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At the Court
This article is about the place in Vienna. See also: Am Hof (White Castle), Bavaria, or At the court of King Arthur, movie.
The square Am Hof with the Marian Column and the former Civil armory
Basic Information
City of Vienna
District Innere Stadt
Roads leading to the square Am Hof, Heidenschuss, Färbergasse, Drahgasse, Schulhof, Bognergasse, Irisgasse
Buildings, church Kirche am Hof, palais Collalto, Marian Column, Central Fire Station
Use
Usergroups; foot traffic, bicycle traffic, car traffic
Square design, partially one-way
Am Hof historically is one of the most important places of Vienna. It is located between Bognergasse, Naglergasse, Heidenschuss, Färbergasse, Jews square and Schulhof in the oldest part of the city in the immediate vicinity of the medieval ghetto.
History
Am Hof (1865) with armory (left), Marian column, "House to the Golden Ball", palais Collalto and Kirche am Hof (right)
Market life before the Radetzky monument Am Hof, about 1890 (watercolor by Carl Wenzel Zajicek)
The body of the lynched War Minister, Count Latour is hanged on October 6, 1848, on a lantern
The Civil armory 1737
The square Am Hof was already part of the Roman military camp Vindobona and was uninhabited in the early Middle Ages.
Between 1155 and about 1275, the completion of the New Castle at the site of today's Swiss tract of the Hofburg, was here the Court of the Babenberg, that Henry Jasomirgott built himself in 1155/56, after he had moved his residence from Klosterneuburg (Lower Austria) to Vienna. This residence was a complex of buildings around an open space, so a court, with the home of the Duke as a center. To the north-west and southwest the "court" leaned against the wall of the Roman fort, into town, it was limited by gates against the bourgeois Old Town and Jewish Town. Here received Heinrich Jasomirgott and his wife Theodora in 1165 Emperor Frederick Barbarossa, who was on the Third Crusade to the Holy Land.
Under Henry's son Leopold V was the tournament and subsequent market place 1177-1194 scene of glittering events where singers and poets such as Reinmar of Haguenau and his student Walther von der Vogelweide appeared in minstrelsy-contests.
With the move of the Prince Regnants in the Swiss wing of the then much smaller Hofburg in 1275, came the "Babenbergerpfalz" (Am Hof) in the late 13th century to the Princely Mint. The houses no. 10 and no. 12 the neighboring ghetto around the Jews square were incorporated. From 1340 At the Court were held markets. In 1365 it came to the temporary accommodation of the Carmelites in the Mint, 1386 to the official donation by Albrecht III., the place for the first time being called "Am Hof". The Carmelites instead of Roman Mint court chapel (Münzhofkapelle) erected a three-nave Gothic monastery church, that they finished about 1420. The Gothic choir still today is visible from the alley behind it. The Carmelites had already owned the house of the Jew Muschal, to that they obtained yet more houses, inter alia, the by Albrecht III. purchased house of the poet Peter Suchenwirt.
The place was originally isolated from the nearby Freyung by houses that left only a narrow connection alley and were demolished in 1846. As early as from the 14th century, it was used as a market, later also as a place of execution. 1463 was here the mayor Wolfgang Holzer on command of Albrecht Vl. executed. 1515 the Habsburg-Jagellonian double wedding of Emperor Maximilian I was held here. In the 16th and 17th centuries the place was also called Crab market, since saltwater fish and crabs were offered. In the 18th century at the market only vegetables and fruits were sold.
After the handing over of the church and convent to the Jesuits in 1554, the square was listening to the name of "At the Upper Jesuits" and was the scene of spiritual performances of the Jesuits before their church. After the dissolution of the Jesuit order in 1773 the place was again called "Am Hof". The convent building of the Jesuits was 1783-1913 the seat of the Imperial War Council and the War Ministry.
1782 Pius VI. from the terrace of the church gave the blessing Urbi et Orbi. On August 6, 1806 also from the loggia of the church announced an Imperial herald the end of the Holy Roman Empire, at the top of which the Habsburgs had stood for over half a millennium, and the abdication of the Imperial crown by Francis II.:"... that We the band, which has bound us until now to the body politic of the German Empire, as having been dissolved consider".
Took place on 14 March 1848 in the wake of the 1848 revolution the storming of the Arsenal, on 6 October the minister of war Theodor Count Baillet von Latour was pulled out from the building, killed and by the crowd hung in the middle of the square on a lantern. The place for a short time was called "People's Square".
1842-1918 and 1939-1942, the Christmas market Am Hof enjoyed great popularity. In 1973, arose here the Vienna Flea market, which in 1977 due to space limitations was relocated on the Naschmarkt. Today again yearly a Christmas market is taking place.
In 1892, before the building of the k.k. Hofkriegsrathsgebäude (the War Department), the equestrian statue of Field Marshal Radetzky of Caspar von Zumbusch was unveiled, which was transferred in 1912 before the newly constructed building of the War Department At Stubenring. The place of the Hofkriegsratsgebäude in 1915 took the Headquarters of the Länderbank.
Furthermore, Am Hof was still the main police station (Hauptwache), the Nunciature and the Lower chamber office.
In Carol Reed's film "The Third Man" (filmed in 1948) the place Am Hof appears prominently, on it stands the advertising column, through which one enters the underworld of the Vienna sewer system.
1962-63 in the course of excavations for an underground garage under the square Am Hof remains of the Roman settlement have been found. In the basement of the present fire station in original location a piece of the main channel of the camp can be visited, which absorbed the wastewater from the southern camp and led it into the Deep Ditch to the brook Ottakringerbach.
Pope John Paul II. did as his predecessor had done and gave in 1983 on the occasion of his visit to Vienna from the loggia also the Easter blessing.
