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This is where my Latin American journey started. After a grueling 6 day cruise from Seattle we got to El Paso/Juarez at 3:00 A.M. In the morning we snapped some photos of the border fence (and chatted with some cheeky kids on the Juarez side) and headed out to Austin. Aftet 1 last night "stateside" I flew to Southern Mexico and spent the next 6 or 7 weeks eating food and jumping off of things.
So this is a view through from one of the borders at Coughton Court gardens in Warwickshire. They sure do pack them in tight!
BORDER!
24.06.11 @ Marte
ph. Fedra Brondo
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© PanARMENIAN Photo /Vahan Stepanyan
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Rajavartiolaitos (Border Guard)
Airbus Helicopters (Eurocopter) AS332L1e Super Puma, c/n 2956
Ex-F-WWOY
Helsinki/Malmi (HEM/EFHF)12.9.2016
Crossing borders is seldom a pleasant experience, and the gateway to Cambodia is no exception. Poipet is one of the worst introductions to a country I've ever seen - it's dirty, in your face, and full of casinos. Not representative of th the rest of the country in any way at all.
But they do have a great arch over the road.
US and Canadian flags marking the border between the two nations, as seen from the White Pass & Yukon Route railway. Taken during our Best of Skagway excursion, which was part of our Alaskan cruise on the Disney Wonder, Sept 2011
Jedburgh Abbey is a ruined 12th century Augustinian abbey, situated in Jedburgh, in the Borders of Scotland. The abbey was founded in 1138.
Border Line 7A | Border Line Sector
Climber: Marc Kroner
Location: Chironico TI | Switzerland
Website: www.serious-climbing.blogspot.com
Blog: www.serious-climbing.blogspot.ch/2013/05/chironico.html
© Michael Thalmann | Serious Climbing Photography
waiting to cross the mongolia-china border, surrounded by the gobi-desert, bright stars above, trains whistleing in the dark...
「秋葉原.tetrad」
有吉学／藤元翔平／藤原惇／ユン ジュンソク
2014年11月1日(土) ～ 12月7日(日)
12:00 ～ 19:00(金・土は20:00まで)
火曜日休場
【イベント】
◆オープニングパーティ
11/8(土)17:00〜
◆トークショー
11/8(土)18:00〜19:00
ゲスト：Julie Watai 氏（フォトグラファー・アーティスト）、久納鏡子 氏(アーティスト／デザイナー)、他に出展作家
Julie Watai
24 歳で単身イタリアに渡り、DRAGO 社からフォトグラファーとして「SAMURAI
GIRL」を出版。帰国後もカラフルポップな作品が高い評価を受け、数多くの写真作品を発表。Tokyo Crazy Kawaii Taipei ではオフィシャルフォトグラファーして参加。ラジオパーソナリティーや音楽活動など活動は多岐に渡る。
久納 鏡子
メディアアート・ユニットplaplax（http://www.plaplax.com）のメンバー。主にインタラクティブアート分野における作品を国内外で発表する一方、公共・商業空間やイベント等での空間演出や展示造形、映像コンテンツ制作、大学や企業との共同技術開発など幅広く活動している。
●ギャラリーツアー
11/15(土)、11/16(日)
①14:00-15:00②17:00-18:00
At the Welcome to the Gold Club, ICAS members who have been CAs for over 50 years met to compare stories and hear updates on how their Institute has changed over the years.
To find out more about ICAS events, go to: icas.org.uk/Latest-events/
The railway border between Austria and Italy at the Brenner Pass. Among the majestic Alpine hills and beyond the grass and weeds growing between the tracks and the shed that has been there for ever, a spot for the important things in life: your shopping.
The Outlet Center is nothing to do with letting you out, it's just over the border on the Italian side (as those who know about these things can tell from the weeds) and so presumably a lower-cost option for Austrians to buy, buy, buy.
After the attack on the Government building, the killed embedded agent was found to be a member of a neighboring country’s special intelligence division, and although these two nations used share a strong alliance, they were now at odds, as the neighboring country was proven to be supporting the current uprising within the nation, presumably to help facilitate a puppet government to take power in order to strengthen their grip on the east. Because of this political tension, the two nations were preparing for war. shutting their borders and mobilizing artillery units- whose sights were aimed at the one country that they considered an ally. Things were different now, and getting worse.
Window in the south west transept by William Wailes, 1849.
Ely Cathedral is in the top rank of the great English cathedrals, and indeed earns its place among the best of medieval churches internationally for its unique architecture and astonishing beauty. It is a church I've visited several times over the years and never fails to impress, its form at once imposing and strikingly individual. Owing to the flatness of the surrounding countryside it is visible from afar as a major landmark, which makes approaching this tiny city all the more enticing.
The church was founded as an abbey by St Etheldreda in 672 and didn't achieve cathedral status until the foundation of the diocese in 1109. Much of the present building dates from the following years, with the nave and transepts still substantially as they were built (aside from a few altered windows and later ceilings) and a fine example of Norman / Romanesque architecture. A little later during the 1170s the soaring west tower and western transepts were added which would have created a magnificent facade when complete and of a type rarely seen in this country. The style is richer with more use of ornamentation than before, but also many of the arches (particularly the upper parts of the tower) are pointed, making it an early example of the transition to Gothic (the octagonal top storey is from two centuries later, but follows the original overall plan in form, if not detail). The north-west transept however collapsed in the late 15th century and was never rebuilt, leaving the front of the cathedral will the curiously lopsided but not unattractive west front we see today. The Galilee porch that projects from the base of the tower dates from the beginning of the 13th century, only a few decades later but now fully Gothic in style.
