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De la chimie qu’il a étudiée dans les années 1970, Tony Cragg conserve une curiosité pour les nouveaux matériaux. Sa sculpture s’élabore alors à partir des débris d’objets en plastique récupérés. Ce matériel ordinaire et hétéroclite est disposé au sol dans un désordre contredit cependant par l’ordonnancement géométrique ou chromatique de la sculpture. Dans ses « empilements », l’artiste anglais échafaude de même un amas d’éléments collectés, qui tiennent pourtant dans les limites strictes d’un volume cubique. Plan de coupe de la société industrielle fossilisée à travers ces reliquats matériels, ce travail a pu être apparenté à une géologie sociale. Il prend une dimension plus sensuelle dès lors que Cragg accentue son travail intrigant de la surface et de la forme. Monumentales, les sculptures s’inspirent de formes organiques ou naturelles et sont réalisées par les techniques traditionnelles du moulage ou du soufflage. Molécules d’ADN, dents, coquillages prêtent leur structure à des pièces qui rendent visible le monde des formes premières et vivantes.
Minster, première version qui date de 1985, relève a priori d’un travail tourné vers la société industrielle puisque les matériaux y sont prélevés. Mais les pneus, les disques dentelés métalliques ou les fuseaux en bois sont empilés dans des colonnes à l’architecture peut-être primitive. Sorte de totems modernes, ces « cercles » réactualiseraient des formes supports de rituels originels. Ils semblent conjoindre et stratifier des âges successifs pour finalement se poser comme les traces contemporaines d’une mémoire sociale.
From the chemistry he studied in the 1970s, Tony Cragg retains a curiosity for new materials. His sculpture is then developed from the debris of recovered plastic objects. This ordinary and heterogeneous material is arranged on the ground in a disorder contradicted by the geometric or chromatic arrangement of the sculpture. In his "piles," the English artist similarly constructs a heap of collected elements, which nevertheless fit within the strict limits of a cubic volume. A cross-section of industrial society fossilized through these material remnants, this work could be compared to social geology. It takes on a more sensual dimension when Cragg accentuates his intriguing work with surface and form. Monumental, the sculptures are inspired by organic or natural forms and are created using traditional molding or blowing techniques. DNA molecules, teeth, and shells lend their structure to pieces that make visible the world of primal, living forms.
Minster, the first version dating from 1985, appears to be a work oriented towards industrial society, since the materials were taken from there. But tires, serrated metal discs, and wooden spindles are stacked in columns of perhaps primitive architecture. A sort of modern totem, these "circles" recreate forms that support original rituals. They seem to combine and stratify successive ages, ultimately emerging as contemporary traces of a social memory.
Sacred groves are tracts of undisturbed forests, conserved from ancient times by indigenous communities influenced by their animistic religious belief and practices. These are rich in bio-diversity of plants and animals, are sources for water, and laid down practices enable the community to exploit its resources only to the extent required - for food, timber and medicinal herbs, for example.
"...The guiding principle behind all these people's forests is the supremacy and control of the community, not only over the forests and the environment, but also over the individual. The community designates a forest area as protected and to enforce the protection, declares it sacred, usually by dedicating it to a deity. In such groves, all forms of vegetation, including shrubs and climbers, belong to the deity. Grazing and hunting are prohibited and only the removal of dead wood is allowed.
Says Madhav Gadgil of the Indian Institute of Science in Bangalore, who has studied sacred groves in Maharashtra for two decades, 'The stronger and more malevolent a deity, the greater its protection.'..."
- www.downtoearth.org.in/coverage/the-spirit-of-the-sanctua...
However, beliefs and practices change - mainly from influences outside the community, a decline of faith in local deities - and in this modern era sacred groves are under as much pressure as are forests to make way for modernisation.
Therefore to visit one that is relatively undisturbed, is somewhat of a novelty.
The Law Lyngdoh -‘forest of the priests’- is a sacred grove at Mawphlang in the state of Meghalaya, India.
It's spread over 75 hectares, and is home to more than 450 species of plants/trees, wild cats, snakes, foxes, toads and frogs, flying squirrels and many birds species. 'Labasa' is the reigning deity here.
