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Two meeting tables configured together to allow space for 8 to meet in the main area. Behind these tables is the small 'lounge' area which seats 4, and the file storage areas for those members needing permanent file storage on site.
Airmen assigned to the 153rd Airlift Wing load and configure a Modular Airborne Fire Fighting System (MAFFS II) on a C-130H Hercules aircraft. Wyoming Air National Guard MAFFS II certified crews will join the 302nd Airlift Wing, Colorado Springs, Colorado and the 145th Airlift Wing, North Carolina Air National Guard in California to assist in the containment of fires on the West Coast. (U.S. Air National Guard photos and video by Master Sgt. Charles Delano)
I was trying to build a custom configured kernel for a Raspberry Pi 3 Model B, but had some trouble. In an attempt to get more information about the problem, I built the kernel with a tiny font (pictured). The output shows that the kernel can read the SD card; the correct partition table data is listed. It also shows that it could not find an ext4 filesystem, but that is what was tried, so ext4 support is in the kernel.
The filesystem is indeed ext4 despite the error. I also built the kernel using the same options as the Raspberry Pi foundation uses, and that kernel was able to use the same filesystem. I eventually did get a custom kernel to boot the system, but I never found out what configuration option(s) prevent ext4 support from working.
Airmen assigned to the 153rd Airlift Wing load and configure a Modular Airborne Fire Fighting System (MAFFS II) on a C-130H Hercules aircraft. Wyoming Air National Guard MAFFS II certified crews will join the 302nd Airlift Wing, Colorado Springs, Colorado and the 145th Airlift Wing, North Carolina Air National Guard in California to assist in the containment of fires on the West Coast. (U.S. Air National Guard photos and video by Master Sgt. Charles Delano)
Before we headed out to the field, our instructors made sure we understood how to control our cameras manually.
The 2011 TT RS Audi is configured with state-of-the-art engineering, which exemplifies the automobiles industry's inventiveness of the proficiency. Audi has consistently brought forth cars like “Audi TT RS” - a supreme instance of creativity. auto.indiamart.com/cars/audi/audi-tt-rs.html
The Royal Chapel was configured as a quadrangular enclosure. A highlight is the extensive and rich ornamental design of its walls, based on plasterwork, stylised plant motifs, diamond-shaped panels and epigraphical motifs. Its roof is a vault that crosses four arches with another four in a diagonal shape. All of these elements are decorated with plaster honeycomb work which contributes to the decorative density of the space.
Some new and re-configured jewelry created for my Etsy shop in early September, 2012.
These necklaces feature what I call "Watercolor Beads"- I hand shape a bead out of properly conditioned polymer clay, cure it in the oven, sand it and smooth it. After all of that, I dye/paint the surface of the bead with a mix of inks, dyes, and liquid paints and then coat it with several coats of Varathane to make it colorfast and weatherproof.
Thanks for looking :)
The beads on these necklaces are actually designed to fit on all "Euro" style jewelry (Pandora, Troll, etc)- they are lined with sterling silver and are designed to slide off the clasp of the necklace I made and easily will slide onto "Euro" jewelry.
I've now restored my second RCA CDP18S020 board, and have configured it to work with my RCA CDP18S021 Microterminal. This board was actually in better condition that the other one, with less cut tracks and a cleaner prototyping area. The only real issue was the sticky goop on the middle of the prototyping area, which was an absolute b*gger to remove, and this has left some minor abrasions on the PCB surface (as can be seen in the photo).
I've sourced a nice vintage NOS ceramic CDP1802D CPU, which complements the banks of ceramic RAM chips and matches the small CDP1824 utility RAM in style. One row of main RAM is empty because it only came with 24 ceramic devices, and the remaining plastic devices have been fitted to my other board - I am unlikely to need more than 3K if I'm just typing in programs via the Microterminal! The only rather "boring" LSI component is the UT5 monitor ROM (CDPR522), which though of original RCA vintage, came in a bland black plastic package instead of the nice ceramic ones you often see.
After restoring the board, I temporarily fitted the UT4 monitor, and uploaded all my RAM test routines. After these checked out, I then switched it to use the UT5 ROM and Microterminal. The RUN U button was already missing, and I also removed the RUN P button, as this should be done when using the Microterminal; this has its own RU and RP buttons to perform the same functions.
This is the "museum exhibit", while the other board is my working version, as it is more useful running UT4. I have been waiting to get one of these boards for a long time, and I now have two, plus the unbuilt kit and two Microterminals!
