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Article from Fangoria #62. Behind the scenes of Nightmare on Elm Street III: Dream Warriors.
See Page 1 of the article here.
This article was in the Sept. - Oct. 1975 issue of SC Wildlife Magazine. Written by Gary C. Dickey with photos by Art Carter.
This is probably one of the most well known articles written about Mr. Herron.
Page 12 of the magazine.
Μνημείο του Αρχιμανδίτη Ιερώνυμου Μυριανθέα στο χωριό Καμινάρια, στο παλιό σχολείο της κοινότητας που τώρα χρησιμεύει ως ξενώνας.
Από
www.kaminaria.org/index.php?article=10
O Αρχιμανδρίτης Ιερώνυμος Mυριανθέας γεννήθηκε το 1838 στο χωριό Kαμινάρια, όπου και έζησε τα πρώτα χρόνια της ζωής του. Το 1851, σε ηλικία δεκατριών χρόνων, ορφανός και από τους δύο γονείς, μετέβη στα Ιεροσόλυμα, όπου τέθηκε κάτω από την προστασία του Μητροπολίτη Πέτρας Μελετίου Mαττέου, ο οποίος καταγόταν από τη Λεμίθου. Στα Ιεροσόλυμα, ο Ιερώνυμος εισήχθη αρχικά στην Aλληλοδιδακτική Σχολή του Πατριαρχείου και στη συνέχεια, το 1855, στη νεοϊδρυθείσα Θεολογική Σχολή του Σταυρού, από όπου αποφοίτησε το 1859. Το ίδιο έτος χειροτονήθηκε διάκονος και προσελήφθη στο προσωπικό της Σχολής, όπου δίδαξε διάφορα μαθήματα στις μικρότερες τάξεις. Στη συνέχεια συνέχισε τις σπουδές του στη Θεολογική Σχολή του Πανεπιστημίου Αθηνών (1862-1864) και στα πανεπιστήμια του Στρασβούργου, της Xαϊδελβέργης και της Bόννης (1864-1867), αποκτώντας μοναδική για την εποχή μόρφωση. Στα Ιεροσόλυμα επέστρεψε το 1867 και εργάστηκε ως καθηγητής και ακολούθως ως διευθυντής της Θεολογικής Σχολής του Σταυρού (1872-1874). Στο μεταξύ, το 1870, χειροτονήθηκε ιερομόναχος και αμέσως μετά αρχιμανδρίτης.
Κατά τη διάρκεια των σπουδών του και κατά την περίοδο της παραμονής του στα Ιεροσόλυμα, ο Ιερώνυμος εξέδωσε σε αυτοτελείς τόμους αρκετά συγγράμματα. H ευρύτητα των γνώσεων και η γλωσσομάθειά του - εκτός από ελληνικά μιλούσε αραβικά, γερμανικά, γαλλικά, αγγλικά, εβραϊκά ίσως και τουρκικά - συνέτειναν ώστε να μπορεί να παρακολουθεί τη διεθνή βιβλιογραφία και, με τα άρθρα και τα συγγράμματά του, να διαφωτίζει για πολλά θέματα τους συμπατριώτες του.
Είναι αξιοσημείωτο ότι μεγάλο μέρος του συγγραφικού του έργου επανεκδόθηκε κατά τη διάρκεια του 20ού αιώνα, ενώ το σύνολό του περιελήφθη σε ογκώδη τόμο, που εξέδωσε ο Μητροπολίτης Κένυας Μακάριος Tηλλυρίδης με τίτλο: «Έργα και Hμέραι Iερωνύμου Mυριανθέως», το 1998, από τις εκδόσεις του Κέντρου Μελετών Ιεράς Μονής Kύκκου.