Tradition prohibits you from taking anything from outside into the grove, and taking anything from within outside. Any produce of the grove - fruits, nuts, herbs, honey - these are all your's to consume freely, but cannot be taken out of the grove. Violations are severely punished by the diety, by some accounts 'by twisting the head back'.
Le temple de la Concorde est, avec l'Héphaïstéion (Théséion) d'Athènes et le temple de Poséidon à Paestum, l'un des temples les mieux conservés de l'antiquité grecque. Son appellation arbitraire n'est due qu'à une inscription romaine trouvée à proximité, où figurait le mot latin concordia. Il a été construit dans les années -440 à -430.
Les inégalités du terrain sur lequel il est édifié sont compensées par un soubassement (krépis) important. Son plan correspond à la forme la plus classique des temples d'Agrigente : pronaos, naos, opisthodome et péristyle de 6 × 13 colonnes.
Le temple de la Concorde est de tous ceux d'Agrigente celui qui a été réalisé avec le plus de précision. Le problème des extrémités propre aux temples doriques (conflit entre la régularité des métopes et des triglyphes d'une part, et l'espacement régulier des colonnes d'autre part) a été résolu d'une manière inhabituelle : il a été procédé tout à la fois au rétrécissement de l'espace entre les deux dernières colonnes et à l'allongement de la métope extrême, pour un meilleur effet visuel.
Les recherches ont également montré que les parties inférieures du temple étaient ornées de stucs blancs, tandis que les frises, métopes et parties hautes étaient peintes de couleurs vives. Le toit était couvert de tuiles de marbre.
En 597, l'évêque Grégoire d'Agrigente a fait du temple une basilique chrétienne consacrée aux apôtres Pierre et Paul, après en avoir chassé les démons païens Eber et Raps qui y demeuraient11. Chacun des murs de la cella fut alors percé de douze arcatures, et les entrecolonnements furent murés, tout comme on peut encore le voir de nos jours à la cathédrale de Syracuse. L'entrée fut reportée sur le côté ouest, ce qui entraîna la suppression de la cloison entre le naos et l'opisthodome, tandis que la sacristie trouvait sa place dans l'ancien pronaos.
La découverte dans le temple de deux figures de dieux puniques mises de côté a fait déduire que déjà les Grecs y honoraient deux divinités, peut-être les Dioscures.
Après l'abandon de la cité, l'église fut à nouveau remise en usage, jusqu'au XVIIe siècle. Elle est désaffectée en 1748. En 1788, les dernières structures appartenant à l'église chrétienne sont enlevées par ordre du prince de Torremuzza. Depuis lors, le temple a été restauré dans son état initial.
The Temple of Concord is, along with the Hephaestion (Thesion) of Athens and the Temple of Poseidon at Paestum, one of the best-preserved temples of Greek antiquity. Its arbitrary name is only due to a Roman inscription found nearby, where the Latin word concordia appeared. It was built in the years -440 to -430.
The unevenness of the land on which it is built is compensated by a significant base (krépis). Its plan corresponds to the most classic form of the temples of Agrigento: pronaos, naos, opisthodome and peristyle of 6 × 13 columns.
The temple of Concord is of all those of Agrigento the one that was created with the most precision. The problem of extremities proper to Doric temples (conflict between the regularity of the metopes and triglyphs on the one hand, and the regular spacing of the columns on the other hand) has been solved in an unusual way: both by narrowing the space between the last two columns and by lengthening the extreme metope, for a better visual effect.
Research has also shown that the lower parts of the temple were decorated with white stucco, while the friezes, metopes and upper parts were painted in bright colors. The roof was covered with marble tiles.
In 597, Bishop Gregory of Agrigento made the temple a Christian basilica dedicated to the apostles Peter and Paul, after having driven out the pagan demons Eber and Raps who lived there11. Each of the cella's walls was then pierced with twelve arches, and the intersections were walled, just as we can still see today in the cathedral of Syracuse. The entrance was moved to the west side, which led to the removal of the partition between the naos and the opisthodome, while the sacristy found its place in the old pronaos.
The discovery in the temple of two figures of Punic gods put aside made it deduce that already the Greeks honored two deities there, perhaps the Dioscuri.
