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After carefully watching the moon and its trajectory for the previous two evenings I was gutted when talking to my sister on the phone when she mentioned it was the full moon that evening. I was absolutely dropping and couldn't force myself back out. Instead I shot it hand held bracing myself on the small balcony of our caravan. On reaching home this afternoon I decided a simple composite the way to go. So this was a snapshot of Seagulls wheeling about above where our car was parked using the Fuji x100v and the shot of the moon using my d500 dslr with a 300mm f/4 lens plus a 1x4 teleconverter. I took lots of the moon so it may well end up where it should be which would be behind me not in front of me... I only snapped those gulls because Jonathan was laughing as I had been complaining because there were no gulls on the beach. He looked across and said they are all here :(
I finally put together a composite of my favorite images of the 2024 solar eclipse. I was fortunate to have crystal clear skies in Quebec for the duration of the eclipse.
Having studied sculpture at a German academy of arts, I was always disappointed that a great deal of sculptural form and surface of the rock formations gets lost at night - even when applying low level lighting. Therefor I made a series of pictures using daylight shots of the landscape combined with the milky way sky. This series was taken at a location about one mile east of "Valley of Dreams" in New Mexico, all shots facing south.
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A combination of 30 images make up this composite
© 2020 John McKeen. All Rights Reserved.
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This months full moon will be the closest it's been since 1948, it'll be roughly 14% bigger and 30 % brighter than an average full moon, the moon will appear at it's largest as it rises above the horizon.
The image above is a composite of three images captured this year, starting with the marina as the base image, with the stars and moon blended to create the final scene for fun. :-)