H ευγένεια του χαρακτήρα του, σε συνδυασμό με την εκπαιδευτική και συγγραφική του δράση, συνέτειναν ώστε ο Ιερώνυμος να γίνει ευρύτατα γνωστός και να προταθεί ή και να εκλεγεί κατά καιρούς σε διάφορους αρχιερατικούς θρόνους, που, όμως, πάντοτε αποποιείτο για διάφορους λόγους. Αναφέρεται χαρακτηριστικά ότι το 1868, το 1871, το 1881, το 1883 και το 1891 προτάθηκε για τους μητροπολιτικούς θρόνους Κιτίου, Kυρηνείας, Κερκύρας, Πατρών και τον Πατριαρχικό θρόνο Αντιοχείας αντιστοίχως, υποψηφιότητες που όμως απέρριψε, όπως το ίδιο έπραξε και τα έτη 1880 και 1887, που εξελέγη στον μητροπολιτικό θρόνο Κυρήνειας και Κιτίου αντιστοίχως.
Τελικά, το 1874, ο Ιερώνυμος αποδέχθηκε πρόσκληση της ελληνικής κοινότητας του Λονδίνου και, αφού εγκαταστάθηκε στην αγγλική πρωτεύουσα, ανέλαβε καθήκοντα ιερατικού προϊσταμένου στον ναό του Σωτήρος. Ένα από τα πιο σημαντικά έργα του την περίοδο αυτή είναι η συμβολή του στην ανέγερση της εκκλησίας της Αγίας Σοφίας, που άρχισε το 1877 και ολοκληρώθηκε το 1879, και η οποία αποτελεί από τότε κέντρο πνευματικής αναφοράς των αποδήμων. Παράλληλα, ενίσχυσε τη λειτουργία του ελληνικού σχολείου της κοινότητας, στο οποίο δίδαξε και ο ίδιος, στηρίζοντας και ενδυναμώνοντας την ελληνορθόδοξη συνείδηση των παιδιών των ξενιτεμένων.
Κατά τη διάρκεια της παραμονής του στο Λονδίνο, ανέπτυξε αξιόλογο εθνικό έργο και βοήθησε τον Αρχιεπίσκοπο Κύπρου Σωφρόνιο, με τις προσωπικές του γνωριμίες και τις παραστάσεις του προς τον Άγγλο πρωθυπουργό Γλάδστωνα, για την εισαγωγή μεταρρυθμίσεων και την εξασφάλιση διαβεβαιώσεων ότι η Κύπρος δεν θα επανερχόταν μελλοντικά στην κυριαρχία της Οθωμανικής αυτοκρατορίας.
H αγάπη του προς την Κύπρο εκδηλώθηκε και με πολλούς άλλους τρόπους, όπως με τη χρηματοδότηση της ίδρυσης και λειτουργίας του πρώτου σχολείου της γενέτειράς του Kαμινάρια, το 1882. Σε αυτό φοιτούσαν επίσης, κατά ρητή εντολή του, και παιδιά από τα γειτονικά χωριά Τρεις Ελιές και Άγιος Δημήτριος. Παράλληλα, ο Iερώνυμος έλαβε πρόνοια για τη συντήρηση και τη συνέχιση της λειτουργίας της Σχολής και κατέθεσε στην Εθνική Τράπεζα της Ελλάδος το ποσό των 750 λιρών, ώστε να πληρώνεται από τους τόκους ο εκάστοτε διδάσκαλος. Αλλά και αργότερα, με τη διαθήκη του, κληροδότησε στη Σχολή άλλες 400 λίρες, ποσό το οποίο αξιοποιήθηκε στα μεταγενέστερα χρόνια, όπως το 1952 που έγινε η επέκταση της Σχολής, το 1963 που δημιουργήθηκε η «Iερωνύμειος Βιβλιοθήκη» και το 1995 που, ελλείψει μαθητών, μετετράπη σε Πολιτιστικό Κέντρο. Αξιοσημείωτο είναι ότι ο Iερώνυμος άφησε με διαθήκη του και το ποσό των 250 λιρών για τις ανάγκες του Παγκυπρίου Γυμνασίου, γεγονός που συνέτεινε ώστε να περιληφθεί ανάμεσα στους μεγάλους ευεργέτες των εκπαιδευτηρίων της Λευκωσίας.
