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Truth or Consequences New Mexico small old west NM town in the Desert 2010 Buildings Roads Signs distress T or C Hot Springs
Sierra County NM National Night Out 2016 held at the county fair grounds in the county Seat or Truth Or Consequence NM
Image Title: Government Spring
Date: c.1940
Place: Government Spring, Truth or Consequences, New Mexico
Description/Caption: P-102 Government Spring - Hot Springs, N.M.
Medium: Real Photo Postcard (RPPC)
Photographer/Maker: S.W. Post Card Co. Albuqquerque
Cite as: NM-Q-0002, WaterArchives.org
Restrictions: There are no known U.S. copyright restrictions on this image. While the digital image is freely available, it is requested that www.waterarchives.org be credited as its source. For higher quality reproductions of the original physical version contact www.waterarchives.org, restrictions may apply.
The MC dropped by to spit some freestyle verses, talk about his years in the hip hop game and his friendship with Kanye West.
Truth or Consequences New Mexico small old west NM town in the Desert 2010 Buildings Roads Signs distress T or C Hot Springs
Cons and Consequences (The Least Among Us), 57” x 57” (145 cm x 145 cm), latex, acrylic, gesso, ink, crayon, pencil, glitter glue, artist tape, masking tape on paper, 2020 (and before), Daniel Kerkhoff, from the series: The Least Among Us.
flickr.com/photos/23472741@N05/sets/72157667839312367
The Least Among Us
These are older paintings, sketches, and
mixed-media pieces, mostly. Ones that I
didn’t think were working by themselves.
Now, torn and ripped into pieces, collaged
and glued together, joined with newer
paintings and mixed-media pieces.
Reminding me of a crazy quilt, a patchwork
containing my history, a journal of my
painting, my art practice and associations,
noticing separate parts, discarded fragments,
joined, more lively now, dimensional,
connecting with others, unifying,
expansive relationships,
a document expressing my nomadic
existence, my residencies, reminding
me of parchments, folding like a blanket
and able to fit into my suitcase or store
under a bed, a narrative, with their
hide-like quality and creases and
wear, an aging fragility, with titles
that also connect me. From the series, “The
Least Among Us”, relating to the Bible quote:
“Truly I tell you, whatever you did for one
of the least of these brothers and sisters of
mine, you did for me” (Mathew 25:40, NIV),
contemplating vulnerability, our
interconnectedness and interdependence
with each other, all of us, each of us a
part of this whole, circular, organic,
also in pieces, muddied, torn with
wrinkles and unwanted marks,
collaged, relating, and together.
Cons and Consequences (The Least Among Us), 57” x 57” (145 cm x 145 cm), latex, acrylic, gesso, ink, crayon, pencil, glitter glue, artist tape, masking tape on paper, 2020 (and before), Daniel Kerkhoff, from the series: The Least Among Us.
flickr.com/photos/23472741@N05/sets/72157667839312367
The Least Among Us
These are older paintings, sketches, and
mixed-media pieces, mostly. Ones that I
didn’t think were working by themselves.
Now, torn and ripped into pieces, collaged
and glued together, joined with newer
paintings and mixed-media pieces.
Reminding me of a crazy quilt, a patchwork
containing my history, a journal of my
painting, my art practice and associations,
noticing separate parts, discarded fragments,
joined, more lively now, dimensional,
connecting with others, unifying,
expansive relationships,
a document expressing my nomadic
existence, my residencies, reminding
me of parchments, folding like a blanket
and able to fit into my suitcase or store
under a bed, a narrative, with their
hide-like quality and creases and
wear, an aging fragility, with titles
that also connect me. From the series, “The
Least Among Us”, relating to the Bible quote:
“Truly I tell you, whatever you did for one
of the least of these brothers and sisters of
mine, you did for me” (Mathew 25:40, NIV),
contemplating vulnerability, our
interconnectedness and interdependence
with each other, all of us, each of us a
part of this whole, circular, organic,
also in pieces, muddied, torn with
wrinkles and unwanted marks,
collaged, relating, and together.
This is a picture from my stay at Riverbend Hot Springs in Truth or Consequences, New Mexico.
You can read more about my visit to the resort at the link.
Kaido Haagen's exhibition in Tallinn about the consequences of Russian invasion to South Ossetia. We visited this region just a year before...
We "way back" to '68, Topanga Canyon, hippy crash pad, 2AM. We share the Acapulco Gold, pass the Ripple and listen to the Byrds doing "My Back Pages." --Then we produce this photo of the Columbia River Gorge and tell them, "this is what the environmentalist movement will do to wonderland.... maybe if we explain the tax incentives... (I suppose, if you smoke a few, you could just watch them turn, turn, turn...:)
Cons and Consequences (The Least Among Us), 57” x 57” (145 cm x 145 cm), latex, acrylic, gesso, ink, crayon, pencil, glitter glue, artist tape, masking tape on paper, 2020 (and before), Daniel Kerkhoff, from the series: The Least Among Us.
flickr.com/photos/23472741@N05/sets/72157667839312367
The Least Among Us
These are older paintings, sketches, and
mixed-media pieces, mostly. Ones that I
didn’t think were working by themselves.
Now, torn and ripped into pieces, collaged
and glued together, joined with newer
paintings and mixed-media pieces.
Reminding me of a crazy quilt, a patchwork
containing my history, a journal of my
painting, my art practice and associations,
noticing separate parts, discarded fragments,
joined, more lively now, dimensional,
connecting with others, unifying,
expansive relationships,
a document expressing my nomadic
existence, my residencies, reminding
me of parchments, folding like a blanket
and able to fit into my suitcase or store
under a bed, a narrative, with their
hide-like quality and creases and
wear, an aging fragility, with titles
that also connect me. From the series, “The
Least Among Us”, relating to the Bible quote:
“Truly I tell you, whatever you did for one
of the least of these brothers and sisters of
mine, you did for me” (Mathew 25:40, NIV),
contemplating vulnerability, our
interconnectedness and interdependence
with each other, all of us, each of us a
part of this whole, circular, organic,
also in pieces, muddied, torn with
wrinkles and unwanted marks,
collaged, relating, and together.
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některé hudby se neoposlouchají ani po pěti letech
Consequence of the wig change, Hisoka also changed his style! He's so sexy with Nathaniel's clothes on ~ <3
Raccoons are generally nocturnal and certainly keep themselves busy around the property moving back and forth between the pond and feasting on the birdseed that falls to the ground under all the feeders.
The dogs are very cognizant of their active nightlife often resulting in broken sleep (not to mention mine). So call it pay back when a raccoon doesn’t make it back to it’s den before dawn breaks and finds itself stuck in a tree for a portion of the day.