On September 7, 2007 Pope Benedict XVI celebrated with approximately 7,000 people in the pouring rain as the first major program of his Austria trip one Stational Mass. After just six minutes, the microphone of the Pope and the video walls became inoperative, which is why the speech of Benedict XVI. had to be stopped.
Venice...floods about 100 times a year, beginning in October and running through late winter. I'm attaching an excellent article from Rick Steves's website that explains this, and also adding my personal observations and discussions with locals.
First, Steves's article, "Is Venice Sinking?":
www.ricksteves.com/watch-read-listen/read/articles/is-ven...
I spend three days and four nights in Venice in December 2019 (whence come these pictures). On two of the three days, high tide made it challenging to get around.
For those of you who have been to Venice, you know the main part of the city ("downtown," if you can call it that) is made up of 118 islands connected by over 400 (416, I think?) bridges and bisected by the Grand Canal. It's a maze. Even with Google maps, it's literally a maze, because not every bridge takes you easily from one island to another. Some are dead ends, etc. This is when it's dry.
Now, add the extra layer of rising tides that cut off even more avenues of the maze and it's an absolute headache getting around.
All of these pictures were taken as I tried (and failed) to walk across the island from Piazza San Marco on the south to the northern end of the island -- Cannaregio -- where my apartment was.
In dry conditions, this is about a 30 minute walk if you're good at navigating the maze. On this afternoon, I made it about 80% of the way back with no viable routes to walk the last 5 (well, certainly less than 10) minutes. My choices were either wait until the tide rolled out (1-2 hours) or pay a water taxi to take me. I couldn't wait and ended up paying an exorbitant fee of 60 euros to a taxi (from the train station) to take me on what would have been a 20 minute walk from there. Ouch.
Once I got back, I asked my friend Alexia whether this is normal, if it's global warming, bad luck, or what?
I was curious about whether it was normal as most of the Venetians seem prepared for this. Many had on knee high or thigh high rubber/plastic boats and slowly made their way through.
She told me that it's very normal in November, but not so much in December. It's not that the tides aren't normal (they happen every day, of course). It's the height of them.
Last month, in November 2019, I recall reading an article about Venice flooding with pictures that surprised me. On the day in question, the tide rose to 187 cm. (For those in the west, that's only 2 inches shorter than NBA star Steph Curry or, for those who know me...it's my exact height.) I'm not exactly short, by comparison, so that's a pretty tall change for a few hours.
In the pictures you see here, the tide was 120 cm./4 feet. That's certainly enough to flood the island.
Venice's quick solution to this is to throw up elevated wooden platforms as temporary sidewalks. In the main areas -- St. Mark's Square, specifically -- think of all the tourists you would normally have bottlenecked and you can imagine the slight headache of free motion. Before the tides (when it's dry), you see these supports and wooden slats stacked up and may wonder what they're purpose is. Tides more than answer that.
The following day, the city flooded again. As I was walking from my apartment to the southern end of the island to go to a museum, I got to the Grand Canal near Rialto Bridge and found myself at an impassable point...that was right in front of a gondola service. (I think I could have backtracked and made it, but no guarantee.)
I hadn't actually been on a gondola before and -- they're expensive, by the way...especially for a solo traveler (80 euro for about 30 minutes) -- decided to take one because it's Venice and if you're ever going to ride a gondola, it should be here.
The gondolier took me from just south of the Rialto Bridge up the Grand Canal just past the Rialto Market, and back. All in all, not very far (and I didn't check time, but I doubt it was 30 minutes).
However, we got to talking. I asked how the flooding impacts tourism and business and he says there are far fewer tourists now who are simply scared of floods. (The attached Rick Steves article points out why you may not need to worry much.)
The gondolier said that the tide on Sunday reached 125 cm (4'2"), though it didn't seem nearly as high as the previous day. I did actually walk across half the island reasonably easily, so I was thinking he's probably toning down the reality a little because it affects his livelihood. However...just a little. The things he said that I believe are that, "When the tide reaches 140 cm., this is a bit too much for the city to handle."
He also told me some facts about the city that have nothing to do with the flooding, yet I found interesting: There are 50,000 residents on the main islands and an apartment/house of 90 square meters (900 square feet) runs about 400,000 euros. So if you're in the market to move to Venice for the joy of wading through water, that's the cost of it.
After the gondola ride, I ended up hopping on a vaporetto (city bus, but on the water). They run up and down the Grand Canal. (You can see a "stop" in some of my Snapshots of Venice pictures; it's a little enclosed building with yellow trim around the top of it.)
Normally, vaporettos run 7.50 euro for a ticket valid for 75 minutes. They come by every 15 minutes or so. However, I never saw where to buy tickets so ended up taking a handful of vaporetto rides for free. I think three in total.
This particular one took me from next to the gondola service down to Accademia. The Gallerie dell'Accademia is there (lots of Tintoretto, Titian, Tiepolo, Bosch), directly in front of the Ponte dell'Accademia. For my purposes, the Guggenheim Collection is also here, but about a five minute walk on dry land to get there.
However, it was isolated by the tides and I ended up taking off shoes and socks, rolling up my pants, and wading through some bitingly cold (but not dangerously so) water to get there. All told, it was probably about 100 yards at most in water that was just over ankle deep. But, you still have to walk it slowly. Afterwards, I think it took my feet about 10 minutes to regain normal warmth/sensation. (Fortunately, after an hour in the museum -- which was nice, but not as nice as I had hoped -- the tide had receded enough that I didn't have to wade out. The sidewalk was still completely underwater, but only an inch or two by this point, which you can walk through. You tend to see locals walking through water like this balancing on their heels and keeping their toes in the air.
