in columns of perhaps primitive architecture. A sort of modern totem, these "circles" recreate forms that support original rituals. They seem to combine and stratify successive ages, ultimately emerging as contemporary traces of a social memory.

Bruno Vansina Quartet @ La Conserve Leuven

 

3MAY2018

 

Cyrille Obermüller Double bass

Kobe Proesmans Percussion

Bruno Vansina Alt Sax

Teun Verbruggen Drums

  

Photography: © Patrick Van Vlerken 2018

Merci à Isabelle, Nadia, Esther, Monique, Philou et J.J pour ce week-end FlickR si sympa à La Rochelle.

Merci, pour ces rencontres entre passionnés de photos, tellement enrichissantes humainement et photographiquement, à Wissant, Paris, Annecy, Nantes, Bruxelles, Avignon, Montpellier, Nevers, La Rochelle, Bordeaux...

Merci à tous de passer ici, pour votre fidélité, depuis 4 ans maintenant.

Jpeg boitier brut, réalisé avec Nikon D7500 et Nikon AF 18-35 f/3,5-4,5

 

LEGO / Star Wars advent calendar 6/12/11

Collection of buterflies.

One would also save on the cost of dryer sheets as well as not having to have to clean the lint screen. Static shock, which was always a good laugh for me was probably non existent.

Long Island Fair 2008

Old Bethpage,NY

Bruno Vansina Quartet @ La Conserve Leuven

 

3MAY2018

 

Cyrille Obermüller Double bass

Kobe Proesmans Percussion

Bruno Vansina Alt Sax

Teun Verbruggen Drums

  

Photography: © Patrick Van Vlerken 2018

E652.043 titolare oggi del Bologna Interporto - Maddaloni Marcianise, con la sua composizione di carri H carichi di conserve, qui fotografato mentre transita a Roma Tiburtina.

The Polyptych of the Misericordia is a painting conserved in the Museo Civico di Sansepolcro in the town of Sansepolcro, region of Tuscany, Italy. The painting is one of the earliest works of the Italian Renaissance painter Piero della Francesca, who was born in the town. The central panel is of the common motif of the Virgin of Mercy or Madonna della Misericordia.

In 1445, the Compagnia della Misericordia, a confraternity of Borgo San Sepolcro, commissioned Piero, a native of the town, to paint a polyptych for them. According to the taste of the time, the polyptych was to be painted with precious colours and have a gilded background. Piero did not respect the three-year time limit set in the contract—he was busy working on many other projects. The polyptych was only finished seventeen years later, in 1462.

The oldest two panels, to the left of the main panel, depict St Sebastian and John the Baptist. St Sebastian's panel shows a close connection with Masaccio's nudes, which Piero would have seen in an early visit to Florence. Piero painted the outlying panels of the tympanum later; including the Crucifixion at the top centre, St Benedict, the Angel, the Madonna of the Annunciation, and St Francis in the sides. Towards 1450 he finished the figures of St. Andrew and St. Bernardino. The predellas, with five scenes of Jesus's life, were mostly executed by assistants.

The last part of the polyptych to be painted was the main central panel showing the Madonna della Misericordia. The panel portrays the mercifully protective gesture of the Madonna enfolding her followers in her mantle.

Piero resolves the difficulty of dealing with a flat solid gilded background, requested by the patrons, by placing the kneeling members of the confraternity (who commissioned the altarpiece) in the realistic three-dimensional space created by the Madonna's mantle, a space resembling the apse of a church. Notably, the Madonna is still portrayed larger in size than the human figures, a tradition in medieval painting. However, the fully three-dimensional rendering of the figure, inspired by Masaccio, and the perspective study, inspired by Brunelleschi, are plainly of the Renaissance.

De la chimie qu’il a étudiée dans les années 1970, Tony Cragg conserve une curiosité pour les nouveaux matériaux. Sa sculpture s’élabore alors à partir des débris d’objets en plastique récupérés. Ce matériel ordinaire et hétéroclite est disposé au sol dans un désordre contredit cependant par l’ordonnancement géométrique ou chromatique de la sculpture. Dans ses « empilements », l’artiste anglais échafaude de même un amas d’éléments collectés, qui tiennent pourtant dans les limites strictes d’un volume cubique. Plan de coupe de la société industrielle fossilisée à travers ces reliquats matériels, ce travail a pu être apparenté à une géologie sociale. Il prend une dimension plus sensuelle dès lors que Cragg accentue son travail intrigant de la surface et de la forme. Monumentales, les sculptures s’inspirent de formes organiques ou naturelles et sont réalisées par les techniques traditionnelles du moulage ou du soufflage. Molécules d’ADN, dents, coquillages prêtent leur structure à des pièces qui rendent visible le monde des formes premières et vivantes.

Minster, première version qui date de 1985, relève a priori d’un travail tourné vers la société industrielle puisque les matériaux y sont prélevés. Mais les pneus, les disques dentelés métalliques ou les fuseaux en bois sont empilés dans des colonnes à l’architecture peut-être primitive. Sorte de totems modernes, ces « cercles » réactualiseraient des formes supports de rituels originels. Ils semblent conjoindre et stratifier des âges successifs pour finalement se poser comme les traces contemporaines d’une mémoire sociale.