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
Private collection sale € 29,90
Contact theflyingsabenien@gmail.com
British Airways
Scale 1-250 model
Boeing B747-400
Registration:
G-CIVM (MSN 28700/1116)
configured ""F14C70W30Y177""
painted in ""Waves and Cranes"" cs Jun 1997
painted in ""Union Flag"" cs May 2003
painted in ""oneworld"" special colours Apr 2014
re-configured ""F14C52W36Y235"" Oct 2015
wfu and std at DGX 16 Mar 2020
Broken up Sep 2020 at DGX St. Athan (DGX / EGDX)
Scrapped
Flat blue display stand - Original ethnic printed box
Airline Color Scheme - Introduced 1997 (Union flag)
Ethnic tail fin art design livery:
United Kingdom - Chatham Dockyard - Union Flag
Introduced on Concorde for relaunch, now the livery for entire fleet.
Aircraft type: Boeing B747-436
Delivered 5 Jun 1997
Configuration: F14C52W36Y235
Engines: 4x RR RB211-524G
Aircraft name: The Union Flag
IATA: BA
ICAO: BAW
Callsign: SPEEDBIRD
Airline Full Name: British Airways plc
Country: United Kingdom
Airline Founded: 31 Mar 1924
Group - Part of: International Airlines Group
Subsidiaries - Group Airlines: BA CityFlyer (23 aircraft)
Base - Main Hub: London Heathrow (LHR / EGLL)
Bases: London Gatwick (LGW / EGKK)
Fleet Size: 250 Aircraft (+ 7 On Order/Planned)
Brand: Wooster
Colors: Black - Dark blue - Grey - Red - Silver - White
Material: Synthetic
Condition: New
Dimensions (cm): Box: 4 x 6,7 x 28,2
Weight (g): 144
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen -Studio/350315618...
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen -Studio/350315618...
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Film initialization, October 27, 2022
69004 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Westland Lysander 111a. V9367 G-AZWT. Shuttleworth aircraft. This airframe is configured in the special duties role and is painted in 161 Squadron markings as flown by Pilot Officer Peter Vaughan-Fowler and based at near by Tempsford, Bedfordshire. This is probably as close as i will get to seeing a Lysander flying at night as if dropping or picking up an agent from behind enemy lines in France than i ever will, so even though its dark, this is what it should look like, probably even darker. Yes the weather was horrible, dark wet and damp. www.shuttleworth.org
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
Featured in the Wall Street Journal
online.wsj.com/article/SB10001424052702304141204577509473...
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen -Studio/350315618...
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
I'm not much of a flickr user, but I've seen some great stuff on this pool and I thought I'd give it a shot. All icons are custom made and, as of now, not released. Uses AHK, D-Color, Rainmeter (Enigma and HUD.Vision - based configs), NiteLite XP, DesktopCoral, and Digsby.
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
A Boeing 707 az elnöki gépek közül a legnevezetesebb, az első, amit Air Force 1-nek hívtak - Presidential Hangar, US Air Force Museum, Dayton, Ohio, USA.
SAM 26000 was the first of two Boeing VC-137C United States Air Force aircraft that were specifically configured and maintained for the use of the President of the United States. It used the callsign Air Force One when the President was on board, at other times it normally used the callsign SAM 26000. The VC-137C serial number 62-6000 was a customized version of the Boeing 707 which entered service in 1962 during the administration of John F. Kennedy. It was replaced in 1972, but kept as a backup. The aircraft was finally retired in 1998 and is now on display at the National Museum of the United States Air Force.
The Presidential hangars of the US Air Force Museum in Dayton, OH. Every time we were here before, we missed the up to 4 groups of 43 people allowed to visit the Presidential and Experimental exhibits. This last time we arrived early in the morning and managed to sign up for the tour. Pictures taken during our last visit in June 2009.
A daytoni US Air Force Museumban tett eddigi látogatásaink során mindig lemaradtunk a Presidential and Experimental hangárról, ahova csak aznap reggeli feliratkozással lehet bejutni, így mindig hamar megtelik a napi 4 maximum 43 fős túra. Most kora reggeli indulással ezt is sikerült megnézni.
