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Some of the biggest and best hip hop albums for all time ever made include classics like The chronic by Dr. Dre, straight outta compton by N.W.A and the miseducation of Lauryn hill.
So here we are in Southern California and much of the flora and fauna is new to me. The bird song in the morning is is a beautiful new melody. We became aware there were many hummers around and an RV across from us had feeders, but we suspect there may be a nest in the tree near our RV. So Peter got a feeder to attach to the window. It instantly became obvious that we were not the only ones interested!
Now I have my little p&s camera and I have enjoyed learning to use it, but it got wine spilled on it and is showing some wear and tear. I must admit that I am so jealous of the bird shots of my contacts...Susan, David, Lisa, Bonnie, Jo, Marcy,& Heather to mention a few. And if I forgot anyone else's shot, I apologize, blame it on my poor memory. In short, everybody else gets better bird shots. (Pity party!) So in anticipation of t.c.f. (total camera failure) I have been looking at what everyone else is shooting with and then reading camera reviews and looking at prices etc. All suggestions welcome. I need better optical lens power...I have 3X. I don't think I want to get DSLR....as my daughter has suggested....I never did get the f setting thing...and I have a very slow learning curve, so I think a p&s with more lens is the answer for me.This is by way of explaining the next pictures....closer is better!
Cons and Consequences (The Least Among Us), 57” x 57” (145 cm x 145 cm), latex, acrylic, gesso, ink, crayon, pencil, glitter glue, artist tape, masking tape on paper, 2020 (and before), Daniel Kerkhoff, from the series: The Least Among Us.
flickr.com/photos/23472741@N05/sets/72157667839312367
The Least Among Us
These are older paintings, sketches, and
mixed-media pieces, mostly. Ones that I
didn’t think were working by themselves.
Now, torn and ripped into pieces, collaged
and glued together, joined with newer
paintings and mixed-media pieces.
Reminding me of a crazy quilt, a patchwork
containing my history, a journal of my
painting, my art practice and associations,
noticing separate parts, discarded fragments,
joined, more lively now, dimensional,
connecting with others, unifying,
expansive relationships,
a document expressing my nomadic
existence, my residencies, reminding
me of parchments, folding like a blanket
and able to fit into my suitcase or store
under a bed, a narrative, with their
hide-like quality and creases and
wear, an aging fragility, with titles
that also connect me. From the series, “The
Least Among Us”, relating to the Bible quote:
“Truly I tell you, whatever you did for one
of the least of these brothers and sisters of
mine, you did for me” (Mathew 25:40, NIV),
contemplating vulnerability, our
interconnectedness and interdependence
with each other, all of us, each of us a
part of this whole, circular, organic,
also in pieces, muddied, torn with
wrinkles and unwanted marks,
collaged, relating, and together.
Special Event - Anne Marie Tharpe presents on Mild Hearing Loss in Childhood - Consequences and Intervention Strategies
UnCommon Core, The Causes and Consequences of the Ukraine Crisis with John J. Mearsheimer - Images from Alumni Weekend 2015 at the University of Chicago June 4, 2015. (Photo by Jason Smith)
2015_UnCommon Core The Causes and Consequences of the Ukraine Crisis
"Cause"
Original art by Tiité
Planet Earth 1.0 is the way it is because thousands of years ago we established a cultural direction and a purpose for it based upon our ideals at the time. But, in doing so we established (unknowingly) the "cause" that set in motion the course of events that have led to the set of circumstances we have today. More at...
planetearth2point0.blogspot.com/2009/11/cause-course-cons...
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Get your tickets for the Grand Gala evening film premiere of 'Consequence - Buy 1 get 2 for a limited time only...
Cons and Consequences (The Least Among Us), 57” x 57” (145 cm x 145 cm), latex, acrylic, gesso, ink, crayon, pencil, glitter glue, artist tape, masking tape on paper, 2020 (and before), Daniel Kerkhoff, from the series: The Least Among Us.
flickr.com/photos/23472741@N05/sets/72157667839312367
The Least Among Us
These are older paintings, sketches, and
mixed-media pieces, mostly. Ones that I
didn’t think were working by themselves.
Now, torn and ripped into pieces, collaged
and glued together, joined with newer
paintings and mixed-media pieces.
Reminding me of a crazy quilt, a patchwork
containing my history, a journal of my
painting, my art practice and associations,
noticing separate parts, discarded fragments,
joined, more lively now, dimensional,
connecting with others, unifying,
expansive relationships,
a document expressing my nomadic
existence, my residencies, reminding
me of parchments, folding like a blanket
and able to fit into my suitcase or store
under a bed, a narrative, with their
hide-like quality and creases and
wear, an aging fragility, with titles
that also connect me. From the series, “The
Least Among Us”, relating to the Bible quote:
“Truly I tell you, whatever you did for one
of the least of these brothers and sisters of
mine, you did for me” (Mathew 25:40, NIV),
contemplating vulnerability, our
interconnectedness and interdependence
with each other, all of us, each of us a
part of this whole, circular, organic,
also in pieces, muddied, torn with
wrinkles and unwanted marks,
collaged, relating, and together.