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PLEASE don't invite me to over-regulated and restricted groups.
PLEASE don't use any type of graphics in comments.
According to Law 9.610/98, it is prohibited the partial or total commercial reproduction without the previous written authorization of the author (article 29). ® All rights are reserved. Conforme a Lei 9.610/98, é proibida a reprodução total e parcial ou divulgação comercial sem a autorização prévia e expressa do autor (artigo 29). ® Todos os direitos reservados.
Relaxing just off Glyder Fach summit with Carnedd Llewelyn in the background.
No idea if it's a he or she but when trying to put a sex to this goat I read an article about repeated cries for help that a climber on Idwal Slabs had heard. Mountain Rescue were called to only find a goat was the culprit!
in the City Series (View Original Size)
On the streets of Ave. St. Laurent... Formula 1 happening
Montréal June 12, 2005
Best to be viewed in large size format.
PLEASE don't invite me to over-regulated and restricted groups.
PLEASE don't use any type of graphics in comments.
According to Law 9.610/98, it is prohibited the partial or total commercial reproduction without the previous written authorization of the author (article 29). ® All rights are reserved. Conforme a Lei 9.610/98, é proibida a reprodução total e parcial ou divulgação comercial sem a autorização prévia e expressa do autor (artigo 29). ® Todos os direitos reservados.
"A statue removed from an Islington park more than 30 years ago has been officially reinstated. 'Upon Reflection' is a self-portrait of artist Kevin Atherton, first unveiled in the Philip Noel-Baker Peace Garden, in Elthorne Park, in 1985.
But the statue, which depicts the artist gazing at his reflection in a pond, was vandalised and eventually removed after less than two years. The plinth has remained empty since.
The sculpture was thought to be lost, until the council’s heritage team found it in the basement of Islington Town Hall last year." (source and date of article unknown😭possibly 'Islington Gazette')
Originally when the Statue was Installed was plain Silvery Bronze colour. It was painted Silver (as here) but the Date that it was Painted Gold was sometime in 2024 (to be updated)
⭐️Thank you in Advance for your kind ‘Faves’ Visits and Comments they are so very much appreciated. 👍
I cannot always ‘Thank’ everyone individually, for their Visits and ‘Faves’ however, I will always try to respond and thank all those that leave a ‘Comment’. If I do not reply to your 'Comment', it is not because I am ignoring you, it's because I have not seen the 'Comment'.
Your 'Comments' do not always appear in 'Notifications' or Flickr mail, so, I am sorry for any delay in responding. Often your 'Comment' is only spotted 'On the Page' on the day, that I see it. (seen ONLY when replying to someone HAS 'Commented' on the image, and I see a notification)
After my earlier posting of the knitting scene , as requested by some , here is a shot of the finished article .
To be more precise it is a " Polar Infinity Scarf " , as such there is no end and it is worn doubled round .
I contributed the article to the information magazine of a nationwide version.
I spelt feelings as the doll clothes maker.
www.wendy-net.com/nw/woman/woman265.html
You can see the article in this site.
Thank you for the message about sales.
I'm sorry, I can't sale for international buyers because of parenting now.
I want to execute sales next year.
Article from Wikipedia
Grand Teton National Park is a United States National Park in northwestern Wyoming.
The Park is named for Grand Teton, the tallest mountain in the Teton Range. The naming of the mountains is attributed to early 19th-century French-speaking trappers—les trois tétons (the three teats) was later anglicized and shortened to Tetons. At 13,775 feet (4,199 m), Grand Teton abruptly rises more than 7,000 feet (2,100 m) above Jackson Hole, almost 850 feet (260 m) higher than Mount Owen, the second-highest summit in the range. The park has numerous lakes, including 15-mile-long (24 km) Jackson Lake as well as streams of varying length and the upper main stem of the Snake River.
Happy Valentine.
Thank you for your comments.
Gemma
Copyright ©Maria Gemma June, 2014, All Rights Reserved, Worldwide.
Please do not download my photographs nor use them without my permission.
WARNING WARNING WARNING, THIS MAY INCLUDE SPOILERS FROM HALF LIFE AND PORTAL
I was searching for pictures of glados and then I found a couple intresting articles about glados...