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
~*~ PARCEL NAME ~*~
Animazoo
~*~ PARCEL DESC ~*~
motion capture animations pre-configured AO animation override couples dances dance HUD dancing waltz cha rumba salsa belly dance gesture gestures anime mocap female male animations couple balls cute ZHAO AOs
~*~ PARCEL OWNER ~*~
Dave Bellman
~*~ PARCEL GROUP ~*~
Dave Bellman
~*~ PARCEL AREA ~*~
33408 m²
~*~ PARCEL ID ~*~
98cf7936-92ae-9b82-467d-6f22983a9270
~*~ PARCEL SLURL ~*
Animazoo animations (193,124,35)
Station Rivendell configurée sous debian à l'occasion de la formation Rivendell organisée dans les locaux de Radio Campus Montpellier. La carte son utilisée est une M-Audio 1010.
Turning to the future Negroponte expressed his belief in a number of technologies including software defined radio (SDR) combined with Meta standards. He believes that the future lies in configuring the radio capabilities and settings for a device over the air using technology known as software defined radio in order to make it possible for any device to be used on any spectrum band. Borrowing from the web he stated that some form of Meta tagging could be used to manage this process and the interaction with the network.
Turning to the current structure for the sale of airtime and subscriptions on GSM networks he launched an attack on mobile operators telling them that they should learn from Swiss watch maker Swatch. Challenging the audience to tell him what the name Swatch is derived from he informed them that rather than being “Swiss Watch” (as many people believe it to be) it was in fact “Second Watch.” The founder of Swatch (Nicolas Hayek) had understood the need to break out of the paradigm of people only having one watch. He urged network operators to offer multiple SIM cards on the same number and bill stating that people should have “10, 15,….20 connected devices.” He also raised a laugh from the audience when he said that moving your number from one device to another should “not be a fingernail breaking experience” – alluding to the difficulty around removing a SIM card from a mobile phone.
He went on to describe how he believes the mobile industry is “at the foothills” of a peer to peer world and that the world will evolve into a place where services are centred around “peer to peer” everything.
Finally he addressed the issue of ever changing form factors for mobile phones. This gave him an opportunity to discuss one of the topics which is clearly very close to his heart (based on this presentations and discussions prior to his speech). He is clearly frustrated by the relentless drive by manufacturers to keep adding features to devices (both phones and laptops) to compensate for the natural tendency for average selling prices (ASPs) to drop. Referring specifically to laptops he described “a natural fattening process” resulting in software getting so fat that its performance is detrimentally affected. He stated that this fattening process meant that “the fat lady can’t sing anymore.” He went on to state that new, high spec laptops (such as the latest dual core models) “are slower than they were three years” citing that you constantly have to struggle to turn them off and turning them on takes so long its painful. His concluding thoughts on this theme were that “technology obesity does not work” and that “adding features is unsustainable.”
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
Featured in the Wall Street Journal
online.wsj.com/article/SB10001424052702304141204577509473...
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
DMC Delorean configured for a trip to the future.
Check out the license plate.
Check out the Flux Capacitor.
Run time = 66 seconds.
This A321 is configured as the T model. It has only 3 classes and is exclusive to American. The pilots let me get a picture of the cockpit!
A visit to the "Musée de la Civilisation Gallo-Romaine", Lyon, France, on October 27, 2022, accompanied by my SLR Miranda Auto Sensorex EE.
The camera was loaded with a CineStill 400 Dynamic (400D) and configured with the loupe finder X5 and x15 and its normal lens Auto Miranda E 1:1.8 f=50 mm fitting original Miranda 52mm Skylight filter.
The film was exposed for 400 ISO following the readings of the camera (measuring mode "S") or a Minolta Autometer III fitted with a 10° finder. Indoor exposures were hand-held typically at 1/30s and full aperture. The film was then developed using a local C-41 development local service.
Musée de la Civilisation Gallo-Romaine, October 27, 2022
Rue de l'Antiquaille
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Other AI-based smartphone pictures and information notes available in the museum could be found in this companion album here : flic.kr/s/aHBqjAcSdv
About the camera :
This camera was initially sold out on March 15, 1972 to a first customer in Abbeville, France, and resold as a second hand by "Photo Ciné Saint Lazare", Paris, France one year later at spring 1973.
The camera was sold to me in March 2022 with the three finders available, three lenses Miranda Auto E, 1:1.8 f=50 mm, 1:2.8 f=28 mm, 1:2.8 f=105 mm all equipped with Miranda Skylight 52 mm filters.
