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Canon 5d + mp-e65 macro lens mounted on we macro slider, mounted on positioning stage for a pillar drill. This gives lots of left/right/forward-back movement. The subject (coin) is mounted on more positioning tables giving accurate movement to position the subject in any orientation.
Fifteen Iraqi police officers successfully complete IED Defeat course
Baghdad, 16 February 2017 - The United Nations Mine Action Service (UNMAS), the Government of Japan and the Ministry of Interior in Iraq held a certification ceremony for fifteen Iraqi police officers who have successfully completed the Improvised Explosive Devices (IED) Defeat Course (basic). This project is funded by a generous contribution from the Government of Japan and directly supports the development of national capacity to respond to explosive threats in recently retaken areas.
The four-week training course plus follow-up mentoring was held at Salman Pak Police EOD training centre. The specifically designed training course includes numerous practical scenario exercises with the aim of building the confidence of the students to mitigate the threat of explosive hazards including IEDs. Local police officers were selected from Al Anbar, Diyala, Ninawa and Salah Ad Din governorates.
Maj. Gen. Abdulkarim Hatim, Head of Training Department, Ministry of Interior, stated that “training courses in Iraq are contributing to the return of displaced families to their homes paving the way for necessary reconstruction and development projects.”
H.E. Mr. Fumio Iwai, Ambassador of Japan to the Republic of Iraq, said in his statement that “it must be a daunting task for us all to consolidate peace and stability in the liberated areas after the liberation of Mosul including the expected liberation of Western side in the coming period by the brave Iraqi Security Forces.” He added that “however, we hope that the liberation of Mosul gives us, especially for Iraqi people, a golden opportunity to strive as one not only for its reconstruction but also for national reconciliation.”
Mr. Pierre Lemelin, Senior Programme Manager, UNMAS Iraq, highlighted that “UNMAS has trained 45 participants since 2016 to enhance a national capacity to respond to and mitigate explosive hazard threats including IEDs in retaken areas.”
Photos by UNAMI PIO.
*FAIRWEATHER*cx complete bike
BLUE LUG custom
SPEC
Frame:*FAIRWEATHER*track BLUE LUG CUSTOM PAINT by COOK PAINT WORKS
Headset:*DIA-COMPE*
Wheels:*H PLUS SON*archetype rim × *GRAN-COMPE* smal track hub
Tire:*FAIRWEATHER*for traveler
Brake:*CAMPAGNOLO*veloce
Crankset:*SUGINO*rd messenger crank
Handle:*NITTO*rb001 handle
*FAIRWEATHER* CR79 fillet stem
Saddle:*GILLES BERTHOUD* galibier leather saddle
I finally have a strong feeling that Kristine is complete: in her look and as a character. Such a pleasant feeling! I'm her fan-girl, lol! *o*
*SURLY*troll complete bike
BLUE LUG custom
SPEC
Frame:*SURLY*troll BLUE LUG CUSTOM PAINT by COOK PAINT WORKS
Headset:*CHRIS KING*nothread headset
Wheels:*VELOCITY*synergy rim ×*PHIL WOOD*classic hub
Tire:*SURLY*knard
Brake lever:*SHIMANO*
Crankset:*WHITE INDUSTRIES*eno single speed crank
Chain keeper:*PAUL*
Handle:*NITTO*albatross bar
Stem:*SIMWORKS*
Seat post:*THOMSON*elite
Saddle:*WTB*pure v
Seatclamp:*SALSA*lip lock
French postcard by Erpé, no. 30. Photo: Paramount.
Blue-eyed American actor Henry Fonda (1905-1982) exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He is most remembered for his roles as Abe Lincoln in Young Mr. Lincoln (1939), Tom Joad in The Grapes of Wrath (1940), for which he received an Academy Award Nomination, and more recently, Norman Thayer in On Golden Pond (1981), for which he received an Oscar for Best Actor in 1982. Notably he also played against character as the villain 'Frank' in Sergio Leone's classic Spaghetti Western Once upon a time in the West (1968). Fonda is considered one of Hollywood's old-time legends and his lifelong career spanned almost 50 years.