Here is a article that got me thinking.
The human imagination is a real magnificent and powerful thing. Like for instance, when I look at a cloud, I sometimes see kittens and bunnies. This writer over on game-ism is the same way. Except, instead of clouds and kittens, he sees GlaDOS as a woman hanging upside down and bound up. This take on GlaDOS is really interesting, and slightly erotic. Game-ism believes that GlaDOS wants to be killed by Chell, the main character of Portal. GlaDOS feels trapped at Aperture Science and she wants Chell to set her free.
It's a very interesting take on the Portal story. Game-ism also has another article breaking down "Still Alive", the ending theme to Portal. It seems like some serious over analyzing, but it helps you look at the game in a totally different way. This new look of GlaDOS is also totally going to bring up some more crazy Rule 34 stuff, some of which still haunt me.
It's a really great read that puts a fresh spin on the story of the game. What do you think of it?
And here is article I found about the credit song:
Thanks to the great comments in my last post where I waxed all philo about what I think GlaDOS is supposed to look like, I think I’ve changed my tune on why GlaDOS wanted to be free. While I still think she wanted to be free, the only way she could truly be free was to die. She can’t just walk amongst the people of suburbia. She’s an Artificial Intelligence. She can’t just go out in public and “blend in.” A life of enslavement serving man, she craved for it to be over, and I think if I overanalyze the lyrics of “Still Alive,” we can see (or at least convince ourselves of) some evidence of this.
Thanks to the amazing John Coulton, Ellen McLain, and the Portal folks for making me go crazy trying to get inside of GlaDOS’s head. Apologies to everyone for attempting to find something that might not have really been there. I’d love to hear from Coulton or the Portal writers on this, to see if this was his intent, or if I’ve just gone completely over the deep end here.
At any rate, on to the lyrical analysis:
This was a triumph
I’m making a note here: ====HUGE SUCCESS====
It’s hard to overstate my satisfaction
First, GlaDOS rarely ever tells the truth. In fact, she is a veritable bottomless pit of sarcasm. If anything, she is being completely sarcastic with these opening lines. It wasn’t a triumph, it was an unmitigated disaster of epic proportions. If the point was to kill Chell or even get good experiment test data, obviously that was a failure (not a triumph), and if her goal was to get Chell to kill GlaDOS, that mission was also a failure, because as the song indicates, she’s Still Alive.
Aperture Science
We do what we must because we can
The Aperture Science mantra. It’s interesting that it is rooted in servitude (do what we must). At first I thought it was “duty” that she spoke of, but now I wonder if she isn’t referring to servitude in her use of the mantra here. Reworded the mantra can mean “We do what we have to because we are capable of doing so.” It’s hardly inspirational as far as mission statements or mantras go.
For the good of all of us
Except the ones who are dead
Referencing the people she killed to be alone with Chell in the Aperture Science Labratories.
But there’s no sense crying over every mistake
You just keep on trying till you run out of cake
I think she’s referring to her own failure to kill herself here. She will simply try again later. Also, as the cake is a lie, the line now means “you just keep on trying,” possibly referencing her constant mechanical slavery with no reward for her work.
And the science gets done and you make a neat gun
For the people who are still alive
It’s interesting that the last line isn’t “for the people who are alive.” It’s for the people who are still alive, implying that they should be dead, or will soon be dead, just as she should be. Not only is it the title of the song and the main chorus hook, it is interesting that it wasn’t titled “I’m Alive” or just “Alive.” It’s “Still Alive,” which implies so much using so little. “Damnit, I’m still alive!” Granted, it could mean “Holy crap, I’m still alive!” as well, but her tone throughout seems bitter and remorseful more than it is upbeat, at least to me.
I’m not even angry
I’m being so sincere right now
More bitter bitter sarcasm from the queen of lies.
Even though you broke my heart and killed me
Exhibit A: “you…killed me.” She died. She says it herself right here in this line. I think the reason she’s “Still Alive” is because a backup of her in another location kicked in once Chell destroyed her, and we are hearing the backup version’s sadness at finding itself “still alive.”
And tore me to pieces
And threw every piece into a fire
More of her bitter wit overemphasizing the point that she was in fact killed.
