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clicked at a brick factory in Srivilliputhur...

edited by Stan Dragland.

 

London, Applegarth Follies, april 1977.

 

8-3/16 x 1o-5/8, 7o sheets white bond (8 on heavier stock) perfectbound in white rectogloss wrappers, all printed offset, interiors black except 5 pp in blue/black splitfount, all but 72 pp with various colour addition, in turquoise covers with orange & yellow additions to outside covers/blue to inside, with 6-1/2 x 4-9/16 white bond broadside printed black, orange, yellow & turquoise tipped to p.1o9.

 

68 contributors ID'd:

Ken Allan, Alexandre M.Amprimoz, Les Arnold, Douglas Barbour, Diane Bessai, Michael Bidner, Pat Bogue, Helen Bradley, A.A.Cameron, Brian Charlton, John Clement, Brian Coates, Guido Crepax, R.Crumb, Jack David, Peggy Dragisic, Stan Dragland, Gary Draper, Ray Ellenwood, Roger L.Emerson, Polly Fleck, George Galt, Graeme Gibson, Terry Griggs, Don Gutteridge, Jamie Hamilton, Mike Hannay, Angela Harding, Dick Harrison, Anne Hart, Ray Hassan, Colin Haworth, Camille Hodgson, Roger Horst, Jill Jamieson, Walt Kelly, David Kennard, Jennifer Kilpatrick, Bertrand Lachance, Phil Lanthier, Thom Levene, Stuart MacKinnon, Dennis May, Dermot McCarthy, Don McKay, Jean McKay, Ninian Mellamphy, George Metzger, Craig Millage, John Moss, Suniti Namjoshi, Mike Niederman, John Parr, Emily Przeslawski, Lethem Sutcliffe Roden, Spain Rodriguez, Lazar Sarna, Winston G.Schell, John Sheppard, Mary Smith, Ken Stange, Judith Klein Stein, T.E.Tausky, George E.Thorman, David UU, Ben Wicks, Louise Wyatt, Joe Zezulka.

 

includes:

i) WHY IS BRICK?, by Stan Dragland (pp.3-5; prose editorial with passing reference to bpNichol)

ii) bp Nichol, love: a book of remembrances A review conducted in two vowels, and one fugitive consonant, by Terry Griggs (pp.1o-15; prose review in 3 numbered parts:

--1. 'an a that can't pretend' (title quotes the last line of Nichol's "an ending a beginning (Trans-Continental 44))

--2. love poems (with quotes by Nichol from:

----a. "h h h" (part 1 of CLOVER, lines 4-8, 21-26)

----b. "a sand bar" (part 48 of Trans-Continental, lines 3-6)

----c. "a light in a tree (part 1 of An Interlude In Which Saint Ranglehold Addresses Anyone Who'll Listen, lines 7-8)

----d. A SMALL SONG THAT IS HIS (lines 2-3)

----e. "s" (part 2 of CLOVER, line 24)

----f. "a lake in a snowstorm" (part 15 of Trans-Continental, line 3)

----g. "c m n o able" (part 3 of CLOVER, lines 1-4)

----h. "z" ( part 3 of Trans-Continental, line 2))

--3. a t crossed by an h resembles nothing more than resembling (title quotes lines 13-15 of "up & down" (part 11 of Trans-Continental)))

iii) Four Horsemen, Horse d'Oeuvres, by David UU (pp.22-25; prose review with quotes by Nichol from:

--1. from parallel lines (lines 1-6)

--2. day 5 (lines 1-3, 1o-11)

--3. "we took the ride up El Yunque (part 1 of considerations, lines 12-13)

--4. work week (scene 1 of the brown book, lines 1-9 of dialogue)

--5. the lesson (part 4) (scene 9 of the brown book)

--6. the chess game (scene 4 of the brown book))

 

Some days I feel nearly invisible. I go almost unnoticed.

If you drive or walk old Chillicothe, Ohio, streets and alleys, you find numerous well-preserved brick structures.

 

(I took the photo last year and have used it as desktop, but forgot to post to Flickr.)

This is cool. An Italian LEGO magazine has written a blog about my Blacktron SnubBuzzard. It's quite a complimentary blog too. You can find it here, just remember to enable Google's auto translate first (unless you speak Italian of course):

 

www.brickitmagazine.com/2025/11/15/blacktron-snubbuzzard/

Beautiful weather to run Thomas the Tank Engine over the brick sidewalks of Old Town Alexandria

Brick 2015 at the London Excel Centre

Really old bricks from the 20s

On a Southside sidestreet between 10th 11th. This was taken from a vacant lot between two row homes.

Another macro shot.

Bricking Bavaria 2010 is coming up in Neumarkt in der Oberpfalz!

16/17th of October 2010

See where this Bavarian Maibaum will fit in!

The Trimsaran works near Llanelli had a reputation for producing extremely hard and durable bricks.

A classic Chicago residential entrance featuring red brick, a dark wood door, black metal portico with hanging lantern, and symmetrical urn planters with hydrangeas. Mossy stone steps lead up to the welcoming entry.

A very straightforward self-portrait

This is my entry in Rebrick's Mini Modulars contest. See more pictures here: bit.ly/minibrickstore

 

Discover the largest brick store in the smallest town! This micro building includes a whole LEGO Brand Store with product booth, cash desk, shelves and a brick wall (custom stickers). At upper floors, there is a flat with a large balcony. The floors are easily detachable, just like in the large modular house sets, because hey, this tiny creation is a mini modular building!

Brick Bodies Christmas Party December 12, 2015 Hunt Valley Inn

Omaha's community bike shop was established right around the corner from where the Infoshop folks once lived. We worked on Critical Mass xerocracy and a fledgling coöp (I slept with the bike parts).

 

Apparently Gifford Park attracts the likes of us, and fortunately this effort has sustained longer.

Photo report about Brick London 2015.

Photo report about Brick London 2015.

Burgundy, gray, and beige bricks in a herringbone pattern.

Lens: John S

Film: BlacKeys SuperGrain

Flash: Off

Brick Expo 2013 Canberra ACT Australia August 10 & 11

An eight sided brick pillbox seen on Firs Lane, Odiham. It looks very small inside and I was pushed for time so didn't try!

This portrait was inspired by the book (which then became a movie) Brick Lane. It is about a young small town Bangladeshi girl who moves to London with her much older husband.She is trapped in her apartment and a loveless marriage which slowly kills her soul.

This image is how I imagine it would be when she for the first time steps out in the snow- Fascinated ,but in her somber way. I used the pixel bender option in PS for the first time in this image.

 

For some behind-the-scenes, go here

  

View large on black here

free seamless texture

The Hampton, 80 & 82 Perry Street

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