Am I personally satisfied that Venice isn't sinking? No. The Steves article does mention Italy's long-term solution to this, but I don't buy it. I don't know what the future holds, though, and won't be around to see the worst effects of it, I feel. I can say that the city's future is tenuous at the moment, but the present...is fine, if sometimes slightly inconvenient.
Article: All You Need To Know About Visaranai – India’s Official Entry To The Oscars 2017
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News article obtained from the Northwest Herald:
WOODSTOCK – They walked past Engine 32 and into the church where Michael Wurtz, in his final months, reconnected to his faith.
More than 360 uniformed firefighters from departments as far away as the Champaign area filtered into Woodstock Assembly of God, saluting the open casket of Wurtz one-by-one during a fire department walk-through. The departments came together with Wurtz' friends and family to lay to rest the 47-year-old firefighter, who died Friday of cancer.
Those who spoke before and during the ceremony remembered a fearless firefighter who lived to serve – for his family, his friends and his community. They talked of his adventurous spirit, his exhaustive work ethic, the way everyone who met him seemed to feel a special connection. They remembered that smirk, which somehow toed the line between business-like and light-hearted.
They tried to put into words what Wurtz meant to the world.
"We seem larger than life," Woodstock Fire Chief Ralph Webster said during the ceremony. "But quite honestly, that's not what makes us so special. That's not what made Mike special. It's the little things he did to serve others."
Giving the service's eulogy, Pastor Roger Willis harkened back to conversations he'd had with Wurtz over the last four and a half months, since the two met. He explained several words that Wurtz's memory called to mind: adventure, selfless, honor.
He said his next sermon would be called "Lessons from 1325 Dean Street," the address of the nearby Woodstock Fire/Rescue District Station 2. Being around Wurtz firsthand showed him the honor the department felt Wurtz was due.
"If we treat one another how you all treat one another, it's going to go a long, long way," Willis said.
Willis added a fourth word: rest. He talked about the peaceful nature of a visit he'd had with Wurtz in January. The two discussed faith, and Wurtz opened up about a spiritual road made rocky by his dad's death at a young age.
"I was hoping this visit would go in this direction," Willis remembered Wurtz saying.
Firefighters lifted the American flag from its resting spot on Wurtz's casket, folded it and presented it to Wurtz's wife. They gave his helmet and badge to the family. Each of his children was presented an honorary badge from the local firefighters union.
"We're having his service, but we're serving her today," Webster said of Wurtz's wife. "Her and her family."
To the blare of bagpipes and drums, service men carried the casket out the church, past rows of firefighters frozen in salute. The body was raised onto Engine 32, where it would soon fall into a procession that traveled past each of the three Woodstock fire stations.
First, the rows of firefighters were ordered out of their salute. Several finally wiped the tears from their eyes.
article complet sur : militaryphotoreport.blogspot.com/2019/02/le-515e-rtn-au-c...
the whole article is here:
www.lemonde.fr/asie-pacifique/article/2011/01/18/des-prop...
english edited video
timfranco.com/blog/shanghai-eviction-the-tongbei-incident...
Wanted to share exciting news - I have been chosen to be a featured photographer with my Toy-ronto in the fabulous Soura magazine, the only photography artistic magazine in the Middle East !
The issue is devoted to Miniature and Tilt Shift Photography and I have the 10-page article called "Paper Palette" with 15 of my photographs published there! My Toy-ronto got five full spreads showcasing some of the finest images from my series, the Soura team has chosen.
The quality of the thick magazine is just splendid and it feels absolutely great to be featured there :-)
UK: Waltzing is how Joseph Fernandez celebrated his centenary
21 Mar. 2013: Ilford Recorder. Page 9. Waltzing, football cake and singing is how an Ilford man celebrated his centenary. Joseph Fernandez, of Seabrook Manor, Lavender Place, spent 40 years working for the Central Bank of India in Goa before moving to the UK. At the age of 80 he moved to Clayhall Avenue, Clayhall, to be near to his only child Joyce Travasso, 66, of Meath Road, Ilford… Mr Fernandez was married for 55 years to his wife Albertina who died 10 years ago… The Mayor of Redbridge also attended the celebrations. 130 words.
edition.pagesuite-professional.co.uk/Launch.aspx?PBID=2e0...
Today's article from Horse & Hound accompanied by a glamorous photo of me mixing different shades of mud!
..and no, I wasn't interviewed by Hugh Grant!
(And I actually said 'aesthetics versus accuracy' and didn't say 'as an artist' at all (as that wouldn't make any sense) but I guess you have to let these things go. I'm sure people got the gist of it!)
March 18, 1999. I looked at the paper, and what did I see? A sad boy, looking at me. His father had been killed by the "Serb forces". The article explained that NATO would probably soon attack to protect the ethnic Albanians in Kosovo (an action that I did not oppose).
But suddenly I noticed that the boy in the photo was not truly holding the picture of his father. A man's hand is reaching in to the bottom of the photo, holding up the picture frame. And a woman's hand, arm hidden behind the boy's hood, holds the top. It's a staged photo! Yet many US newspapers devoted the majority of their news space "above the fold" on the front page to this photo, which elicits a strong emotional response and is not news. It did wonderfully prepare the hearts and minds of the American people for the upcoming invasion. I was shocked and saved that newspaper. A week later, NATO bombing began.
How does this happen? The media inform the people, the people elect the government, the government runs the country, and the media adapt their messages to the government's desires? Unlike Noam Chomsky, I don't believe that there is a vast government/corporate advertiser/media conspiracy, but in this case, the American media was clearly manufacturing consent among the public. Why, and what processes led to so many papers selecting this AP photo for their front pages?