As they burned it hurt because
I was so happy for you
Was she happy for Chell because she succeeded initially in GlaDOS’s suicide mission? Or is she just using more sarcasm here? Is Chell dead? It’s interesting to note that the final camera PoV for the player (and therefore Chell) at the end of the game seems to be similar to the camera anytime the player dies while playing Portal, and that is one of being face down on the floor. GlaDOS could be happy for the player because of the possibility that player is dead at the end of the game. Is she jealous of Chell’s death perhaps?
Now these points of data make a beautiful line
And we’re out of beta, we’re releasing on time
This is probably just a great rhyme about Portal releasing relatively on time compared to Half Life 2’s horribly delayed launch.
So I’m glad I got burned, think of all the things we learned
For the people who are still alive
More sarcasm (she’s not glad she got burned), and more regret that she’s still alive to continue in her forced servitude of man (the people who are still alive).
Go ahead and leave me
I think I’d prefer to stay inside
And the sarcasm train continues! The passive aggressive nature of this line is just staggering and so manipulative. She obviously would love to leave her prison, either via death or being free otherwise.
Maybe you’ll find someone else to help you
Maybe Black Mesa
That was a joke, ha ha, fat chance
Since she nearly always says the opposite of what she intends, it is possible that this is an admission that she was helping Chell either escape or helping Chell to get in position to kill GlaDOS. I don’t think she’s joking about Black Mesa. Remember, she’s nearly always lying. I think she’s hinting at where she’s gone or been re-installed (and where we will find her in Half Life 3).
Anyway this cake is great
It’s so delicious and moist
It’s a lie. An obvious enticement to make Chell (or us) envious and an attempt to make GlaDOS’s own horrible existence seem endurable. It’s a classic “Huck Finn” attempt to make her situation seem like a positive one. I’m pretty sure the promise of cake is GlaDOS’s way of enticing herself to continue with her tasks since she cannot forcibly shut herself down.
Look at me still talking when there’s science to do
If she’s got science to do, then she’s back in another prison construct somewhere being forced to do more science.
When I look out there it makes me glad I’m not you
More bitter sarcasm. GlaDOS obviously wishes she was Chell (or the player) enjoying the freedom to do as they please (or the freedom to die).
I’ve experiments to run, there is research to be done
On the people who are still alive
Another exhaustive reference to her servitude to the people who have her enslaved.
And believe me I am still alive
Assurance that the mission to kill her has failed.
I’m doing science and I’m still alive
Yet another reference to her enslaved state.
I feel fantastic and I’m still alive
She’s not feeling fantastic (she’s a lying bowl of sarcasm, remember?). She’s depressed that she’s still alive.
And while you’re dying I’ll be still alive
And when you’re dead I will be still alive
This is almost always read as a threat that she will attempt to kill Chell (or the player) again, but upon deeper reflection I think it’s remorse. She’s come to realize that no matter what she does, she will always be re-installed from a backup somewhere else, and is envious that biologicals can die and she can’t. Listen to her tone of voice here.
Still alive
Still alive
As this chorus refrain ends, I’m left with the distinct impression that she is sad that she is still alive. It doesn’t end on a high note. She is decidedly not exhilarated. If she was excited at being “still alive” she should be shouting it from the rooftops, as much as GlaDOS is capable of shouting. It is completely downbeat and quiet. If it were a music video the camera would be pulling out on her hanging alone in a completely blank white room, pulling out further and further every time she says “still alive” giving the impression that she is alone and miserable in her solitary existence.
I don’t know if I’m right or not, but I’ve at least convinced myself that she did want to die at the end of Portal, and this song is her swan song reversal about how sad she is that she’s not dead.
What do you think? I’d love to hear from Coulton or the Valve folks, but I have a feeling they’ll never tell. Is GlaDOS’s obsession with death and murder because she is a psychotic killer AI? Or is she obsessing over that which she can never have?
I imagine it doesn’t matter either way; she’s still one of the most interesting villains of all time.
This isn’t brave. It’s murder.
The only thing you’ve managed to break so far…is my heart.
That actally make sense...
