View allAll Photos Tagged analog
I don't like winter so much - but it is a perfect time for b/w-photography, especially if you do it on film.
Hasselblad 500 C/M
Carl Zeiss C 4/50 Distagon
Light red filter
metered EV 12, used EV 13 (-1), f 1:4, 1/500 sec
Rollei RPX 100
dev Adonal, 1+35, 12.5 min, 20°
Analog photography
Zenza Bronica S2
Nikkor-H C 1:2.8 f=75mm
Yellow (Jessop 67mm Y2)
Fomapan Classic 200@200
Fomadon (20°C, 1:7, 3min.)
Adox FX-39 II (20°C, 1:19, 18,5 min.)
In collaborazione con la bravssima Roberta Marino; Photographer
Model: Fiorenza D'antonio
Hair: Antonio Michela De Santis
Stylist: Debora Di Napoli Italian Tailoring
Mua: MizarArt Giulia Spiniello
on instagram: instagram.com/valeria.schettino & @partenopev (only mobile pho
Madeira, Portugal
Summer
Nikon FM2 and Kodak Color Plus 200
Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe
kunst-und projekthaus
torstrasse 111
parisberlinfotohaus
"das lebendige"
#analog #leicam6 #parisberlinfotohaus
[polski opis niżej]
Locomotive SU45-130 from Suwałki depot at the head of the international passenger train no. 91020 from Šeštokai in Lithuania to Suwałki, at the end of the journey on the last curves before the station in Suwałki. May 3, 2001.
At that time, three pairs of passenger trains (but not every day) crossed the only existing railway border crossing between Poland and Lithuania, including one pair of regional passenger train routing exclusively between Suwałki and Šeštokai, only to complete the roundtrips of the long-distance trains.
Photo by Jarek / Chester
Suwalska lokomotywa SU45-130 na czele międzynarodowego pociągu osobowego nr 91020 z Šeštokai na Litwie do Suwałk, u kresu podróży na ostatnich łukach przed stacją w Suwałkach. 3 maja 2001 roku.
Wówczas trzy pary pociągów pasażerskich (ale nie codziennie) przekraczało jedyne kolejowe przejście graniczne między Polską i Litwą. Jedna para osobowych jeździła wyłącznie między Suwałkami i Szostakowem, pomagając zarazem domykać obiegi pociągów dalekobieżnych.
Fot. Jarek / Chester
I have three 64gb memory cards in my bag. I have three rolls of film. Analog memory is different to digital. I’m still learning to compose in film. It’s not like digital where I can take ten images of the same thing. I have to work for film. It’s making me relearn my craft side of the art that I had forgotten. This is the latest stock of taken films ready to be developed. The cost is the price I pay for analog memories
Photo information:
ISO: 400
Film type: 120
Film name: Rollei RPX 400
Developer: Adox Rodinal
Process: 20°C.
Developer dilution: 1+50
Developing time: 21'
Agitation: in 15 sec every 1 min.
Camera: Mamiya C330 Professional F
Lens: Mamiya-Sekor 1:2.8 f=80mm
Filter(s) used: Orange
Aperture: 8
Exposure time: 1/30
Focal length: 80
Scanner manufacturer: Epson Perfection V550 Photo.
Warszawa, Poland
Spring
Analog. Fomapan 400 and NIkon FM2
Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe