View allAll Photos Tagged compositing
Timber woods and hardwoods can be attractive but they are not as durable as the composite decks. Composite Decking materials are made up of products like plastic, wood, timber tech is easy to construct and gives a wonderful look. The initial cost of the composite decks might be high but, there is no need to spend money in the future. For more details, visit contemporarydecks.net/composite-decking/
Composite creation featuring Pittsburgh's Ft Pitt bridge disappearing into the cloudscape. The Ft Duquesne bridge was called the bridge to nowhere for a period of time - the bridge spanned the Allegheny River but the landing on the north shore hadn't been completed so the north end just jutted out into space.
CTG design and manufacture hydraulic pipes and ducting for water and fuel. They are used in many complex systems. We developed a composite pipe technology which allowed the precise tuning of electrical resistivity - a demand of an aircraft fuel system. The pipes have a single part count and hold aggressive fluids at pressure. We currently supply fuel ducting pipes for the next generation of long haul commercial aircraft.
Composite of Rhys' profile on a slightly less interesting BG, and this shot of sunset on the mountains. Taken a couple of frames apart. Afternoon cruise down the Mulgrave River gong back to Deeral landing.
I had the opportunity to create this composite with my nieces. It was a great experience to see them get into their creative side. Fun and challenging to get all the photos that were needed to create this.
Composite photograph of Flinders Petrie and Francis Galton for the exhibition Typecast: Flinders Petrie and Francis Galton
I love to mash things together. Texture, nature, light, whatever. The dark, high contrast results appeal to me. I like doing this to video too.
This is a composite of 2 photos taken in Henry Coe State Park, Morgan Hill, California and 2 photos of stone textures.
copyright John Frederick Anderson.
Barcelona digital composite for Carleton College workshop on Grid Cities.
Composite Fifth Wheel:Team Members: Gregory Belshaw, Andrew Buday, Robert Dreyer, Brock Larson, Craig Suydam
Advisor: Mike LaCourt;
Sponsor: Jost
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This is half-size would you believe.
Larger: www.flickr.com/photos/midgley/8602632491/sizes/o/in/photo...
If you seriously wanted to print a copy, I think you'd want to ask me to do some exposure adjustments on the individual frames. not a large job, but a job.
composite-100th-start-killerton-parkrun_0075-2400px
Bit of a departure from some recent images; except that it required use of a 36mm extension tube! Just an experiment - but there may be hidden meanings. The multiple meanings of the word "circuit", the superimposed elecro cardiogram that slowly fades away, the brief span of light between areas of darkness, the Photoshop radial-zoom effect that creates the impression of rushing forwards... oooh! ;-)
"You unlock this door with the key of imagination. Beyond it is another dimension - a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone." The Narrator
This is a composite. Mike was photographed in studio and the backgrounds were hdr shots of the ymca.
A new chopper gun, which applies fiberglass quickly to large areas, is tested before it's put to work
Composite of 9 Shots - Memorial Day Weekend - 5/29/2011
-Two SB900 @ 1/2 power each inside the Lumiquest LTP softbox fired by cybersync
-Nikon 85mm f/1.4 @ f/16
-ISO 100
Shot taken during day time at around 4:00pm
This is at Hackettstown NJ at my sister's house
Ruckus Composites in Portland Central Eastside Industrial District is the leading carbon bicycle repair shop in the world. More coverage on BikePortland.
Page 5 of 5.
For those interested in photo manipulation, this is the original, base photo for the four layer composite on the previous page (page 4 of 5). The red bird painting and my sunlit face are the dominant elements of this image.
I wanted to focus on the camera, which is hard to see at best, so I wanted my face in shadow.
So I set up the still camera where it had been for this photo ( the big camera and Mary were gone by then) and took a new photo of the scene, without me in it, for background.
Then, I took a new photo of me pretending to be fooling with the lapel mike (the wire is just a TV cord). That way, there was a reason for me to be looking down, with my face in shadow.
So, I used the background photo to cover where my face is in this image (very close to the big camera) and blanked out that area.
Then I dropped the new me into the picture.
That created a problem: I was now, the front layer of the picture and covering the tripod of the camera, when I was supposed to be behind it.
So, I put a cleaned up capture of the big camera tripod in front of me.
This took some doing. Call me crazy but I'm happy now.
See the previous page for the result.