 

From the chemistry he studied in the 1970s, Tony Cragg retains a curiosity for new materials. His sculpture is then developed from the debris of recovered plastic objects. This ordinary and heterogeneous material is arranged on the ground in a disorder contradicted by the geometric or chromatic arrangement of the sculpture. In his "piles," the English artist similarly constructs a heap of collected elements, which nevertheless fit within the strict limits of a cubic volume. A cross-section of industrial society fossilized through these material remnants, this work could be compared to social geology. It takes on a more sensual dimension when Cragg accentuates his intriguing work with surface and form. Monumental, the sculptures are inspired by organic or natural forms and are created using traditional molding or blowing techniques. DNA molecules, teeth, and shells lend their structure to pieces that make visible the world of primal, living forms.

Minster, the first version dating from 1985, appears to be a work oriented towards industrial society, since the materials were taken from there. But tires, serrated metal discs, and wooden spindles are stacked in columns of perhaps primitive architecture. A sort of modern totem, these "circles" recreate forms that support original rituals. They seem to combine and stratify successive ages, ultimately emerging as contemporary traces of a social memory.

Sacred groves are tracts of undisturbed forests, conserved from ancient times by indigenous communities influenced by their animistic religious belief and practices. These are rich in bio-diversity of plants and animals, are sources for water, and laid down practices enable the community to exploit its resources only to the extent required - for food, timber and medicinal herbs, for example.

 

"...The guiding principle behind all these people's forests is the supremacy and control of the community, not only over the forests and the environment, but also over the individual. The community designates a forest area as protected and to enforce the protection, declares it sacred, usually by dedicating it to a deity. In such groves, all forms of vegetation, including shrubs and climbers, belong to the deity. Grazing and hunting are prohibited and only the removal of dead wood is allowed.

 

Says Madhav Gadgil of the Indian Institute of Science in Bangalore, who has studied sacred groves in Maharashtra for two decades, 'The stronger and more malevolent a deity, the greater its protection.'..."

- www.downtoearth.org.in/coverage/the-spirit-of-the-sanctua...

 

However, beliefs and practices change - mainly from influences outside the community, a decline of faith in local deities - and in this modern era sacred groves are under as much pressure as are forests to make way for modernisation.

 

Therefore to visit one that is relatively undisturbed, is somewhat of a novelty.

 

The Law Lyngdoh -‘forest of the priests’- is a sacred grove at Mawphlang in the state of Meghalaya, India.

 

It's spread over 75 hectares, and is home to more than 450 species of plants/trees, wild cats, snakes, foxes, toads and frogs, flying squirrels and many birds species. 'Labasa' is the reigning deity here.

 

Tradition prohibits you from taking anything from outside into the grove, and taking anything from within outside. Any produce of the grove - fruits, nuts, herbs, honey - these are all your's to consume freely, but cannot be taken out of the grove. Violations are severely punished by the diety, by some accounts 'by twisting the head back'.

To see more pictures of Paris or to see my Interesting 40

 

La Sainte-Chapelle :(French for The Holy Chapel) is a Gothic chapel on the Ile de la Cité in the heart of Paris, France. It is perhaps the high point of the full tide of the rayonnante period of Gothic architecture.

It was planned in 1241, started in 1246 and quickly completed: it was consecrated on April 26, 1248. The patron was the very devout Louis IX of France, who constructed it as a chapel for the royal palace.[1] The palace itself has otherwise utterly disappeared, leaving the Sainte Chapelle all but surrounded by the Palais de Justice, which carries on a single function of the palace, which was the site of the king's lit de justice where important aristocrats pled their cases before the king.

The Sainte Chapelle was built to house precious relics: Christ's crown of thorns, the Image of Edessa and twenty other relics of Christ had been in Louis' hands since August 1239, when it arrived from Venice in the hands of two Dominican friars

 

The Royal chapel stands squarely upon a lower chapel which served as parish church for all the inhabitants of the palace, which was the seat of government (see "palace"). The king was later granted sainthood by the Roman Catholic Church as Saint Louis.

 

The upper chapel: Picture will be send later

 

La Sainte-Chapelle fut édifiée sur l'île de la Cité, à Paris, à la demande de Saint-Louis afin d'abriter la Sainte couronne, un morceau de la Sainte Croix ainsi que diverses autres reliques qu'il avait acquises.

Architecture

Les plans sont probablement dus à Pierre de Montreuil qui l'édifia en un temps record : de 1242 à 1248. Ce bâtiment est un petit chef d'œuvre de l'art gothique, certains auteurs considérant qu'il marque l'apogée de cet art. Conçue comme une chasse précieuse devant mettre en valeur les reliques y étant conservées, elle devait également servir de chapelle royale, étant construite dans le palais royal de l'île de la Cité. Elle superpose deux chapelles, l'inférieure pour les gens du commun, la supérieure pour l'entourage du roi, selon un usage courant dans la construction des palais royaux du Moyen Âge. Dans les premiers temps, la chapelle haute n'était d'ailleurs accessible que par les galeries supérieures du Palais, Saint Louis n'ayant pas fait construire d'escalier public.

La Chapelle basse

La chapelle basse, dédiée à la Vierge, était accessible aux gens de service et sert de socle à la chapelle haute. Basse de plafond, bordée de piliers massifs supportant tout le poids de l'édifice, elle n'existe que pour son utilité fonctionnelle et architecturale, permettre d'alléger au maximum la construction en supportant tout le poids de la chapelle haute.

 

La Chapelle haute : photo à venir !

 

Source: Wikipedia.

    

NEW JERSEY 2017 BALD EAGLE PROJECT REPORT

 

ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES

by Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.

 

In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.

 

This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.

 

For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...

 

New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf

2018 NJ BALD EAGLE PROJECT REPORT

by: Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.

 

“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”

 

The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.

 

The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.

 

Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf

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