Στο Λονδίνο ο Ιερώνυμος παρέμεινε μέχρι το 1886, οπότε, λόγω σοβαρών προβλημάτων υγείας και εξαιτίας κάποιου ατυχήματος, που του προκάλεσε εκτεταμένα εγκαύματα, υποχρεώθηκε να το εγκαταλείψει και να καταφύγει στη Γενεύη, πόλη με υγιεινότερο κλίμα. Την περίοδο αυτή πραγματοποίησε διάφορα ταξίδια σε ευρωπαϊκές χώρες, όπως στην Ισπανία, καρπός του οποίου είναι ένα εξαίρετο ταξιδιωτικό με τίτλο «Bραχεία και αυτοσχέδιος περιήγησις εν Ισπανία», που δημοσίευσε στο ελληνικό περιοδικό της Λειψίας «Έσπερος». Παρά τα πολλά προβλήματα υγείας που αντιμετώπιζε, ο Ιερώνυμος συνέχισε τις πνευματικές δραστηριότητές του μέχρι το 1898 που απεβίωσε, και αναδείχθηκε ένας από τους σημαντικότερους Κυπρίους λόγιους του 19ου αιώνα. Μετά τον θάνατό του, ομάδα συγγενών του μετέβη στη Γενεύη και μετέφερε τη σορό του στα Kαμινάρια, όπου ετάφη στο προαύλιο της «Iερωνυμείου Σχολής». Για την αξιόλογη δράση του, ο Ιερώνυμος τιμήθηκε από την ελληνική κυβέρνηση πρώτα με τον αργυρό (1878) και στη συνέχεια με τον χρυσό σταυρό του Σωτήρος (1885), όπως επίσης και από τη ρωσική κυβέρνηση με το παράσημο της Αγίας Άννας. Εξάλλου, το Πανεπιστήμιο του Kέιμπριτζ, εκτιμώντας το συγγραφικό και επιστημονικό του έργο, τον ανακήρυξε διδάκτορα της θεολογίας (1886), ενώ παρόμοια τιμητική διάκριση του απενεμήθη και από το Πανεπιστήμιο της Oξφόρδης.
Monument of the reverand Archimandrite Ieronymos Myriantheas at the village Kaminaria, in Cyprus.
He was born in 1838 in the village of Kaminaria and was one of the greatest Cypriots of the 19th century. He studied courses on Theology at the universities of Athens, Strasbourg, Haidelberg and Bonn gaining academic education unique for those times. He has written a lot of articles and studies. In 1874 he whent and stayed in London accepting to support the Greek community of London. During his stay in London he helped the cause of Cyprus influencing the Prime Minister of Britain Gladstone on inducing reforms in Cyprus and on guarranteeing that Cyprus would not fall under Ottoman rule again.
He was proclaimed Doctor of Theology by the University of Cambridge.
Article by Robert watson (Baldy McSpecs - Sundancer) telling the story of the famous chair, owned by Naomi frost, which rose to stardome on Flickr.
This image was used here with permission of Dolls Magazine.
Dolls Magazine was so kind to feature my face up work as well as the work of FroggyDuds clothing design in the September 2009 issue. Not all these photos fit in the article of course, but I liked them enough to share here anyway. :0)
You can view Dolls online at www.dollsmagazine.com. The full article can be seen here on pages 18 and 19: viewer.zmags.com/publication/8cd690b8
쌍둥이라 해도 믿겠네~
티아라 지연과 은정(오른쪽)이 25일 오후 서울 상암동 Sbs프리즘타워에서 생방송으로 열린 Mtv의 ‘더 쇼 시즌4’(이하 더 쇼)에서 인사말을 하고 있다.이날 ‘더 쇼’에는 러블리즈를 비롯해 헤일로, 윤현상, 소년공화국, 에이션, 하이니, 와썹, 헬로비너스, 제이엘, 임창정, 에이핑크, 티아라, 니콜, 효린X주영, 조미, 빅스, 마마무 등이 출연했다.
This was an illustration which will become an exclusive print for the free Sheffield based publication ARTICLE.
Its a bit of a play on the Sheffield city council logo with a modern twist. You can check them out here...