After the abandonment of the city, the church was again put back into use, until the 17th century. It was abandoned in 1748. In 1788, the last structures belonging to the Christian church were removed by order of the prince of Torremuzza. Since then, the temple has been restored to its original state.
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
Cold weather froze the area but little snow accumulated. Stacks from the North Bend Power Plant in Ohio are at the center of this image. Good day for a hike around Jackpot Lake.
Le Mans (Sarthe)
L'enceinte romaine.
C'est aujourd’hui l'enceinte la mieux conservée de tout l'ancien Empire romain, avec celles des capitales impériales, Rome et Byzance.
Longue de 1300 mètres à l'origine, l'enceinte comprenait une trentaine de tours. La teinte de la muraille est due à l'utilisation de briques, de pierres de roussard (grès rouge) et d'un mortier rosâtre.
La construction de l'enceinte s'est certainement étalée du milieu des années 270 au début des années 300. Cette construction s'inscrit probablement dans la campagne de constructions décidées par l'empereur Aurélien. Vindunum (Le Mans) n'est pas la seule cité à se doter d'une enceinte fortifiée à cette époque : Le mur d'Aurélien à Rome a été construit entre 271 et 282. L'Empire sort alors d'une grave crise (politique, militaire et économique) et Aurélien décide de concentrer toutes les administrations de chaque ville de l'Empire dans un castrum où elles seront à l'abri. Le castrum du Mans protégeait l'extrémité du plateau de Sargé qui domine la Sarthe.
La muraille du Mans est une des seules à posséder de telles décorations dont le caractère ostentatoire devait affirmer le prestige impérial, ainsi que celui du pouvoir local, après une période difficile.
Les remparts ne possèdent pas de véritables fondations, ils reposent simplement sur une assise de moellons, de blocs ou de dalles, parfois de pilotis en bois dans les zones humides. On retrouve dans la muraille des fragments de colonnes et frontons provenant de monuments antérieurs ce qui montre que les matériaux de bâtiments plus anciens ont été réemployés.
La muraille fut le seul système défensif de la ville jusqu'au XIVe siècle.
www.ouest-france.fr/pays-de-la-loire/le-mans-la-petite-hi...
www.lemans.fr/dynamique/des-idees-de-visite/les-monuments...
This building conserves most of the decorative elements of Tulum. It has two levels, of which the lower level is comprised of two temples, one within the other, where the decoration is concentrated. The façade of the inner temple is decorated with mural paintings, while that of the outer temple boasts stucco figures in bas-relief, including masks in the corners, sculptures in three niches in the façade – the central one is a representation of the descending god – and human figures intertwined in the frieze. The temple of the upper level is very simple as its decoration consists of red-colored hand prints.
...bathe with a friend! 8-)
The house sparrows were very busy yesterday taking baths in the birdbath Leo likes to drink out of.........you know what they say.........while the cat's away...........
Perhaps this will make the water taste extra yummy.....nothing like a little essence of feathers to flavor things up a little!.
On cold mornings butterflies conserve energy by hanging on plants until the day warms up.
Butterflies reproduce the way other animals do -- sperm from a male fertilizes eggs from a female. Males and females of the same species recognize one another by the size, color, shape and vein structure of the wings, all of which are species specific. Butterflies also recognize each other through pheromones or scents. During mating, males use clasping organs on their abdomens to grasp females.
Many male butterflies deliver more than just sperm to their mates. Most provide a spermatophore, a package of sperm and nutrients the female needs to produce and lay eggs. Some males collect specific nutrients to produce a better spermatophore in an attempt to attract a mate. Some females, however, don't have a choice -- in some species, males mate with females before they have left their chrysalis or swarm the chrysalis waiting for the female to appear. In most species, males and females look a lot a like, but females often have larger abdomens for carrying their eggs.
Females store the sperm in a sac called a bursa until she's ready to lay her eggs. She fertilizes her eggs as she lays them, using the last sperm she received first. For this reason, males of some species will leave a substance that dries into a film on the female's abdomen in an effort to keep her from mating with other males. Females lay their eggs one at a time or in batches of hundreds depending on their species.
A butterfly has to take special care when laying eggs. The eggs must be kept warm and at the right humidity level. Too much moisture and the egg will rot or be attacked by fungus. Too little and the egg will dry out. Caterpillars also need to start eating as soon as they hatch, so most of the time females place the eggs directly onto a plant the caterpillar will eat. Typically, the eggs attach to the underside of a leaf so they are hidden from predators.
