View allAll Photos Tagged composition
I chose this photo because it had multiple elements of composition and the mood was fun and upbeat. I love the monochromatic blues that take up a majority of the photograph. It really draws a lot of focus to my subject since she adds a break to the blues and adds new colors. The elements of composition I used in this photo are simplicity, framing, and rule of thirds. The only subjects I wanted in this photo was my model and the monkey bars in order to achieve simplicity. It also helped that there were no clouds or birds so the only two things that are prevalent are the two subjects I wanted. I also used the monkey bars as a frame for my model to keep the photo more dynamic. I used the larger side lines to frame her body and then the smaller monkey bar part to frame her face. Lastly, I tired to put my model's head on the lower right third to draw the most attention to that part of her. I was in shutter priority mode for this photo and since my camera was pointed directly at the sky, I had a very high shutter speed so my photo would be properly exposed. The aperture corrected itself and was actually fairly low which gave me a good amount of exposure. In Lightroom, I did increase the overall exposure a little bit so I could see my model's face. I also lightened the shadows and the whites to really bring out her face and the details there. I made the blacks a little darker to add depth back to the photo and make it less flat. I changed the hue of the blue to be more on the light blue side rather than aqua. I also increased the saturation but decreased the luminance to make the monkey bars stand out against the light blue sky.
This is my first experiences using recycled fabrics as new media. Red, black, white have always been a constant appearence in my art work.
12 in. by 6 in.
Order from chaos, viewed from above.
A ferry deck is never short on activity, but the challenge is turning movement, machinery, lorries, water, and infrastructure into something legible. Lines lead, blocks stack, colours separate, and the eye finds its way through the frame.
Graphic composition is about editing in real time. Choosing what stays, what aligns, and what carries the weight of the image.
One of my favourite photos I've ever taken. I love the lines and the composition, even if it's only a woods, a field, and the sky.
Λόγος ουδείς κανένας να κατέβω απ'το δέντρο και σκιερά απογευματινά αισθάνομαι, πέριξ της πέντε κι όσο κι αν φωνάξω φωνή βουώντος εν τη ερήμω ξανά.
Κανένας δεν μιλά για τους τρελούς που τους αμόλησαν από τις πόλεις τους, και πιάσανε πρώτη θέση σε βουνά δέντρα και κάποιοι από τη δίψα τους πνίγηκαν στ'αλμυρό νερό.
Ας είναι και έτσι κι ας γέμισε παρέα η γειτονιά, και το βράδυ σίγουρα με νταούλια και ζορμπάδες θα χορεύουν και άντε να κοιμηθείς ύστερα βραδιάτικα.
Δώδεκα μια και όσο πάρει μέχρι να μεθύσουν να κουραστούν και κάτω να πέσουν, να ροχαλίζουν μέχρι το πρωί και βάλε ξανά κάμποσο ακόμα μέχρι να ημερέψουν.
Το ξημέρωμα και πριν ο ήλιος λάμψει για τα καλά πόστο ψηλότερο θα πιάσω στο βουνό, και πάνω σε έλατα κυπαρίσσια και ποιος άλλος ξέρει τι θα βρω.
Έστω την τελευταία στιγμή μπορεί να βρω τη γυναίκα που αγαπώ ξυπόλυτη στα βράχια να περπατά, χαμένη από καιρό με ταλαιπωρημένα πόδια και χωρίς μυαλό.
Κάποια στιγμή όλοι τρελαίνονται εδώ πάνω γιατί δεν μπορούν τον καθαρό αέρα να αναπνεύσουν, καθώς έμαθαν στις πόλεις να ζουν γεμάτες από κόσμο καυσαέριο και λιπαντικό.
Και έτσι από τη μια πόλη φτάσαμε στις πόλεις και από τον ένα άνθρωπο στους περισσότερους, και στο τέλος όπως φαίνεται όλοι στα δέντρα θα ανέβουν κάποια στιγμή.
Ο κατακλυσμός του Νώε λένε ξανά φτου κι απ'την αρχή και στριμωγμένοι μεταξύ τους, μη μπορώντας περισσότερο του ενός μέτρου να δουν να ξεψυχήσουν σαν άνθρωποι.
Ο ήλιος κερνάει λένε μα μόνος πίνει τελικά στο κεντρικό τραπέζι της γειτονιάς, και χωρίς κανέναν πλανήτη για συντροφιά παρά μόνο άστρα πολύ μακρινά.
Πάντως μυστικά έχουν σταματήσει να διαδίδονται από καιρό και φειδωλοί οι χωριανοί κάθονται στα σπίτια τους, υπό τον φόβο των καβαλάρηδων που ψάχνουν για χρυσό.
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