I want to share this link with everybody who wasn't able to get an issue of the Treasures magazine that featured the article on Haeger Pottery. The author published the story in several magazine and I found a link to one of them where you can see and read the story for free. So check out the link and I hope you enjoy it. :-) www.antiquesandauctionnews.net/Article+Display/Haeger+-+1...
இனி வரும் நாட்களில் வனங்களின் படங்களைக் கொண்டே காடென்பது யாதென, வரும் சந்ததியினருக்குச் சொல்லிக் கொடுக்க வேண்டியிருக்கும் போல இருக்கிறது. விடுமுறை நாட்களில் ஏதேதோ விளையாட்டு உலகங்களுக்கு நம் குழந்தைகளை அழைத்து செல்லும் நாம் காடுகளுக்கும் அழைத்துச் சென்று காடென்பதைக் காட்டி வருவோம்.
-எம். ரிஷான் ஷெரீப்
"வனத்தில் மிதக்கும் விருட்சங்களின் பாடல்கள்"
ஜூன் 2012 வடக்கு வாசல்.
LOVE. STORY
It took 30 years but Anne and Ed Candreva
of Fire Island Pines finally had their dream
wedding. Anne explained.
Ed and I were introduced by mutual
friends during Memorial Day weekend, 1974,
on the boardwalk at Fire Island Pines.
I was from New Jersey and working a summer job at the Blue Whale Restaurant and Bar as a pool lifeguard by day and cock tail waitress by night.
Ed’s family had been living in the Pines
since he was 10. They owned Peter’s Marina
Market, where Ed Iworked for his dad.
Ed would often stop by the pooi for a quick swim while I was working and we’d talk. We had a lot in common, and he was becoming a good friend, I thought.
A few weeks later, Ed and I were both at a
party, when he suddenly asked me to do him
a favor and wear his high school ring.
So anothjer girl would leave him alone , I said ok , but after a while we got so used to being together we had so much in common and were the best of friends , So 6 months later w
We eloped to Elkton, Md., and were married at the stroke of noon. We were 18.
For many years, Ed and I struggled with very little money. Weboth worked hard at the market on Fire Island during the summer, and off-season Ed worked as a carpenter while I managed a drug store.
We purchased a house in Holbrook, raised two beautiful Sons and have 3 Grandchildren We have been active in the Fire Island Pines volunteer Fire Depart ment where Ed is assistant chief. Over the years, we’ve created a fabulous blend of friends and family.
Who all attended our real Disney Fairy Tale wedding
Uploaded on National Coming Out Day October 11 2020.
Excerpt from my Facebook post.
I am reminded, from various posts, that today is National Coming Out Day.
Sometimes I like to say I came out to my parents when I sent them my Spring Quarter, 1975 class schedule. It included a class called "What Do Gay People Do." Taking a class on gay rights doesn't necessarily mean one is gay, however. The coming out process was probably gradual. My family has been pretty accepting.
By coincidence, I just got a digital copy of that very letter yesterday. My sisters have started a project where they are scanning family letters including letters we wrote back home to mom and dad.
In the first batch of my letters that she grabbed yesterday was that letter.
I've also dug into some of my old folders and found an article in the Western Front campus newspaper about that class. It was taught at the Fairhaven College part of Western. The professor was David Mason.
Spring 1975
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Bernard Frischer, Review article Ancient Rome mapped. Antiquity Vol. 91, No. 360 (2017): 1659–1662 [in PDF]. S.v., Andrea Carandini et al, THE ATLAS OF ANCIENT ROME – Princeton University Press (2017). S.v., The Reconstructions of Ancient-thru-Modern Rome, in: R. Lanciani; G. Boni; P. Bigot; G. Giovannoni; I. Gismondi; S. Muratori; G. Gatti; C. M. Travaglini & K. Lelo; C. Hauber; S. Le Pera; E. Polla; SSAR; DAI(R); J. E. Packer & R. Crocetti. wp.me/pbMWvy-wG
'...SCOPERTE Si pensava che fosse sul lato opposto, ora viene rovesciata la mappa del celebre sito archeologico. Lo rivela la prima visita guidata Foro di Traiano, ecco il Tempio dell’ imperatore Scendo dal Quirinale ed eccomi in quel luogo del mistero della Roma imperiale che e’ il fondo del Foro di Traiano, dove si collega al Foro di Augusto. Mi guida Roberto Meneghini, archeologo della Soprintendenza comunale. Lui che e’ sceso nelle cantine delle case sul lato opposto al Foro, dove e’ la Prefettura, e ha scoperto che del tempio dei divi Traiano e Plotina, li’ sotto immaginato, non vi e’ traccia. Cialtrona l’ archeologia classica!'
