View allAll Photos Tagged composition
This is a small video clip about the Compositional Principles made by Chanel Higashi and Annique Daquep
finalmente sono riuscita a caricare questa composition che mi ha regalato Stranju :)
ciao ale, grazie :*
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1. .lips., 2. for those who walk among the Stars..., 3. .lips., 4. Strawberries on my table, 5. "... gira, la giostra gira - c'è chi sale e chi resta a guardare...", 6. addicted (notthatmuch), 7. nonna, 8. piango argento, 9. good to see the day, 10. [how do you do it?], 11. why not?, 12. look above, 13. Let sky be your eye
1. Portrait, Calcutta, West Bengal (Inde), 2003
2. Le Mékong au lever du jour, Champassak (Laos), 1995
3. Volaille, marché de Kanchanaburi (Thailande), 1999
4. Femmes banjara, Bijapur, Karnataka (Inde), 1998
5 Ghats durant la fête de Maha Shivaratri, Bénarès, Uttar Pradesh (Inde), 1999
6. Marché aux fleurs, Vijayawada, Andhra Pradesh (Inde), 2003
7. Marché aux fleurs, Calcutta, West Bengal (Inde), 2003
8. Quartier des potiers, Bhaktapur (Népal), 2004
9. Sculptures érotiques, temple de Jagannath, Kathmandu (Népal), 2004
10. Noix de coco et petits lézards verts, Havelock, archipel des Andamans (Inde), 2003
11. Pélerinage au temple de Banteay Srei, Siem Reap (Cambodge), 1998
12. Palais du maharajah, Mysore, Karnataka (Inde), 1994
13. Poissons séchés, marché de Chittagong (Bangladesh), 2004
14. Dans le fort de Jaisalmer, Rajasthan (Inde), 1999
15. Marchand de poisson séché, Chittagong (Bangladesh), 2004
16. Déité, Durbar Square, Kathmandu (Népal), 2004
17 Perroquets, Than, Gujarat (Inde), 1998
18. Fresque, Taktok Gompa (monastère), Ladakh (Inde), 1997
19. Piments, marché de Pak Khlong Talat, Bangkok (Thailande), 1995
20. Filets de pêche chinois, Fort Kochi, Kerala (Inde), 1994
21. Dans le fort de Jaisalmer, Rajasthan (Inde), 1999
22. Poisson séché, marché de Kompong Thom (Cambodge), 2003
23. Bâtons d'encens, Battambang (Cambodge), 2003
24. Détail, marché de Xi'an, Shaanxi (Chine), 1999
25. Détail, marché de Kunming, Yunnan (Chine), 1994
Gold in quartz from the Black Hills of South Dakota, USA. (public display, Leadville Mining Museum, Leadville, Colorado, USA)
A mineral is a naturally-occurring, solid, inorganic, crystalline substance having a fairly definite chemical composition and having fairly definite physical properties. At its simplest, a mineral is a naturally-occurring solid chemical. Currently, there are over 5500 named and described minerals - about 200 of them are common and about 20 of them are very common. Mineral classification is based on anion chemistry. Major categories of minerals are: elements, sulfides, oxides, halides, carbonates, sulfates, phosphates, and silicates.
Elements are fundamental substances of matter - matter that is composed of the same types of atoms. At present, 118 elements are known. Of these, 98 occur naturally on Earth (hydrogen to californium). Most of these occur in rocks & minerals, although some occur in very small, trace amounts. Only some elements occur in their native elemental state as minerals.
To find a native element in nature, it must be relatively non-reactive and there must be some concentration process. Metallic, semimetallic (metalloid), and nonmetallic elements are known in their native state as minerals.
Gold (Au) is the most prestigious metal known, but it's not the most valuable. Gold is the only metal that has a deep, rich, metallic yellow color. Almost all other metals are silvery-colored. Gold is very rare in crustal rocks - it averages about 5 ppb (parts per billion). Where gold has been concentrated, it occurs as wires, dendritic crystals, twisted sheets, octahedral crystals, and variably-shaped nuggets. It most commonly occurs in hydrothermal quartz veins, disseminated in some contact- & hydrothermal-metamorphic rocks, and in placer deposits. Placers are concentrations of heavy minerals in stream gravels or in cracks on bedrock-floored streams. Gold has a high specific gravity (about 19), so it easily accumulates in placer deposits. Its high density allows prospectors to readily collect placer gold by panning.
In addition to its high density, gold has a high melting point (over 1000º C). Gold is also relatively soft - about 2.5 to 3 on the Mohs Hardness Scale. The use of pure gold or high-purity gold in jewelry is not desirable as it easily gets scratched. The addition of other metals to gold to increase the hardness also alters the unique color of gold. Gold jewelry made & sold in America doesn’t have the gorgeous rich color of high-purity gold.