Henry Jaynes Fonda was born in Grand Island, Nebraska in 1905. His parents were Elma Herberta (Jaynes) and William Brace Fonda, who worked in advertising and printing and was the owner of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country around 1400 and moved to Holland, presumably because of political or religious persecution. In the early1600's, they crossed the Atlantic and were among the early Dutch settlers in America. They established a still-thriving small town in upstate New York named Fonda, named after patriarch Douw Fonda, who was later killed by Indians. In 1919, young Henry was a first-hand witness to the Omaha race riots and the brutal lynching of Will Brown. This enraged the 14 years old Fonda and he kept a keen awareness of prejudice for the rest of his life. Following graduation from high school in 1923, Henry got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. At age 20, Fonda started his acting career at the Omaha Community Playhouse, when his mother's friend Dodie Brando (mother of Marlon Brando) recommended that he try out for a juvenile part in You and I, in which he was cast as Ricky. Then he received the lead in Merton of the Movies and realized the beauty of acting as a profession. It allowed him to deflect attention from his own tongue-tied personality and create stage characters relying on someone else's scripted words. The play and its star received fairly good notices in the local press. It ran for a week, and for the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway. In 1926, he moved to the Cape Cod University Players, where he met his future wife Margaret Sullavan. His first professional role was in The Jest, by Sem Benelli. James Stewart joined the Players a few months after Fonda left, but he would become his closest lifelong friend. In 1928, Fonda went east to New York to be with Margaret Sullavan, and to expand his theatrical career on Broadway. His first Broadway role was a small one in A Game of Love and Death with Alice Brady and Claude Rains. Henry played leads opposite Margaret Sullavan, who became the first of his five wives in 1931. They broke up in 1933. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely. Major Broadway roles followed, including New Faces of America and The Farmer Takes a Wife. The following year he married Frances Seymour Brokaw with whom he had two children: Jane Fonda and Peter Fonda, also to become screen stars.
The 29-year old Henry Fonda was persuaded by Leland Hayward to become a Hollywood actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (Victor Fleming, 1935) opposite Janet Gaynor. I.S. Mowis at IMDb: “With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit.” Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor Western The Trail of the Lonesome Pine (Henry Hathaway, 1936) with Sylvia Sidney, and the gritty Depression-era drama You Only Live Once (Fritz Lang, 1937) with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance). Then followed the screwball comedy The Moon's Our Home (William A. Seiter, 1936) with ex-wife Margaret Sullavan, the excellent pre-civil war-era romantic drama Jezebel (William Wyler, 1938) featuring Bette Davis, and the Western Jesse James ( Henry King, 1939) starring Tyrone Power. Fonda rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck and Gene Tierney - with both he shared an excellent on-screen chemistry - in The Mad Miss Manton (Leigh Jason, 1938), The Lady Eve (Preston Sturges, 1941) and the successful Rings on Her Fingers (Rouben Mamoulian, 1942). Henry gave his best screen performance to date in Young Mr. Lincoln (John Ford, 1939), a fictionalized account of the early life of the American president as a young lawyer facing his greatest court case. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) with Claudette Colbert, and The Grapes of Wrath (1940), an adaptation of John Steinbeck's novel about an Oklahoma family who moved west during the Dust Bowl. In his career-defining role as Tom Joad, Fonda played the archetypal grassroots American trying to stand up against oppression. His relationship with Ford would end on the set of Mister Roberts (John Ford, Mervyn LeRoy, 1955) when he objected to Ford's direction of the film. Ford punched Fonda and had to be replaced.