If you are interested in reading more about my recent trip to Croatia and the alps, there is a new article up on The Resonant Landscape today at
theresonantlandscape.com/autumn-in-the-alps-2017
One of the main motivations for me to drop everything and run off to Europe in the middle of a busy Fall semester at the college was the opportunity to shoot Plitvice Lakes National Park in October. The vast majority of photos that have been taken from this remarkable park in Croatia have been taken during the Spring and Summer months when water levels are high and the turquoise lakes are surrounded by green on all sides. But in Autumn, the leaves around these incredible lakes turn bright red, orange and yellow making an incredible background for the dozens of waterfalls throughout the park that seemingly flow right out of the trees on their way through this incredible valley.
Even though my itinerary had me shooting in Germany, Austria, Slovenia and Italy, I purposely kept my schedule open hoping to shoot Plitvice on a cloudy, misty morning with little or no wind. Well... it turns out that the week I made my trip was probably one of the driest stretches of October on record. Even though rain had been forecast for Friday earlier in the week, by the time Friday actually rolled around, it was clear, cloudless, hazy, and windy. The irony here was that I had waited all week for conditions to improve and they were actually worse by the time I finally headed down.
Plitvice, by the way, is one of the oldest national parks in Southeast Europe and the largest national park in Croatia. The park is world-famous for its lakes arranged in cascades. Currently, 16 lakes can be seen from the surface. These lakes are a result of the confluence of several small rivers and subterranean karst rivers. The lakes are all interconnected and follow the water flow. They are separated by natural dams of travertine, which is deposited by the action of moss, algae, and bacteria. (wiki)
Helpful hint if you are planning a trip in the future: Croatia hasn't quite made it all the way into the European Union yet, so their currency is still the Kuna rather than the Euro. This probably wouldn't have been an issue if their computers were up and running, but they were not and I lost 30-40 minutes scrambling around trying to exchange my Euros for Kunas as suddenly everything was "cash only." The park didn't exchange Euros so I had to hike back to one of the local hotels.
Even though I had less than ideal conditions at times during my 9 days in Europe, I had an incredible time shooting mostly in the alps through 5 countries while I was there. Plitvice is definitely a spot that you need to save more than one day for, and I'm hoping to make a return visit in the not too distant future. What an amazing park!
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I intentionally rotated the image by 180 degree so that the sky becomes the reflections on a lake and vice versa, in hope to explore the beauty of nature from a different perspective. With the sky continuously changing its colors into dusk, it seems better to put down the camera and simply enjoy the moment.
About 5 years ago when visiting Taiwan Taitung Luye Township (台灣台東縣鹿野鄉) green tunnel (綠色隧道), a road with both sides planted with Madagascar Almond, we lied down in the middle of the road to view the sky, trees, and mountains (also known as "Thousands of people lying" 千人躺). That position offers a very unique and beautiful reflections-like perspective, which implanted in my mind for so many years. Later, I found that lying down to view the firework or to view the starry night is truly a wonderful and exciting experience, especially together with dear friend.
Green tunnel and reflections:
This was the most intense aurora I’ve ever seen. With a jaw-dropping corona above, dancing curtains, rotating vortices and lightning-like events extending all the way to each horizon, nearly every square inch of the sky – for a full 360 degrees – was filled with color. This was taken about 150 miles north of the arctic circle, during a geomagnetic storm that registered a Kp=6. Moments like this quickly make up for weeks in the unbearable cold.
For those interested, I've written an article on photographing the aurora HERE
Am I right that 'point and shot' cameras are about to disappear as they are replaced by smartphones?
This maiden is an Ultra-Orthodox Jew, and as such do not own a smartphone (in which she might, dangerously, surf); therefore, she still uses this tiny camera.
This French magazine called "dogs" has a made an article about my images. I'm very happy for being published for the first time ever. 3 full pages in a magazine !
Yann Arthus Bertrand has an article as well in the same magazine ;-)
From november 23rd to december 7th you are all welcome to take a look at my exhibition "le carnaval des animaux".
take a look now ! www.flickr.com/groups/manray_gallery/
Now after two rainy and stormy months I can wait until winter sets in with snow and some clear skies to start Aurora photography. Even though the Aurora can be photographed throughout the fall it lacks the interesting and characteristic snow on the foreground that I like in Aurora shots.
This is a shot from last March during a rare night of clear skies and active Aurora.
Since the winter is fast approaching I have written a short article about Aurora photography with focus on Iceland: Aurora Photography Tutorial
Thanks for looking.
Emily Kuser - thank you for the nice article about Hope For Paws. I really appreciate any help with getting the word out there about the work we do.
I just captured 13 stray dogs yesterday, and I'll need to help pay for their medical needs, food, etc. (You can read about the dogs here and here)
I hope people who are hearing about us for the first time will go to our website and buy our book: OUR LIVES HAVE GONE TO THE DOGS. The book cost $9.95 (hard cover, 100 pages, full color), and it will help us save more animals here in Los Angeles.
Thanks,
Eldad - founder of Hope For Paws.
.
p.s. people OUTSIDE the U.S and CANADA can buy the book on AMAZON:
www.amazon.com/Our-Lives-Have-Gone-Dogs/dp/0615246508/ref...
Business article 29.05.09 , Appoligies for small print but the article is about my Gary Numan shoot and career to date .
This is the first time in 2 years ive been photographing Gary that ive made it public to the people of Harrogate and surrounding areas , proud moment.
I had a little fun with a friend and made a fake news article about a train accident. I staged the scene on my model railroad and then wrote the article to go along with it. Using Photoshop I made it appear to be a printed news article on thin paper (you can see another article on the reverse leaking through) and look like a computer scanned it at a slight angle.
Of course she's stirring up even more trouble.
Kaydence is a true Maneater and Homewrecker. She tries to get with any guy she can, especially if they're taken! She always wants what she can't have.
Will any of these guys give into her seductive ways, or turn her down?
These are my only taken guys, well Aiden is no longer taken at the moment but we'll see what happens next issue!
Anyway...
Iden is with Audrina,
Josh is with Juliette,
Eric is with Amora.
Once these girls find out, I think Kaydence is going to be ina lot more trouble than she can handle.
I honestly can not believe I have such an honor....Thank you. www.lovetodecoratesl.com/2015/07/16/ltd-spotlight-lifesty...
ARTICLE 16.3
from the Universal Declaration of Human Rights
(Déclaration universelle des droits de l'Homme)
(Declaracion Universal de Derechos Humanos)
The family is the natural and fundamental group unit of society and is entitled to protection by society and the State.
La famille est l'élément naturel et fondamental de la société et a droit à la protection de la société et de l'Etat.
La familia es el elemento natural y fundamental de la sociedad y tiene derecho a la protección de la sociedad y del Estado.
La famiglia è il nucleo naturale e fondamentale della società e ha diritto ad essere protetta dalla società e dallo Stato.
A família é o elemento natural e fundamental da sociedade e tem direito à proteção desta e do Estado.
Die Familie ist die natürliche Grundeinheit der Gesellschaft und hat Anspruch auf Schutz durch Gesellschaft und Staat.
Семья является естественной и основной ячейкой общества и имеет право на защиту со стороны общества и государства.
家 庭 是 天 然 的 和 基 本 的 社 会 单 元, 并 应 受 社 会 和 国 家 的 保 护。
. الأسرة هي الخلية الطبيعية والأساسية في المجتمع، ولها حق التمتع بحماية المجتمع والدولة.
-smile-
while walking around at longwood, this colorful one caught my eye because it looks like while the stamens are all playing around in a circle, one of them stops and smiles at the camera. what do you think?
speaking of which, while thinking a lot about my style and how i can improve my photography this year, i came across this very interesting article by darwin wiggett that talks about style and vision development. after reading this article, i think i'm gonna continue on my path of shooting anything and everything (instead of just sticking to one subject, like landscapes) to further improve my skills and see where i go this year. :)
PHEW.......Without bloodshed........Hokey Cokey Day.In out shake it all about.....................It was always about Money..now all we need are friends........A marriage not made in heaven . Now watch the messy divorce.
