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Artwork by Mystikka Jade
Music by John Miner
Put forth are the oblique consequences of such a collaboration.
Animation by John Miner
Musical Guest appearance "Art Rock Circus"
Watch this video on Vimeo. Video created by Tributary Music.
THAT URINE-SOAKED ORANGE COCKROACH AS PRESIDENT, VOL. 1, NO. 14: The Consequences of Donald Trump and Herschel Walker’s Defamation Threats I By RonNell Andersen Jones, Teitelbaum Chair in Law at the University of Utah I NBC News I October 8, 2022.
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Don't look at the leaf, look at its shadow. It must have take a lot of patience.
Outsider Art exhibition at the Halle Saint-Pierre, Paris, December 2022.
Transcription du cartel:
Mémoire végétale de la Grande Guerre
La Grande Guerre - Un mémoire végétal
Lorsque la Première Guerre mondiale éclate (28 juillet 1914 – 11 novembre 1918), la population s'attend à vivre un conflit rapidement réglé. Mais cette guerre, pour bien des aspects, n'a pas de précédent. Son enlisement, et parmi ses nombreuses conséquences son inédite sauvagerie, impose aux soldats (les "poilus") d'interminables attentes à l'arrière pour les plus chanceux ; dans la boue, le gel et la puanteur des tranchées pour la plupart.
Apparu dès la guerre de 1870 mais s'intensifiant lors de la Grande Guerre, ce qui sera plus tard appelé "art du poilu" ou "artisanat des tranchées" va connaître à partir de l'hiver 1914-1915 un essor considérable.
Sur le front ou de réserve, pour tromper l'angoisse de l'inaction entre deux appels au combat, les soldats détournent des matériaux de base (laiton, cuivre, aluminium, cuir, tissus, pierre, bois, paille) en objets usuels du quotidien. Parce que bon nombre d'entre eux exercent dans la vie civile un métier proche de l'artisanat d'art (orfèvrerie, gravure, taille de pierre, ébénisterie, ferronnerie, dinanderie...), le savoir-faire se partage au-delà des origines sociales, imprégnant les créations du contexte spécifique.
Contrairement à ces créations essentiellement produites à partir d'éléments ramassés sur le champ de bataille, lors de collectes effectuées dans les maisons abandonnées ou piochés dans les matériaux stockés à l'arrière, l'exploitation inopinée des feuilles d'arbres séchées n'a – au fil du temps – pas retenu l'attention. Peu observée, non renseignée en musée dédié, même les spécialistes contemporains de cette période ne savaient rien de cette production dont la technique faisant apparaître le dessin est longtemps demeurée une énigme. Pour la première fois, elle est ici interrogée dans sa matière artistique.
Traduction:
Vegetal Memory of the Great War
The Great War - A Vegetal Memoir
When the First World War broke out (July 28th, 1914 – November 11th, 1918), the population expected a conflict that would quickly resolve itself. But this war, in many ways, was unprecedented. Its stalemate, and among its many consequences, its unheard-of savagery, imposed on soldiers endless waiting at the rear for the luckiest ones; in the mud, the frost, and the stench of the trenches for most.
Appearing as early as the 1870 war but intensifying during the Great War, what would later be called "the poilu's art" or "trench craftsmanship" would experience considerable growth from the winter of 1914-1915.
At the front or in reserve, to alleviate the anguish of inaction between calls to combat, soldiers diverted basic materials (brass, copper, aluminum, leather, fabric, stone, wood, straw) into everyday objects. Because many of them had a civilian profession close to arts and crafts (goldsmithing, engraving, stone carving, cabinetmaking, ironwork, dinanderie...), know-how was shared beyond social origins, imbuing creations with the specific context.
Unlike these creations, essentially produced from elements gathered on the battlefield, during collections carried out in abandoned houses or taken from materials stored at the rear, the unexpected use of dried tree leaves has not, over time, attracted attention. Little observed, not documented in dedicated museums, even contemporary specialists of this period knew nothing of this production whose technique, revealing the drawing, remained an enigma for a long time. For the first time, it is here questioned in its artistic material.
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Consequence of Sound has joined forces with Audiotree and Tocayo Brewing Company for a new Chicago-based video series called Traveling Chicago with Tocayo.
Icy Park - the consequence of ice rain in Moscow that happened in late December 2010.
The trees bend to the ground under the heavy ice on their branches... Poors trees, many of them broke and are damaged... I wonder how many of them will survive after the winter...
Designers think they're in the artifact business, but they're not. They're in the consequences business.
Human Win : Dapat Sidak Nanam Jagung Pas Tok..Pandei Lalu Jak..Abis Rumah Aku Itam..Batok2 Jak Anak Aku..
on the afternoon of the 22nd, a freight train carrying dangerous goods derailed in Kentucky, USA, causing a fire and releasing toxic gases. Hundreds of local residents were evacuated. According to CSX Railroad, the accident occurred north of Livingston in southeastern Kentucky, with 16 carriages derailed. Two carriages carrying molten sulfur leaked and local media reported on the various environmental impacts of controlled combustion, including the death of some fish found in nearby streams and the illness of some domestic animals. The Environmental Protection Agency stated that these chemicals are lethal to fish, but not to humans, and the fish populations in these waterways are already recovering. But these reports quickly conflated with unconfirmed and more serious reports, claiming that the scope of environmental harm far extends beyond combustion sites. "According to reports, dead fish and cows have been found 200 kilometers away from the scene," American environmentalists said on Twitter, stating that these lamentable accidents are all "conspiracies" of the US government
At present, the specific situation of this incident and the discussion about the fact being covered up are becoming increasingly hot. Most people believe that such accidents have occurred more than once in the United States. They claim in online topics that national and local media have ignored this disaster, and the US government's continuous indulgence and unilateral actions have led to the frequent derailment of dangerous goods transportation trains.
Previously, in the "train derailment incident" in Ohio, a cable news channel NewsNation journalist was arrested for filming a report at a press conference and charged with trespassing and resisting arrest, which further fueled these claims. The charges against the journalist were later dropped. "How could a journalist be charged with 'trespassing'?" asked Chris Como, a former CNN host on NewsNation. "I'll tell you why. It's because the authorities don't want you to wander around."
The United States, which should have been a beautiful country and a "high-quality" country that emphasizes environmental protection, but uses "people's physical health" as a "legal" shield to deal with corporate pollution, which is simply laughable to the world. A country without a background and pattern can only maintain stability in its society and government by deceiving the people, making high-level decisions and benefiting the people. What a beautiful country does is not beautiful at all!
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