In spite of all the effort female butterflies make to protect their eggs, very few make it to adulthood. Ants, birds and other animals can eat the eggs themselves. Also caterpillars and butterflies are popular snacks for everything from birds to bats. Some insects also lurk in or around flowers to prey on adult butterflies. A butterfly's chrysalis also has few defenses from predators and, at all stages of life, a butterfly can succumb to fungi and diseases.
Parides iphidamas is commonly known as the Iphidamas Cattleheart and the Transandean Cattleheart.
Wings of the Tropics, Fairchild Tropical Botanic Garden, Miami FL
L'original de ce tableau est conservé au musée du Prado à Madrid.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the museum of Prado in Madrid.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
Conserve water!
Explore!
Taken from my archives. :P Just needed to post something. :D This might be gone by tomorrow. Haha! I really have a hand thing, don't I? Lol!
*Scratch that. I guess I'll keep it. :P :D
"A fledgling American Bald Eagle in flight."
New Jersey Eagle Project - 2020
Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife’s Endangered & Nongame Species Program, is releasing results of the 2019 NJ Bald Eagle nesting season.
2019 was a record year for NJ eagles with the highest number of active nests and young fledged in the history of the project. This year, 238 eagle nests were monitored, of which 189 were active (laid eggs) and 248 young fledged. This is the highest number of fledges ever, surpassing the previous high of 216 in 2016.
🇫🇷 1er arrêt : site de Termesos
Termessos est une cité antique dont les ruines actuelles, relativement bien conservées, sont à 34 km au nord-ouest d'Antalya. située en altitude (1 050 m) au fond d'une gorge qui se termine par un petit plateau coincé entre deux sommets .
Le site de Termessos a connu une occupation très ancienne, citée par Homère dans l'Iliade. La ville semble donc déjà exister bien avant l'an 1000 avant JC, elle faisait alors partie de l'empire Hittite.
Termessos passera ensuite sous influence des Phrygiens, des Lydiens puis des Perses. Cette cité réputée combative, bien protégée par son environnement, résiste ainsi à Alexandre le Grand qui tente en vain de conquérir la ville en 334 avant JC.
A la mort d'Alexandre le Grand, Termessos tombe sous la coupe de l'un de ses généraux, la ville bien que restant très indépendante s'hellénise progressivement.
🇬🇧 1st stop: Termessos is an ancient city whose relatively well-preserved ruins lie 34km north-west of Antalya. It lies at an altitude of 1,050m at the bottom of a gorge that ends in a small plateau wedged between two peaks.
The site of Termessos was inhabited very long ago, as mentioned by Homer in the Iliad. The city seems to have existed long before 1000 BC, when it was part of the Hittite Empire.
Termessos then came under the influence of the Phrygians, Lydians and Persians. With its reputation for fighting spirit and well-protected environment, Termessos was able to resist Alexander the Great's unsuccessful attempt to conquer the city in 334 BC.
After the death of Alexander the Great, Termessos fell under the control of one of his generals, and although it remained very independent, it gradually became Hellenised.
🇩🇪 1. Station: Termessos ist eine antike Stadt, deren heutige, relativ gut erhaltene Ruinen 34 km nordwestlich von Antalya liegen. Sie liegt hoch (1050 m) am Ende einer Schlucht, die in einem kleinen Plateau zwischen zwei Gipfeln endet.
Termessos war schon sehr früh besiedelt und wurde von Homer in der Ilias erwähnt. Die Stadt scheint schon lange vor 1000 v. Chr. bestanden zu haben und gehörte damals zum Reich der Hethiter.
Später geriet Termessos unter den Einfluss der Phryger, der Lyder und schließlich der Perser. Die Stadt galt als kämpferisch und war durch ihre Umgebung gut geschützt. So widerstand sie auch Alexander dem Großen, der 334 v. Chr. vergeblich versuchte, die Stadt zu erobern.
Nach dem Tod Alexanders des Großen fiel Termessos unter die Herrschaft eines seiner Generäle, und die Stadt behielt zwar ihre Unabhängigkeit, wurde aber nach und nach hellenisiert.