EE stands for "Electric Eye", a system of diaphragm automated by the circuitry operating two CdS cells located behind the reflex mirror and making the photometry independent of the finders. The Miranda EE has two measuring mode : the pondered A (A as "Ambiant") and the S (spot) with the possibility to "memorize" the light value standing the release button at mid course as on modern camera's. the whole photometric system is fully functional on this camera and gives reading similar to a trusted external silicium electronic photometer (Minolta Auto Meter III).
Almost every mobile phone maker has come up with the smart-phones supporting various email apps. If you own a latest smart-phone, emailing becomes a lot easier for you. To know more, visit here.... www.mediafire.com/view/0scyrwde3xbyxu0/Configure_SMTP_on_...
Private collection sale € 29,90
Contact theflyingsabenien@gmail.com
British Airways
Scale 1-250 model
Boeing B747-400
Registration:
G-CIVM (MSN 28700/1116)
configured ""F14C70W30Y177""
painted in ""Waves and Cranes"" cs Jun 1997
painted in ""Union Flag"" cs May 2003
painted in ""oneworld"" special colours Apr 2014
re-configured ""F14C52W36Y235"" Oct 2015
wfu and std at DGX 16 Mar 2020
Broken up Sep 2020 at DGX St. Athan (DGX / EGDX)
Scrapped
Flat blue display stand - Original ethnic printed box
Airline Color Scheme - Introduced 1997 (Union flag)
Ethnic tail fin art design livery:
United Kingdom - Chatham Dockyard - Union Flag
Introduced on Concorde for relaunch, now the livery for entire fleet.
Aircraft type: Boeing B747-436
Delivered 5 Jun 1997
Configuration: F14C52W36Y235
Engines: 4x RR RB211-524G
Aircraft name: The Union Flag
IATA: BA
ICAO: BAW
Callsign: SPEEDBIRD
Airline Full Name: British Airways plc
Country: United Kingdom
Airline Founded: 31 Mar 1924
Group - Part of: International Airlines Group
Subsidiaries - Group Airlines: BA CityFlyer (23 aircraft)
Base - Main Hub: London Heathrow (LHR / EGLL)
Bases: London Gatwick (LGW / EGKK)
Fleet Size: 250 Aircraft (+ 7 On Order/Planned)
Brand: Wooster
Colors: Black - Dark blue - Grey - Red - Silver - White
Material: Synthetic
Condition: New
Dimensions (cm): Box: 4 x 6,7 x 28,2
Weight (g): 144
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen -Studio/350315618...
G. H. Residence was conceived less as a house, but more as an extension and outgrowth of the limestone and aquifers of the Central Texas geography. The roof structure is configured so as to create a natural basin for the collection of rainwater, not unlike the vernal pools found in the outcroppings of Enchanted Rock. These basins harness additional natural flows through the use of photovoltaic and solar hot-water panels. The water, electricity and heat which are harvested on the roof tie into an extensive climate conditioning system which utilizes water source heat pumps and radiant loops to supply both the heating and cooling for the residence. The climate system is connected to geothermal ground loops as well as pools and water features thereby establishing a system of heat exchange which minimizes reliance on electricity or gas.
The primary formal gesture of the project inserts two long native limestone walls into the site. The walls serve as the boundary demarking domesticated space with the vegetation outbound of these walls being native while the interior spaces are more lush and tropical. The program of the residence is configured along the stone walls each of which serves as the spine for the public and private wings, respectively. The offset between the main wings establish an exterior courtyard which will serve as an extended living space for much of the year. The siting of the boundary walls and building elements was informed by the presence and preservation of three mature native oaks. The house enjoys close proximity to both Emma Long Metro Park and
West Bull Creek Preserve.
Bercy Chen Studio LP
www.facebook.com/pages/Austin/Bercy-Chen-Studio/350315618...
www.architizer.com/en_us/firms/view/bercy-chen-studio-lp/...
photo by Paul Bardagjy
Two meeting tables configured together to allow space for 8 to meet in the main area. Behind these tables is the small 'lounge' area which seats 4, and the file storage areas for those members needing permanent file storage on site.
PFC Jonathan Bole helped configure the Boar Battle Wagon, pictured here at the JRTC in March. Named for the Wild Boars of the 4-10 BCT, the Gator all-terrain vehicle equipped with components of CS 13 supports voice and digital communications in austere environments not accessible by networked MRAP vehicles. After validating the solution during its JRTC rotation, the 2nd Battalion, 30th Infantry Regiment of the 4-10 is planning to take the Boar Battle Wagon to theater.