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This is a screen-grab from the blog of Grimsby-based Rod Collins (www.rodcollins.com), who posts old photos of my one-time home town. Even though I moved away back in 1963, I enjoy reminders of the place that helped forge my worldview.
Here, Rod posted a scene painted by transport artist G.S. Cooper, asking “Who remembers Rayner’s record shop?”, as advertised on the front of the bus. Plenty of us do, but more than that, a host of us omnibologists (aka superannuated bus spotters) came out of the woodwork to post chapter and verse on the bus depicted, plus comments on a couple of inaccuracies and anachronisms in the scene.
In brief, we see former London Transport AEC Regent II STL2689 (HGC222) in Old Market Place, Grimsby, on the 45 service (joint with Lincolnshire Road Car Co.) to Immingham Docks. The route was introduced in early 1960, to replace British Railways’ Grimsby & Immingham Electric Railway service. The bus is erroneously given the Grimsby-Cleethorpes fleet number of 48. In reality, it was 43. Sister bus No.47 survives in preservation, restored to its original identity of STL2692, one of a batch of 20 that were painted green and based in Watford.
Grimsby took six such buses in 1955, enabling trolleybuses to be withdrawn from the 10 route between Riby Square and Weelsby Road (Peakes Lane). Other buses from the batch went to Widnes and Dundee.
The Dulux ad on the side of the bus suggests a date of 1965. Trolleybus poles are also evident, although the wiring was removed with the ending of trolleybus operation in June 1960. A Trojan van, once modelled by Dinky Toys, is just behind. At the far left is the Yarborough Hotel of 1863, then as now one of GY’s more salubrious watering holes, these days in the care of JD Wetherspoon.
Whilst I have been dismayed by the wholesale demolition of the Grimsby landmarks of my childhood, this scene can almost be replicated today. In place of the AEC Regent, there would be a Stagecoach East Midlands Dennis Dart or Trident, without doubt cast-offs from other parts of the corporate empire.
Artist G.S. Cooper may have taken liberties with the livery and all-round presentation of the bus: Grimsby’s salty North Sea air quickly dulled the lustre of the blue and cream.
Step inside my doorway. There's no admission fee at all.
If you're in the neighborhood, you only have to call.
I'll be glad to see you, it just cannot be denied.
It's been a long time since I held you, step inside.
~ The Hollies 1967
IMG_1405
16 Aug 13
Down in the buckeye glade, this adult dark-eyed junco was staying in contact with its young with a steady, repetitive call
Gear: Canon 40d and 50mm 1.8 MKII
Strobist info: Using available light
Part of Advanced Lighting Workshop
Model: Lauren
Rollei 35 Black
Tessar 40mm f3.5
Kosmo Foto Agent Shadow EI400
Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520
DSLR-Scan
Digitaliza on Essential Film Holder
Negative Lab Pro
Heat waves make for a surrealistic scene and the KB&S units cross the TP&W at Webster, IL. The operator's cabin still exists here, but the crossing is controlled by radio signal.
Photo by John Eagan
Just one shot before I hit the sack from tonight's Aerosmith gig.
The Bad Boys from Boston, American rockers Aerosmith headlined the first of two nights of the Calling Festival newly relocated to South London’s Clapham Common.
The Steven Tyler-led rockers brought their unique blend of entertaining rock to a damp London evening, re-energising the sodden crowd with a mixed set drawn from their extensive back catalogue as well a cover of The Beatles 1969 hit Come Together. They began the 18-song set with Mama Kin from their 1973 eponymous debut album before moving onto Get a Grip hit Eat the Rich and Pump classing Love in an Elevator.
Hits Walk This Way and Dude (Looks Like a Lady) also featured before the encore was opened with classic Dream On featuring Tyler playing piano and Joe Perry playing guitar … on the piano!
It’s surprising just how much energy the 66-year-old Tyler and 63-year-old Perry convey up on stage with such engaging performances and on-stage hijinks that kept the crowd enthralled from the outset until the closing bars of Toys in the Attic classic Sweet Emotion.
Night folks!
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Magpies,
gather,
calling out their song,
families up to 14 birds,
need each other to raise next generation,
collect together united in purpose,
each takes their role,
humbly serving greater goal,
each has their part,
to secure,
protect the survival of the family,
united as one unit,
makes us all strong,
united in purpose,
secure humanities survival,
requires us to all unite,
as one planet,
one human family.
when there's no power in the house u get ideas..! had there not been THOMAS ALVA EDISON there would b more similar photographs..a tribute..!
