View allAll Photos Tagged bangles
Glass Bangles for sale by street vendor in New Delhi, India. Quite the fashion for the ladies in India, especially in the Hindu tradition.
Double Stud bangle:
An ethnic-organic structure, made in Polymer Clay, metal ring, polyshed by hands and wax.
Technics: faux ivory with faux tourquoise inclusion, "body" in faux leather effect.
polymer clay bangle.
because the circumference of the bangle changes i put the cane slices together as one large strip then joined the ends to form one large circle and positioned it on the bangle. this allows me to stretch the outer most edge slightly to fit the bangle while maintaining the pattern without trying to reduce the cane to two particular sizes and shapes.
just the bangles in the sparkly seltzer water. more of this to come. i did this in b&w combo and for the holiday look for the Christmas. i know it's not Christmas now, but i couldn't resist on taking anything colorful on holiday. so here's another colorful surprise.;-)
At this year's Southern Comfort Conference I got some great shopping time in- finding these wonderful bangle bracelets from the folks at Glamour Boutique that I can actually get over my hands without pain, and this lovely new hair style from the wonderful ladies at Juanette's Wig Salon. At the end of my final evening there in Atlanta, I had to wrap things up with a photo session and it occurred to me while sitting comfortably in the office chair that I hadn't done a pump dangle for my admirers in a while. So, here for my foot & shoe admirers, is "Bangles & Dangles!"
My ensemble for the evening consists of a pink & blue lycra spandex "shattered glass" hologram print tank style minidress from coquetryclothing.com, my super shiny Platino Cleancut 15 denier pantyhose, and my sliver pumps with the 5" heels.
To see more pix of me in other tight, sexy and revealing outfits click this link:www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of my trip to the 2013 Southern Comfort Conference click this link: www.flickr.com/photos/kaceycdpix/sets/72157635457635297/
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a whole stack of crushed bangles!
i dont usually bother with varnish as i love the look satin look of sanded and buffed polymer clay but it makes the bright colours look so juicy!
once you have finished the design the bangle can be baked and sanded just sand any marks for example black finger prints..do NOT sand the design.
on items that receive more wear and tear for example bangles you may want to coat the area of the design in a thin layer of translucent or liquid clay for durability, items such as a pendant can simply be given a coat of varnish
Dhaka
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Cast Polyester resin bangles, made using varied casting, machining and dyeing techniques. Made in Brazil by unknown makers.
Another shot of an earlier composition – better camera, better lens, better times.
Bher or Indian jujube fruit (Zizyphus mauritiana) at Kalbadevi market in South Mumbai. Note that green bangles usually indicate that women are married in the state of Maharastra.
Featured in BlowUp Bombay 2010.
Exactly when someone first discovered that tying a vine around the wrist made a pretty decoration isn't known, but people have worn bracelets for centuries. The best artisans of many cultures applied their skills to the bracelet designs still worn today. This history lesson starts with a basic definition: The English word "bracelet" is derived from the Latin word "brachium," which simply means "arm."
The wearing of jewelry for adornment and ritual may have started as far back as 7,000 years ago, and archeologists have found evidence that people wore bracelets in ancient Egypt, Mesopotamia and China. Early bracelets were made of grasses, slender tree limbs and shells, then copper and bronze. After the Bronze Age (2000 to 1400 B.C.), artisans made bracelets of gold and silver. They became more decorative, adorned with shells and stones, as jewelry became a symbol of wealth and status.
By the time of the First Dynasty (2680 B.C.), Egyptians were wearing bracelets made of gold and silver and decorated with semiprecious stones. Skilled goldsmiths of the New Kingdom (1558 to 1085 B.C.) crafted inlaid designs made of African gemstones. Although bracelets were sometimes buried in tombs as part of the deceased’s possessions, it appears that they were worn as decorative accessories rather than as amulets or ritual jewelry.
The ancient Greeks wore cuffs on the upper and lower arm as decoration. Greek soldiers used wide leather and metal cuffs as part of their dress uniform and for protection, a practice later adopted by Roman soldiers. Well-dressed Romans also liked coiled gold bangles that resembled snakes. Mediterranean jewelry styles spread across Europe, but bracelets fell out of favor, especially among men, as Europe transitioned to the Middle Ages (A.D. 476 to 1450)
Intricate cuffs and bangles carved from jade existed in China as early as 2000 B.C. The ancient Chinese also valued gold bracelets and etched elaborate patterns of nature, animals and mythical creatures into the gold. Gold bangles were the common bracelet style found in India, too, although strands of colorful metal and glass beads have become popular in modern times.
European women revived bracelets as common fashion accessories in the 17th century. They wore ribbons and thin bangles — often wearing several at a time. Bracelet chains became stylish accessories, especially in the 19th century; the designs linked cameos and medallions decorated with ivory and coral. Charm bracelets with dangling lockets and engraved charms became popular during the Victorian Era.
During the 20th century, consumers could find bracelets of almost any design imaginable. Bracelets also became more affordable as mass production increased the availability of fashion jewelry. By the 1920s, the ornate designs of the late 19th century gave way to the clean lines of the Art Deco period. Designers added Bakelite and plastics to jewelry in the 1930s and made plastic bangles a wardrobe staple for teen girls. Women and girls adored charm bracelets made of gold-plated brass or sterling silver in the 1950s, but by the 1970s, and until the turn of the century, women wanted variety in their fashion. They wore wide cuffs, slender bangles, beaded strands and thin chains. Men started wearing bracelets again, usually choosing gold or sterling silver link chains.
Several lasting innovations in bracelet design occurred in the last decade. Silver became the most common material for link bracelets, cuffs and bangles. This trend started in the 20th century when manufacturers mass-produced silver jewelry, which was less expensive than gold but still had the sparkle of a precious metal that buyers loved. The preference for silver over yellow extended to industrial metals, such as silvery grey steel, titanium and tungsten. Industrial metals are now the dominant material in men’s bracelets. As the green-living movement grows, more people are demanding natural materials in their wardrobe; to learn more, read our guide on the best bracelets inspired by nature. Finally, today’s young people often wear simple bracelets to support social causes and showcase group identity; their banner can be a colorful rubber band, dangling charm or even a piece of string.
14K goldfilled bangle studded with white keishi pearl, cornflower blue kyanite, hot pink mystic quartz and a cluster of Caribbean aqua-blue apatite.
Celluloid bangles of different origins and made with different techniques. From left to right: a possibly French upper arm flapper bangle with rhinestones, a hand carved butterscotch "tube" bangle and three Japanese molded (not carved) floral bangles.
This bangle features a new technique I'm working with...so much fun!!! It's made purely from polymer (love that Kato for strength!!) and is light as a feather...
I've made rings and a few pendants as well using this, um, "technique" (I don't know that that's what you'd call it, but for lack of a better word...); will post images soon. Thanks for looking!