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showing the collection of treasures inside. it seems i can't resist the rhinestone rondelles whenever i find them.
I normally don’t fall in love with AF zoom compacts, but I did with this little Konica Lexio 70 W! It is incredibly small and (to my eyes) a very handsome camera. I can’t call it a plastic wonder as it is made out of metal. It feels like an expensive camera, the Yashica T4 feels positively 3rd rate compared to the solid and chic Konica.
Specs wise, it manages to pack a 28-70 zoom with a very respectable aperture of 3.4 at the 28 mm setting. This is a bit Pentax Espio 928, but in a body of an Espio Mini. The large LCD is backlit in indigo blue, very nice touch. The camera has all the usual modes including a backlight compensation of 1.5 EV. There is no dedicated button to cancel flash, but there is a curious feature. If you select to cancel the flash and turn the camera off, next time you turn it on, just press the mode button once and the camera reverts to your previous setting, very cool!
This is the very first time with an AF zoom compact camera that I can’t complain about the viewfinder. For the first time I have a compact zoom camera with a big viewfinder, in fact so big that I can compose with my eye at 15/20 mm from it, remarkable. Konica has profited from this big viewfinder and incorporated not LEDs but icons at the bottom of the frame like macro, AF confirmation, flash and infinity focus. Also, the viewfinder is very bright and has a dioptric correction.
I suppose there must be a catch, but I have failed to find it just by playing with the camera. Possibly the week point of the camera is in the lens. I have to try it and confirm my suspicion, if the lens performs decently, then this Konica Lexio 70 W will be the first zoom P&S camera that I will use with pleasure.
Car: BMW 316i Compact.
Year of manufacture: 1999.
Date of first registration in the UK: 20th May 1999.
Place of registration: Chelmsford.
Date of last MOT: 7th April 2021.
Mileage at last MOT: 100,621.
Last change of keeper: 9th August 2020
Date taken: 3rd June 2021.
Album: Carspotting 2021
Hanimex Vef Compact. Objectif Hanimar 20mm f/4 Wide Angle. Petit bouton pour 3 ouvertures f/11, f/6.3, f/4. Film 110 vitesse 1/125. Année 1977.
A rare caravan which has an elevating canvas-sided roof. These date from the early 1980s and would originally have been painted beige with white stripes.
Why cant these camera manufacturer's produce a Owners Manual that not only names the buttons, levers & dials but actually tells you what each of them does and why you would want to use them in the first place, some of us are NOT techies or Rocket Scientists.
Some compact 35mm cameras side by side.
Olympus Pen S
Olympus Trip 35
Olympus XA + A16
Olympus Mju I / 1
Olympus Mju I / 1 limited , serial number 00001xx
Olympus Mju II / 2
Olympus Mju II / 2 Zoom 80
Nikon L35AF
Nikon L35AF2
Nikon L35AF3
Yashica T
Yashica T2
Yashica T3
Yashica T4
Yashica J-Mini Super
Pentax Espio Mini / UC-1
Pentax PC35AF-M
Minolta Hi-Matic 7s II
Minolta AF-C + EF-C
Minolta Riva Mini ( same thing as Leica Mini )
Canon G-III QL17 + Canonlite D
Canon MC + MC-S
Minox 35 GT + TC 35
Ricoh FF-1 + SL 121A
Konica EU Mini Peanuts
Belomo Agat 18k
Lomo LC-A+
Vivitar 28mm fixed focus
Anderson, SC. May 2017.
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jo__lees: Where is that? Looks familiar...
alexdircks: Just off Norton St, Leichhardt
Participant in the Classic Tracks Targa Rally, organised by Llandysul Motor Club.
Car: BMW 318 ti Compact.
Year of manufacture: 1997.
Date of first registration in the UK: 20th August 1997.
Place of registration: Reading.
Date of last MOT: 25th May 2023.
Mileage at last MOT: 139,121.
Date of last change of keeper: 1st January 2023.
Number of previous keepers: 8.
Date taken: 28th May 2023.
I’ve come across a few old onsite waste compactors in the past, however unfortunately I failed to consider taking pictures of them all for the purpose of documenting their existence. One classic system I did photograph recently is this stationary unit consisting of a solid blade packer coupled to a tough old ribbed 27m container, not at all resembling the new bulk handling gear out there today. According to what is indicated on the top left corner surface, but not visible in this photo, this compactor was fabricated in January 1982... I’m sure this classic refuse mechanism has always resided at this particular city shopping centre which has been around forever. It’s also a MacaPak system, produced by none other than MacDonald Johnston Engineering. Near the front of the container you will get hinted involvement of AB Equipment, from a previous search I got the impression they’re involved with dock equipment and one of their customers is Kmart. I have no idea which company serviced this bin in the past, but it was definitely a dino truck, yet I’m not even sure who does it today, although it’s a hook lift job now. Sitting adjacent to this packer and right behind me in the photo is another identical stationary blade packer, but that one is hooked up to a modern Cleanaway container and serves the Coles store.
Unable to hear the yelling of 3 people and a wookiee, Ted starts up one of the Death Star's trash compactors. He can't figure out why it stops a few minutes later.
