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I'd say this is part of a "jobs I'm glad I don't have to do" series: go net-fishing on a dam using the lid from an old utility truck as a boat. I asked my tuk-tuk driver what kind of fish they were catching: "Laai chanit: many kinds", he told me.
An assortment of silver and bronze castings done from both plastic found objects and waxes made from rubber molds of found objects.
Another Hot Wheels casting from 2023 which I've definitely over indulged on but unashamedly so is their reissued Cadillac Seville which came back to the basic Mainline after decades of being retired and used occasionally as a premium.
Its latest recolour continues with the two toned theme of the previous giving it a classy elegant look so befitting of this generation Seville.
Part of 2023 Case Q found recently at The Entertainer.
Mint and boxed.
Casting Gleda - Bologna cucina
Pia Mechler - Francesco Villani Photographer: © Antonio Donato - All Rights Reserved.
Casting Gleda - Bologna Piazza Santo Stefano
Rachel Eberhart Photographer: © Antonio Donato - All Rights Reserved.
Half the mould made and the original visible in the modelling clay. I am making a mould of an approximation of an arrow head I made in a flint work class a while back.
Bronze casting of a bone carved from purple wax. Interestingly its the rubberiest color, it seems. Cast from 1.8 wax grams in 16.2 bronze grams including flask on 10 Mar 2010 on the same day the snowflake was cast.
Study in polish, form: I decided the element needed more in-kind forms.
Casting para seleccionar modelos que desfilarán el próximo 19 de noviembre en el 14 circuito de la moda de Valencia.
18.06.22. Las Palmas de Gran Canaria. Casting de bailarinas. Peter Pan Ballet. Teatro Pérez Galdós. Foto Quique Curbelo
How unexpected circumstances can be embraced and turned into beauty
Vulnerability is fundamentally generous. It takes the first step of disclosure, in order to render it safe for those to unburden themselves and disclose their hidden selves in turn. It’s a gift in the form of a risk taken for somebody else.
How can we use our genuine selves and vulnerability to enhance the aesthetic of our work? By sharing her world of trauma and being extremely vulnerable, Mandy will show how her work became a success and brought her into the land of digital and VR. The beauty though, lies within the truth of being open and not very good at really anything other than that.
You are not casting yourself out of the clan for good by doing so, but rather we are just re-confirming our essential membership of the human race. It is something of a minor tragedy that we spend so much of our lives trying to hide our weaknesses, when in fact, it is only upon the dignified sharing of vulnerability that true friendship, and love, and good work and good design, can arise.
Henry Halem believes that suck voids (shrink porosities) are produced gradually from the high end casting soak on down to the high end annealing point. This firing attempted to test that hypothesis by ramping down very slowly (50 degrees F/hr) from the high end soak, 1650F, to 1300F, which is 50 degrees above the softening point for this glass - 1250F. The piece was then crash cooled through the softening point range. The result was inconclusive. This was the largest suck produced by any test. However, my interpretation is that by gradually cooling from the high end soak, any slow build up of tension would have been relieved. I suspect that the crash cool produced this enormous suck. On the other hand, it could be that the slow ramp down gave the glass time to build up a large amount of tension. More tests would have to be done to get a firm answer. (Something I probably won't do).
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