My best answer is a statement I overheard in 1998. I was walking past the DoubleClick headquarters in Manhattan. A well-dressed man walking in front of me explained to his eight-year-old son that the son owned stock in DoubleClick. What is DoubleClick, the son asked? An on-line advertising network, the executive explained. There is content and there are advertisements. The advertisements provide the revenue. "The reason we have news in the newspaper is because otherwise no one would look at the advertisements."
With that perspective, the objective of the news media is not to inform but rather to entertain. The worst possible effect of a piece would be to annoy the reader/viewer, causing them to change channels or stop reading the paper. Thus, do not take chances, do not present material that makes people uncomfortable, that questions whether our country is on the right path, or that is at all complicated. Importance be damned, attract the most eyeballs without offending anyone.
Ronacher
This article deals with the Ronacher theater in Vienna. For other uses, see Ronacher (disambiguation).
Ronacher Theater
The Ronacher, earlier Etablissement Ronacher, is a theater in the first Viennese district Innere Stadt, located between Himmelpfortgasse, Seilerstättee and Schellinggasse. It forms together with the Raimund Theater and the Theater an der Wien the venues of the United Stages of Vienna and via the Vienna Holding to nearly 100 per cent owned by the City of Vienna (Rudolf Klausnitzer holds a minority interest ).
History
(Pictures can be seen by clicking on the link at the end of the page!)
The Vienna City Theatre shortly after the construction
Facade of the Ronacher (2008)
It was initially as Vienna municipal theater from 1871 to 1872 by the architects Ferdinand Fellner the Elder and Ferdinand Fellner the Younger for a private Ltd. of journalist Max Friedlander and theater playwright and conductor Heinrich Laube built. The two with it wanted to establish that a bourgeois theater which - without censorship - should compete against the imperial court theaters. The house was opened on 15 September 1872 with Schiller's Demetrius in a revion of Laube. Twelve years after the opening the house burned on 16 May 1884 down. Since the building is not free on all four sides, a reconstruction as a playhouse was not admitted because of the fire protection regulations valid in the meantime. 1886 Anton Ronacher bought the burnt-out ruins and had in turn by Ferdinand Fellner the Younger (who had meanwhile founded the office Fellner & Helmer) 1887-1888 on it build a concert hall and ballroom. The wall paintings were pictured by Eduard Veith. The main staircase was built with steps from Kaisersteinbruch. The new variety theater was attached a large ballroom and a hotel, in addition, it could already use electric light, contained promenades and a conservatory.
The new Ronacher was no playhouse but equipped with tables and chairs. During the performance was allowed to drink, to eat and to smoke. Due to the poor economic situation, however, Ronacher had to give up the house later. From 1890 appeared more often artists what increasingly attracted suburban population and was frighten away the aristocracy. Later, the program was supplemented by revues, operettas, dance and vocal performances. The house was in the process again and again rebuilt and adapted to the needs of modern vaudeville operation (1901, 1906 and ongoing 1907-1916; always by Ferdinand Fellner the Younger).
After the Anschluss in 1938, the theater by linearization (Aryanisation) passed over from its previous owner Samuel Schöngut, who then died in a concentration camp, to Bernhard Labriola.
After the Second World War was the Ronacher to 1955 alternative stage for the by bombs damaged Burgtheater. Then appeared again vaudeville artists before 1960 Austrian television used the premises for TV productions. After a ten-year vacancy, in 1986 for the first time the performance of an operetta took place, this time Cagliostro in Vienna of Johann Strauss (son). 1987 bought the United Stages of Vienna the house and performed the musical Cats and two operas. An architectural competition resulted in 1987 as a winning project a "deconstructivistic" increase. The project of Coop Himmelblau was however target of fierce public criticism and was in August 1991 sidelined. 2003, 2004 and 2008 was the Ronacher host of the gala ceremony of the Nestroy Theatre Prize.
After several years as a guest house for international productions and festival events the Ronacher was expanded by 46.9 million euros to a musical stage. By mid-2008 stage technology has been modernized and lowered the floor of the stage to two meters, which means the view to the stage has been improved. The increase of the building by architect Günther Domenig was carried out despite massive political and townscape preserving concerns.
The Ronacher currently disposes of 1,001 seats and 40 standing places. The exact number of seats and standing places varies depending on the production.
Performances
Ronacher logo
Ronacher Interior
Detailed view of the Ronacher
Cats, musical by Andrew Lloyd Webber (1988-1990)
Chicago, musical by John Kander and Fred Ebb (1999 )
Falco - A Cyber Show, by Joshua Sobol and Manker (2000 )
The Producers, musical by Mel Brooks, German-language premiere (30 June 2008 to 22 February 2009)
Spring Awakening , musical by Michael Mayer and Bill T. Jones, German-language premiere ( 21 March-30 May 2009)
Dance of the Vampires, musical by Michael Kunze and Jim Steinman (16 September 2009 to 25 June 2011)
Sister Act, A heavenly musical based on the eponymous film starring with Whoopi Goldberg (15 September 2011 to 31 December 2012)
Legally Blonde, musical by Laurence O'Keefe and Nell Benjamin (February 21, 2013 to December 20, 2013)
Der Besuch der alten Dame, Musical von Christian Struppeck und Moritz Schneider (19. Februar bis 29. Juni 2014, 120 Vorstellungen (+5 Previews))
Mary Poppins, Musical von Cameron Mackintosh und Disney (1. Oktober 2014 bis 31. Januar 2016, 371 Vorstellungen (+10 Previews))
Evita (Musical), Musical von Andrew Lloyd Webber (Musik) und Tim Rice (Libretto), (seit 9. März 2016)
Don Camillo und Peppone, Musical von Michael Kunze (Buch und Liedtexte) und Dario Farino (Musik), (27. Jänner bis 25. Juni 2017, 117 Vorstellungen (+2 Previews))
Tanz der Vampire
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Article complet à lire sur militaryphotoreport.blogspot.fr/2015/06/le-13eme-rg-regim...
