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These will be getting the XX1 I9 cassette conversion kit and then off to Mike Curiak to be laced up...
The lower part of one of the topsides arrives for loading. In the background are the Nacells where the turbine blades attach to.
Alisha and Amy cutting components during a workshop I convened to produce furniture for future publics, part of What Happens to Us a project that examines democracy as a system of community formation
Communities don’t just happen, they’re made.
Curated by Marsha Bradfield and Amy McDonnell
Paul of Paul Component Engineering shows his new 120mm dishless front disc hub for use in 29" wheels. He designed this hub to address issues with wheel strength in the big mountain bike wheels.
Modern entry in Google Sketchup made from components uploaded to the Sketchup Library by Crestview Doors.
As the IT Provider company in UK, we provide business IT solutions including Network Hardware Components and Cisco Network Monitoring Tools, and Network Switches For home and office.
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Phone: 020 4518 5865
Email:admin@networkingarts.co.uk
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### IT Equipment Provider Company of Hardware Components, Networking Products in UK Computer Store Market ###
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First the image was converted into a set data vectors in format (x,y,r,g,b), one for each pixel in image.
Then this 5D-data was projected to 2D-space using principal component analysis, The resulting image was rebuilt based on that reduced information.
This is a method my friend and I have started using for storing electronics components. We have a bunch of old pill bottles kicking around, so we label them and use them for storage. We've found them most convenient.
We suggest all our customers submitting boards to us take few simple steps to make sure the board isn’t exposed to potential damage to electrostatic shock during transit.
www.tfix.co.uk/how-to-safely-package-macbook-logic-board-...
We stock a full range of Thomson rack components including the Elite seatposts, stems and for an extra touch of class; 27.2mm seatpost clamps.
Source: en.wikipedia.org/wiki/Fort_Benning
Fort Benning is a United States Army post straddling the Alabama–Georgia border next to Columbus, Georgia. Fort Benning supports more than 120,000 active-duty military, family members, reserve component soldiers, retirees, and civilian employees on a daily basis. It is a power projection platform, and possesses the capability to deploy combat-ready forces by air, rail, and highway. Fort Benning is the home of the United States Army Maneuver Center of Excellence, the United States Army Armor School, United States Army Infantry School, the Western Hemisphere Institute for Security Cooperation (formerly known as the School of the Americas), elements of the 75th Ranger Regiment (United States), the 1st Security Force Assistance Brigade, and other additional tenant units.
It is named after Henry L. Benning, a brigadier general in the Confederate States Army during the Civil War.
Since 1909, Fort Benning has served as the Home of the Infantry. Since 2005, Fort Benning has been transformed into the Maneuver Center of Excellence, as a result of the 2005 Base Realignment and Closure (BRAC) Commission's decision to consolidate a number of schools and installations to create various "centers of excellence". Included in this transformation was the move of the Armor School from Fort Knox to Fort Benning.
Source: en.wikipedia.org/wiki/National_Infantry_Museum
The National Infantry Museum and Soldier Center is a museum located in Columbus, Georgia, just outside the Maneuver Center of Excellence at Fort Benning. The 190,000-square-foot museum opened in June 2009.
The museum chronicles the history of the United States Army infantryman from the American Revolution to Afghanistan. It exhibits artifacts from all eras of American history and contains interactive multimedia exhibits. The National Infantry Museum emphasizes the values that are meant to define the infantryman, as well as the nation: loyalty, duty, respect, selfless service, honor, integrity, and personal courage.
In addition to galleries, the National Infantry Museum and Soldier Center also consists of:
Giant Screen Theater
DownRange Combat Simulators
The Fife and Drum Restaurant
The Soldier Store Gift Shop
Heritage Walk
Memorial Walk of Honor
Vietnam Memorial Plaza
Global War on Terrorism Memorial (Fall 2017)
World War II Company Street.
Until April 2008, the museum was housed in an old Army hospital on Fort Benning. Space and conditions for the museum’s collection was inadequate. In 1998, the 501(c)(3) National Infantry Foundation was formed to plan, raise funds for and to operate a new museum. The National Infantry Museum Foundation has since formed a formal partnership with the Army to manage the facility and its contents. The National Infantry Museum does not receive federal, state or city funding. Through its lease agreement with the National Infantry Museum Foundation, the Army reimburses the foundation for approximately 30 percent of the museum’s annual operating expenses. There is no admission fee. The museum relies on donations, memberships and revenue-generating attractions such as the Giant Screen Theater, combat simulators, Fife and Drum Restaurant, Soldier Store and event rentals to cover operating expenses.
