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Thomas Kellner makes buildings dance. His images are constructed from many individual detail shots recorded on film and printed directly from the resulting strips. This reworking of the old-school contact sheet on a grand scale has become both his modus and his artistic signature, instantly recognisable from New York to New Delhi. But how did it begin? What might it mean? And if, as Goethe and others have suggested, architecture is frozen music, what happens when it is unfrozen and begins to dance to the artist’s preternatural tune?
Thomas Kellner discusses the aesthetics, techniques and business skills behind his work at Talking Pictures.
talking-pictures.net.au/2021/07/10/thomas-kellner-a-dance...
Humaniteit: "Humanity". Here lived the boss of the attendants.
Veenhuizen, in the late 1800 and early 1900 a colony in the province of Drenthe, where very poor people and tramps were send to in order to be away from the cities and to learn to work. They had to work hard in the landreclaiming.
Gumprint, 6 layers:
1 Paris blue
2 Gamboge gum medium
3 Alizarin Crimson
4 Gamboge Gum light
5 Krapprot tief
6 Paris blue light
From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).
Werk en Bid: "Work and Pray". Watch the sequence of the words...
Veenhuizen, in the late 1800 and early 1900 a colony in the province of Drenthe, where very poor people and tramps were send to in order to be away from the cities and to learn to work. They had to work hard in the landreclaiming. In these houses the attendants lived.
Gumprint, 6 layers:
1 Paris blue
2 Gamboge gum medium
3 Alizarin Crimson
4 Gamboge Gum light
5 Krapprot tief
6 Paris blue light
Van Dyke Brown print on canvas, run through a blueprint machine for exposure (it's really fast!)
strange succulents on cliff face reaching toward the pacific ocean in central CA (along route1, the coastal highway)
In Camden town special thanks to our first male angel, Michael for taking part. Exposure time 1 min 33 secs
Cocos Island | Costa Rica
Cyanotype on Rives BFK
Limited Edition of 20 Prints
© JOHANNA EVANS
all rights reserved
Huis en Haard: "House and Fireplace".
Veenhuizen, in the late 1800 and early 1900 a colony in the province of Drenthe, where very poor people and tramps were send to in order to be away from the cities and to learn to work. They had to work hard in the landreclaiming. In these houses the attendants lived.
Gumprint, 6 layers:
1 Paris blue
2 Gamboge gum medium
3 Alizarin Crimson
4 Gamboge Gum light
5 Krapprot tief
6 Paris blue light
Gumprint RGB.
Hanneke in our small towngarden enjoying the first springsun in 2007.
1 Paris blue contrast
2 Gummigut modern contrast
3 Krapprot tief contrast
4 Azo yellow detail
5 Krapprot light detail
6 Phthaloblue detail
7 Azo yellow detail
8 Krapprot light detail
The intensely poetic images of Judith Crispin are created through a remarkable synthesis of timeless Aboriginal wisdom and a radically innovative approach to printmaking. That approach spans photography and painting, pushing the limits of both. These images transcend notions of ancient versus modern to glimpse the continuity of the world across time, place and the dimension of the spiritual. Through delicately nuanced allegory, she visualises the transition of life, in death, returning to the maternal earth as a metaphor for the profound interconnection, healing and respect that rests at the heart of the Indigenous Australian concept of Country.
Judith Crispin introduces her synthesis of art, craft, poetry and philosophy at Talking Pictures.
talking-pictures.net.au/2021/02/27/judith-crispin-the-com...
Infrared 35mm negative
Enlarged as a Digital Negative
Contact printed on vellum using platinum/palladium
Gold Leaf applied to the back.