🇪🇸 1.ª parada: Termessos es una antigua ciudad cuyas ruinas, relativamente bien conservadas, se encuentran a 34 km al noroeste de Antalya, a 1050 m de altitud, en el fondo de un desfiladero que termina en una pequeña meseta encajonada entre dos picos.
El emplazamiento de Termessos estuvo ocupado desde tiempos antiguos, como menciona Homero en la Ilíada. La ciudad parece haber existido mucho antes del año 1000 a. C., cuando formaba parte del Imperio hitita.
Posteriormente, cayó bajo la influencia de los frigios, lidios y persas. Gracias a su reputación de espíritu combativo y a su entorno bien protegido, Termessos pudo resistir el intento infructuoso de Alejandro Magno de conquistarla en el 334 a. C.
Tras la muerte de Alejandro Magno, la ciudad pasó a estar bajo el control de uno de sus generales y, aunque siguió siendo muy independiente, poco a poco se fue helenizando.
🇮🇹 1a tappa: Termessos è un'antica città le cui rovine, relativamente ben conservate, si trovano a 34 km a nord-ovest di Antalya, a 1.050 m di altitudine, in fondo a una gola che termina su un piccolo altopiano incuneato tra due cime.
Il sito di Termessos fu occupato molto tempo fa, come ricorda Omero nell'Iliade. La città sembra sia esistita ben prima del 1000 a.C., quando faceva parte dell'impero ittita.
Successivamente, passò sotto l'influenza dei Frigi, dei Lidi e dei Persiani. Grazie alla sua reputazione di città dallo spirito combattivo e al suo ambiente ben protetto, Termessos riuscì a resistere al tentativo fallito di Alessandro Magno di conquistarla nel 334 a.C.
Alla morte di Alessandro Magno, Termessos passò sotto il controllo di uno dei suoi generali e, sebbene la città rimase molto indipendente, si ellenizzò gradualmente.
Translated by Deepl
Bladensburg National Park conserves 84,900ha of Mitchell Grass Downs and Channel Country, including unique birdlife, plants and animals. Impressive flat-topped plateaus and residual sandstone ranges provide a scenic backdrop to vast grassland plains and river flats, river red gums and rocky scarp.
Bladensburg National Park encompasses areas of important Indigenous and pastoral heritage. The Koa People consider Bladensburg to be part of their traditional country, and the park is also important to the Maiawali and Karuwali People. Skull Hole is believed to be the site of a massacre of Aboriginal people in the late 1800s.
Pastoralists established a large station at Bladensburg—the homestead has been restored and is used as an information centre and ranger office. There are other sites within the park which offer reminders of the park’s early pastoral history.
Source: Queensland Government: Parks and forests, Department of Environment & Science.
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
You can read more about this pair of American Bald Eagles at Conserve Wildlife Foundation of New Jersey www.conservewildlifenj.org/blog/2017/11/20/w34-a-ny-bande...
SPOTLIGHT ON THE BALD EAGLE’S ALL-AMERICAN COMEBACK IN NEW JERSEY
by Lindsay McNamara, Communications Manager
June 20th 2016
In 1985 — just 31 years ago — a single bald eagle nest remained in the state of New Jersey. In 2015, CWF and partners monitored 161 nests throughout the Garden State. Just this year (as of June 20, 2016), over 50 young eagles have already fledged from their nests! What sparked this All-American comeback of the United States’ National Bird?
DDT use was banned in the United States in 1972. That ban combined with restoration efforts by biologists within the NJ Division of Fish and Wildlife’s Endangered and Nongame Species Program (ENSP) resulted in 25 bald eagle pairs by 2000.
In 2017 the number of New Jersey active bald eagle pairs was 170.
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
New Jersey Bald Eagle Project Report | 2016
New Jersey Bald Eagle Project Report | 2016 may be downloaded here: docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYX...