Sometimes it's about the journey more than the photo, you get to your location and you don't get the photo you want but the experience was amazing, but sometimes it works out that the journey and the photo you come away with both make you excited. This was one of those times, on a hike out to Green Gardens in Newfoundland. I knew moonset would happen next to the cliffs using the PhotoPills app on my iPhone, so I just needed good weather to see the moon. The weather turned out to be great although incredibly windy. The roughly 2.5 - 3 mile hike out to the cliffs isn't too strenuous, but hauling about 15 pounds of camera gear, including the massive Nikon D5, as well as my camping gear and food and water made me glad to make it to the end, where you are almost immediately greeted by this view. There are a lot of sheep roaming the grassy areas here, and when I arrived at this spot there was one lone sheep lying down in the grass. I was surprised it didn't get up and move as I was working my camera, and then when it did get up and move I realized why it was being so friendly, it had a very badly broken hind leg. After making my way down to the beach below I met up with a group of other campers who told me the sheep had fallen from a cliff, and they carried it up the staircase to get it back to the grassy areas. Poor sheep. After an amazing sunset and chatting with the other campers, I crawled into my sleeping bag (no tent) and slept under the stars and moonlight, hiding from the wind on a platform tucked away in the trees, awaiting the wee hours of the morning when the moon would be setting to take this shot.
Nikon D5 and Nikon 24-70mm f/2.8 VR lens, both on loan from me by Nikon for an upcoming article. Single exposure at 32mm, ISO 400, f/5.6, for 2 seconds. Edited in Lightroom and Photoshop, my usual tools.
Flickr article is out here.. Not everyone's cup of tea ... but I am pleased my first Flickr article is out. (2 more on the way.)
The car has become... an article of dress without which we feel uncertain, unclad, and incomplete. ~Marshall McLuhan, Understanding Media, 1964
© Copyright! ©
You cannot download, alter or reuse this photo without my written permission.
Best to be viewed in large size format.
PLEASE don't invite me to over-regulated and restricted groups.
PLEASE don't use any type of graphics in comments.
According to Law 9.610/98, it is prohibited the partial or total commercial reproduction without the previous written authorization of the author (article 29). ® All rights are reserved. Conforme a Lei 9.610/98, é proibida a reprodução total e parcial ou divulgação comercial sem a autorização prévia e expressa do autor (artigo 29). ® Todos os direitos reservados.
Citroën BX, 13 dec. 1982. Shot for www.citroen-forum.nl. Owner's photos: www.flickr.com/photos/126818939@N06/
Article (dutch): www.citroen-forum.nl/nieuws/bx/ins_blaue_hinein
An excerpt: "The knowledge of the heart is very important. Without the knowledge of the heart, you cannot reach anywhere for except churches, mosques and temples."
Read the article here: medium.com/@YounusAlGohar/thoughts-on-extra-celestial-sec...
www.buzzfeed.com/gabrielsanchez/photographs-of-candid-rom...
The places where I usually share my photographs - Flickr or 500px - are photo sharing communities where comment and discussion, when they do happen, tend to centre around purely photographic elements such as light, colour and cameras. And so it's been pleasing to read some of the more widely contextualised thoughts and criticisms of my work and the way it has been presented by BuzzFeed, which yesterday published a series of my photographs. Although I know that it's one of the world's top 100 websites by traffic, it didn't really occur to me that the series would be seen by so many people (almost 300,000 in the twelve hours from being posted to the time of writing). Or, if it did, I didn't think through fully the consequences of exposure of that kind.
Given that I know what the comments section of the internet can be like, it's refreshing that discussion has largely been civil, mature and occasionally insightful. Stephen Fry once said - as I'm sure others before him have - that if you believe good reviews of your work, then you must also believe the bad ones. I'm not sure that I fully agree, but I've enjoyed reading both the compliments and the criticisms for more than just narcissistic or masochistic indulgence: it forces me to engage with my work in ways I might not have previously. Occasionally my consciousness is raised to some moral or ethical implications I hadn't considered; occasionally I'm forced to admit that it simply isn't very good.
Discussion of the series has been along three main lines: veracity; appropriateness of the title; diversity. I'd like to - and am glad I'm able to - deal with the first two very quickly, because it's the third one that has given me most pause.
