View allAll Photos Tagged composition
1. Varan, Komodo (Indonésie), 1994
2. Teinturiers, Dhamanka, Gujarat (Inde), 1998
3. Statues de Bouddha dans une grotte, environs de Mukdahan, (Thailande), 1998
4. Séchage des gâteaux de riz, Luang Prabang (Laos), 1995
5 On suppose que ça se mange, quartier chinois, Bangkok (Thailande), 2004
6. Huppe, Haa (Bhoutan), 2004
7. Séchage du poisson, Kannur, Kerala (Inde), 2003
8. Paysage, Namika La, Ladakh (Inde), 2004
9. Gamins, Kashgar, Xinkiang, (Chine), 1994
10. Nénuphars, environs de Konarak, Orissa (Inde), 1993
11. Bas-relief, temple de Borobudur, Java (Indonésie), 2003
12. Bénédiction par l'éléphant du temple, Srirangam, Tamil Nadu (Inde), 2003
13. Friture de sauterelles, marché de Chatuchak, Bangkok (Thailande), 1995
14. Nasses à poissons, marché de Shapin, Yunnan (Chine), 1994
15. Images de la déesse Durga, quartier des potiers de Kumartuli, Calcutta, West Bengal (Inde), 2003
16. Cages à criquets, Kunming, Yunnan (Chine), 1999
17. Hong Kong by night, 1994
18. "Oeufs de cent ans", conservés dans la chaux et la paille, Xi'an, Shaanxi (Chine), 1999
19. Main du Bouddha du Wat Si Chum, Sukhotai (Thailande), 1998
20. Ganesh, décoration au-dessus d'une porte, Bénarès, Uttar Pradesh (Inde), 1999
21. Chapeaux, marché de Hsipaw, pays shan, Birmanie, 2003
22. Légumes non identifiés, marché de Kalaw, pays shan (Birmanie), 2003
23. Séchage du poisson, Senkang, Sulawesi (Indonésie), 1994
24. Bas-relief, temple de Borobudur, Java (Indonésie), 2003
25. Crocodile dans les Sundarbans, détail, Bagerhat (Bangladesh), 2004
Antonin Gerbal, as part of the sextet, performs "COMPOSITION N°6" (P. A. Badaoux) at Médiatèque Hermeland for festival CABLE #8
Order from chaos, viewed from above.
A ferry deck is never short on activity, but the challenge is turning movement, machinery, lorries, water, and infrastructure into something legible. Lines lead, blocks stack, colours separate, and the eye finds its way through the frame.
Graphic composition is about editing in real time. Choosing what stays, what aligns, and what carries the weight of the image.
composition
I wore bright pink nail polish to a week-long Zen advanced training to keep a part of myself throughout the training. As the days went on, I was embarrassed to have it when I was supposed to blend in with everyone else. I also noticed as the days went on, the polish was slowly coming off. It symbolized what the training is all about - cutting away our ego. Not only did my semi-long nails break, but this was all that was left of the polish when I returned home.
I believe these hold "chat" or "khat," the local chewable plant that is some form of amphetamine. The leaves are from the "false banana" or enset tree, a key Ethiopian crop