The Grapes of Wrath (John Ford, 1940) set the tone for Henry Fonda’s subsequent career. In this vein, he gave a totally convincing, though historically inaccurate, portrayal in the titular role of The Return of Frank James (Fritz Lang, 1940), a rare example of a sequel improving upon the original. He projected integrity and quiet authority whether he played lawman Wyatt Earp in My Darling Clementine (John Ford, 1946) or a reluctant posse member in The Ox-Bow Incident (William A. Wellman, 1943). In between these two films, Fonda enlisted in the Navy to fight in World War II, saying, and served in the Navy for three years. He then starred in The Fugitive (John Ford, 1947), and Fort Apache (John Ford, 1948), as a rigid Army colonel, along with John Wayne and Shirley Temple in her first adult role. The following years, he did not appear in many films. Fonda was one of the most active, and most vocal, liberal Democrats in Hollywood. During the 1930s, he had been a founding member of the Hollywood Democratic Committee, formed in support of President Franklin D. Roosevelt's New Deal agenda. In 1947, in the middle of the McCarthy witch hunt, he moved to New York, not returning to Hollywood until 1955. His son Peter Fonda writes in his autobiography Don't Tell Dad: A Memoir (1999) that he believes that Henry's liberalism caused him to be gray-listed during the early 1950s. Fonda returned to Broadway to play the title role in Mister Roberts for which he won the Tony Award as best dramatic actor. In 1979, he won a second special Tony, and was nominated for a Tony Award Clarence Darrow (1975). Later he played a juror committed to the ideal of total justice in 12 Angry Men (Sidney Lumet, 1957) which he also produced, and a nightclub musician wrongly accused of murder in The Wrong Man (Alfred Hitchcock, 1956). During the next decade, he played in The Longest Day (Ken Annakin, Andrew Marton a.o., 1962), How the West Was Won (John Ford, Henry Hathaway, George Marshall, 1962) and as a poker-playing grifter in the Western comedy A Big Hand for the Little Lady (Fielder Cook, 1966) with Joanne Woodward. A big hit was the family comedy Yours, Mine and Ours (Melvillle Shavelson, 1968), in which he co-starred with Lucille Ball. The same year, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's Western epic C'era una volta il West/Once Upon a Time in the West (1968) opposite Charles Bronson and Claudia Cardinale. With James Stewart, he teamed up in Firecreek (Vincent McEveety, 1968), where Fonda again played the heavy, and the Western omedy The Cheyenne Social Club (Gene Kelly, 1970). Despite his old feud with John Ford, Fonda spoke glowingly of the director in Peter Bogdanovich's documentary Directed by John Ford (1971). Fonda had refused to participate until he learned that Ford had insisted on casting Fonda as the lead in the film version of Mr. Roberts (1955), reviving Fonda's film career after concentrating on the stage for years. Illness curtailed Fonda’s work in the 1970s. In 1976, Fonda returned in the World War II blockbuster Midway (Jack Smight, 1976) with Charlton Heston. Fonda finished the 1970s in a number of disaster films wilth all-star casts: the Italian killer octopus thriller Tentacoli/Tentacles (Ovidio G. Assonitis, 1977), Rollercoaster (James Goldstone, 1977) with Richard Widmark, the killer bee action film The Swarm (Irwin Allen, 1978), the global disaster film Meteor (Ronald Neame, 1979), with Sean Connery, and the Canadian production City on Fire (Alvin Rakoff, 1979), which also featured Shelley Winters and Ava Gardner. His final screen role was as an octogenarian in On Golden Pond (Mark Rydell, 1981), in which he was joined by Katharine Hepburn and his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, Henry Fonda died soon after at the age of 77, having left a lasting legacy matched by few of his peers. His later wives were Susan Blanchard (1950-1956), Leonarda Franchetti (1957-1961) and Shirlee Fonda (1965- till his death in 1982). With Blanchard he had a daughter, Amy Fishman (1953). His grandchildren are the actors Bridget Fonda, Justin Fonda, Vanessa Vadim and Troy Garity.
Sources: Laurence Dang (IMDb), I.S. Mowis (IMDb), Wikipedia, and IMDb.
This is a photograph from the start of the Tullamore Harriers AC "Quinlan Cup" Half Marathon which was held on Saturday 26th August 2017 in Tullamore, Co. Offaly, Ireland at 11:00. This is the fifth year of the event. The race is organised and promoted by Tullamore Harriers AC. The race starts on the Charleville Road just outside the entrance to Tullamore Harriers. The race proceeds south along the R421 and onto the N52 before taking a route onto local back roads. The race then completes a large rural road route before it joins to the R421 again and the final 1.5 miles are the same as the first mile of the race. The runners enter Tullamore stadium and complete one lap of the tartan track before the finish line. The course is challenging in places with some undulations along the route. But overall it is fair course. 2013 seen the first year of the event as the club commemorated the 60th Anniversary of the formation of Tullamore Harriers AC which today is one of Ireland's best known athletics clubs.
We have a large set of photographs from the start and the finish of today's race on our Flickr Photostream: www.flickr.com/photos/peterm7/albums/72157685695893933
The race was chip timed by MyRunResults - their website is www.myrunresults.com
The race was perfectly organised. The weather was good for racing but there was warm summer weather for the entire race which made for warmer than usual running conditions There were stewarts all along the route, 3 drink stations with bottled water, superb facilities, and great after-race refreshments. The stewards along the route provided great encouragement to all of the runners. Tullamore Harriers and the local community really worked together to make this is a wonderful event. There was also a relay option where teams of two can run approximately 10.5km each.