IN ENGLISH BELOW THE LINE
Les càmeres de cinema Siemens Kino de 16mm foren unes de les més complexes i compactes del món abans de la II Guerra Mundial. Oferien moltes opcions, incloent diverses velocitats o visor telemetric. També eren extraordinariament petites per a ser de format 16mm, però això era perquè feien servir casets intercanviables propis de 15m. (en comptes de les bobines usuals de 30m.) amb l’unic inconvenient de tenir menys pel•licula. Però al ser intercanviables, es podia, teoricament, anar canviant de emulsió (com després faran les càmeres Hasselblad).
El model F-II és el més evolucionat de tots, i va sortir el 1938. Es fabricà de 1938 a 1940, acabant la producció durant la guerra, i reiniciant-se breument a la postguerra, entre 1947 i 1950. Tant el model F com el F-II destacaven sobre els altres per tenir objectius intercanviables (del tipus “C”, compatibles amb la majoria de càmeres de 16mm). En aquesta càmera en concret he obtingut el objectiu standard per a les F, el Jos. Schneider Kreutznach Xenon f1.5 / 25mm. L’altre caracteristica avançada de la F-II era el visor regulable tant per paralatge (movent tot el visor depenent de la proximitat de la escena enfocada a la càmera, ja que no és reflex) com multifocal, poguent-se adaptar a objectius de entre 25 i 100 mm. De fet, per a aquesta càmera es desenvolupà el primer objectiu zoom del cinema amateur (Vario-Glaukar-Anastigmat), que es conectava al visor i movia la focal d’aquest de manera coordinada.
Aquesta càmera en concret, que venia amb diversos cassets Siemens (alguns carregats i altres buits) funciona prou bé. Com a curiositat dir que té diverses modificacions (fetes de manera profesional) al frontal i els laterals, com si es pogués conectar amb altres aparells. Per això penso que potser es va fer servir en algun tipus de laboratori o industria.
A tot això, hi ha encara una altra derivada historica rellevant d’aquest model Siemens Kino F-II, i és que fou un dels dos models de càmeres Siemens que emprà Eva Braun, la “amiga intima” del Führer (i esposa per menys de 24h) per a les filmacions casolanes del entorn de Hitler. Filmacions que varen sobreviure a la guerra i que son una molt interesant vista al dia a dia del dictador sobretot en l’idilic entorn del Berghof del Obersaltzberg. Pel que he pogut investigar per internet, sobretot amb les fotos que es conserven, sembla que Eva Braun va fer servir una Siemens C des del 1934 fins 1938, any en que canvià a una Siemens F-II fins al final. Les dues serien logicament regals de Hitler.
www.vintagecameras.fr/siemens/type-f-ii
www.bitacora.com.uy/auc.aspx?7257,7
www.theguardian.com/world/2013/jan/27/hitler-home-movies-...
www.youtube.com/watch?v=5HZEr9qCBVc
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Siemens Kino 16mm film cameras were some of the most complex and compact in the world before World War II. They offered many options, including various speeds or rangefinder viewer. They were also extraordinarily small for 16mm format, but that was because they used proprietary 15 m. interchangeable cartridges. (instead of the usual 30 m. reels) with the only drawback of having less film. But being interchangeable, it was possible, theoretically, to change the emulsion (as the Hasselblad cameras will later do).
The Model F-II is the most advanced of all, and came out in 1938. It was manufactured from 1938 to 1940, ending production during the war, and restarting briefly in the postwar period, between 1947 and 1950. Both the Model F like the F-II stood out from the others for having interchangeable lenses (of the “C” type, compatible with most 16mm cameras). On this particular camera I got the standard lens for the Fs, the Jos. Schneider Kreutznach Xenon f1.5 / 25mm. The other advanced feature of the F-II was the adjustable viewfinder for both parallax (moving the entire viewfinder depending on the proximity of the scene focused on the camera, since it is not reflex) and multifocal, being able to adapt to objectives of between 25 and 100 mm. In fact, the first amateur cinema zoom lens (Vario-Glaukar-Anastigmat) was developed for this camera, which was connected to the viewfinder and moved its focal point in a coordinated manner.
This particular camera, which came with several Siemens cassettes (some loaded and some empty) works well enough. As a curiosity to say that it has several modifications (made professionally) on the front and the sides, as if it could be connected to other devices. That's why I think that maybe it was used in some kind of laboratory or industry.
In addition to all this, there is still another relevant historical derivative of this Siemens Kino F-II model, and that is that it was one of the two Siemens camera models used by Eva Braun, the "intimate friend" of the Führer (and wife for less of 24h) for the home filming of Hitler's entourage. Footage that survived the war and is a very interesting view of the dictator's day-to-day life, especially in the idyllic surroundings of the Berghof in the Obersaltzberg. From what I've been able to research online, especially with surviving photos, it appears that Eva Braun used a Siemens C from 1934 until 1938, when she switched to a Siemens F-II until the end. Both would logically be gifts from Hitler. There are photos of her with both models:
www.google.com/imgres?q=Eva%20Braun%20movie%20camera&...
www.google.com/url?sa=i&url=https%3A%2F%2Fwww.gettyim...
www.vintagecameras.fr/siemens/type-f-ii
www.theguardian.com/world/2013/jan/27/hitler-home-movies-...
Nikon F80
Sigma 105mm f/2.8 OS HSM
Kodak Gold 200
A series of random photos while in the house and garden under lock-down restrictions.