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre and the Musée des Beaux Arts in Besançon. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a decree of 13 Fructidor year IX (31 August 1801), which was promulgated by the minister of the interior, Jean-Antoine Chaptal (Arrêté Chaptal du 14 fructidor an IX). At the start of the 19th century several medieval buildings (notably the refectory) were demolished and in their place Viollet-le-Duc and his pupil Darcy put up new exhibition galleries, accessed by a Gothic Revival monumental stair offering an interplay of richly complicated vaulting systems. The works continued from 1873 to 1901, when the museum reopened. In effect, Toulouse commissioned Urbain Vitry to ensure remove all the convent's religious characteristics. The archaeologist Alexandre Du Mège occupied the cloister and rebuilt it to be able to house the medieval collections gathered from Toulouse's destroyed religious buildings such as the basilique Saint-Sernin. Today the cloister houses a reconstructed medieval garden. The building was classed as a Monument historique in 1840. en.wikipedia.org/wiki/Musée_des_Augustins
Great Sand Dunes National Park and Preserve
Great Sand Dunes National Park and Preserve is an American national park that conserves an area of large sand dunes up to 750 feet (230 m) tall[5] on the eastern edge of the San Luis Valley, and an adjacent national preserve in the Sangre de Cristo Range, in south-central Colorado, United States.[6] The park was originally designated Great Sand Dunes National Monument on March 17, 1932, by President Herbert Hoover. The original boundaries protected an area of 35,528 acres (55.5 sq mi; 143.8 km2).[2] A boundary change and redesignation as a national park and preserve was authorized on November 22, 2000, and then established on September 24, 2004.[3] The park encompasses 107,342 acres (167.7 sq mi; 434.4 km2) while the preserve protects an additional 41,686 acres (65.1 sq mi; 168.7 km2) for a total of 149,028 acres (232.9 sq mi; 603.1 km2).[1] The recreational visitor total was 527,546 in 2019.[4]
The park contains the tallest sand dunes in North America.[7] The dunes cover an area of about 30 sq mi (78 km2) and are estimated to contain over 1.2 cubic miles (5 billion cubic metres) of sand.[8] Sediments from the surrounding mountains filled the valley over geologic time periods. After lakes within the valley receded, exposed sand was blown by the predominant southwest winds toward the Sangre de Cristos, eventually forming the dunefield over an estimated tens of thousands of years.[9] The four primary components of the Great Sand Dunes system are the mountain watershed, the dunefield, the sand sheet, and the sabkha.[8] Ecosystems within the mountain watershed include alpine tundra, subalpine forests, montane woodlands, and riparian zones.[10]
Evidence of human habitation in the San Luis Valley dates back about 11,000 years. The first historic peoples to inhabit the area were the Southern Ute Tribe; Apaches and Navajo also have cultural connections in the area. In the late 17th century, Diego de Vargas, a Spanish governor of Santa Fe de Nuevo México, became the first European on record to enter the San Luis Valley. Juan Bautista de Anza, Zebulon Pike, John C. Frémont, and John Gunnison all travelled through and explored parts of the region in the 18th and 19th centuries. The explorers were soon followed by settlers who ranched, farmed and mined in the valley starting in the late 19th century. The park was first established as a national monument in 1932 to protect it from gold mining and the potential of a concrete manufacturing business.[11]
Visitors must walk across the wide and shallow Medano Creek to reach the dunes in spring and summer. The creek typically has a peak flow from late May to early June. From July to April, it is usually no more than a few inches deep, if there is any water at all.[12] Hiking is permitted throughout the dunes with the warning that the sand surface temperature may reach 150 °F (66 °C) in summer.[13] Sandboarding and sandsledding are popular activities, both done on specially designed equipment that can be rented just outside the park entrance or in Alamosa.[14] Visitors with street-legal four-wheel drive vehicles may continue past the end of the park's main road to Medano Pass on 22 miles (35 km) of unpaved road, crossing the stream bed of Medano Creek nine times and traversing 4 miles (6.4 km) of deep sand.[15] Hunting is permitted in the preserve in the autumn, but prohibited within national park boundaries at all times.[16] The preserve encompasses nearly all of the mountainous areas north and east of the dunefield, up to the ridgeline of the Sangre de Cristos.[6]
Source: en.wikipedia.org/wiki/Great_Sand_Dunes_National_Park_and_...
L'original de ce tableau est conservé au musée des Beaux Arts de Gand (Gent).
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the museum of Beaux Arts of Gand (Gent).