East Midlands Trains 158 862 leaves Belper on 18-09-15 with the 2N35 11:37 Matlock to Newark Castle service.
Kunstreflektor - "Platz an der Sonne" von der Künstlergruppe "Freie Klasse" zur Erhellung des Platzes vor einer Schulmensa in München.
Reflector - "Place in the Sun" created by the group "Freie Klasse" to illuminate the area in front of a school canteen in Munich.
This cute blouse is under the jacket and sweater. Love the lace overlay on the yoke! This photo also shows her flaw - her left lashes are rooted too high, up into the shadow. I'll be contacting customer care for a replacement head.
Walking wild at midnight
Breathing like a panther
Holding hands with my love
Dancing like a master
Calling all destroyers
Calling all destroyers yeah
Shadow beach Burgandy
Get you high as lightning
Driving in your Porsche coupe
Don't marry Fanny Frightning
Mixing with the moon maids
Melting down her rainbow
King Kong, bang a gong
24/7 live in maid sissy barbie locked into a rustling teal taffeta uniform with black satin and lace trim topped off with a matching taffeta maid's cap. She also wears satin gloves, sweet roses seamed stockings and painfully narrow shoes. Hidden underneath is a black bra and suspender belt and green knickers with three rows of black lace across the front and rear. Mistress Lady Penelope keeps her securely locked in a stainless steel slave collar and a Holy Trainer chastity device.
Close up of the padlock through the zip's pull tab and through the two metal rings of the collar. This prevents sissy barbie removing her uniform without permission of Mistress Lady Penelope. Mistress has found this form of discipline highly effective. Only when a long hard day's work has been completed to Mistress' satisfaction might the padlock key and the key to the servant's quarters be given to the maid. Naturally the key to the maid's chastity device is retained by her Mistress. Once sissy barbie has returned to the servant's quarters she can unlock the padlock and remove her uniform. As her petticoat has an attached bodice and shoulder straps, she cannot remove that until the uniform has been removed. After that she may don her nightie and begin her night's sleep, though being a 24/7 live in maid, she is always on call and she may well have to serve her Mistress wearing her nightie.
Sometimes when it is likely she will be called, she is not given the key to the padlock and has to sleep in uniform ready to 'scramble' within seconds of being called to serve. This does tend to flatten her petticoat unfortunately and that has to rectified the following day.
If the maid has been negligent in her duties in any way or does not pass Mistress Lady Penelope's inspection of her work and attire, she will not be given any keys but instead be locked in the sturdy steel cage in Mistress' dungeon as punishment. The cage has a hard floor and is too small for any more than a cat nap. All night the errant maid will be shifting from one uncomfortable position to another in the cold dark dungeon, not knowing the time. She will remain silent to avoid further punishment for waking her Mistress in her nice soft warm bed.
The maid will worry all night that she has angered her Mistress so much that Mistress Lady Penelope might decide to leave her locked up for two nights and the intervening day too. Sissy barbie knows that would be very severe punishment and will do everything humanly possible during her working day to avoid making her Mistress decide to do that. She also worries that perhaps Mistress Lady Penelope might be so busy that Mistress simply forgets to release her. The maid knows she is an insignificant convenience in Mistress Lady Penelope's life, Mistress might very well notice when she does not get her breakfast in bed but then forget that her maid is not cleaning the house, doing the laundry and all the other things she does unseen, Mistress Lady Penelope might get so excited by her social life that she forgets that her maid is locked in a little cage in the dungeon, dutifully remaining silent, not knowing whether it is day or night but acutely feeling the passage of every minute and regretting what she did to be receiving such severe punishment.
Sissy barbie will be waiting to hear her Mistress' footsteps and when she hears them, praying Mistress will come towards the dungeon door, unlock it and turn on the light. The maid will probably cower and quiver in case she is to be punished further, all the time hoping she is to be released, though she knows when that happens she will be required to begin a new days work, after a visit to the bathroom, fluffing out her petticoat and correcting whatever she did wrong the day before. The loss of one night's sleep is bad, but two nights in a row is torture, so the errant maid will be very careful not to risk another and will perform her duties to the letter despite being very weary. She will be extremely grateful to her Mistress for her release. The maid will have lost all track of time and if Mistress Lady Penelope is feeling magnanimous, might tell her maid how long she has been caged.
If you are interested in maid training, look at Mistress Lady Penelope's excellent free web site
You can make an appointment with Mistress Lady Penelope by calling 07970183024
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