View allAll Photos Tagged compactor
Würzburg is een stad met overzichtelijke afmetingen en de trams die er tijdens mijn eerste bezoek in 1977 dienst deden, waren compact. Ook de grootte van het in 1954 opgeleverde stationsgebouw is afgestemd op de behoefte van een provinciestad. Het voor de jaren vijftig karakteristieke stationsgebouw is ontworpen door architect Hans Kern. De kraam met worstjes voor de uitgang van het station ontbreekt uiteraard niet.
De enkelgelede Düwag-tram heeft ook deuren aan de linker zijde. Op het achterbalkon is een hulpstuurstand aangebracht. De wagens konden zodoende bij behoefte in tweerichtingbedrijf gebruikt worden. Primair zijn de wagens echter voor eenrichtingbedrijf ingericht. Men sprak in dit geval ook wel van anderhalfrichtingwagens. Op de kopwand zien we de verschillende contactdozen voor bijwagenbedrijf. Destijds werd er op werkdagen nog met kleine tweeassige bijwagens achter deze gelede trams gereden.
Tram 233 maakt deel uit van een serie van tien enkelgelde zesassers die in 1967 en 1968 door Düwag werden geleverd. Vanwege het krappe profiel van vrij ruimte zijn de koppen sterk afgeschuind. In 1982 werden de wagens door het invoegen van een nieuwe tussenbak verlengd tot dubbelgelede achtassers.
Bekijk mijn fotoalbum in de klassieke versie.
The final to my future-auto exploration. This time, based on several retro-future compact-car designs (including by Syd Mead of course). Ironically, this is the only of the three that actually fits a full figure.
The purpose of the three cars was to look at what I consider the three main areas of consumer-cars in futuristic media: Luxury, Show, and Utility. I am disregarding Industrial and Military as I have made a ton of the former already and I don't really like the latter.
Hi!
I made a remake of an old photo, but this time, with a stop motion clip: www.youtube.com/watch?v=q5d9783-Ib4
Enjoy!
Canon 5D Mark11
Canon 50mm Compact Macro
ISO 400
F5.6
Exposure 1/100 Seconds
Lighting - Metz Flash 58 AF - 2 - Diffused.
Video Footage - www.youtube.com/watch?v=qkoU9cMkVYE
My first real attempt at Macro Photography after our Focus Macro Course with Tim.
This style of photography is a real challenge with lighting/composition and get your exposure right it really stretches your boundaries into another world of photography. The practice begins.
and I'm meaning in a good way! He has a nice short back,and is put together fairly well. [I think,lol] Took these pics for his markings
Konica Autoreflex T
Prod. 1968-70
Lens: Konica Hexanon AR 52mm F1.8
Shutter: 1-1/1000s, B
ISO 25-1600
Konica Autoreflex T3
Prod. 1973-75
Lens: Konica Hexanon AR 50mm F1.7
Shutter: 1-1/1000s, B
ISO 12-3200
The Konica Autoreflex T was the first camera with fully automatic exposure control and metering through-the-lens (TTL).
The Konica Autoflex T3 was an evolution and improvement of the Autoreflex T2 with multiple exposure provision and hot shoe connection for flash.
Car: Volkswagen Golf GTi.
Date of first registration: 24th October 1989.
Registration region: Maidstone.
Latest recorded mileage: 147,594 (MOT 3rd September 2014).
Date of last V5 issued: 9th December 2013.
Date taken: 12th April 2015.
Location: Queen Square, Bristol, UK.
A prominent patch of Australian grass trees in the Warrumbungles NP was too spectacular to pass up the opportunity to photograph with the sunrise
To me, it would seem that a dandelion bloom would be somehow different than this. I think that it's because a dandelion's fibers are all so scattered, at first glance, that it seems unlikely that they start out so orderly. Then the reasoning kicks in that dandelions use air dispersal to get their offspring away from the parent plant. Of course, then, there isn't a random combination of structures. They must be grown specifically to take advantage of being both light and fluffy.
Still with me? Gone to take a snooze?