The Norman eastern limb had been fairly short so the next major building phases saw the great eastward extension of the presbytery built in Gothic style in 1234-50. It makes an interesting contrast with the earlier parts of the building being so rich in style, externally punctuated with pinnacles and flying buttresses and profusely ornamented withing, making the Romanesque nave and transepts seem somewhat austere by comparison. Then in 1321 an ambitious new lady chapel was begun at the north-east corner, but soon afterwards work was delayed by unforeseen events.
In 1322 the old Norman central tower collapsed, bringing down with it most of the old Romanesque choir (but not the recently built presbytery beyond). The aftermath left the cathedral with a gaping hole at its heart, but this must have inspired those charged with its recovery, and under the direction of Alan of Walsingham the crossing was rebuilt in a unique way; rather than build a new tower of a similar form the central piers that supported it were entirely cleared away along with the adjoining bay of nave, transepts and choir to create a much larger octagonal central space. This then rose to become the unique central tower that Ely is so famous for, the Octagon, a combination of a lower octagonal tower built of stone crowned by a delicate lantern built of wood and covered with lead externally. The result is an incredible, piece of architecture, and the view inside of the open space rising to the curved vaults above on which the glazed lantern appears to float is unforgettable.
After the Octagon and beautifully spacious and richly adorned Lady Chapel were completed there was no more major work at the cathedral. The transept roofs were replaced in the 15th century with the wooden hammerbeam structures we see today, adorned with large angel figures in the East Anglian tradition. The most significant late medieval additions are the two sumptuously decorated chantry chapels built within the end of each choir aisle, each a riot of later medieval ornament and Bishop West's also being remarkable for its fusion of Gothic and Renaissance detail. The cloister appears to have been rebuilt at a similar stage though sadly very little of it survives today.
Sadly the Reformation saw a wave of iconoclasm of particular ferocity unleashed here in Ely. The most telling reminder is the Lady Chapel with its richly ornamented arcading carved with hundreds of small scenes and figures, all brutally beheaded (not a single head survives). Free standing statues in niches have all gone without trace, but in the case of Bishop West's chantry chapel the topmost figures were carved in relief, so these were hammered away leaving the mutilated remains as a testament to zealotry and intolerance. Most of the stained glass appears to have also been removed around this time, so there was surprisingly little damage here during the Civil War a century later as the Puritan frenzy had already been unleashed.
A corner of the north transept collapsed in 1699 but was rebuilt almost identically, a rare early example of such an exacting approach to reconstruction. The classical form of a window and doorway below are the only reminders of the rebuilding, some say with advice from Christopher Wren whose uncle had been bishop here decades earlier (Wren knew the cathedral as a result, and the Octagon is believed to have inspired his plans for St Paul's, as the ground plans of the Octagon and his domed central space at St Paul's are remarkably similar).
The cathedral saw further changes in the 18th century when the structure was in need of repair. James Essex was called in to repair the Octagon and the wooden lantern was stabilised but its external was appearance simplified by stripping away much of its original detail. The medieval choir stalls had originally sat directly underneath the Octagon with painted walls on either side, but these were removed at this time and the stalls relocated further east to the position they are in now. Sadly the Norman pulpitum screen at the end of the nave was also removed (the earliest of its kind to survive in any cathedral).
By the mid 19th century tastes had changed again and the Victorian preference for richness over Georgian austerity saw the cathedral restored under the direction of George Gilbert Scott. He restored the Octagon lantern to something much closer to its original appearance and added new screens at the crossing and behind the altar. Stained glass gradually filled the cathedral again and it remains one of the richest collections of Victorian glass in the country. The ceiling of the nave which had been left plain for centuries was given a new richly painted finish with scenes from the Old & New Testaments, begun by Henry le Strange but finished by Thomas Gambier Parry after the former had died halfway through the project. Gambier Parry also undertook the lavish redecoration of the interior of the Octagon lantern.
The cathedral has remained little changed since and is one of the rewarding in the country. There is much of beauty to enjoy here beyond the architecture, with many interesting tombs and monuments from the medieval and post-Reformation periods. There is a wealth of stained glass of unusual richness; not everyone appreciates Victorian glass (indeed Alec Clifton Taylor was quite scathing about the glass here) but while it is very mixed I find much of it is of remarkably high quality.
Since 1972 the Stained Glass Museum has been housed in the nave triforium (originally on the north side, it was later transferred to the south where it currently remains). This is the only collection in the country solely devoted to the medium and is a great ambassador for it, with fine pieces covering a range of styles and illustrating the development of the art through the various backlit panels on show in the gallery.
Visitors can usually take tours to ascend the Octagon and even the west tower on more select days. Tours do get booked up though so it took me many visits before I could make my ascent, but happily this time I finally managed it and it was a wonderful experience I won't forget. Frustratingly I was unable to ascend the west tower since I was at a symposium on the day when tours were held so I hope to have better luck next time.
For more historical detail and context see below:-
en.wikipedia.org/wiki/Ely_Cathedral
For entry fees and tower tours see the cathedral's website below:-
Border Buses Alexander Dennis Enviro 200MMC YX20 ODT (12007) passing through Edinburgh operating service X95 - Edinburgh - Newtongrange, 31/05/21