View allAll Photos Tagged beading
This neckpiece was the first place winner in the California State Fair in the Bead Woven class, Bead Art Division. The cabochon is Crazy Lace agate and the hummingbird is a Laura Mears creation.
I carved this piece in 2007.
"I will wear my heart upon my sleeve for daws to peck at " - Shakespeare
I guess beading is my thing now. Those hearts are super fun to do, though. And parchment aida is so dang classy. I couldn't stitch a naughty word on it even if I wanted to.
Anywho, who says romance is dead? It's just apathetic these days. I have a theory I will stitch a bunch of these to be centerpieces for my wedding one day, once I find someone who can put up with a cross stitching Trekette.
Custom order I did for a lady who needed a good Xmas gift for her sister. Is this a great gift, OR THE GREATEST?!?
Also, those yellow and blue beads are so pretty together. It's like a peacock.
This is a bead embroidery round inspired by an Art Nouveau button. I loved stitching this with many different shades of a color in each area. But in the turquoise feather area, I didn't just use different shades of turquoise, I randomly added in different colored beads - this was really fun.
Czech beads, Japanese beads, Venetian beads, glass beads, river pearls, ammonite,artificial leather.
1. Beaded hanger supplies, 2. Threading beads on a hanger, 3. Pink & White beaded hangers, 4. Blue & White beaded hangers
Blogged at Torie Jayne
This is Nostalgia, my bead embroidered handbag. I have used a crop from a Louis Welden Hawkins' painting for the face detail and lots of beautiful beads. The satin is hand painted by myself with fabric colors. This bead embroidered handbag is inspired by Art Nouveau which is very dear to my heart.
A scan of an old photo print (now converted to black and white). A still life I put together and photographed many years ago for a painting I might do and never did. An antique box, beads and necklace fashioned after the ones my grandmother made and her silver thimble. The scarf is purple silk, also very old.
© C. Statton DiFiori
Anyone who knows me will know I have an interest in all things Japanese. Of course this extends into my beadwork. This is most of my collection of Japanese and some Chinese books and Magazines.
Atmospheric entry in a one-man shuttle is always dangerous. Then, when you see beads of smart fluid begin to condense outside the port, you begin to wonder whether you should have taken the trouble to translate the phrase পাশবিক ন্যানো কন্সট্রাকটর which kept popping up on the display.
I used an insta filter to make the beadwork show more clearly. A very satisfying evening's work. I love having clothes that no-one else has.
I found some Miyuki beads a few weeks ago, and they are pretty things. The grey ones have a 'ghost' finish which makes them opalescence and gorgeous. Letter beading isn't nearly as hard as I thought it would be. I'm happy with how it turned out.
According to Wikipedia, Hanlon's Razor can be attributed to like eighteen different people, but they can bite my needles.
For sale to a good home!
imitative beach pebble in gemstone wire frame. One of my "picasso art pendants". I make variious styles, but this one is my biggest. Sold right away.
The beaded ball bracelet pattern is coming soon to 3Dbeading.com for free. Find other free beading patterns there now.
Tree bark, silk thread, glass beads, vintage faux pearls.
http:\\followingthesilverthread.blogspot.com
The middle section closer. All done in chevron stitch apart from a line of backstitch around the inner curve of the darker blue section. I used two strands of DMC variegated cotton thread.
With the fiberglass under the windscreen cleaned and the top lip of the dash done the now paint stripped beading under the windscreen could be fully fitted.
Teenage khampa girl at Litang horse festival stringing dzi and coral beads to make jewelry for her hair. Like many of the wealthy Khampa Tibetans who took part in the costume exhibition, she wears chunky gold saddle rings on most fingers, and multiple necklaces of coral and dzi beads (each with a value worth years of an average Tibetan salary). The rest of her costume and ornaments are worth even more
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Ornaments make up most of the life savings of many Khampa families, and so play an important role in Tibetan families' lives as well as in announcing the social status of the wearers. They are saved up for over many years and handed down for centuries from generation to generation within families. Until very recently, these families were nomadic and have to move every few months because of the snowy seasons in the Himalayas, so Khampas have always needed to store their wealth in portable form. So being unable to store wealth in the form of estates or houses or land or in a bank, for millenia wealth has been stored in art, precious fabrics, and particularly into ornaments.
Their culture is very conservative about the type of ornaments favored: for thousands of years jewelry made from amber, turquoise and coral have been worn because the stones are believed to hold spiritual power. Gold and silver and also naturally found in Tibet, and the use of these metals by the wealthy also goes back thousands of years. Their ornaments are very chunky, bold and colorful. While the gold earrings that Khampa women wear may have cost them a year or maybe several year's of their salary, ornaments carry so much social status in their society that probably didn't have to think twice about the purchase.
To the Khampa people these ornaments have the utmost sentimental value and significance, because they are the physical remnants of generations of their ancestors hard work or success. what these people are wearing is not just their life savings, but also their family history and treasure. this culture has been around for millenia - archeological finds from the 1st century AD in the khampa area unearthed ornaments that are essentially the same in design and materials as today's are. there are also beliefs that the stones provide good luck and protection to disease. dyed red coral is the most sought after stone, but interestingly tibet is very very far from any oceans - all the coral is imported by traders! Religious symbols from Tibetan Buddhism frequency form the designs of pieces, however archeological finds show that the role of ornaments in Tibetan society and peoples' lives long predate the arrival of Buddhism in Tibet. Indeed the beliefs of spiritual protection being provided by coral, amber and turquoise probably originate from the ancient shamanic Bon religion.