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Any opinions (colour, composition etc) on this most recent set of illustrations would be much appreciated...I'm trying to choose which ones I want to use and am being too indecisive! Thank you!
Compositionally Challenged Week 19 - Bokeh
Shot in Auto White Balance but I changed it to Tungsten in post because the color of the background bokeh didn't go well with the blue thread.
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Vintage jointed dolls made entirely of composition, 8 inches (20cm) high. Beautifully dressed in their original silky costumes. The girl on the right is missing her left arm. I am not sure how old they are, but I have seen similar dolls offered for sale in their original boxes with a very 1960s/70s look. It would be interesting to know why Chinese makers were still using composition long after plastic and vinyl had come to dominate in commercial doll production. I certainly much prefer composition, even if it is prone to cracking and crazing as seen on these girls' faces.
Painting Outside the Box' by Ilan Vizgan
The flute raises it's voice / what is it's story? / is it bad news or good ones or what? / It's about everything and all A poem by Nathan Alterman/ summer celebration
Mirit Ben-Nun’s paintings escape common description. An objective observation might describe it as contemporary art, though created by an upbeat young female artist, it is far from contemporary. This art possesses no “present day” defining elements. Mirit's paintings speak in a distant dialect seemingly of another era and location. By trying to pinpoint this time and place, we find ourselves wandering about without a solid grasping point. Her paintings are laced with a fire-like sensuality and striking colors. The naive and archetypal characteristics remind us of folk art. Reality is lost within the ‘erroneous’ size ratio of the numerous imagery, similarly to tribal and native art in Africa, Oceania and Australia. The surface is laboriously worked and replicated similarly to rug weaving techniques. Motifs of Western Pop can be found in many of the paintings. This combination of Primeval motifs and Western Modern Art creates cultural and historical tensions between here and there, then and now. Formatively speaking the paintings are schematically divided into colorful segments with no intermediate transitions. Strong and clear boundaries outline the different areas, each is populated with a happening, opposing or complementing the one next to it. In this fashion, for example, round shapes are confronted with geometric ones or human images with those of animals and plants. Often the paintings are outlined with a ‘frame' thereby uniting the parts and creating an enclosure, like a window within a window. As a result, unconventional compositions are created and shatter the conventional formula of the "Uniformity of subject, shape & color". The rule breaking strengthens the untamed quality of these ‘uncivilized’ paintings.
In the center of Ben-Nun's paintings stands the image of the woman and the relationship between the sexes. Women are displayed as curvaceous, seductive images often in dancing poses. The dance is used as a metaphor for courting and seduction; the thick red lips, at times heart- shaped, symbolize passion and love. When it seems that the implicit allure isn't sufficient, the female image is portrayed in a frontal wide stance, in a composition that reminds us of the letter W. But when the two images meet, the feminine and the masculine, the unification is complete; melding into each other, the images' side view completely overlaps. When in a seated position the whole shape converts into the letter M emphasizing the complimenting opposites. The protagonists - women and men - are accompanied by secondary characters; symbolic images of especially fish, hands (the Hamsa) and eyes. Those are prevalent in Middle East cultures and represent fertility, luck and protection from the evil eye. Their presence in the paintings, alongside the lovers, implies that the matter at hand is not barren erotica and carnal passion, but genuine love that yearns for a home, family and the raising of offsprings.
Portland, Oregon - February 2018.
Minolta SRT303b
Rokkor-X 50 mm f/1.7
Tri-X 1600 in Acufine.
Scanned by The SHutterbug lab.
Patsy type composition doll arrived with her head detached and in two pieces. What a headache.
Toy Sunday-Theme: Keep Calm and....
Composition with Spot
Iloca Rapid IIL with Rodenstock Heligon 2/50
expired Fuji Color 200 exposed like ISO 100
digitized with DSLR
picked up some nuts and seeds in the park near by.
start writing new year greetings to my flickr friends on my table and stopped just after writing letter A.
because this "A" enough to express all words that i am going to say!
love and peace be with you:)*
Contrasts in shape, angle and light treatment
......better Large on Black!
digital-photography-school.com/forum/digital-photography-...
"Backgrounds are as important as subjects in making a picture successful. For example, is it too light? Too messy? Too attention grabbing? Don’t underestimate their importance. If they are messy and there is a lot going on, the distracting elements tug at our eyes and pull our attention away from your subject."
~ Jim Zuckerman, professional photographer
The collage features photos from CC group members, who last week looked at the backgrounds behind their subjects.
Find out more at Compositionally Challenged, where we aim to inspire creativity and improve our technical skills.