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It is the presence of milky fog that allows me to control the scenography here and emphasize the depth of the scene.
For a separate the foreground and theatrical backdrop as much as possible.
With a closed aperture, which is necessary here, this can be done with only a few tricks.
For example, in cinema we used pyrotechnics - the effect of smoke and spotlights.
in general, I am satisfied with the result of the picture, given that it is from a boat that rocks and floats with the current, and the stream moves along the bridge. A kaleidoscope in one word, changing rhythms every second..
- just have time to compose your composition !
.. but if you look at the bw album?
www.flickr.com/photos/zoombablog/albums/72177720297782769
Fomapan 100 film
Epson V600 scanned
Analogica, Fujica ST 701 ( 1970 ), Pentacon 50 mm F 1.8, Kodak color plus 200 asa sviluppo con Tetenal.
Analogica, Agfa Super Silette ( 1955 ) a telemetro priva di esposimetro, Color Iscotar 2.8 f 45 mm, Fomapan 200 asa, sviluppo con Rodinal.
camera = Mamiya Rapid Omega 200
Film = Portra 400
21 seconds - f11
Below is a shot of that gas station with a DSLR
Analogica, Zenit B ( 1967 ), priva di esposimetro, Kodak color 200 asa, Helios 44-2 58 mm 2 F, sviluppo con Tetenal. Mangio e poi commento le vostre foto !
Old truck in the winter forest
Taken with a Nikon f5 and tokina 100mm f2.8 macro
Washi x iso 100 film
Taken in -27 degrees celsius last Winter
Taken with a Agfa Billy Record 6x9 bellows camera from 1940
Kodak portra 400 film
Meine Hobby Fotowerkstatt ... Filigrane Werkzeuge und ein sauberer Arbeitsplatz dann kann nix mehr schiefgehen...
Falls mal jemand eine Sensorreinigung braucht .... ich kann auch digital ... 😉
Analog mirror cleaning
My Hobby photo workshop ... Filigree tools and a clean workplace then nothing can go wrong ...
If someone needs a sensor cleaning .... I can also digital ... 😉
Beier Precisa with Trioplan
1:3,5/75
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Analogica, Agfa Super Silette ( 1955 ) a telemetro priva di esposimetro, Solinar 3.5 f 45 mm, Fomapan 200 asa, sviluppo con Rodinal.