--- Andrea Carandini, Corriere della Sera (09 luglio 1999): 55; S.v., Cairoli Fulvio Giuliani, Archeologia oggi. La fantasia al potere. Quaderni di Archeologia e di Cultura Classica. No. 2; Tivoli (2012): 5-48 [in PDF].
www.flickr.com/photos/imperial_fora_of_rome/50276878356
'... Another recent controversy concerns the location of the Temple of the Divine Trajan in the Forum of Trajan. This is not referenced in the generally good account of the forum by Cavallero. Fortunately, the temple ends up being situated in what we now know to be the correct place (cf. volume 2, tab.54—erroneously cited by Cavallero at volume 1, p.211 as tab. 50), but the key article is not cited: Baldassarri (2013). One suspects that the claim in the Introduction that the work was updated through toDecember 2015 was an exaggeration.'
--- Bernard Frischer (2017): 1661.
1). ROME - Bernard Frischer, Review article Ancient Rome mapped. Antiquity Vol. 91, No. 360 (2017): 1659–1662 [in PDF] = Andrea Carandini (ed.). The atlas of ancient Rome: biography and portraits of the city. Volume 1: text and images; volume 2: tables and indexes (2017) 1-1280; 532 colour and b&w illustrations, 9 tables. Princeton (NJ): Princeton University Press.
Fonte / source:
--- Bernard Frischer / academia.edu. (2017).
www.academia.edu/36617500/Frischer_Review_Carandini_Atlas...
www.flickr.com/photos/imperial_fora_of_rome/50276878366
2). Andrea Carandini et al, THE ATLAS OF ANCIENT ROME - Biography and Portraits of the City. Princeton University Press (2017).
The Atlas of Ancient Rome provides a comprehensive archaeological survey of the city of Rome from prehistory to the early medieval period. Lavishly illustrated throughout with full-color maps, drawings, photos, and 3D reconstructions, this magnificent two-volume slipcased edition features the latest discoveries and scholarship, with new descriptions of more than 500 monuments, including the Sanctuary of Vesta, the domus Augusti, and the Mausoleum of Augustus. It is destined to become the standard reference for scholars, students, and anyone interested in the history of the city of Rome.
Fonte / source:
S.v.,
1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Andrea Carandini, Il Templum Traiani & “Cialtrona l’ archeologia classica!” (09/07/1999), in: Cairoli Fulvio Giuliani, Archeologia oggi. La fantasia al potere. Quaderni di Archeologia e di Cultura Classica. No. 2; Tivoli (2012): 5-48 [in PDF]. S.v., Il Templum Traiani a Roma: Claudia Ilacqua (2020); Antonio Pizzo & Massimo Vitti (2020); James E. Packer (2020 / [2003 in PDF]); Paola Baldassarri (2020 / 2019) & Roberto Meneghini (2020), et al. wp.me/pbMWvy-ov
www.flickr.com/photos/imperial_fora_of_rome/50041568466
1.1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Update – ROMA / Regione VII., – Claudia Ilacqua, “Il Templum Traiani a Roma: la ricerca di un ‘fantasma’ archeologico.” Archeologia Online – Archeomedia – Rivista, 2020 (21/06/2020) & Claudia Ilacqua, Il Templum Traiani a Roma. Thesis / Milano (2017-18). wp.me/pbMWvy-m6
www.flickr.com/photos/imperial_fora_of_rome/50039085866
1.2). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Update – the recent archaeological surveys in ‘Roma / Regione VII., Il Tempio di Traiano’ & the Via di S. Eufemia 13 at the Spanish School of Archaeology in Rome (2019-20) (06/2020). wp.me/pbMWvy-lV
www.flickr.com/photos/imperial_fora_of_rome/49681033917
1.3). ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: Update – The Forum and Temple of Trajan in Rome (2018-20): “L’evidenza archeologica ha dimostrato che il tempio c’è.” With New Comments & New Information Courtesy of Prof. James E. Packer. Martin G Conde (18 March 2020). wp.me/pbMWvy-5t
S.v.,
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: 10.10). The Imperial Fora, the Roman Forum & Colosseum Valley (2008-13): Bernard Frischer ed.), Una Flop - ROMA ANTICA in ROME #3D Rewind.