As mentioned above this race half marathon started in 2013 and celebrated the 60th Anniversary (a Diamond Anniversary) of the foundation of Tullamore Harriers AC. The club was formed in the town in November 1953. However, it was almost 1979 before facilities close to what we see today open in the present day site. Over 50 provincial and national athletics meetings are held at Tullamore Harriers every year. The facilities available combined with it's central geographical location joining routes from North, South, East, and West make it a very attractive venue. The half marathon today firmly brings competitive national road racing back to "The Harriers". The Quinlan Cup which will be awarded to the winning club team. For more than 40 years the Harriers Quinlan Cup was the most prestigious event on the road racing calendar. Having started as a cross-country race back in 1957, it became a road race in 1967 and remained so until 2000 when the race was last held. During its reign as a blue-ribband event the Quinlan Cup was won by the likes of John Treacy and Eamonn Coughlan.
Today, the facilities at Tullamore Harriers are the envy of many athletics clubs in Ireland. The facilities provided by Tullamore make it one of the premier venues for local and national level athletics in Ireland. There is an Olympic standard tartan track, a fully equipped gym, changing facilities, press and media facilities, meeting room spaces, etc. The club also provides a social center and niteclub which makes "The Harriers" a very well known on the local social scene. Esssentially, the town of Tullamore would be a different place if it weren't for the presence of Tullamore Harriers AC.
Our photographs from the 2016 Half Marathon on Flickr www.flickr.com/photos/peterm7/albums/72157669860212434
Our photographs from the 2015 Half Marathon on Flickr. www.flickr.com/photos/peterm7/albums/72157655560294853
Our photographs from the 2014 Half Marathon on Flickr. www.flickr.com/photos/peterm7/sets/72157646587496250/
Our photographs from the 2013 Half Marathon on Flickr: www.flickr.com/photos/peterm7/sets/72157635307620452/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Henry VIII and his six wives, in chronological order L to R.
A life-size tableau in allegedly authentic costume at Sudeley castle.
This is the only place within the castle itself where you're allowed to take pictures. However the lighting is not good.
Took Marci a while cause it was a lot of work. in the wall paper the black is gouache, and the lighter color is watercolor, so she had to go in there and paint between the lines twice.
Completed for liturgical use of the Augustinian Canons of the Windesheim Chapter ca. 1450, this Book of Hours features eleven extant miniatures and nine historiated initials. The manuscript was illuminated by the Master of the Ghent Privileges and associates, possibly in Tournai. The first owner's association with Ghent as a cleric is evinced in the graded calendar, with possible visual references on fols. 1r and 82v. Along with occasional marginal additions, this Book of Hours also features some heraldry that attests to a cherished history.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
*SURLY*troll complete bike
BLUE LUG custom
SPEC
Frame:*SURLY*troll BLUE LUG CUSTOM PAINT by COOK PAINT WORKS
Headset:*DIA COMPE*
Wheels:*VELOCITY*dually rim × *SHIMANO*deore
Tire:*TIOGA*
Brake lever:*AVID*
Shift lever:*SHIMANO*
Crankset: *WHITE INDUSTRIES*eno single crank
Pedal:*ODDYSSEY*
RD:*SHIMANO*
Brake:*SHIMANO*
Handle:*SIMWORKS*hunter
Stem:*THOMSON*x4
Saddle:*CINELLI*
After nearly three months since the beginning of the project the clock is complete. It uses four GNP-17A tubes for the main hours and minutes display, and two IN-16 tubes for the seconds. The case is made from African Padauk with much sanding, cleaning, and coated with Polyurethane varnish all over.
After a few months it will be time to start on Nixie-2. :)
Just needs a coat of varnish...
I shot a macro self portrait of sprinkles on my lips and pop realism painter Robert Townsend is transforming the image into a 36x36 oil painting for his show at Sue Greenwood Gallery in Laguna Beach on June 2nd. This is what the process looks like, starting with the sepia base coat. You can see more of his work at: www.freecolortv.com :)
Completed the quilt top. Approximately 58" by 70". My own design, inspired by Aztec art and The Quilts of Gee's Bend.
Tired Lucy sends an SMS to family & friends after Jake is delivered safely, and at the same time scoffs some fruit!
Just under nine months after its first proper mainline test run following reinstatement, GB Railfreight's Class 92, 92020 completes the last of its "firsts".
Working the Caledonian Sleeper Up Highlander (1M16) service for the first time, "Milton" (as she was formerly known) spent almost 18 years in store before her miraculous comeback. 020 has now worked all the Sleeper turns under the wires - the job she was brought back to do.
Captured at Hartford with a cheery early morning wave from one of GB Crewe Depot's finest.