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A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Film initialization, October 27, 2022
69004 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
Featured in the Wall Street Journal
online.wsj.com/article/SB10001424052702304141204577509473...
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
G-AMRA was built in 1944 and joined the USAF as 43-49474. She was transferred to the RAF on lend-lease and used in the Berlin Airlift. She later flew with many airlines including Starways, BUA and BIA until joining us in 1981.
G-AMRA has spent her life with Air Atlantique and Classic Flight transporting all manner of different loads such as fresh fish, mail, car spares, oil rig equipment, aircraft engines and is configured once a year to drop one million poppies over the remembrance day commemorations at Coventry. She has also appeared in the Berlin Airlift 40th Anniversary flypast, the amazing Coventry Airshow 7 ship formation and various air displays around the country as well as appearing several times in numerous film and TV roles including Steven Spielbergs "Band of Brothers'" serialisation.
She is a delightful way to remember 1930's passenger aviation as the thousands of people who have flown in her will testify.
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
I'm not much of a flickr user, but I've seen some great stuff on this pool and I thought I'd give it a shot. All icons are custom made and, as of now, not released. Uses AHK, D-Color, Rainmeter (Enigma and HUD.Vision - based configs), NiteLite XP, DesktopCoral, and Digsby.
Configured for both transport and aerial refueling duties, this short-body C-130J is currently assigned to VMGR-352 "Raiders."
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Some new and re-configured jewelry created for my Etsy shop in early September, 2012.
These necklaces feature what I call "Watercolor Beads"- I hand shape a bead out of properly conditioned polymer clay, cure it in the oven, sand it and smooth it. After all of that, I dye/paint the surface of the bead with a mix of inks, dyes, and liquid paints and then coat it with several coats of Varathane to make it colorfast and weatherproof.
Thanks for looking :)
The beads on these necklaces are actually designed to fit on all "Euro" style jewelry (Pandora, Troll, etc)- they are lined with sterling silver and are designed to slide off the clasp of the necklace I made and easily will slide onto "Euro" jewelry.
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
~*~ PARCEL NAME ~*~
Animazoo
~*~ PARCEL DESC ~*~
motion capture animations pre-configured AO animation override couples dances dance HUD dancing waltz cha rumba salsa belly dance gesture gestures anime mocap female male animations couple balls cute ZHAO AOs
~*~ PARCEL OWNER ~*~
Dave Bellman
~*~ PARCEL GROUP ~*~
Dave Bellman
~*~ PARCEL AREA ~*~
33408 m²
~*~ PARCEL ID ~*~
98cf7936-92ae-9b82-467d-6f22983a9270
~*~ PARCEL SLURL ~*
Animazoo animations (193,124,35)
Station Rivendell configurée sous debian à l'occasion de la formation Rivendell organisée dans les locaux de Radio Campus Montpellier. La carte son utilisée est une M-Audio 1010.
Turning to the future Negroponte expressed his belief in a number of technologies including software defined radio (SDR) combined with Meta standards. He believes that the future lies in configuring the radio capabilities and settings for a device over the air using technology known as software defined radio in order to make it possible for any device to be used on any spectrum band. Borrowing from the web he stated that some form of Meta tagging could be used to manage this process and the interaction with the network.
Turning to the current structure for the sale of airtime and subscriptions on GSM networks he launched an attack on mobile operators telling them that they should learn from Swiss watch maker Swatch. Challenging the audience to tell him what the name Swatch is derived from he informed them that rather than being “Swiss Watch” (as many people believe it to be) it was in fact “Second Watch.” The founder of Swatch (Nicolas Hayek) had understood the need to break out of the paradigm of people only having one watch. He urged network operators to offer multiple SIM cards on the same number and bill stating that people should have “10, 15,….20 connected devices.” He also raised a laugh from the audience when he said that moving your number from one device to another should “not be a fingernail breaking experience” – alluding to the difficulty around removing a SIM card from a mobile phone.
He went on to describe how he believes the mobile industry is “at the foothills” of a peer to peer world and that the world will evolve into a place where services are centred around “peer to peer” everything.
Finally he addressed the issue of ever changing form factors for mobile phones. This gave him an opportunity to discuss one of the topics which is clearly very close to his heart (based on this presentations and discussions prior to his speech). He is clearly frustrated by the relentless drive by manufacturers to keep adding features to devices (both phones and laptops) to compensate for the natural tendency for average selling prices (ASPs) to drop. Referring specifically to laptops he described “a natural fattening process” resulting in software getting so fat that its performance is detrimentally affected. He stated that this fattening process meant that “the fat lady can’t sing anymore.” He went on to state that new, high spec laptops (such as the latest dual core models) “are slower than they were three years” citing that you constantly have to struggle to turn them off and turning them on takes so long its painful. His concluding thoughts on this theme were that “technology obesity does not work” and that “adding features is unsustainable.”
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
Featured in the Wall Street Journal
online.wsj.com/article/SB10001424052702304141204577509473...
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
(more pictures you can see by clicking on the link at the end of page!)