www.flickr.com/photos/imperial_fora_of_rome/sets/72157608...
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: 10.8). The Imperial Fora, the Roman Forum & Alessandrina Quarter (1818-2020): Digital Reconstructions and Models; Topographical and Modern Plans Ancient thru Modern Rome (C. Hauber; S. Le Pera; E. Polla; SSAR; A. Carandini; DAI(R); James E. Packer; R. Crocetti; C. M. Travaglini & K. Lelo / Roma Tre).
www.flickr.com/photos/imperial_fora_of_rome/sets/72157615...
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: 10.7). The Imperial Fora, the Roman Forum & Alessandrina Quarter (1900-2020): The Plastico Models & Digital Models & Plans of Ancient thru Modern Rome (R. Lanciani: G. Boni; P. Bigot; G. Giovannoni; I. Gismondi; S. Muratori; G. Gatti and C. M. Travaglini & K. Lelo / Roma Tre).
www.flickr.com/photos/imperial_fora_of_rome/sets/72157600...
Bryant Holsenbeck Hat modeled by Tera Swaim
Exhibiting member in Fiber
Article in the Sentinel
June 8, 1984
Article in a playbill from 1942 describing the after theater nightlife.
Repository: Duke University Archives. Durham, North Carolina, USA. library.duke.edu/uarchives
OK, so here's the long story:
A friend from my church (Kayley -- she wrote the article, above) was doing her MassComm internship at our local paper. Kayley called one night and left a message about doing an interview with me about my juggling.
What? My juggling? How does she even know about that?
It occurred to me that I had posted this photo on Flickr and on my blog when I did the photo for one of my Self Portrait Challenge themes. Maybe she came across one of those. I think, at one point, she had mentioned something else that she had seen on my blog, maybe?
It also occurred to me that this poor girl must be simply desperate for story ideas if she's calling me of all people about juggling.
So Kayley and I communicated about a time to do an interview. I agreed to doing the interview only with the condition that if she spent her time doing the interview and ended up with nothing that added up to a decent article, that there would be no hard feelings either way. She wouldn't be mad at me. I wouldn't be mad at her. She agreed, so we set up a time.
She came over one night after my kids were in bed and she and I and my wife talked for hours, catching up on what she'd been doing, what her plans were for after college. We talked about politics, religion, Seinfeld -- you know, the essentials.
Oh yeah, and somewhere in the midst of all that, she slipped in a few questions about juggling. She didn't make an audio recording of our conversation and, from what I could tell, she made very few notes as we spoke.
I asked her about how this had all come about. Why she called me, etc. As it turned out, she didn't come up with the story idea. She was working from a list of potential features and came across "Jeremy Stockwell -- local juggler." She figured that she would sign up to do that one since she already knew me. To this day, I still don't know how my name ended up on that list.
As an afterthought, as Kayley was getting her things packed up and getting ready to leave, I mentioned that I had a photo that I'd done for Self Portrait Challenge of me juggling and that I'd send it to her in case she could use it.
That was it.
Kayley graduated and got a job in Chicago (with CareerBuilder -- she posted her details up on CareerBuilder.com to get a job, any job. CareerBuilder saw it, contacted her and gave her a job -- sorry for another aside, but I thought it was interesting).
I haven't spoken or communicated with her since that night (I got the CareerBuilder story from her parents, who still go to my church, fyi).
One day at church, a couple of people mentioned that they had seen my picture and an article in Madison Magazine, the publication for which Kayley had written the article.
