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and a leap of faith at the Valley of the Rocks, Devon, UK
A poorly-judged reckless action here will result in serious injury, or worse, a visit from the grim reaper!
I've replaced my original jpeg post with one at a 'cleaner' resolution
Fallow deer are a medium to large sized deer. Fully grown males (bucks) stand at around 0.84 to 0.94m tall at the shoulder and weigh between 46 to 93kg.
Fully grown females (does) are 0.73 to 0.91m at the shoulder and weigh between 35 to 56kg. By comparison, an average adult man in Britain is 1.77m high and weighs 79kg.
Fallow deer have four main variations of coat:
Common – tan/fawn, with white spotting on flanks and white rump patch outlined with black horseshoe shaped border. Coat fades to a general grey colour during the winter
Menil – paler colouration with white spots year-round and a caramel horseshoe shape on rump
Melanistic – black, almost entirely black or chocolate coloured
White – white to pale sandy-coloured turning increasingly white with age (this is a true colour and not albino).
Fallow deer often have a distinctive black inverted horseshoe shape on their rumps, and a black stripe on their tails which are the longest of all British deer.
The Fallow deer is the only species in Britain with palmate antlers. These become full-sized after the deer are three/four years old and can reach up to 0.7m in length. Facially, their head is more elongated than some species with large angular ears.
Does and their young give short barks when alarmed. Bucks groan loudly during the breeding season.
Fallow deer leave large hoof prints (slots), about 6cm long in soft ground. Their feet are more elongated than Roe deer and are heavier, creating deeper prints
Walking around this building, I was drawn to how its angular form caught the light against the dark sky. By positioning myself to capture this specific perspective, I wanted to transform what might be an ordinary structure into something more dramatic and abstract.
The high contrast processing was a deliberate choice to emphasize the geometric quality and the repetitive pattern of the facade elements. I find that stripping away color and context can reveal the pure architectural forms that might otherwise go unnoticed.
What I enjoy about architectural photography is finding these moments where buildings become almost like abstract sculptures. The V-shaped composition creates this sense of upward movement that gives energy to what's actually a static structure.
By isolating just this fragment against the dark background, I wanted to focus attention on the interplay between light and form - how illumination transforms and defines the building's character in ways we might miss when viewing it as a whole.
Off for a while!
Thank you for taken your time to visit me, comments or faves are always much appreciated!
Another old photo that I wanted to rework. Some some they used Meteora, some say they used Saxony's Switzerland, the chinese say that James Cameron used Zhangjiajie National Park as inspiration for Avatar.
I worked more on this photo that I am willing to accept, and I was not really convinced in the end, I prefered the blue colors but you can see more details and deepness in red and yellow.
Back in May 2020 just two months after the working from home and lockdown order, I walked by a local hospital about 10 minutes away and photographed the garage. No one at the time would think that working from home would become the norm 10 months after.
Toronto East General (Michael Garron) Hospital
The park's geologic record preserves three different groups of rock and sediment. The oldest rocks are Early to Middle Proterozoic gneiss and schist, including the Ute Canyon Stock. Overlying these, and separated by an angular unconformity, are mostly horizontally bedded Mesozoic sedimentary rocks, including the cliff-forming Wingate Sandstone. Overlying these are various types of Quaternary unconsolidated deposits such as alluvium, colluvium, and dunes. The sedimentary rocks are folded into monoclines by several faults, including the Redlands Thrust Fault
(Abstract #3 / Come, Shadows, Caress My Wall #2)
Basile Pesso - Barcelona © July 2 016
First broadcast 2 016
Contrapicado del patio interior del Palau de la Virreina, Barcelona.
Los que estéis por Barcelona, no os perdáis la exposición "Anti-Fotoperiodismo" que hay en él. Espectacular.
Nikon D3
Nikon 14-24 AF-S 2.8
© Manuel Orero
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Cualquiera de las imágenes publicadas en este Flickr, estan registradas. El uso sin consentimiento por mi parte de ellas, reportará la denuncia al registro de propiedad intelectual.
Any of the images published in this Flickr are registered. Use without consent on my part of it, will report the complaint to the registration of intellectual property.
Cloudy early fall morning at Bear Lake, Rocky Mountain National Park, Colorado. Aspens just getting started.
One of the goals of the Alan Murphy Bird Flight Photo Workshop was to capture Yellow-billed Magpies so the angle of light would show their iridescence. They have an undulating flight pattern with quick dives that made it challenging. They roost in groups so it was also challenging to find an isolated one. I took probably a thousand or more shots (not exaggerating), over the 4 days, before fortunately getting this one. and a few other keepers. Sony a9; Sony 200-600 mm lens at 379mm; 1/4000 sec; f/7.1; ISO 500; Topaz DeNoise and Sharpen .
Jacareí - SP - Brazil
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