Locality: Homestake Mine, Lead, Black Hills, South Dakota, USA
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Photo gallery of gold:
I chose this photo because it had multiple elements of composition and the mood was fun and upbeat. I love the monochromatic blues that take up a majority of the photograph. It really draws a lot of focus to my subject since she adds a break to the blues and adds new colors. The elements of composition I used in this photo are simplicity, framing, and rule of thirds. The only subjects I wanted in this photo was my model and the monkey bars in order to achieve simplicity. It also helped that there were no clouds or birds so the only two things that are prevalent are the two subjects I wanted. I also used the monkey bars as a frame for my model to keep the photo more dynamic. I used the larger side lines to frame her body and then the smaller monkey bar part to frame her face. Lastly, I tired to put my model's head on the lower right third to draw the most attention to that part of her. I was in shutter priority mode for this photo and since my camera was pointed directly at the sky, I had a very high shutter speed so my photo would be properly exposed. The aperture corrected itself and was actually fairly low which gave me a good amount of exposure. In Lightroom, I did increase the overall exposure a little bit so I could see my model's face. I also lightened the shadows and the whites to really bring out her face and the details there. I made the blacks a little darker to add depth back to the photo and make it less flat. I changed the hue of the blue to be more on the light blue side rather than aqua. I also increased the saturation but decreased the luminance to make the monkey bars stand out against the light blue sky.
"The meeting of two personalities is like the contact of two chemical substances: if there is any reaction, both are transformed." - Carl Jung
Made in Abobe Photoshop
(I just started a group for art inspired by or featuring quotes: www.flickr.com/groups/quoteart/)
[ENG]
Did you know that our flickr group will have a meeting in Turin on december, 17th ?
Join us!! More details on our group page.
If you like it, press F
wanna see it larger? press L
[ITA]
Ehi! Il gruppo NOI DEL PIEMONTE ha organizzato un meeting l 17 dicembre a Torino?
Tutti i dettagli sulla pagina del gruppo!
se vi piace, premete F
se volete vederla meglio, premete L
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I'm also on: Getty Images / 500px / Google Earth
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Agrippa. Died AD 12. Æ As (28mm, 11.63 g). Rome mint. Struck under Gaius (Caligula), AD 37-41. Head left, wearing rostral crown / Neptune standing left, holding dolphin and trident. RIC I 58 (Gaius); BMCRE 161 (Tiberius); Cohen 3.For more on Caligulan Numismatic Articles see: Coins courtesy cngoins.com
Related Articles of Caligula from American Numismatic Society Library Search
Library Catalog Search (Preliminary Version)
Full Record: Barrett, Anthony A. The invalidation of currency in the Roman Empire : the Claudian demonetization of Caligula's AES. (1999)
Full Record: Bost, Jean-Pierre. Routes, cits et ateliers montaires : quelques remarques sur les officines hispaniques entre les rgnes d'Auguste en de Caligula. (1999)
Full Record: Bibliothque Municipale d'Etude et d'Information de Grenoble. Grenoble : Bibliothque Municipale d'Etude et d'Information : catalogue des monnaies. II. Monnaies romaines. Monnaies impriales romaines. 2. Caligula - Neron . Index. / Bernard Rmy, Frdric Bontoux, Virginie Risler. (1998)
Full Record: Gainor, John R. The image of the Julio-Claudian dynasty from coins / by John R. Gainor.
Full Record: Martini, Rodolfo. Monete romane imperiali del Museo G. B. Adriani. Parte 3, Caius (37-41 d.C.) / Rodolfo Martini. (2001)
Full Record: ACCLA privy to presentation by Richard Baker on Caligula. (2002)
Full Record: Wend, David A. Caligula, the emperor as autocrat. Part 1. (2002)
Full Record: Wend, David A. Caligula, the emperor as autocrat. Part 2. (2002)
Full Record: Wend, David A. Caligula, the emperor as autocrat. Part 3. (2002)
Full Record: Kemmers, Fleur. Caligula on the Lower Rhine : Coin finds from the Roman Fort of Albaniana (The Netherlands) / Fleur Kemmers. (2004)
Full Record: Estiot, Sylviane. Le trsor de Meussia (Jura) : 399 monnaies d'argent d'poques rpublicaine et julio-claudienne / Sylviane Estiot, Isabelle Aymar. (2002)
Full Record: Gocht, Hans. Namenstilgungen an Bronzemünzen des Caligula und Claudius / Hans Gocht. (2003)
Full Record: Gomis Justo, Marivi. Ercavica : La emision de Caligula. Estimacion del numero de cunos originales.