Palais Niederösterreich Austria
Palais of Lower Austria, formerly known as the Lower Austrian Landhaus (former Gouvernment building of the Austrian State Niederösterreich)
The Palais Lower Austria is a building in Vienna. It is located in the city center, Herrengasse 13
Meaning
It got its name by renaming the Lower Austrian Landhaus in September 2005.
Before St. Pölten became the capital of Lower Austria was here the parliament of this country, and before that it was the seat of its estates. Here the Erbhuldigungen (the act of the Hereditary Homage) of the Austrian archdukes took place and it is also a place for important events in Austrian history.
The by the province of Lower Austria owned palace Niederösterreich is now used as a kind of "Embassy" of the country in the federal capital.
History
Renaissance portal, 1571
Architectural History
The Lower Austrian Landhaus before the rebuilding at the end of the 1830s
The formerly Liechtensteinsche house was purchased in 1513 of the Estates to be as political representative in the vicinity of the Prince. The building in many sections was transformed and expanded by later additions and enlargements. The Estates bought the stones themselves, inter alia, Burgschleinitzer stone, now called Zogelsdorfer stone, and for the stairs to the council office stairway scale of hard stain from Leythaberg, thus, hard Kaiserstein from Kaisersteinbruch, so wrote Hans Saphoy in an invoice. These steps present themselves today as built in "yesterday". He arched-in around 1570 the a great courtroom. From the Renaissance period the Landhaus chapel, the Gothic room and a portal are preserved. This portico of 1571 consists of a Ädikulaaufsatz (aediculae attachment) in relief, on it two knights with Archduke hats and five eagle coat of arms or barred shield of the coat of arms union of Old and Neuösterreich (New Austria). From an antique-style head sculpture in the pediment and lateral female figures with cornucopias. In red Adnet marble the year 1571 was etched.
The boardroom was later configured baroque, among other things, in 1710 with a fresco by Antonio Beduzzi, which is the largest contiguous ceiling painting in Austria. It shows "Austria", which before the Divine Providence pending is glorified. The painting is decorated with Flussallegorien (river allegories) (Sebethos, Danube, Po, Rhine, Save, Tajo, Elbe, Rio de la Plata) representing, illusionist stucco frame surrounded vault frescoes. This new stucco marble decor and wall panels created in 1710 Balthasar Haggenmüller. Equally baroque is also the judicial throne in the Knight's hall, which Claude Le Fort du Plessy is attributed. Knight's Hall, Lords Hall and Prelate's Hall were designed by the cathedral architect Leopold Ernst 1845/46.
Due to the many conversions and connecting buildings with added neighboring houses, the building made in the early 19th Century a very inconsistent impression. The last reconstruction therefore was aimed to give the building under preservation the older buildings a unified facade, which was 1837-1839 carried out by Alois Ludwig Pichl, a student of Nobile. This facade with its characteristic colossal columns is considered an important example of the classicism in Vienna.
Use until 20 Century
Diet stairs
In the 16th Century the Landhaus was a cultural and religious center of the at that time majoritarian Protestant Lower Austrian nobility and the Lutheran-minded Viennese citizens. This feature disappeared with the Counter-Reformation. On 13 March 1848 the Landhaus became the starting point of the revolution as citizens and students forced the Lower Austrian estates to support a petition to the Emperor, in which a constitution as well as freedom of press and freedom of assembly were demanded (see Lajos Kossuth and Adolf Fischhof).
In 1861 overtook the now at the place of the Estates steping in Lower Austrian Landtag the building. The Herrenhaus, the House of Lords of the Austrian Imperial Council, met provisionally from 1861-1883 in the building.
Political significance
Coat of arms
After the end of World War I took place on 21 October 1918 here the constitution of the Provisional National Assembly of the independent Austrian state.
By 1921 it was used for both the Lower Austrian together with the Vienna deputies. Since the secession of Lower Austria from Vienna in 1922 it was to 1997 the seat of the Lower Austrian Landtag, until the Diet by the relocation of the State government moved to the new capital St. Pölten.
In the autumn of 1945 a conference of State representatives took place here, where it was decided that the western provinces, too, the (originally only in the Soviet occupation zone effective) Renner government recognize what is regarded as constitutive of the Second Republic.
In 1995 the mayor of Vienna and Governor (of the state of Vienna) Michael Häupl and the Lower Austrian provincial Governor Erwin Pröll signed an agreement, in which Vienna by law of separation entitled for a half ownership of the Lower Austrian Landhaus transferred it to the province of Lower Austria.
As money equalization for this transfer of ownership Vienna got from the province of Lower Austria, among others, whose ownership interests in the Nursing home Klosterneuburg, at the
Danube Island North and at the Building of the District Administration Wien-Umgebung in the Alserbachstraße 41 transferred.
Utilisation
Self-supporting staircase Kaiserstein in Herrengassen tract
The Palais Lower Austria is used for conferences, meetings and celebrations of public and private institutions, and can also be rented for private purposes.
DMC Delorean configured for a trip to the future.
Check out the license plate.
Check out the Flux Capacitor.
Run time = 66 seconds.