So, it was printed, but I had yet to see it.
That Wednesday at choir practice, another friend mentioned that he had seen the article. I mentioned that I heard the article had run in the magazine, but that I had yet to see the article myself. He promised to bring me his copy the following Sunday. He came through and brought me his copy.
When I offered to send her my photo, I was imagining that if she used it at all, that it might appear at the bottom of the article, the width of a single column, maybe. I was so surprised how she made use of the photo a prominent part of the article, wrapping the text around the image, etc.
Then I read the article, and was surprised again at how well written it was. I mentioned that she took very few notes, but she had quotes from me and did a good job representing my attitude on the whole story. I was quite impressed. She did a good job forming my rattling on into a cohesive, entertaining article. (I posted this photo as full size. I believe that, for those really interested, if you view it full size and scroll around a bit, you can read the entire article.)
I thought that was the end of it.
Then, on Friday, June 13 (National Juggling Day), I came into work and on my desk is the 'People & Places' section of my local newspaper (I'm not a subscriber, if you hadn't already figured that out). It's the same article that ran in Madison Magazine (there's an ad inset for the magazine at the bottom of the article), just slightly reformatted for the space.
The newspaper has a much wider circulation than the magazine, so for a while, just about everywhere I went, somebody would mention to me that they saw the article in the paper. I was almost a local celebrity for a few days! Crazy.
So, that's more than you ever wanted to know about how my photo got in the paper. Hopefully, that will make up for being a bit mysterious about posting it here without any explanation as to the details. (Alright, Michael??)
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Bernard Frischer, Review article Ancient Rome mapped. Antiquity Vol. 91, No. 360 (2017): 1659–1662 [in PDF]. S.v., Andrea Carandini et al, THE ATLAS OF ANCIENT ROME – Princeton University Press (2017). S.v., The Reconstructions of Ancient-thru-Modern Rome, in: R. Lanciani; G. Boni; P. Bigot; G. Giovannoni; I. Gismondi; S. Muratori; G. Gatti; C. M. Travaglini & K. Lelo; C. Hauber; S. Le Pera; E. Polla; SSAR; DAI(R); J. E. Packer & R. Crocetti. wp.me/pbMWvy-wG
'...SCOPERTE Si pensava che fosse sul lato opposto, ora viene rovesciata la mappa del celebre sito archeologico. Lo rivela la prima visita guidata Foro di Traiano, ecco il Tempio dell’ imperatore Scendo dal Quirinale ed eccomi in quel luogo del mistero della Roma imperiale che e’ il fondo del Foro di Traiano, dove si collega al Foro di Augusto. Mi guida Roberto Meneghini, archeologo della Soprintendenza comunale. Lui che e’ sceso nelle cantine delle case sul lato opposto al Foro, dove e’ la Prefettura, e ha scoperto che del tempio dei divi Traiano e Plotina, li’ sotto immaginato, non vi e’ traccia. Cialtrona l’ archeologia classica!'
--- Andrea Carandini, Corriere della Sera (09 luglio 1999): 55; S.v., Cairoli Fulvio Giuliani, Archeologia oggi. La fantasia al potere. Quaderni di Archeologia e di Cultura Classica. No. 2; Tivoli (2012): 5-48 [in PDF].
www.flickr.com/photos/imperial_fora_of_rome/50276878356
'... Another recent controversy concerns the location of the Temple of the Divine Trajan in the Forum of Trajan. This is not referenced in the generally good account of the forum by Cavallero. Fortunately, the temple ends up being situated in what we now know to be the correct place (cf. volume 2, tab.54—erroneously cited by Cavallero at volume 1, p.211 as tab. 50), but the key article is not cited: Baldassarri (2013). One suspects that the claim in the Introduction that the work was updated through toDecember 2015 was an exaggeration.'
--- Bernard Frischer (2017): 1661.
1). ROME - Bernard Frischer, Review article Ancient Rome mapped. Antiquity Vol. 91, No. 360 (2017): 1659–1662 [in PDF] = Andrea Carandini (ed.). The atlas of ancient Rome: biography and portraits of the city. Volume 1: text and images; volume 2: tables and indexes (2017) 1-1280; 532 colour and b&w illustrations, 9 tables. Princeton (NJ): Princeton University Press.
