View allAll Photos Tagged bangles

He works at bangle shop, laad bazaar, old city, Hyderabad. He literally dragged me into the shop, i was carrying a cam and he was like take pictures how many ever u want and buy bangles also mam along with that. He is so charming and so full of energy,seriously contagious ;) how could not i buy bangles from him. :)

 

more pics @ thedarkroomdiary.blogspot.in

Exactly when someone first discovered that tying a vine around the wrist made a pretty decoration isn't known, but people have worn bracelets for centuries. The best artisans of many cultures applied their skills to the bracelet designs still worn today. This history lesson starts with a basic definition: The English word "bracelet" is derived from the Latin word "brachium," which simply means "arm."

The wearing of jewelry for adornment and ritual may have started as far back as 7,000 years ago, and archeologists have found evidence that people wore bracelets in ancient Egypt, Mesopotamia and China. Early bracelets were made of grasses, slender tree limbs and shells, then copper and bronze. After the Bronze Age (2000 to 1400 B.C.), artisans made bracelets of gold and silver. They became more decorative, adorned with shells and stones, as jewelry became a symbol of wealth and status.

By the time of the First Dynasty (2680 B.C.), Egyptians were wearing bracelets made of gold and silver and decorated with semiprecious stones. Skilled goldsmiths of the New Kingdom (1558 to 1085 B.C.) crafted inlaid designs made of African gemstones. Although bracelets were sometimes buried in tombs as part of the deceased’s possessions, it appears that they were worn as decorative accessories rather than as amulets or ritual jewelry.

The ancient Greeks wore cuffs on the upper and lower arm as decoration. Greek soldiers used wide leather and metal cuffs as part of their dress uniform and for protection, a practice later adopted by Roman soldiers. Well-dressed Romans also liked coiled gold bangles that resembled snakes. Mediterranean jewelry styles spread across Europe, but bracelets fell out of favor, especially among men, as Europe transitioned to the Middle Ages (A.D. 476 to 1450)

Intricate cuffs and bangles carved from jade existed in China as early as 2000 B.C. The ancient Chinese also valued gold bracelets and etched elaborate patterns of nature, animals and mythical creatures into the gold. Gold bangles were the common bracelet style found in India, too, although strands of colorful metal and glass beads have become popular in modern times.

European women revived bracelets as common fashion accessories in the 17th century. They wore ribbons and thin bangles — often wearing several at a time. Bracelet chains became stylish accessories, especially in the 19th century; the designs linked cameos and medallions decorated with ivory and coral. Charm bracelets with dangling lockets and engraved charms became popular during the Victorian Era.

During the 20th century, consumers could find bracelets of almost any design imaginable. Bracelets also became more affordable as mass production increased the availability of fashion jewelry. By the 1920s, the ornate designs of the late 19th century gave way to the clean lines of the Art Deco period. Designers added Bakelite and plastics to jewelry in the 1930s and made plastic bangles a wardrobe staple for teen girls. Women and girls adored charm bracelets made of gold-plated brass or sterling silver in the 1950s, but by the 1970s, and until the turn of the century, women wanted variety in their fashion. They wore wide cuffs, slender bangles, beaded strands and thin chains. Men started wearing bracelets again, usually choosing gold or sterling silver link chains.

Several lasting innovations in bracelet design occurred in the last decade. Silver became the most common material for link bracelets, cuffs and bangles. This trend started in the 20th century when manufacturers mass-produced silver jewelry, which was less expensive than gold but still had the sparkle of a precious metal that buyers loved. The preference for silver over yellow extended to industrial metals, such as silvery grey steel, titanium and tungsten. Industrial metals are now the dominant material in men’s bracelets. As the green-living movement grows, more people are demanding natural materials in their wardrobe; to learn more, read our guide on the best bracelets inspired by nature. Finally, today’s young people often wear simple bracelets to support social causes and showcase group identity; their banner can be a colorful rubber band, dangling charm or even a piece of string.