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Article by Steve Cypher
From 2012 Detroit Auto Show Winners and Losers
Lexus unveiled a real stunning concept vehicle the LF-LC hybrid sport coupe concept. Designed at its Calty design studio in California, the LF-LC, which won the EyesOnDesign Award for Design Excellence – Concept Vehicle, is said to represent the new design direction for Lexus.
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These pictures are from day 2 of the the 2012 Detroit Auto Show. Steve Cypher and the LotPro crew were on scene covering the schedule of
events while actively taking pictures, tweeting, writing new articles and shooting video delivering timely on the spot coverage of events. These images are time stamped from the moment they actually went live from the show.
On Friday, September 5th, Vale Craft Gallery will host an opening reception from 5:00 until 8:00 PM for the exhibition Strata: Sculptural Fiber by Michelle Sales. The artist will be present for the opening. The show will continue through November 15th.
The exhibition will feature Chicago artist Michelle Sales’ innovative wall pieces and sculptural objects made from hand-dyed and stitched synthetic fabric. The artist recycles spun-bonded materials used in the construction and garment industries, sometimes combining the fabric with small found objects, such as stones or beads.
The show will include textured wall pieces from the artist’s “Imprint” series that are built up horizontally with layers of hand-dyed materials, denoting erosion and the passage of time. Also on view will be sculptures referencing articles of clothing and footwear that are made from natural and synthetic materials combined with found objects, suggesting the accumulation and preservation of memories.
Michelle Sales received a BFA from the School of the Art Institute of Chicago, and has had work shown in numerous exhibitions including SOFA Chicago. The exhibition at Vale Craft Gallery is part of Chicago Artists Month, the thirteenth annual celebration of Chicago’s vibrant visual art community organized by the Chicago Department of Cultural Affairs.
Vale Craft Gallery is located at 230 West Superior Street (building entrance on Franklin) in Chicago’s River North gallery district. Regular gallery hours are Tuesday through Friday from 10:30 AM to 5:30 PM and Saturday from 11:00 AM to 5:00 PM. For additional information, please contact gallery owner Peter Vale at (312) 337-3525.
Ronacher
This article deals with the Ronacher theater in Vienna. For other uses, see Ronacher (disambiguation).
Ronacher Theater
The Ronacher, earlier Etablissement Ronacher, is a theater in the first Viennese district Innere Stadt, located between Himmelpfortgasse, Seilerstättee and Schellinggasse. It forms together with the Raimund Theater and the Theater an der Wien the venues of the United Stages of Vienna and via the Vienna Holding to nearly 100 per cent owned by the City of Vienna (Rudolf Klausnitzer holds a minority interest ).
History
(Pictures can be seen by clicking on the link at the end of the page!)
The Vienna City Theatre shortly after the construction
Facade of the Ronacher (2008)
It was initially as Vienna municipal theater from 1871 to 1872 by the architects Ferdinand Fellner the Elder and Ferdinand Fellner the Younger for a private Ltd. of journalist Max Friedlander and theater playwright and conductor Heinrich Laube built. The two with it wanted to establish that a bourgeois theater which - without censorship - should compete against the imperial court theaters. The house was opened on 15 September 1872 with Schiller's Demetrius in a revion of Laube. Twelve years after the opening the house burned on 16 May 1884 down. Since the building is not free on all four sides, a reconstruction as a playhouse was not admitted because of the fire protection regulations valid in the meantime. 1886 Anton Ronacher bought the burnt-out ruins and had in turn by Ferdinand Fellner the Younger (who had meanwhile founded the office Fellner & Helmer) 1887-1888 on it build a concert hall and ballroom. The wall paintings were pictured by Eduard Veith. The main staircase was built with steps from Kaisersteinbruch. The new variety theater was attached a large ballroom and a hotel, in addition, it could already use electric light, contained promenades and a conservatory.
The new Ronacher was no playhouse but equipped with tables and chairs. During the performance was allowed to drink, to eat and to smoke. Due to the poor economic situation, however, Ronacher had to give up the house later. From 1890 appeared more often artists what increasingly attracted suburban population and was frighten away the aristocracy. Later, the program was supplemented by revues, operettas, dance and vocal performances. The house was in the process again and again rebuilt and adapted to the needs of modern vaudeville operation (1901, 1906 and ongoing 1907-1916; always by Ferdinand Fellner the Younger).
After the Anschluss in 1938, the theater by linearization (Aryanisation) passed over from its previous owner Samuel Schöngut, who then died in a concentration camp, to Bernhard Labriola.
After the Second World War was the Ronacher to 1955 alternative stage for the by bombs damaged Burgtheater. Then appeared again vaudeville artists before 1960 Austrian television used the premises for TV productions. After a ten-year vacancy, in 1986 for the first time the performance of an operetta took place, this time Cagliostro in Vienna of Johann Strauss (son). 1987 bought the United Stages of Vienna the house and performed the musical Cats and two operas. An architectural competition resulted in 1987 as a winning project a "deconstructivistic" increase. The project of Coop Himmelblau was however target of fierce public criticism and was in August 1991 sidelined. 2003, 2004 and 2008 was the Ronacher host of the gala ceremony of the Nestroy Theatre Prize.
After several years as a guest house for international productions and festival events the Ronacher was expanded by 46.9 million euros to a musical stage. By mid-2008 stage technology has been modernized and lowered the floor of the stage to two meters, which means the view to the stage has been improved. The increase of the building by architect Günther Domenig was carried out despite massive political and townscape preserving concerns.
The Ronacher currently disposes of 1,001 seats and 40 standing places. The exact number of seats and standing places varies depending on the production.
Performances
Ronacher logo
Ronacher Interior
Detailed view of the Ronacher
Cats, musical by Andrew Lloyd Webber (1988-1990)
Chicago, musical by John Kander and Fred Ebb (1999 )
Falco - A Cyber Show, by Joshua Sobol and Manker (2000 )
The Producers, musical by Mel Brooks, German-language premiere (30 June 2008 to 22 February 2009)
Spring Awakening , musical by Michael Mayer and Bill T. Jones, German-language premiere ( 21 March-30 May 2009)
Dance of the Vampires, musical by Michael Kunze and Jim Steinman (16 September 2009 to 25 June 2011)
Sister Act, A heavenly musical based on the eponymous film starring with Whoopi Goldberg (15 September 2011 to 31 December 2012)
Legally Blonde, musical by Laurence O'Keefe and Nell Benjamin (February 21, 2013 to December 20, 2013)
Der Besuch der alten Dame, Musical von Christian Struppeck und Moritz Schneider (19. Februar bis 29. Juni 2014, 120 Vorstellungen (+5 Previews))
Mary Poppins, Musical von Cameron Mackintosh und Disney (1. Oktober 2014 bis 31. Januar 2016, 371 Vorstellungen (+10 Previews))
Evita (Musical), Musical von Andrew Lloyd Webber (Musik) und Tim Rice (Libretto), (seit 9. März 2016)
Article : www.parsenlive.fr/garbage-lolympia-paris-16-05-2012-15452
Achetez cette photo ! - Tirages d'art pour collections personelles ou éditions presse. Contactez le photographe:
Buy this picture ! - art prints for personal collections or press editions. Contact the photographer:
Contact : contact@parsenlive.fr
Photos pour le webzine de tous tes concerts www.parsenlive.fr
Avec l'autorisation des ayants droits - Droits de reproductions et d'utilisation réservés.
Photographe : Mathias.Lamamy.fr
For complete article please visit:
occupythefarm.org/category/c27-statements/
"On Saturday, May 11th, Occupy the Farm peacefully marched onto the Gill Tract to challenge the UC’s renewed plans for private, commercial development of this public agricultural resource, replacing 5-foot high weeds with thousands of squash, kale, basil, corn, lettuce and tomato plants, and even flowers.
Rather than recognizing this as an opportunity to position itself on the cutting edge of urban agriculture and participatory research, the University raided the farm on Monday, May 13, at 4:30 a.m. and violently arrested four peaceful farmers, three of whom were held for more than 60 hours before being released without charge. The University then ploughed over the farm that morning, destroying thousands of starts that, if nurtured, would have provided sustenance to local communities.
“This land has been vacant for years,” said an Occupy the Farm member, Matthew McHale, “the UC only destroyed the crops because it’s afraid that if the community sees what an amazing asset this would be as a community farm, they would refuse to let it be paved over.”
In protest of the UC’s actions, more than eighty farmers and community members re-converged on Monday afternoon for a rally, then marched back onto the farm to replant the field and recover some of the starts they had planted over the weekend. The University plowed the farm again Tuesday morning.
Since Occupy the Farm first planted on the Gill tract in April 2012, the group has organized at least 10 public forums focused on the Gill Tract as an asset to community-driven participatory research. The UC Berkeley administration has consistently failed to attend, despite being invited repeatedly. Students on campus however, support turning the land into an urban farm; last Spring the Associated Students of the University of California Senate unanimously passed a resolution in support of Occupy the Farm."
The yellow car on the cover appears to be the new longer and lower Studebaker Coupe for 1937. Among the engineering features mentioned in the article are:
(1) Wider seats and roomier interiors.
(2) Greater luggage space than in the past.
(3) New automatic windshield defrosters.
(4) Higher and wider windshields.
(5) Hypoid rear axles permitting lower cars, as in Pontiac, Plymouth, and Studebaker.
(6) Aviation type shock absorbers, as in DeSoto.
(7) Stepped-up horsepower, as in Pontiac and Buick.
International Monetary Fund Managing Director Christine Lagarde speaks at a joint press conference on the conclusion of the 2015 US Article IV consultation June 4, 2015 at the IMF Headquarters In Washington, DC. IMF Staff Photo/Stephen Jaffe
티아라 소연이 26일 오전 서울 여의도 Kbs2 음악프로그램 '뮤직뱅크'(이하 뮤뱅) 리허설을 마치고 방송국을 나서고 있다. 이날 '뮤뱅'에는 소녀시대 태티서를 비롯해 투피엠(2pm), 틴탑, 왁스, 소유X어반자카파, 방탄소년단, 에일리,티아라, 스피카.S, 길미, 밍스, 라붐, 에이코어, 제이제이씨씨(Jjcc), 립서비스, 록키스 등이 출연한다.
Article I wrote for the site today about how to use A or S to get to M.
Includes a bunch of stuff about which metering mode is best for which situations too.
japanorama.co.uk/2010/06/07/using-a-semi-auto-mode-to-get...
Les manifestants ont encore rivalisé de créativité dans les messages inscrits sur les pancartes, où la référence à Emmanuel Macron était souvent présente.
A photo of the pages in my old Eminem scrapbook. i started this scrapbook years ago and no longer add to this book anymore. There is a collection of images and interviews from the internet but mostly magazines.
Ratchathewi for me is a full day shopping venture. Along the Phetchaburi road ( sometimes you will see it spelt Phet Buri road or New Phet Buri road ) you will find some of the best shopping malls in Bangkok. I have listed some of them in this article. However the many tourists along with locals make this a very busy part of town. Trying to navigate along the pavement is a chore. Very similar to Sampeng market in China town. There are several pedestrian bridges to help you get across this very busy road ( Phetchaburi road ) the part near to the Palladium shopping mall at the traffic lights is especially busy.