This A321 is configured as the T model. It has only 3 classes and is exclusive to American. The pilots let me get a picture of the cockpit!
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Almost every mobile phone maker has come up with the smart-phones supporting various email apps. If you own a latest smart-phone, emailing becomes a lot easier for you. To know more, visit here.... www.mediafire.com/view/0scyrwde3xbyxu0/Configure_SMTP_on_...
Private collection sale € 29,90
Contact theflyingsabenien@gmail.com
British Airways
Scale 1-250 model
Boeing B747-400
Registration:
G-CIVM (MSN 28700/1116)
configured ""F14C70W30Y177""
painted in ""Waves and Cranes"" cs Jun 1997
painted in ""Union Flag"" cs May 2003
painted in ""oneworld"" special colours Apr 2014
re-configured ""F14C52W36Y235"" Oct 2015
wfu and std at DGX 16 Mar 2020
Broken up Sep 2020 at DGX St. Athan (DGX / EGDX)
Scrapped
Flat blue display stand - Original ethnic printed box
Airline Color Scheme - Introduced 1997 (Union flag)
Ethnic tail fin art design livery:
United Kingdom - Chatham Dockyard - Union Flag
Introduced on Concorde for relaunch, now the livery for entire fleet.
Aircraft type: Boeing B747-436
Delivered 5 Jun 1997
Configuration: F14C52W36Y235
Engines: 4x RR RB211-524G
Aircraft name: The Union Flag
IATA: BA
ICAO: BAW
Callsign: SPEEDBIRD
Airline Full Name: British Airways plc
Country: United Kingdom
Airline Founded: 31 Mar 1924
Group - Part of: International Airlines Group
Subsidiaries - Group Airlines: BA CityFlyer (23 aircraft)
Base - Main Hub: London Heathrow (LHR / EGLL)
Bases: London Gatwick (LGW / EGKK)
Fleet Size: 250 Aircraft (+ 7 On Order/Planned)
Brand: Wooster
Colors: Black - Dark blue - Grey - Red - Silver - White
Material: Synthetic
Condition: New
Dimensions (cm): Box: 4 x 6,7 x 28,2
Weight (g): 144
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen -Studio/350315618...
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
Two meeting tables configured together to allow space for 8 to meet in the main area. Behind these tables is the small 'lounge' area which seats 4, and the file storage areas for those members needing permanent file storage on site.
PFC Jonathan Bole helped configure the Boar Battle Wagon, pictured here at the JRTC in March. Named for the Wild Boars of the 4-10 BCT, the Gator all-terrain vehicle equipped with components of CS 13 supports voice and digital communications in austere environments not accessible by networked MRAP vehicles. After validating the solution during its JRTC rotation, the 2nd Battalion, 30th Infantry Regiment of the 4-10 is planning to take the Boar Battle Wagon to theater.
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Buescher continued to configure its post-war horns in what had become a signature style - a main tuning slide curving down from the leadpipe assembly at a leftward angle and entering the third valve on the left, of the third valve slide.
Note the finger ring on the third valve slide. This horn is wrapped much wider than the earlier Custom Built models; there's no problem operating the third valve slide with your right hand fingers.
Some of the earlier Buescher models were wrapped so tightly that players might find it hard to hook a finger through a top-mounted ring and operate the slide. Buescher's answer was to mount third slide rings (if present at all) on the bottom of the third slide tubing sleeve.
Another Buescher signature note is the distinctive shape of the right hand pinky hook. They had looked like that since the middle 1930s.
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
Mario is twirling a configuration want so to test how well the infrared cameras can follow them. This ensures that when people wear the 3-D glasses that it follows their head movements.
Working on configuring our server for controlling the nuclear missile facility management. I mean setting up our project management infrastructore. finally we get rid of those cloud services :)
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
Featured in the Wall Street Journal
online.wsj.com/article/SB10001424052702304141204577509473...
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
Unknown A-6A Intruder on the ramp configured with four drop tanks, date unknown. Photographer unknown.
Print Available: [Link]
Photo: Me.
Location: North-West Sydney, New South Wales (Australia).
Date: 28 May, 2010.
Tools:
- Nikon D60
- AF-S DX Nikkor 18-55mm Lens
- Slik Mirage Tripod
- Photoshop CS4
Effects: N/A
Post Processing: N/A.
Shutter Speed: 2.0 sec
F-Stop: f/11
Aperture Value: f/11
Max Aperture Value: f/5.6
ISO Speed: 200
Focal Length: 50mm
Lens: 18.0 - 55.0 mm f/3.5 - 5.6
More from the Series:
Up in the Air I [Link]
Up in the Air III [Link]
Up in the Air V [Link]
Up in the Air VI [Link]
Up in the Air VII [Link]
Copyright © Katt-25. All rights reserved. Images may not be reproduced in any form without my written permission.
How to configure virtual hosts in Apache HTTP server
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
The NG4access ODF is engineered and configured for fast deployment, ease of connectivity and with the least amount of risk to the network as possible, as well as the ability to reconfigure, expand the network and implement new services. With the NG4access installing and maintaining large amounts of fiber can be done faster, easier and less expensively.
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy