View allAll Photos Tagged angular
Angular
Fallido
Pues hice muchos intentos de asi como tratar de sacar una foto de esta cosa, pero todas salian o aca borrosas, o con el enfoque aca raro, la unica que medio paso fue esta, pero aun asi ni me gusto.
De perdis asi con el efecto negativo, pues de perdis se ve rara.
Trailing a snow spray nearly as long as the train, NS #1071 has a green signal to approach North Wye near Danville, KY.
Long Island Marriott Hotel and Convention Center, Uniondale, NY
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Blogged by The Consumerist ("Marriott Bans Pay-Per-View Porn From New Hotels" by Marc Perton - January 21, 2011) at consumerist.com/2011/01/marriott-bans-porn-from-new-hotel...
Blogged by Consumerist ("Today In Major Credit Card Breaches: Hotels, Hotel Restaurants" by Kate Cox - February 3, 2014) at consumerist.com/2014/02/03/today-in-major-credit-card-bre...
Blogged by Consumerist ("Marriott: It’s Okay, We Only Want To Jam Your Hotspot In The Rooms You Actually Need It In" by Kate Cox - January 2, 2015) at consumerist.com/2015/01/02/marriott-its-okay-we-only-want...
Not much in the way of post-production was needed here; the subject itself has a very strange perspective feel to it, which I managed to capture decently in the shot.
More to come in this series
One of the several new agates I found in the Doebbler caliche pits on March 9, 2008. It has anglular shapes which may indicate it formed between crystals or brecciated rock, such as limestone.
Curiously angular house (the rooms must be very oddly shaped, and difficult to furnish efficiently) on the corner of Gainsborough's Cromwell Street. The reason for the curious shape is that the railway line (built before the street) crosses here at an oblique angle. There are a number of such houses whose corners are not right angles along this section of the railway line.
Camera: Nikon F65
Lens: Nikkor 35-70mm zoom
Film: Ilford FP4+ developed in Tetenal Ultrafin
If you look closely, this angular form is wonderfully juxtaposed to the flowing naive style turnings and carving of the skirt and base. That angular shape is broken up on the top surface by the classic incised line decoration making a perfect circle within flanked by triangular panels at each corner. And of course the hallmarks of my work- the authentic look of asymmetrical wear patterns in the center of flat surfaces, and the sleek butter-smooth reflection of a fine oil-based varnished satin surface!
An interesting view of a house in Knighton showing an interesting angles between the front and back walls
The Crichton, Dumfries, 27th July 2014. Taken on a Revue 35FC, a Haking camera (Rebadged Halina compact-SC) with Ilford XP2 shot at box speed. Lab C41 processed and scanned
The first time I got up close and personal with an F117 Stealth Fighter at one of the Mildenhall Air Fetes ( year? ) I remember the armed sentries around it that were looking menacing....
leach turquoise under chun tan:
finally! a leach turquoise that turned out right...
beautiful watery finish, extremely runny
(had to grind off a large chunk of foot)
with a fairly even grading of color
from the top red to the bottom aqua...
this didn't go exactly as i had planned. i didnt want to be able to see the trampoline in the picture at all, but oh well.
No tradename is known for this egyptian/antique face. Nicolette Gray attributes it to the Marr TF in c1853.¹ Oddly enough, she cites no catalogs issued between 1843 and 1860; perhaps an interim specimen was available to her research.
The temporary tradename is drawn from apt text selected for a specimen shown by the Johnson TF ≤1867.²
This face is not the earliest-known example of a three-dimensional "beveled" type design. On the contrary, Kelly writes that a sans-serif one tradenamed Octagon# (Solotype Wood Type Nugget#²) was shown in 1838 by George Nesbitt.
Nesbitt, a New York printer, was the sales agent for wood types produced by Edwin Allen (Windham, CT), apparently the only supplier he represented. Kelly adds that "the design is believed to have originated in France."⁴
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¹Gray, N. (1938): XIXth Century Ornamented Types and Title Pages, page 201. Faber and Faber Limited, London.
²The date 1867 is deduced from the stereotyped(?) specimen published by MSJ in July 1869, which is imprinted L. Johnson & Company while other pages are marked MacKellar, Smiths & Jordan. According to Annenberg [164], “Lawrence Johnson died on April 26, 1860, but the firm continued to operate and distribute type catalogs with his name until 1867.”
³Solo, D.X. (1992): The Solotype Catalog of 4,417 Display Typefaces, pages 29 and 180. Dover Publications, Inc. (Minneola, NY).
⁴Kelly, R.R. (1977): American Wood Type, 1828–1900|Notes on the Evolution of Decorated and Large Types, pages 38 and 297. Litton Educational Pub-lishing, Inc./Van Nostrand Reinhold Company (New York 1969). Reprinted by DaCapo Press, Inc. (New York)
This letterpress typeface has not been digitally archived for posterity. A high-quality working specimen is available to revival developers.
More about this typeface: forums.typeheritage.com/topic/g201/
More about THP revival projects: forums.typeheritage.com/status/
More cool undigitized fonts: forums.typeheritage.com/undigitized/
390xxx, Leighton Buzzard, 12.08.2012.
Now I'm not the biggest fan of Pendolinos, but I am beginning to appreciate that they can produce a nice photo, if you go about it the right way. Here, a London-bound Virgin Trains Pendolino leans into the curve, as it exits Linslade Tunnel and approaches Leighton Buzzard station. Line speed here was 80mph for many years, but is now 125mph.
The train is missing the front cover that hides the Dellner coupling.