Nikon L35AF
Nikon Lens 35mm f/2.8
Kodak Tri-X 400TX
DX barcode 010274
Adox Adonal, 1:25, 7:00 minutes @ 20℃
Canon CanoScan 9000F
11th November 1620, Provincetown Harbour, near Cape Cod, passengers on board the Mayflower sign "The Compact". The Compact was the first governing document of Plymouth Colony and was written by the male passengers of the voyage, consisting of separatist Puritans, adventurers, and tradesmen.
This build is based on by the painting of the Mayflower Compact by Jean Leon Gerome Ferris.
More over on Brick to the Pasts blog.
Royal light is located along the River Thames at Westminster Bridge and has a compact (or mini) fluorescent light bulb inside.
Late 70's shot of a load of used Chryslers. I have another view of this rig but I found this better pic on FB.
Maui Yellow’ Ixora is a compact, tropical evergreen shrub. It is covered with large, leathery, dark green elliptical leaves. It produces an abundance of round flower clusters comprised of lots of four-petaled blooms with long floral tubes. The brightly colored flowers are sunny golden- to orange-yellow and are attractive to butterflies.
These tiny leaves are sort of peculiar. I don't know if the plant is dehydrated or if it's just a part of the physiology of the plant, but the stem of the leaf looks rather flat, doesn't it? Plants are such bizarre creatures in the first place when you compare them to animals.
Almost exclusively do they not rely on other animals for direct nutrition. Almost all of them are rooted in one way or another to a substrate. Their gross anatomy is so unlike ours.
Then again. Earth teems with plants. Maybe we're the odd ones.
The theme for today in the Kerrisdale Cameras daily photo challenge is “Compact”. I struggled with this one until I saw one of my daughters CD’s (Compact Disc) sitting on the table reflecting light from a nearby window #kcphotochallenge
Web: www.sollows.ca
Instagram: www.instagram.com/jsollows
Twitter: www.twitter.com/jimsollows
A very small, compact, and delicately built songbird with a short tail and a short, thin bill. Forages acrobatically through thorny trees, much like a chickadee, looking for small insects. Males sing tirelessly in spring, in territories often packed close together. Most migrate to less arid habitats to molt, then continue their migration to wintering grounds. Nests in desert stands of mesquite, tamarisk, acacia, hackberries, and willows, especially along streambeds. May also nest in cottonwood, and at higher elevations in dry, open forests with ash, walnut, sycamore, and oak.
Car: Renault Megane Monaco Cabriolet.
Year of manufacture: 2000.
Date of first registration in the UK: 29th January 2000.
Place of registration: London South-West.
Date of last MOT: 18th August 2022.
Mileage at last MOT: 105,766.
Date of last change of keeper: 13th December 2022.
Number of previous keepers: 4.
Date taken: 19th April 2023.
Album: Carspotting 2023
Konica Autoreflex T3
Fuji Superia 100 expired (date unknown)
AR Hexanon 1.8/40
PP in Pixlr-O-Matic
I must be one of the very few people who don't like the Petri Color 35. There, I've said it. Don't get me wrong, from the collector's standpoint it is a great camera: Great looks, intuitive design, a marvel of camera engineering, all this from a maker of budget cameras who tried (and partially succeded) to come up with a "Rollei 35 killer" at a time when Rollei was still a premium name in the camera business.
Me, I like to judge cameras as a user first and the Color 35 has a very serious drawback for a viewfinder guess-focus camera: There is no way to focus the lens without bringing the camera to your eye, as there is no distance scale on the retracting lens barrel. You have to either keep the camera at eye level throughout focusing (with the added risk of getting your finger in your eye while turning the focusing knob at the back) in order to watch the needle move over the distance indicators in the viewfinder, or use it hyperfocally which somehow defeats the whole purpose of having manual control over aperture and thus DOF. All this led me to sell the Color 35 I had and declare the original Rollei 35 (which gives you the opportunity to fully control every aspect of shooting without the need to bring the camera at eye level other than at the exact moment of framing) as the undisputed winner of this duel.