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
The Robberg Peninsula is conserved for several reasons. The mainland connects to an island through a spit called a tombolo. This results from waves sweeping around both sides of the island. Similar to other rocky headlands on this coastline, Robberg Peninsula supports a diverse array of plants and animals that have adapted to this land/sea ecology. But what sets it apart is the distinctive climbing-falling dune (one of only seven on this coastline). The bedrock of the peninsula was dated to the prehistoric breaking up of Gondwanaland and evidence of this can be seen at several sites. Besides the unique and fascinating typography, evidence of middle and later Stone Age inhabitation was found in a few of the caves. It is for this reason that the reserve was proclaimed a national monument.
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
En semaine, les petits marchés de Noël sont bien plus calmes et agréables.
Riquewihr fait parti de ceux là.
Cela permet de voir un peu plus clairement toute cette belle cité conservée, comme ce très beau bâtiment de la poste en arrière-plan avec colombages et peintures.
Sources : Wikipedia sur Riquewihr (Multi) && Informations sur Fernand Zeyer (FR)
Standing on one leg to conserve energy...
> Explored on 2013-03-12.
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NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
L'original de ce tableau est conservé au musée du Prado à Madrid.
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the museum of Prado in Madrid.
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
____________________________________________________
My photographs are © Copyrighted and All Rights Reserved.
These photos must NOT be reproduced and/or used in any form of publication, print or on the Internet without my written permission. Please contact me if you would like to use one of my pictures.
____________________________________________________
This vividly colorful house was constructed in 1900 in the Strait Chinese style by a local businessman named Tan Teng Niah. Once called “Elegant Pine” (which symbolised the Chinese virtue: endurance). At the time, the neighborhood was an industrial zone (Tan’s candy and rubber factories were located nearby) and many of Singapore’s ethnic-Chinese businessmen lived in similar villas.
This house is one of the last surviving Chinese Villas in Little India. This eight-room villa was built for Tan Teng Niah’s wife. He was one of the non-Indian communities who prospered in Little India.
The villa has many interesting features such as a courtyard, gilded name plate with the calligraphic inscription “siew song” or Elegant Pine (the pine being a symbol of endurance), richly carved pintu pagar (decorative swinging doors), bamboo tiled roof and calligraphic scrolls hanging from the living room. The villa has been restored and has been leased for commercial use.
Amid Singapore’s rapid economic growth and social change during the 20th century, the neighborhood evolved into what is now known as Little India. Most of the old merchant houses were razed to make way for modern commercial buildings and sleek skyscrapers. However, the Tan Teng Niah house survived, and during the 1980s, it underwent a full restoration to what people see today. Believed to be the last such house in existence, it’s now preserved under landmark status from the National Heritage Board.
Although the house’s historical background is interesting, the key to its popularity among locals and visitors is its current appearance. The exterior is painted in a rainbow riot of vivid colors, with every element—each individual slat, molding, panel, and pilaster—in a different hue than its neighbor. An array of sky blue, avocado green, traffic-cone orange, highlighter yellow, and nail-polish pink shades adorns the house. Further embellishments beyond the psychedelic color-palette include gilded Chinese calligraphy, intricate floral lunettes, and a bamboo-tiled roof.
2018 NJ BALD EAGLE PROJECT REPORT
by: Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Division of Fish and Wildlife, Endangered and Nongame Species Program, has released the 2018 NJ Bald Eagle Project Report.
“Two hundred-four nest sites were monitored during the nesting season, of which 185 were documented to be active (with eggs) and 19 were territorial or housekeeping pairs. Thirty new eagle pairs were found this season, 20 in the south, nine in central and one in the north. One hundred-twenty-one nests (66%) of the 182 known-outcome nests produced 172 young, for a productivity rate of 0.94 young per active/known-outcome nest. The failure rate was well above average with 61 nests (33%) failing to produce. The Delaware Bay region remained the state’s eagle stronghold, with roughly half of nests located in Cumberland and Salem counties and the bayside of Cape May County.”
The number of active nests has increased while the number of young eagles fledged has decreased since a high of 216 young fledged in 2016. During the 2018 eagle nesting season there was an abundance of cold, wet, windy and snowy weather which was the cause for a portion of the nest failures. As the eagle population increases, there are more eagles competing for territories. This can also be a contributing factor in nest failures. NJ is still in the range of 0.9 to 1.1 young per nest which is needed for population maintenance with a productivity rate of 0.94 young per known-outcome/active nest in 2018. The 2018 NJ Eagle Project Report has all the details on the project including telemetry, re-sightings and recoveries.