Ratchathewi District is sub divided into four sub districts Thung Phaya Thai , Thanon Phaya Thai, Thanon Phetchaburi and Makkasan. I have been many times to Pratunam it is a busy and bustling shopping area that can easily be reached on foot from Ratchaprasong ~ I know I have done it many times. Most of the products available are for sale wholesale, so this is the place to go for some cheap bargains. Haggling is more important here than in other shopping areas, and things get cheaper if you buy in bulk, which seems to be the norm anywhere in Thailand.
City Complex Phetchaburi rd. walking along Phetchaburi Road, you definitely cannot miss this enormous 6 storey City Complex. It is one of the most popular malls in Pratunam that is specifically marketed towards teenage girls and ladies. Most of the shops are selling fashionable clothing, shoes and accessories, but there are also a few of them dedicated to cosmetics, jewellery and crafts. There is on the fifth floor a food court offering all the usual items of food.
Grand Diamond Plaza, Phetchaburi road, is a unique shopping mall because it is also a suite hotel with four incredible penthouse suites along with 172 luxuriously appointed suites. They have a Morning market : 04:00 am – 09:00 am and a Night market : 06:00 pm – 09:00 pm. The basement holds a 24 hour Super Market. There is also an international food court on the top floor and a outdoor swimming pool for both adults and children is on the 8th floor.
Indra Square Ratchaprarop rd. is an indoor shopping mall with more than 300 retail and wholesale outlets. The first floor is mostly for fashion, silk and accessories, and has some fast food outlets. The clothes here are remarkably good value, and unlike City Complex, there is a decent supply for men and children as well. The second floor has a more larger selection of items for sale, including arts, crafts, toys and mobile / cell phones. If you're getting hungry, there's a food centre on the second floor. There are some clothing shops at the ground level of the nearby Baiyoke Tower II also.
Metro Fashion Mall Phetchaburi rd. This brand new wholesale shopping mall opened in 2009. Its seven floors accommodate 370 wholesale vendors selling fashion apparel, bags, footwear, cosmetics and accessories. There is a food centre on the third floor and a branch of McDonald's on the ground floor outside.
Pantip Plaza Phetchaburi rd. This shopping mall is great for kids and men that are still kids! You enter the doors and bang it hits you, The I want syndrome. A six floor shopping mall devoted to computer gear, famous for its pirated media. The pirated trade is much more low key than it used to be, but software and DVDs are still widely available, It is also a good place for digital cameras, gadgets, printers, I-pod players, etc. Test out whatever you are buying as there are many suspect goods on sale here. If you want to be safe, buy at the official brand stores, although prices are similar to Western countries prices. You will find IT City here, also a large retailer of computers and cameras along with software.
Platinum Fashion Mall Phetchaburi rd. Its very imposing from outside but the shops are really packed in inside, some of them being no more than the size of a kiosk. A great place for fashion shopping, especially as it is air conditioned. Many of the 1,300 shops here are also at the Chatuchak Market at weekends. It is particularly interesting for women as the shops mostly sell clothing, handbags, shoes, accessories, gifts and make-up. A lot of shops ( but not all of them ) are geared towards export and wholesale. There's a huge and very good food court at the sixth floor of the mall. It can get very busy, especially around noon and evening time.
Palladium Square ~ It was formerly known as Pratunam Centre and is located on the corner of Phetchaburi Road and Ratchaprarop and the very busy cross roads with Ratchadamri road. This area is already known for wholesale shopping at Platinum Fashion Mall, electronics Mecca Pantip Plaza and the busy, all day and all night world of Pratunam Market found just across the road. This five storey building is home to bargains galore with most shops and stalls selling many items of clothing for 100 Baht or less.
Pratunam Market Phetchaburi road and surrounding Soi’s ~ Pratunam Market is an immense open-air garment market, and although it is geared towards exporters, anyone can shop here. Most of the items for sale are T-shirts, dresses, shorts, jeans, shoes and accessories. You could easily spend a day here if you wish, as the area has a stunning amount of more than 4,000 shops. While the market is officially open till 18:00, many shops already close around 16:00. The market spreads out on the streets around Baiyoke Tower I, and the ground floor of that tower also has a few clothing shops. In the early evening, a night market is set up in the streets along Baiyoke Tower I that stay open until after 02:00 am. This market whilst great for looking around is not as good as Khlong Thom Market in China Town. I would suggest taking a tape measure with you, as many of the products are not true to size.
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. The Defacing of Italy - Ravages of nature, neglect and modern life have scarred Italy's heritage. NEWSWEEK / USA (29 June 1992): 16-21.
S.v., Rome, 'Restauro Architettura' / Bibliography / English (1983-1993) & updated thru 2010). wp.me/pbMWvy-Cv
NEWSWEEK / USA (29 June 1992): Cover & 16-21.
www.flickr.com/photos/imperial_fora_of_rome/50351999058
ITALY / ROME - The Defacing of Italy - Ravages of nature, neglect and modern life have scarred Italy's heritage. NEWSWEEK / USA (29 June 1992): 16-21.
www.flickr.com/photos/imperial_fora_of_rome/50351998143
NEWSWEEK / USA (29 June 1992): 16-17;
www.flickr.com/photos/imperial_fora_of_rome/50352697041
www.flickr.com/photos/imperial_fora_of_rome/50352696036
NEWSWEEK / USA (29 June 1992): 18;
www.flickr.com/photos/imperial_fora_of_rome/50352855462
NEWSWEEK / USA (29 June 1992): 19;
www.flickr.com/photos/imperial_fora_of_rome/50352855472
NEWSWEEK / USA (29 June 1992): 20 & 21.
www.flickr.com/photos/imperial_fora_of_rome/50351999053
S.v.,
--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020: ANCIENT ROME – THE ARCHAEOLOGY OF THE ETERNAL CITY (1983-1993), in: Prof. James R. Patterson (2010) & J.R. Patterson (1993); Dr. Jon Coulston and Dr. Hazel Dodge (2000); Arch. Hugh Petter [in: Dr. Jon Coulston and Dr. Hazel Dodge] (2000); Prof. James E. Packer (1997) & Prof. David Whitehouse (1983). wp.me/pPRv6-2Bv (09/2020).