Now to the camera pictured here: After the commercial success of the Color 35, Petri decided to release another camera based on it, retaining some of its virtues (compact size, retractable lens) but replacing the fully manual exposure with a fully automatic one which would make the camera much more appealing to the casual user. This way, the Petri Color 35E (for "Electronic") was born. Wisely enough, Petri added a distance indicator on the lens barrel, correcting the fundamental drawback of the Color 35. With time, the name changed a bit, the camera also existed as "Petri 35E" then renamed "Petri Micro Compact" which also involved a change in finish from the classic chrome to black. The latter can also be found as "Carena Micro Compact".
Sadly, as the camera evolved, it slowly lost the good build quality that characterised the first Color 35, probably reflecting the gradual decline of Petri into bankruptcy. Although the size is identical to the Color 35 and features like the completely removable back or the freely rotating strap lugs remain, almost all metal has been replaced by plastic, resulting in an overall feel very close to a toy camera, much worse than what pictures of the camera online suggest at first glance. Everything feels very flimsy and easily breakable. The VF is decent but without any exposure or distance indicators at all and the only amenity to the user is a battery test button. Perhaps the early Color 35E model retains some of the quality of its mechanical sibling, but working ones are rather uncommon to find at low prices, probably a spill-over effect from the reputation and collectability of the original Color 35.
To those collecting Fashion Royalty from the beginning....can anyone tell me the story of this compact?
Convention Gift?
W Club Luncheon?
Edition Size?
Thank you in advance!
💋💋💋💋💋💋💋💋💋💋
The small size of the Black Hills Central's Baldwin 2-6-6-2 tank locomotives--38 foot wheelbase-- can really be seen from above--in this aerial view, #108 has topped the steep initial climb out of Hill City and is now winding between the hills on a light downgrade before the drop into Keystone.
The Digilux 1, a "compact" camera of rather massive size, truth be told, came out in 2002, when digital photography still needed trainer wheels.
It is the first fruit of the cooperation between Leica and Panasonic. The same camera was also marketed under the Panasonic label as the model DMC-LC5.
The lens is a rather good DC Vario Summicron zoom with a maximum aperture, at the lowest focal length, of f/2.0. Far better than other compacts at that time. It covers the focal length range (35 mm equivalent) of 33-100 mm. This lens is good, no question about it. I also rather like the bokeh.
The sensor is a 1/1.7", (7.3 x 5.5 mm) CCD with a resolution of 3.9MP. It is unusual in using a CMYG (as opposed to RGB) filter array, which should have enhanced the overall sensor light sensitivity.
However, this sensor is the weak point of the camera.
Let's face it - the images are noisy. Colour rendition and contrast do look rather good, until you zoom in, which of course you should never do with images taken with such an old camera. When zooming in, you do see the grain and the noise, even at ISO 100. Small wonder: tiny sensor, big noise.
This is the least visible in macro shots such as the above and the most visible in landscape shots.
I initially wanted to have a few small cars that would fit into an autorack, similar to the Vert-A-Pac. The train car didn't work out, but the regular cars did. I will now use them for my LUG's city layout.
What a moment!
Two at the same time. One on my front, one on my back.
Shots with compact sony manual mode.
My daughter and I ordered two sets of these Sailor Moon gashapon compacts back in October and they arrived yesterday! We love them!
When I featured the Fujica Compact this time, I also introduced the Compact S and Compact D. I mentioned that since both the S and D I own are in perfect working condition, I wouldn’t be modifying them. However, to my (perhaps happy?) surprise, the D turned out to have a faulty shutter. So, I immediately took out the lens. Since it’s equipped with a large-aperture Fujinon 45mm f/1.8, I just couldn’t resist getting my hands on it.
Fujica’s rangefinder/leafshutter cameras with large-aperture lenses include the following:
Fujica 35 SE ... Fujinon 45mm f/1.9
Fujica 35 EE ... Fujinon 45mm f/1.9
Fujica 35 VⅡ ... Fujinon 45mm f/1.8
And now, this one:
Fujica Compact D ... Fujinon 45mm f/1.8
All of these lenses are truly outstanding performers — that’s Fujinon for you!!!
Fujica Compact Deluxe
casualphotophile.com/2020/01/22/fujica-compact-deluxe-rev...