View allAll Photos Tagged compositing
I witnessed the occultation of Mars behind the Moon. This is a composite of six exposures, 5 minutes apart starting at 6:37pm local time in Cupertino, California. In the San Francisco Bay Area we had the privilege that the red planet was traveling dead center behind the Moon. In reality it's the other way around, the Moon travels in front of the stars in the background. I took these shots with a 600mm lens and a 2x tele extender on a crop sensor camera, resulting in a 35 mm equivalent of 1800mm, which is a very small field of view, or in other words a large magnification.
Mars is twice as big as the moon (3400 km vs. 1700 km radius), but appears much smaller because it is so much further away.
I processed a realistic and a balanced HDR photo from 6 RAW exposures, manually aligned and stacked them, and carefully adjusted the color balance and curves. I welcome and appreciate constructive comments.
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-- Æ’/20, 1800 mm, 1/50 sec, ISO 100, Sony A6000, Tamron SP 150-600mm f/5-6.3, HDR, 6 RAW exposures, _DSC6795_hdr6rea1bal1g.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Photo Art Composite
See original here image: www.flickr.com/photos/193474231@N06/53472180890/in/datepo...
Compositing images from the 2017 total solar eclipse in a nautilus shape. Photos available for purchase at Wits End Photography. Follow my blog Traveling at Wits End for ways to create travel adventures everyday.
This is a composite image. I photographed the lunar eclipse in 2015 from my backyard, and was always kind of wondering what it could be used for. As it turns out, it's a great background for moody portraits. It fits nicely with the Barred Owl I shot earlier this year. You never know how things will come together. Colleyville Nature Center, Texas, USA, April 2017
Best viewed large by pressing "L". All rights reserved
Decided to composite 5 images of a Canada Goose landing. Why? Just practicing a bit - it really only took less than 15 minutes, and it's good to try out new editing...
Explored 11/2/2022
Photo Art. Seven image photo composite. See originals here: www.flickr.com/photos/193474231@N06/52472503844/in/datepo...
It was a beautiful, misty morning in the mountains... but the image lacked something. As I was processing it, I decided to add the wildlife (racoons and birds) to add a little "something" that the image itself was lacking. They don't perfectly blend in... and I don't know that I achieved what I was looking for, but the editing process was fun.
_DSC6298
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© Stephen L. Frazier - All Rights Reserved. Duplication, printing, publication, or other use of these images without written permission is prohibited.
Composite/Blended Lion
I am fascinated with composite / blended images however, I have not really done much in this space at all (and by much, I mean anything). I am fine taking photos of things but once it comes to manipulation my knowledge is lacking. Nonetheless, I wanted to have a go at trying to create a blended image using ON1 Photo Raw 2020.
I used two different Pixabay images for this composite, the first was of a road through a forest (pixabay.com/photos/the-road-beams-path-forest-nature-815297/) whilst the second was an incredible portrait of the Lion and his Mane (pixabay.com/photos/lion-predator-dangerous-mane-3576045/) .
Creating the composite / blended image was fairly easy, I first started off opening the Forest as the base image, and then added a Layer for the Lion image. I made some adjustments to each layer before making the lion layer (the top layer) around 88% opacity with a blend mode of "Normal", the blend was applied to "Flesh Colors" with a range of 35.
Whilst it is certainly not a good artistic composite, it is a starting point and I hope to create many more to come which hopefully get better. :).
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Some may beg to differ, but for me, this is Melbourne's most iconic landmark.
Full disclosure, this is a bit of a composite image. I thought I'd try out some of the new AI features in Photoshop. My god, the results were horrendous. I tried using the distraction removal tool to get rid of the ugly power/tram lines. The results were farcical. Don't start me on the people removal. It turned the entrance to the station into a cave!!!! Instead, I undertook the long, but quite cathartic task of removing all the power lines manually. It took a long time, but I'm proud to say, I'm better at editing than AI. For this image anyway.
One of my blue jay composites left over from my many fall postings for a change of pace.
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