View allAll Photos Tagged alternativeprocesses
Little thermal prints from a "childrens" instant digital camera. My grand-daughter has one of these cameras that is pink with a flamingo on it, but thankfully I managed to find myself a plain black one.
This pinhole camera is made out of a wooden recorder, there are five apertures. Let the fun commence!!!!!
Works Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.
On the Left: "Light in the North Field."
On the Right: "View from Talbot's Grave."
Camera-scanned platinum/palladium print. Autumn 2022. The reason for analogtexas. Chamonix 8 x 10 camera and 150mm f9 Graphic Kowa lens. The lens' image circle wasn't sufficient to cover the film, hence, the vignetting. I think it makes it look ...old? Brush marks and pencil marks to indicate the area on the paper to brush on the mix are all there to see.
Looking toward the middle of the gallery from the back section: Scott McMahon's work in the foreground with the Ostermans' work in the background.
To watch the rest visit:
W: www.lensobscuraworkshops.com/obscura-blogs.html
U-TUBE: youtu.be/0l0m5htJq3Q
Not as cool as they have usually been turning out, but hey! Taken from the clothes line, facing towards the vegetable garden. Exposed from 01/10/10 to 08/10/10.
Done for Alternative Processes @ UMBC, contains Vandyke, Cyanotype, Ink Transfer and Lithography.
Text from the story story "A Rose for Emily" by William Faulkner.
My images from mP2009 in Concord. A wonderful time was had by all... the week was lightspeed.
copyright steve wilson/ModernLight2009
Cocos Island | Costa Rica
Cyanotype on Rives BFK
Limited Edition of 20 Prints
© JOHANNA EVANS
all rights reserved
Close-up of one of Gretjen Helene's photographic objects.
It is a painted liquid emulsion photograph printed on the inside of a duck egg shell (2011).
What's this that troubles us we cannot sleep?
Something is in our fur, we feel it creep
Betwixt our neck and fhoulders, 'twill invade
Our throat anon, the weary Lyon faid,
New come from hunting, ftrech'd in a cool fhade.
I had the opportunity finally!!! to shoot a bit more wP this time with a ringlight. T's friend r. came over... what a look he has. He was an absolute delight to work with.
copyright ModernLight 2010
In #supermarket #car #park got my first two #christmas presents and of course food too. However got a little carried away with the exposure, Exposure time 15 secs
Sept Cam is made out of a old film container, I guess this means shorter exposure times. Let the fun commence!!!!
Three of Ron Cowie's platinum prints for "Leaving Babylon." From Left to Right: "A Broken Heart Always Replies 'Yes,'" (2008), "Kingdom of Obviousness," (2008), and "When It's My Time, Come Pick Me Up" (2007).
Works Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.
On the Left: "Abbey Chimneys."
On the Right: "Light in the North Field."