Analog nature
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Camera; Franka Rolfix 1951 from fellow Flickr friend: Marilyn Root
film: Fomapan 400
filter: Wratten Kodak 25 red.
1/250. f11
unedited, with a fortuitous light leak
camera = Mamiya Rapid Omega 200
Film = Portra 400
21 seconds - f11
Below is a shot of that gas station with a DSLR
Holga GCFN 120
film - fomapan - BW 400
1/100 -- f8
Love that sweet spot, the fall-off is little dramatic,
but all is fair when in love with my Holga.
Old truck in the winter forest
Taken with a Nikon f5 and tokina 100mm f2.8 macro
Washi x iso 100 film
Index cards, for Macro Mondays, theme: Card.
Hasselblad Makro-Planar f/4, 120 mm, set to f/4. Additional magnification provided by a bellows extension rail.
12-image focus stack.
For an image with scale, see here: www.flickr.com/gp/kuriyan/4iD155
another analog shot from my first roll of film. I like whatever Kodak Gold is doing to the colours :D
Joel Meyerowitz. "Color photography satisfies the generosity of the moment. While black and white reduces that to a kind of figuration. Color is an expressive force."
Color film photography carries an emotion. Subtle tonal and chromatic shifts change the atmosphere of the image thus affect a change in the mood of the viewer.
Film renders the scene in a Sfumato manner, softening contours and forms rather than the sharp edged contrasty digital photos.
Chinon Infrafocus 35M-FA
Kodak ColorPlus 200 (affordable)
It's a nice emulsion, but having seen KodaChrome images and photos printed in the CarBro manner and CibaChrome dye process I am left wanting.
Addendum: I am pleasantly surprised that this shot was well accepted. I happened to like it very much, but didn’t think what I saw would translate to the viewer. Which goes to prove what Henry Winkler said: “Always trust your tummy. You can argue with your mind, but always trust your tummy.” Great saying.
Robert Adams made his well-known statement in his book The New West - Landscapes Along the Front Range -- "The subject of these pictures is.... the source of all form, LIGHT."
Indeed when looking at his images taken on the high plaines just east of the Front Range in Denver's suburbs one is overcome by the presence of light.
Ricoh FF-90