The museum is located on a 155-acre campus adjacent to Fort Benning. The campus includes Inouye Field and a 2,100-seat stadium which hosts graduations of Army trainees most Thursdays and Fridays. The graduations are open to the public.
World War II Company Street is a collection of seven buildings constructed at Fort Benning during the ramp-up to World War II. They have been furnished as they were in the 1940s and are open for tours most days. The buildings include a chapel, barracks, mess hall, orderly room, supply room, and the sleeping quarters and headquarters building used by Gen. George Patton prior to his deployment to North Africa in 1942.
The Vietnam Memorial Plaza contains a ¾-scale replica of the Vietnam Wall on the Mall in Washington, D.C.
The Global War on Terrorism Memorial (under construction Summer 2017) includes the names of 6,800 Soldiers, Sailors, Airmen and Marines killed in service since 9/11. A 13-foot steel beam pulled from the wreckage of the World Trade Center and donated to the museum by New York City firefighters is featured in the design of the memorial.
The museum received a Thea Award for excellence from the Themed Entertainment Association in 2011, USA Today’s 2016 Readers’ Choice Award for Best Free Museum, and TripAdvisor’s Hall of Fame recognition for continued excellence.
I went through my collection of metal and plastic buttons and picked out a few vintage treasures to use in a new jewelry piece.
Week 5 Female Artist Only 2 (871 – 875) ID 873
Rachel Harrison 1966 -
Perth Amboy , 2001
Cardboard, colored straws, chromogenic prints, and sculptures
Perth Amboy is a multi-component work by New York-based artist Rachel Harrison that examines the sustained power of objects and images and the convictions they inspire. It comprises dozens of folded panels of packing cardboard placed throughout the gallery to form an open-ended labyrinth. Imposing yet vulnerable, the freestanding cardboard requires that visitors slow down and move through the space with a heightened awareness of their bodies and their surroundings.
On the walls of the gallery hand photographs Harrison took in Perth Amboy, New Jersey, after she read an article in the New York Times about the reported appearance of the Virgin Mary on a window of a two-story house there. One after another, visitors to the site laid their hands on the colored blurs and reflections on the pane of glass. Many of Harrison’s photographs, which were taken on film, document this ritualistic gesture; together these imageschronicle the spontaneous formation of a community through the shared experience of a miraculous vision.
Sculptures are positioned at different junctures in the room, many of them featuring a figure beholding an object of contemplation—a photograph of a sunset, an abstract sculpture, a scholar’s rock. The works mirror the situation in which visitors to the museum find themselves as they look at art. This reflexivity is an old and recurring theme in the history of art, which Harrison demonstrates by including a reproduction of a seventeenth-century painting by David Teniers the Younger of Archduke Leopold Wilhelm surrounded by his vast collection of paintings. Next to it, she places a can of salsa so that the woman illustrated on the label looks at the archduke looking at an Italian Renaissance painting that Teniers reproduced in miniature, just as Harrison has reproduced the Teniers. Facilitating an endless loop of exchanged glances. Perth Amboy investigates the conventions of representation and the conditions of looking that are central to any experience of visual art.
Organized by Paulina Pobocha, Assistant Curator, Department of Painting and Sculpture. The exhibition is made possible by The Modern Women’s Fund. Generous funding is provided by The Walton Family Foundation.
From the placard: The Museum of Modern Art, New York
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Mangueira Campeã do carnaval do Rio de Janeiro em 2019
A Estação Primeira foi a sexta escola a desfilar na Marquês de Sapucaí, na segunda feira, 04 de março de 2019, com o enredo do carnavalesco Leandro Veira, " Histórias pra ninar gente grande".
Ensaio fotográfico e registros no canal del Cueto, no youtube de (C)2019 Valéria del Cueto, all rights reserved
@no_rumo do Sem Fim… delcueto.wordpress.com
@delcueto para CarnevaleRio.com
Curta nossa página no Facebook e faça sua inscrição no Canal del Cueto no Youtube. Desde 2008 registrando momentos do carnaval carioca.
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NON-NUCLEAR COMPONENT STORES BUILDING 60 –
The function of the non-nuclear component stores was to hold the high explosive part of the bomb and its outer casing. The casing could probably be split into two units, the tail and forward part containing the high explosive and electronics. The bombs, minus their fissile components, were housed in three almost identical stores buildings 59-61, known as Storage Building Type 'D-D'. These are arranged in an arrowhead pattern, and are accessed from the internal loop road, and are all surrounded by 14ft 6in high earth traverses, revetted by a reinforced concrete retaining wall against the roadway.