Full Record: Sayles, Wayne G. Fakes on the Internet. (2002)
Full Record: Kemmers, Fleur. The coin finds from the Roman fort Albaniana, the Netherlands / Fleur Kemmers . (2005)
Full Record: Lopez Snchez, Fernando. La afirmacion soberana de Caligula y de Claudio y el fin de las acunaciones ciudadanas en occidente / Fernando Lopez Snchez. (2000)
Full Record: Besombes, Paul-Andr. Les monnaies hispaniques de Claude Ier des dpôts de la Vilaine (Rennes) et de Saint-Lonard (Mayenne) : tmoins de quel type de contact entre l'Armorique et la pninsule ibrique ? / Paul-Andr Besombes. (2005)
Full Record: Catalli, Fiorenzo. Le thesaurus de Sora / Fiorenzo Catalli et John Scheid.
Full Record: Giard, Jean-Baptiste. Faux deniers de Caligula de la Renaissance.
Full Record: Vermeule, Cornelius. Faces of Empire (Julius Caesar to Justinian). Part II(B), More young faces : Caligula again and Nero reborn / Cornelius Vermeule. (2005)
Full Record: Geranio, Joe. Portraits of Caligula : the seated figure? / Joe Geranio. (2007)
Full Record: Aguilera Hernandez, Alberto. Acerca de un as de Caligula hallado en Zaragoza / Alberto Aguilera Hernandez. (2007)
Full Record: Butcher, K. E. T. Caligula : the evil emperor. (1985)
Full Record: Fuchs, Michaela. Frauen um Caligula und Claudius : Milonia Caesonia, Drusilla und Messalina. (1990)
Full Record: Faur, Jean-Claude. Moneda de Caligula de Museo Arqueologico Provincial de Tarragona. (1979)
Full Record: British Museum. Dept. of coins and medals. Coins of the Roman Empire in the British museum. Vol. I: Augustus to Vitellius / by Harold Mattingly. (1976)
Full Record: Conrad, Edwin. A Caligula Isotope of Hadrian. (1968)
Full Record: Conrad, Edwin. The Metamorphosis of an Allegad 'As of Hadrian.' (1968)
Full Record: Bendall, Simon. A 'new' gold quinarius of Caligula. (1985)
Full Record: Cortellini, Nereo. Le monete di Caligola nel Cohen.
Full Record: Guey, Julien. Les "bains d'or" de Caligula "Immensi Avreorvm Acervi (Sutone, Cal., 42,3).
Full Record: Guey, J. Les "bains d'or" de Caligula : Sutone, Cal. 42, 3.
Full Record: Curry, Michael R. The Aes Quadrans of Caligula. (1968)
Full Record: Jonas, Elemr. L'emploi dar "damnatio memoriae" sur l'un des "dupondius" de Calgula. (1937)
Full Record: Julian, R. W. The coins of Caligula. (1994)
Full Record: Donciu, Ramiro. Cu privire la activitatea militara a lui Caius (Caligula) in anul 40 e.n. (1983)
Full Record: Hansen, Peter. A history of Caligula's Vesta. (1992)
Full Record: Kaenel, Hans-Markus von. Augustus, Caligula oder Caludius? (1978)
Full Record: Kaenel, Hans-Markus von. Die Organisation der Münzprgung Caligulas. (1987)
Full Record: Johansen, Flemming S. The sculpted portraits of Caligula. (1987)
Full Record: Carter, G. F. Chemical compositions of copper-based Roman coins. V : imitations of Caligula, Claudius, and Nero / G. F. Carter and others. (1978)
Full Record: Giard, Jean-Baptiste. L'atelier de Lyon sous Auguste : Tibre et Caligula. (1979)
Full Record: Giard, Jean-Baptiste. Les missions d'or et d'argent de Caligula dans l'atelier de Lyon. (1976)
Full Record: Giard, Jean-Baptiste. Le monnayage de l'atelier de Lyon des origines au rgne de Caligula (43 avant J.-C. - 41 aprs J.-C.). (1983)
Full Record: Nony, D. Quelques as d'imitation de Caligula trouves a Bordeaux (Gironde). (1981)
Full Record: Levy, Brooks Emmons. Caligula's radiate crown. (1988)
Full Record: Poulsen, Vagn. Un nouveau visage de Caligula. (1972)
Full Record: Price, Martin Jessop. Elephant in Crete? New light ona cistophorus of Caligula. (1973)
Full Record: MacInnis, H. Frank. Ego-driven emperor commits excesses. (1979)
Full Record: McKenna, Thomas P. The case of the curious coin of Caligula : a provincial bronze restruck with legend-only dies. (1994)
Full Record: Mowat, Robert. Bronzes remarquables de Tibre, de son fils, de ses petits-fils et de Caligula. (1911)
Full Record: Koenig, Franz E. Roma, monete dal Tevere : l'imperatore Gaio (Caligola). (1988)
Full Record: Kollgaard, Ron. Caligula's coins profile despot. (1993)