Fonte / source:
--- Bernard Frischer / academia.edu. (2017).
www.academia.edu/36617500/Frischer_Review_Carandini_Atlas...
www.flickr.com/photos/imperial_fora_of_rome/50276878366
2). Andrea Carandini et al, THE ATLAS OF ANCIENT ROME - Biography and Portraits of the City. Princeton University Press (2017).
The Atlas of Ancient Rome provides a comprehensive archaeological survey of the city of Rome from prehistory to the early medieval period. Lavishly illustrated throughout with full-color maps, drawings, photos, and 3D reconstructions, this magnificent two-volume slipcased edition features the latest discoveries and scholarship, with new descriptions of more than 500 monuments, including the Sanctuary of Vesta, the domus Augusti, and the Mausoleum of Augustus. It is destined to become the standard reference for scholars, students, and anyone interested in the history of the city of Rome.
Fonte / source:
S.v.,
1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Andrea Carandini, Il Templum Traiani & “Cialtrona l’ archeologia classica!” (09/07/1999), in: Cairoli Fulvio Giuliani, Archeologia oggi. La fantasia al potere. Quaderni di Archeologia e di Cultura Classica. No. 2; Tivoli (2012): 5-48 [in PDF]. S.v., Il Templum Traiani a Roma: Claudia Ilacqua (2020); Antonio Pizzo & Massimo Vitti (2020); James E. Packer (2020 / [2003 in PDF]); Paola Baldassarri (2020 / 2019) & Roberto Meneghini (2020), et al. wp.me/pbMWvy-ov
www.flickr.com/photos/imperial_fora_of_rome/50041568466
1.1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Update – ROMA / Regione VII., – Claudia Ilacqua, “Il Templum Traiani a Roma: la ricerca di un ‘fantasma’ archeologico.” Archeologia Online – Archeomedia – Rivista, 2020 (21/06/2020) & Claudia Ilacqua, Il Templum Traiani a Roma. Thesis / Milano (2017-18). wp.me/pbMWvy-m6
www.flickr.com/photos/imperial_fora_of_rome/50039085866
1.2). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Update – the recent archaeological surveys in ‘Roma / Regione VII., Il Tempio di Traiano’ & the Via di S. Eufemia 13 at the Spanish School of Archaeology in Rome (2019-20) (06/2020). wp.me/pbMWvy-lV
www.flickr.com/photos/imperial_fora_of_rome/49681033917
1.3). ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: Update – The Forum and Temple of Trajan in Rome (2018-20): “L’evidenza archeologica ha dimostrato che il tempio c’è.” With New Comments & New Information Courtesy of Prof. James E. Packer. Martin G Conde (18 March 2020). wp.me/pbMWvy-5t
S.v.,
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: 10.10). The Imperial Fora, the Roman Forum & Colosseum Valley (2008-13): Bernard Frischer ed.), Una Flop - ROMA ANTICA in ROME #3D Rewind.
www.flickr.com/photos/imperial_fora_of_rome/sets/72157608...
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: 10.8). The Imperial Fora, the Roman Forum & Alessandrina Quarter (1818-2020): Digital Reconstructions and Models; Topographical and Modern Plans Ancient thru Modern Rome (C. Hauber; S. Le Pera; E. Polla; SSAR; A. Carandini; DAI(R); James E. Packer; R. Crocetti; C. M. Travaglini & K. Lelo / Roma Tre).
www.flickr.com/photos/imperial_fora_of_rome/sets/72157615...
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: 10.7). The Imperial Fora, the Roman Forum & Alessandrina Quarter (1900-2020): The Plastico Models & Digital Models & Plans of Ancient thru Modern Rome (R. Lanciani: G. Boni; P. Bigot; G. Giovannoni; I. Gismondi; S. Muratori; G. Gatti and C. M. Travaglini & K. Lelo / Roma Tre).
www.flickr.com/photos/imperial_fora_of_rome/sets/72157600...