— 1). PDF = Prof. James R. Patterson, VII. THE EMPEROR AND THE CITY: SURVEY ARTICLE – The City of Rome Revisited: From Mid-Republic to Mid-Empire. JRS 100 (2010), pp. 210-232.
— 1.1). PDF = J.R. Patterson, “The City of Rome from Republic to Empire,” in: JRS 82 (1992), pp. 186-215.
— 1. Dr. Jon Coulston and Dr. Hazel Dodge (ed.), ANCIENT ROME – THE ARCHAEOLOGY OF THE ETERNAL CITY, OXFORD UNIVERSITY | MONOGRAPH 54 (2000) [PDF], pp. 1-15. Digital copy (?) [12|2014].
--- 1.1). Arch. Hugh Petter, Chp. 13. “Back to the Future: Archaeology and Innovation in Building of Roma Capitale,” pp. 332-53; [in PDF]; Jon Coulston & Hazel Dodge (ed.), ANCIENT ROME – THE ARCHAEOLOGY OF THE ANCIENT CITY’. Oxford University, No. 54 (2000a).
— PDF = James E. Packer, Report from Rome: The Imperial Fora, a Retrospective [Relazione da Roma: I Fori Imperiali, una Retrospettiva]. AJA 101, April 1997, [PDF] 307-330.
— PDF = Prof. David Whitehouse [British School of Rome], “THE FUTURE OF ANCIENT ROME,” ANTIQUITY, Vol. LVII, No. 219 (March 1983) [PDF], pp. 38 – 44. ARCHIVIO ANTONIO CEDERNA | MIBACT & SSBAR [12|2014].
____________________________
Fonte / source:
Foto / fonte / source:
--- Sebadive, "ROME 1992. Roman forum - Forum Romanum (Rome)." FLICKR / (09/2020).
www.flickr.com/photos/30159472@N04/6001776643
--- Sebadive, "ROME 1992. Monument to Vittorio Emanuele II (Rome)." FLICKR / (09/2020).
www.flickr.com/photos/30159472@N04/6002326760
--- ROME, Piazza Navona - Sept 1992 / in: ITALY (1992) FLICKR (09/2020).
©AVucha 2014
News article obtained from the Northwest Herald:
Realizing it’s not easy to convince his colleagues to jump into a freezing lake in February, Woodstock Police Sgt. Tino Cipolla admitted he resorted to dirty tactics.
He asked the new guys.
“I think it comes down peer pressure,” Cipolla said, laughing. “And the fact that it’s a great cause.”
On Sunday, 15 members of the Woodstock Police Department – 11 officers and four police explorers – will be, as they say, “freezin’ for a reason” at the annual Polar Plunge. Proceeds from the event benefit Special Olympics programs and athletes.
All across McHenry County, teams are preparing for a nippy dip Sunday in freezing waters at Lakefront Park in Fox Lake. The Woodstock Police Department team is one of the top fundraisers for this event with $4,170 by Wednesday afternoon. Other high earners include a team from District 200 and students from Huntley.
Brenden Cannon, the director of Special Olympics District 13, which covers Lake and McHenry counties, said this year’s event should prove to be the district’s largest. To date, 444 plungers have signed up, but Cannon expects late registrants to push that number over 500.
“When people leave there, they’ve had a great time and they really want to do it again,” Cannon said. “I think the rewarding part is knowing what they’re raising the money for.”
Donations raised by plungers directly support the Special Olympics of Illinois.
In addition to the plunge, Sunday’s highlights include lunch for participants, music, awards for top fundraisers and a costume contest. Woodstock police officers are dressing as superheroes.
Cipolla’s advice for first-time plungers was to prepare for the worst, but expect the best.
“It’s gonna be cold,” he said. “No matter what you do it’s going to hurt, but the best part is as soon as you get in, you don’t feel it because you’re so numb. It’s fun.”
Article (Religious Beliefs):
Title: Story of Hell
Author: Olusola David, Ayibiowu
Edition: 12
Year: 17 September 2017
Published: Online by Creative Arts Solution Foundation
Page 2
Visit our blog:http://creativeartssolutionfoundation.blogspot.com.ng/2017/09/story-of-hell.html
Introduction
Hell, in many religious beliefs and traditions, is a place or state of torment and punishment in an afterlife. Religions with a linear divine history often depict hells as eternal destinations.
Hell
Place of God's final retributive punishment. Scripture progressively develops this destiny of the wicked: the Old Testament outlines the framework, while the New Testament elaborates on it. Jesus, however, is most responsible for defining hell.
4-HOUR INTERVIEWS IN HELL
According to a book Title: 4-HOUR INTERVIEWS IN HELL written by 'Yemi Bankole in it's new edition from Chapter 6. Pages 38-44 with a permission granted to use this book as a reference point.
Experience has definitely shown that some reasons for holding a belief are much more likely to be justified by event than others. It might naturally be supposed, for instance, that the best of all reasons for accompanying the belief. By crucial test of experiment, the rich man in the Book of St. Luke attests to the existence of hell. The Book of Revelation of the Holy Bible has said more and its assertion being an effective enough means of catching the picture of hell. Friends, hell is real, though some on hearing this may forthwith burst into a violent fit of laughter. But the Bible and the human experience similar to mine have considerably built a consistently satisfactory foundation for this reality.