View allAll Photos Tagged alternativeprocesses
During this semester I took an Alternative Processes class. We learned (among other) how to blue and brown print. For our final we had to take one of the processes we learned at have 15 final prints.
I decided I wanted to put my images up a different way so I went about teaching myself to print on fabric with a little help from a nice e-mail from
Not quite the same substance but thought she could help me a bit and she did :)
I think pretty much all of them except 3 turned out pretty great.
I decided to take all my "prints" and hang them on a line outside and then the class could view them from there.
Front left section of the gallery: Scott McMahon's ambrotype, "Earth Experiment" (2003) on the left and Jerry Spagnoli's daguerreotypes for his series "The Last Daguerrian Survey of the Twentieth Century" (2005-2007).
Works by Mark Osterman and France Scully Osterman.
On the Left: "Abbey Chimneys."
On the Right: "Light in the North Field."
First test image after mending #Nov #Cam. Mmm, not sure! .... we seem to have extra exposures even after masses of #electric and #gaffer tape. I'll try another exposure tomorrow to see if we can survive till the end of the month. #Pinhole image of #kitchen #tiles. Exposure time 25 mins
From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).
Post #Christmas #pinhole of my lovely cards if you sent me or Lens Obscura one, thank you very much they are very appreciated. Exposure 20 mins
A weird metallic dusting covers this photo, I think I developed it for too long or too little as there are odd streaks and splashes.
Draping lifeless corpses over the best linen, Marian Drew’s images are as disquieting as they are seductive. Embracing the formal properties of seventeenth-century European painting they contrast the violence of road-kill with the gentrified traditions of still life. Spanning more than thirty years, her art career has been defined by experimentation in form and method that has embraced performance, installation, innovative lighting techniques and art-historical research. But the key to her work lies in the subtle yet insistent way in which she peels back the layers of habit and self-interest in which our ideologies are wrapped to question just how human beings can inhabit and share the natural world in a sustainable and equitable way.
Marian Drew discusses her work and the ideas that underpin it at Talking Pictures.
talking-pictures.net.au/2020/10/17/marian-drew-natural-wo...
(Please copy and paste the URL into your browser.)
A little behind with my #pinhole updates, keep missing the #sunlight hence, this second attempt at outside night #pinhole of the #christmas #tree in #Walthamstow. Exposure time 9 mins 17 secs
See set for description.
This is a detail of an image by Marco Breuer. It was scanned from "Early Recordings" by Mark Alice Durant, copyright 2007.
Just came back from staying at my #Mum's #house over the #Christmas period, this #pinhole is underneath the #christmas #tree. exposure time 30 mins
Lunch break at #Trafalgar #Square, new #Christmas #tree. Maybe one of my missions for this month should be to #pinhole as many #christmas #trees as I can with #bauble cam. Watch this space!!!! Exposure time 5 secs
Angel Cray, a former student of Jesseca's, shares some of the work she is doing as an impromptu presenter
Hanneke got one in the water-course around the Zuid-Plaspolder.
Gumprint on Saunders Waterford paper. Not my most popular paper