This bangle features a new technique I'm working with...so much fun!!! It's made purely from polymer (love that Kato for strength!!) and is light as a feather...

 

I've made rings and a few pendants as well using this, um, "technique" (I don't know that that's what you'd call it, but for lack of a better word...); will post images soon. Thanks for looking!

Playing around with stamping on bangles. I really love this look and they are sooooo great to wear.

Polymer clay bangle

Bangles created with an adaptation of one of Lindly Haunani's textile patterns

Polymer clay bangle

Shot this photo and the one before this at Delhi Haat, which is an open air craft bazaar cum food plaza representing artisans from all states of India.

 

Taken at Latitude/Longitude:22.816872/70.834118. km (Map link)

A batch of bangle blanks ready for veneering. They are made with Sculpey ultralight.

Bangles are rigid bracelets, usually from glass, metal, wood, or plastic. They are traditional ornaments worn mostly by South Asian women in India, Nepal, Pakistan and Bangladesh. It is a common tradition to see a new bride wearing glass bangles at her wedding. Bangles also have a very traditional value in Hinduism and it is considered inauspicious to be bare armed for a married woman.

Forgive any focusing errors... This was shot with the 35mm AI-S @ f2 !

Explored on 17 Oct 2007!

9. Bangles or bracelets

polymer clay bangles

i recreated my blue zipper cane in yellow. i think i prefer this variation they remind me of little corn snakes : )

thePRODUCTshots •

Please visit my blog about this fab new design.

Wish I could have taken this a f1.8..but that shall have to wait for another day!

i used slices from a blue 'zipper' cane to cover this polymer clay bangle.

Sneak peek at new work. ColorPop Polymer Clay Bangles from 2Roses.

Hyderabad, India, 2011

Stack of my 'Takara Bangles', not sure even I could wear this many!

another polymer clay bangle : )

polymer clay bangle

Fantásticas pulseras de Peetje. Una delicia hacerlas

Bangle made from Delft cane following Cara Hayman's demonstration at the LPCG meeting

polymer clay bangle.

one side is purple and pink the other in pink and turquoise : )

i admit its a bit more organic than my usual bangle design but im kinda taken with it (if only because it required sooooo much less sanding than say my zipper bangles)

 

India Day MK 1/3

 

On stage in Campbell Park

Faced with turning old canes into mud, I remembered Donna Kato's "what you have" kaleidoscope cane. Didn't make a kaliedoscope though. See cane in the making: flic.kr/p/cjFR3d

Have been playing around with different bangle techniques. So much fun.

For the Challenge of august: a Bangle!

Made from premo (polymerclay), it contains no metal, it is massive made from clay.

Mokume gane, I called it Ilsy Poppins, because the technique of mokume gane reminds me of the carpet-bag of Mary Poppins....everytime the comes a surprise :)

This is a bangle made for The Wire Artisans Guild challenge Stardust and our great re-opening of our Etsy team store on Valentines day.

 

The movie Stardust begins and ends with the beautiful Lady Una living in the magical world of Fairie. Lady Una is kept as a slave for Madame Semele. She gives birth to the main character, Tristan, but has to leave him to his father who lives in "the real world". Lady Una is very much a charachter in the background, but the end of the movie reveals her well kept secret.

 

The colours of Lady Unas teal dress and the yellow/red carriage of Madame Semele (Ditchwater Sal) inspired me to make this bangle.

 

The bangle and focal, together form a clasp. You can see on the last image how to open and close the bangle. The trick is to angle the focal.

 

Material:

925 sterling silver and 999 fine silver wire and findings. Alex topaz briolettes (heat treated), ruby leaves and rondelles, citrine briolette and smooth rondelles and white cultured white fresh water pearls. Oxidized and tumbled to a nice shine.

 

Size:

The bangle fits an arm between 6"-7"/15-17cm. It moves around a bit on a smaller arm.

  

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