View allAll Photos Tagged alternativeprocesses
Sept Cam is made out of a old film container, I guess this means shorter exposure times. Let the fun commence!!!!
Three of Ron Cowie's platinum prints for "Leaving Babylon." From Left to Right: "A Broken Heart Always Replies 'Yes,'" (2008), "Kingdom of Obviousness," (2008), and "When It's My Time, Come Pick Me Up" (2007).
Works Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.
On the Left: "Abbey Chimneys."
On the Right: "Light in the North Field."
Scott McMahon's tintypes.
From Right to Left: "Threat" (2003), "Under Torment Sleep" (2000), and "Reserve" (2005).
The final project for my Photographic Possibilities class at UMBC. Liquid Emulsion on Aluminum, with selective development.
To #commemorate my years as a #librarian ending last month I decided to turn a #book into a #pinhole #camera. Let the fun begin!!!!
Done for Alternative Processes @ UMBC, contains Vandyke, Cyanotype, Ink Transfer and Lithography.
Text from the story story "A Rose for Emily" by William Faulkner.
Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.
Cocos Island | Costa Rica
Cyanotype on Rives BFK
Limited Edition of 20 Prints
© JOHANNA EVANS
all rights reserved
Detail of Gretjen Helene's photographic objects. All are painted liquid emulsion photographs printed on the insides of duck egg shells. All are 2011.
The back right section of the gallery: Gretjen Helene's work on the left and middle walls and Scott McMahon's work on the right wall.
Moving into the middle section of the gallery: Ron Cowie's platinum prints for the series "Leaving Babylon" (2007-2008).
My #pinhole #production-line, #preparation for next week's #workshops. Exposure time 30 mins 27 secs
The final project for my Photographic Possibilities class at UMBC. Liquid Emulsion on Aluminum, with selective development.
Cyanotype No.8
And now we come to my most experimental and perhaps best work of all (so far 😉).
I had a little sensitizer left from the paper sheet where I printed the agave, so I took a smaller one and placed on top of it a cardboard with a pattern of holes, the kind used to keep Nespresso coffee capsules in place in the box. It’s not adhesive, so I figured that using it as a mask for brushing would result in some smudging—which it did—so I “helped” it along by spreading the liquid even more. The idea was, of course, to create a fragmented yet still recognizable image.
Then I found a beautiful photo of a sectioned Nautilus shell, printed it on a transparent sheet in positive so that in the end I’d get a negative cyanotype, and I’m really proud of the result.
Winsor & Newton Watercolor Paper 300gr 148x210 mm.
Saint Martin du Vivier - France
Summer 2026