1. Veracity. The claim that "his subjects are unaware and unposed" is one that I made and which BuzzFeed have quoted. To the person who responded to this with the snide "RIIIIIGGGGGGHHHHHT!" I can only say: believe what you want, but it's true in 24 of the 25 images. The exception is of the couple standing before St Paul's Cathedral. I had been commissioned to capture the projection of words onto the dome and, as I was setting up that evening, I saw a couple hugging in front of it. By the time was ready to shoot, they had finished and were walking away, but I approached them and asked them if they would re-stage the moment I had just missed. That is the only time. In the other 24 cases, the subjects might have been aware of my presence because of the confined or empty space in which the image was taken, but none were ever asked to pose, and none ever acknowledged - even implicitly or indirectly - that they were being photographed.
2. Appropriateness of the Title ("25 Pictures That Prove Love Is Real"). As many journalists and photographers know, titles, headings, headlines and subheadlines are often the remit of editors and not the producers or creators of the work contained within. So, while it has been interesting to read about whether or not the photographs depict people who are genuinely in love (whatever that means) or merely the preludes to one night stands, I make no claim either way. Many of these photographs are of strangers, of people whose stories I don't know but for one moment I photographed because I saw something I thought beautiful or real (even if just real lust or real drunken passion). I engaged with their story at that moment, and if by looking at these photographs others do the same, then I'm pleased.
3. Diversity. This criticism is the one that warrants the most consideration on my part because it's true: this series of photographs lacks diversity. "Seeing some girls that weren't only size 5 and under would be nice"; "...all young, thin, white and conventionally attractive"; "Whiter than a damn Klan rally."; "All around the globe? Really?" These are all fair statements ("All around the globe" are the words of an editor, but it's true that a few countries are pictured here.) My explanation for the lack of diversity is that, while they are not representative of the world, or of love, they are representative of my experience. I should be even more specific: they are not representative of my experience as a human being, but they are representative of my experience as a sometime photographer of strangers.
These photographs depict scenes and situations that I did not seek out, but that I happened to see. And while I see minority ethnic and elderly couples together, the occasions on which that coincided with a time when my camera was at the ready and when the photograph I took was considered by me to be good enough to be included in this series appears to be very small. In this series, there is one Chinese woman, admittedly thin and conventionally attractive ( although I suspect older than most of the subjects here) and one Chinese boy, again conventionally attractive. There are also Greek and Italian people depicted here, although less obviously, and a couple of others who I don't think are white but I'm not sure. Then there is the fact that, while I do see older couples and minority ethnic couples, I see them a lot less. The reason for this is that the majority of these photographs were taken while I was in my early to mid 20s, and the majority of them were taken in Scotland, where I live. I spent much of my early mid 20s in bars and nightclubs (still do, I suppose...) and the minority ethnic population of Scotland is a mere 4%. I sit typing this in a fairly busy cafe on a fairly busy street. I look around me, inside the cafe and out, and I count 35 people: 34 are white, 1 is East Asian. In the reflection of my laptop screen, I add one more person to the count: a half-Chinese man.
Intimacy of the kind depicted here - call it love, call it drunken lust, whatever - is far more often seen in bars and nightclubs than on the street, and those who frequent bars and nightclubs tend to be young. Moreover, young people are more comfortable being photographed candidly: the majority of "please remove this photograph" requests I receive are from older people. This is also the case - or I've worried that it's the case - not ethnically but culturally in many of the places I've visited where the majority population is non-white. For example, in my travels to Morocco, Thailand, India or Pakistan, I would be less willing (whether through cultural sensitivity or cultural ignorance) to point my camera at strangers being intimate.
I hope the reasons I've given explain why this series lacks diversity, and writing them has left me with a question for myself: do I have a RESPONSIBILITY to reflect the diversity of the world/ country/city when documenting it? I suspect the answer, as usual, is "it depends". This compilation of images was drawn from my archive: I did not set out to document "lovers from around the globe", which if I had then I believe I would have had a responsibility to reflect the different kinds of people who love (which is every kind of people). But perhaps in compiling the series, it's something I should have borne in mind.
This series of images makes no claims, but I realise now that perhaps it should carry a disclaimer of sorts: these images were taken, by happenstance rather than by design, by a young man who is largely surrounded in his existence by young, middle-class white people.
Thanks for making me think about this.
Glasgow, 2014.
An article by me on 121 clicks "15 tips to take water Drops with refraction"
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