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Detail of ground level of Keeling House, a modernist apartment block in Bethnal Green, East London. Designed by Denys Lasdun and completed in 1957.
The geometric lines and angles of an exterior metal staircase create an intricate pattern. Afternoon sunlight casts vivid shadows on the wall of the industrial unit, adding emphasis to the striking architectural view.
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None of my work is Ai assisted and is copyright Rg Sanders aka Ronald George Sanders.
The flowing lines of nature contrasted with the sharp angular lines of human constructions.
A home by the river side, Norwich.
Por favor, no utilices mis fotografias en paginas web, blogs, redes sociales o cualquier medio de comunicacion, sin mi explicito permiso. Para contactar envia un e-mail a jespor@yahoo.es - © Todos los derechos reservados.
Please do not use my pictures in pages web, blogs, social networks or any media, without my explicit permission. To contact send an e-mail to jespor@yahoo.es - © all rights reserved.
Death Valley, California
Occasional rain has carved angular erosion patterns into the cliffs framing the Golden Canyon.
A school's fire escape stairs in Fayetteville, Texas (population 258). The School's grand opening ceremony was held in 1911:
"Upon the conclusion of the addresses and after a photograph was taken of the assembly, the procession brought the guests down to the Germania Hall where a bountiful supply of BBQ, pickles, bread and cake, and liquid refreshments were served for which Fayetteville is so well known. The remainder of the afternoon was passed with additional speeches and various amusements. At night, a ball was held which was well attended and greatly enjoyed by everyone." Source: Fayetteville Chamber of Commerce.
Geometry of a white house. My internet had crawled to a stop later this afternoon evening. Just loved everyone's geometry photos.
IN ENGLISH BELOW THE LINE
Fotografia feta amb la meva Hasselblad SWC, fabricada el 1976; pel·licula Ilford HP5+.
La basÃlica de la Sagrada FamÃlia, a Barcelona, vista aquest 2 de desembre de 2025, quan la seva Torre de Jesús s'està aixecant lentament fins a la seva finalització. El que és més important es que l'enorme creu superior ja està prenent forma. Tres dels seus braços ja estan al seu lloc, l'inferior i dos de laterals. També hi ha la part central instal·lada. Però tingueu en compte que aquesta és una de les creus tridimensionals de GaudÃ, amb quatre braços horitzontals. Per tant, n'hi ha dos horitzontals encara pendents, aixà com el superior, que coronarà la creu i tota la Sagrada FamÃlia.
Un cop finalitzades les obres, es podrà visitar la creu per gaudir d'unes vistes impressionants de Barcelona.
visitarsagradafamilia.com/ca/torre-jesucrist-sagrada-fami...
blog.sagradafamilia.org/creu-torre-de-jesus-i-estat-const...
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Picture taken with a Hasselblad SWC, made in 1976; Ilford HP5+ film.
The Sagrada Familia basilica, in Barcelona, seen this December 2nd, 2025, when it's Jesus Tower is slowly rising to completion. And the key point here is that the huge top cross is already taking shape. Three of it's arms are already in place, the lower one, and two lateral ones. There's also the core part installed. But mind that this is one of Gaudi's "3D" crosses, with four horizontal arms. So there are two horizontal left and the top one, crowning the cross and all the Sagrada FamÃlia.
Once work is completed, the cross could be visited for awesome views of Barcelona.
blog.sagradafamilia.org/en/tower-of-jesus-cross-and-const...
and a leap of faith at the Valley of the Rocks, Devon, UK
A poorly-judged reckless action here will result in serious injury, or worse, a visit from the grim reaper!
I've replaced my original jpeg post with one at a 'cleaner' resolution
Walking around this building, I was drawn to how its angular form caught the light against the dark sky. By positioning myself to capture this specific perspective, I wanted to transform what might be an ordinary structure into something more dramatic and abstract.
The high contrast processing was a deliberate choice to emphasize the geometric quality and the repetitive pattern of the facade elements. I find that stripping away color and context can reveal the pure architectural forms that might otherwise go unnoticed.
What I enjoy about architectural photography is finding these moments where buildings become almost like abstract sculptures. The V-shaped composition creates this sense of upward movement that gives energy to what's actually a static structure.
By isolating just this fragment against the dark background, I wanted to focus attention on the interplay between light and form - how illumination transforms and defines the building's character in ways we might miss when viewing it as a whole.
View of one of the entrances to the Goya Metro station in Madrid, Spain.
In this corner of the Salamanca district, Madrid, three streets meet, Calle de Alcalá, which linked the capital of Spain with the town of Alcalá (ancient Roman Complutum) and which cuts several streets in this district diagonally.
There also meet Goya painter street and general Narváez street, which at that intersection changes its name and is then called Conde de Peñalver street, which was previously called Torrijos street. (Source: Wikipedia)
The photo was taken with the new 7Artisans 9mm F5.6 lens, version for Z mount, which is super wide angle lens, but not fisheye, but rather follows the concept of a "rectilinear" lens.
It is a lens that allows for great creativity, has a good luminosity and has great sharpness.
The clarity is such that I have had to blur the license plates of several cars.
Since there are no connection pins with the camera, there is no exchange of aperture information, nor does it have autofocus.
In this case, despite the clouds, the luminosity was so high that, even using ISO 64 and an exposure time of 1/80 sec, I had to close the diaphragm to F8 to achieve a correct exposure.
ENTRADA A UNA ESTACIÓN DE METRO, 2025
Vista de una de las bocas de entrada a la estación de Metro madrileño de Goya, España.
En este rincón del Barrio de Salamanca, Madrid, coinciden tres calles, la calle de Alcalá, que unÃa la capital de España con la localidad de Alcalá (antigua Complutum romana) y que corta varias calles de este barrio en forma diagonal.
Allà también coinciden la calle del pintor Goya y la calle del general Narváez, que en ese cruce cambia de nombre y pasa a llamarse calle del Conde de Peñalver, que antes se llamaba calle Torrijos. (Fuente: Wikipedia)
La foto está hecha con la nueva lente 7Artisans 9mm F5.6, versión para montura Z, que es una lente super gran angular, pero no es ojo de pez, sino que obedece al concepto de lente "rectilÃnea".
Es una lente que permite una gran creatividad, es muy luminosa y tiene una gran nitidez.
Es tal la nitidez que he tenido que difuminar las matrÃculas de varios coches.
Al no tener pines de conexión con la cámara, no hay intercambio de información de apertura, ni tiene autofocus.
En este caso, a pesar de las nubes, la luminosidad era tan alta que, aún usando ISO 64 y tiempo de exposición de 1/80 seg, tuve que cerrar el diafragma a F8 y asà lograr una exposición correcta.
Goneplax rhomboides is a species of crab. It is known by the common name angular crab because of its angular carapace. Although it is also called the square crab, its shell is in fact more trapezoidal than square. This species is also known as the mud-runner because they are able to run away quickly when threatened.
Another old photo that I wanted to rework. Some some they used Meteora, some say they used Saxony's Switzerland, the chinese say that James Cameron used Zhangjiajie National Park as inspiration for Avatar.
I worked more on this photo that I am willing to accept, and I was not really convinced in the end, I prefered the blue colors but you can see more details and deepness in red and yellow.