Full Record: Kollgaard, Ron. A numismatic mystery : "the Caligula quadrans." (1994)
Full Record: Martini, Rodolfo. Osservazioni su contromarche ed erosioni su assi de Caligula. (1980)
Full Record: Szaivert, Wolfgang. Moneta Imperii Romani. Band 2 und 3. Die Münzprgung der Kaiser Tiberius und Caius (Caligula) 14/41 / von Wolfgang Szaivert. (1984)
Full Record: Boschung, Dietrich. Die Bildnisse des Caligula. Kaenel, Hans-Markus von. Jucker, Hans. Deutsches Archaologisches Institut. Das Romische Herrscherbild. 1. Abt., Bd. 4, Die Bildnisse des Caligula / Dietrich Boschung ; mit einem Beitrag von Hans-Markus von Kaenel ; auf Grund der Vorarbeiten und Marterialsammlungen von Hans Jucker. (1989)
Full Record: Rosborough, Ruskin R. An epigraphic commentary on Suetonius's life of Gaius Caligula. A thesis...for the...Doctor of Philosophy. (1920)
Full Record: Richard, Jean-Claude. A propos de l'aureus de Caligula dcouvert Saint-Colomban-des-Villards (Savoie). (1982)
Full Record: Richard, Jean-Claude. Un aureus de Caligula dcouvert Saint-Colomban-des-Villards (Savoie). (1982)
Full Record: Ritter, Hans-Werner. Adlocutio und Corona Civica unter Caligula und Tiberius. (1971)
Full Record: Kumpikevicius, Gordon C. A numismatic look at Gaius. (1979)
Full Record: Savio, Adriano. La coerenza di Caligola nella gestione della moneta / Adriano Savio. (1988)
Full Record: Savio, Adriano. Note su alcune monete di Gaio-Caligola. (1973)
Full Record: Stylow, Armin U. Die Quadranten des Caligula als Propaganda-münzen.münzen" aus der stdtischen sammlung zu Osnabrück. (1971)
Full Record: Schwartz, Jacques. Le Monnayage Snatorial entre 37 et 42 P.C. (1951)
Full Record: Rodolfo Martini, ed. Sylloge nummorum Romanorum. Italia. Milano, Civiche Raccolte Numismatiche Vol. 1 Giulio-Claudii / a cura di Rodolfo Martini. (1990)
Full Record: Szaivert, Wolfgang. Zur Julisch-Claudischen Münzprgung. (1979)
Full Record: Vedrianus. The Roman Imperial series. V. Gaius. (1963)
Full Record: Tietze, Christian M. Kaiser Cajus Caesar, genannt Caligula. (1979)
Full Record: Wood, Susan. Diva Drusilla Panthea and the sisters of Caligula / Susan Wood. (1995)
Full Record: Sutherland, Carol Humphrey Vivian. Coinage in Roman imperial policy 31 B.C.-A.D. 68. (1951)
Full Record: Sutherland, C. H. V. The mints of Lugdunum and Rome under Gaius : an unsolved problem. (1981)
Full Record: Trillmich, Walter. Familienpropaganda der Kaiser Caligula und Claudius : Agrippina Maior und Antonia Augusta auf Münzen. (1978)
Full Record: Voirol, August. Eine Warenumsatzsteuer im antiken Rom und der numismatische Beleg inher Aufhebung : Centesima rerum venalium. (1943)
Full Record: Trillmich, Walter. Zur Münzprgung des Caligula von Caesaraugusta (Zaragoza). (1973)
This is my first experiences using recycled fabrics as new media. Red, black, white have always been a constant appearence in my art work.
12 in. by 6 in.
Japanese Maple Tree Mixed Autumn Colors: The Tao of the Portland Japanese Garden: Yellow Orange Green Red Leaves Fine Art Landscape Nature Photography! Fuji GFX 100 ! Elliot McGucken 45EPIC Fujifilm GFX100! Laowa 17mm f/4 Ultra-Wide GFX Zero-D
Enjoy some epic drone footage and more on my newish Youtube channel, where I fly the DJI Mavic 2 Pro & DJI Mavic 2 Zoom!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Best wishes on your Epic Odyssey!
Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
Some collage compositions from an A5 sketchbook that I call the Composition Book. Background is done in gouache. Blogged: caatjesartsystuff.blogspot.nl/2013/10/from-composition-bo...
Order from chaos, viewed from above.
A ferry deck is never short on activity, but the challenge is turning movement, machinery, lorries, water, and infrastructure into something legible. Lines lead, blocks stack, colours separate, and the eye finds its way through the frame.
Graphic composition is about editing in real time. Choosing what stays, what aligns, and what carries the weight of the image.