The western store, building 59 was gutted by a fire during the 1980's and has subsequently been demolished. Its floor plan remains visible on the remaining concrete floor slab. The two remaining stores, buildings 60 and 61 are rectangular in plan, and are constructed from reinforced concrete columns and beams. Internally there are two rows of columns, 13in², which support the roof beams, 2ft by 9in, which carry the 9in thick reinforced concrete roof slab which is covered with bituminous felt. The rainwater gutters and down pipes are cast asbestos.
The wall sections are filled with 18in by 9in by 9in precast concrete blocks, internally the main storage area measures 190ft 2½in by 60ft. It is divided longitudinally into eleven 17ft by 3ft bays and cross ways into three bays the outer bays measure 17ft 6in and the central bay is 25ft wide. The maximum clear internal height was 12ft from the floor to the underside of the roof beams. The floor is surfaced with a hard gritless asphalt with the patent name 'Ironite'. The walls are painted pale green colour and the ceiling cream. in store building 61 the bay letters 0, N, M, and L are visible on the rear columns on the eastern side, suggesting the store was divided into 22 bays along the outer walls.
Abutting on to the front of the stores, and flanking the entrances, are plant and switch rooms, which originally contained heating and air conditioning plant to maintain a stable environment within the stores. A raised air extract duct is placed asymmetrically on the roofs of the stores. Entry into the stores is through a 10ft wide door opening with 12ft high doors. In the rear wall of the stores is a single door width, outward opening emergency exit. The first nuclear weapon the store was designed to hold was relatively large, a ''Blue Danube'' bomb measured 24ft in length and weighed 10,000lbs.
The problems of handling such large objects are reflected in the provision of substantial lifting gantries at the entrance to each store. Two variants are found, the simplest, exemplified by the middle store building 60 comprises a straight gantry. Over the roadway the gantry is supported by four 24in by 18in reinforced concrete columns, which support two 51in by 24in reinforced concrete beams. The upper beams of the gantry taper towards the entrance to the store where they are suppurted by two reinforced concrete columns. On the underside of the gantry is attached a 20in by 6½in rolled steel joist runway beam which runs to the entrance to the building. This was originally fitted with a 10 ton hoist. The gantry is covered by asbestos sheeting to provide a dry working area.
On the eastern and western stores the gantries were set at 30° to the front of the stores. In this variant an extra set of columns was placed at the 30° dogleg. Internally there is no evidence for a runway beam, so it presumed the bombs were lifted off a road transporter and loaded onto a bomb trolley for storage. It is not known how many bombs were kept in each store, or if the tail units were separated from the front part of the bomb for storage. Subsequent to the site being relinquished by the RAF a central corridor has been created in the stores by the insertion of breeze block walls. Doors in these walls give access to workshops along either side of the buildings. External windows have also been inserted in some of the bays.
Information sourced from English Heritage.
La fontana de Trevi armoniza los componentes escultóricos con los arquitectónicos hasta el punto que, pese a las airadas quejas del duque de Poli, se utilizó la fachada posterior de su palacio como marco para la composición alegórico-escultórica que soporta el programa iconográfico elegido para el monumento. Ya de entrada, la integración entre la escultura y la arquitectura muestra la comunión entre el mundo natural, el agua que surge de la tierra y se bifurca a través de las rocallas escultóricas hasta terminar en el gran vaso de la fuente y el mundo humano, la arquitectura.
El orden monumental de pilastras corintias dispuesto en la fachada del palazzo se convierte en columnas en su cuerpo central para sugerir un arco triunfal cuya exedra enmarca a la principal figura escultórica de la composición: la estatua de Océano de pie sobre su carro que es arrastrado por dos tritones que sujetan a sendos caballos marinos.
En sus Raggione filosofiche, que se conservan en la Biblioteca Vaticana, Salvi explicó la idea principal de su programa iconográfico. El agua pretende ser una metáfora de la existencia y de lo mudable de condición humana. Se enaltece también su capacidad para generar la vida, para moldearla y para conservarla. Sería pues la Fontana de Trevi un himno a la vida simbolizada por Océano, el dios de las aguas que permiten que esta se desarrolle.
El motivo principal pues, es la figura de Océano reinando sobre las aguas sobre su carro tirado por dos caballos que son gobernados por dos tritones. Encargada originalmente a Giovanni Battista Maini, fue realiza finalmente por Pietro Bracci. Océano, hijo de Urano y Gea, es uno de los dioses griegos arcaicos. Señor de las aguas y padre, junto a su hermana Tetis, de oceánides y oceánidas los dioses que simbolizaban los ríos.