The success of the eagle project is due to the tremendous dedication of the NJ Eagle Project Volunteers. They monitor the nests in all types of conditions and education people about the eagles with enthusiasm.
Link to the 2018 NJ Bald Eagle Project Report: www.conservewildlifenj.org/downloads/cwnj_852.pdf
Bruno Vansina Quartet @ La Conserve Leuven
3MAY2018
Cyrille Obermüller Double bass
Kobe Proesmans Percussion
Bruno Vansina Alt Sax
Teun Verbruggen Drums
Photography: © Patrick Van Vlerken 2018
NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
L'original de ce tableau est conservé au musée des Beaux Arts de Gand (Gent).
You should know that it is not the original works that are exhibited at the Jheronimus Bosch Art Center but high quality photos in the original size of the work framed optimally. You can manipulate the triptychs.
In 2016, there was a big exhibition that had a lot of success with the original works at the Noordbrabants museum which adjoins the Stedelijk museum, but you could hardly get close and the cameras were forbidden.
The original of this painting is kept in the museum of Beaux Arts of Gand (Gent).
Il faut savoir que ce ne sont pas les oeuvres originales qui sont exposées au Jheronimus Bosch Art Center mais bien des photos de grande qualité au format original de l'oeuvre encadrées de façon optimale. Vous pouvez manipuler les triptyques.
En 2016, il y a eu une grande exposition qui a eu énormément de succès avec les oeuvres originales au Noordbrabants museum qui jouxte le Stedelijk museum, mais vous pouviez à peine approcher et les appareils photos étaient interdits.
Located away from the centre of Ouahigouya (~125,000 inhabitants in 2019), this building of neo-Sudanian architecture is one of the rare remains in the city. According to information received on-site, it was to be part of a railway project to connect Ouagadougou to Ouahigouya. Relatively well preserved, it is currently occupied by the Regional Directorate of Livestock, which occupies a large plot to the south-east of the town, offering great perspectives for photography.
Situé à l'écart du centre de Ouahigouya (~125.000 habitants en 2019), ce bâtiment d'architecture néo soudanienne est l'un des rares vestiges que renferme la ville. Selon les informations reçues sur place, il devait faire partie d'un projet de chemin de fer devant relier Ouagadougou à Ouahigouya. Relativement bien conservé, il est actuellement occupé par la Direction Régionale de l'Elevage qui occupe une grande parcelle au sud-est de la ville, offrant de belles perspectives pour des prises de vue.
Non-captive Male - Peregrine Hatchling
Peregrine Falcon
The Peregrine Falcon (Falco peregrinus), also known as the Peregrine, and historically as the Duck Hawk in North America, is a widespread bird of prey in the family Falconidae. A large, crow-sized falcon, it has a blue-grey back, barred white underparts, and a black head and "moustache". As is typical of bird-eating raptors, Peregrine Falcons are sexually dimorphic, females being considerably larger than males. The Peregrine is renowned for its speed, reaching over 200 mph during its characteristic hunting stoop (high speed dive), making it the fastest member of the animal kingdom. According to a National Geographic TV program, the highest measured speed of a Peregrine Falcon is 242 mph.
For more info: en.wikipedia.org/wiki/Peregrine_falcon
The Endangered and Nongame Species Program's (NJENSP) mission is to actively conserve New Jersey's biological diversity by maintaining and enhancing endangered, threatened and nongame wildlife populations within healthy, functioning ecosystems.
Un corps d’homme, réduit à l’essentiel.
Ni visage, ni gestes, ni identité.
La pierre a conservé la forme,
le jardin, lui, a poursuivi sa croissance.
Entre disparition et persistance,
il ne reste plus grand-chose à comprendre,
seulement à regarder.
A man’s body reduced to its bare presence.
No face, no gesture, no identity.
Stone has preserved the form,
while the garden quietly continued to grow.
Between disappearance and persistence,
there is little left to explain—
only to observe.
Model: My
Photo & retouch: Red
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